John Lennon & Yoko Ono – Double Fantasy LP

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Label: Geffen Records – GHS 2001
Format: Vinyl, LP, Album
Country: Finland
Released: 1980
Genre: Rock
Style: Pop Rock

Kappaleet: 

A1 (Just Like) Starting Over 3:55
A2 Kiss Kiss KisS 2:41
A3 Cleanup Time 2:57
A4 Give Me Something 1:34
A5 I'm Losing You 3:58
A6 I'm Moving On 2:19
A7 Beautiful Boy (Darling Boy) 4:01
B1 Watching The Wheels 3:59
B2 I'm Your Angel 3:08
B3 Woman 3:32
B4 Beautiful Boys 2:54
B5 Dear Yoko 2:33
B6 Every Man Has A Woman Who Loves Him 4:02
B7 Hard Times Are Over 3:20

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Media Condition: Very Good Plus (VG+) like NM
Sleeve Condition: Very Good Plus Plus (VG+) pientä kulumaa

Huom! Kuvat kansista eivät välttämättä vasta tuotteen todellista kuntoa.

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Kuntoluokitukset: 

Mint (M) - uusi, avaamaton
Near Mint (NM) - lähes uudenveroinen
Very Good Plus (VG+) - erittäin hyväkuntoinen, hyvin pidetty, ei naarmuja (jotkut kutsuvat myös termillä EX)
Very Good (VG) - hyväkuntoinen kuuntelulevy, saattaa olla hiusnaarmuja ja jälkiä jotka eivät vaikuta soittoon
G+ (Good Plus) - levyssä saattaa olla naarmuja ja jälkiä, pääsääntöisesti soi läpi

https://en.wikipedia.org/wiki/Double_Fantasy

Double Fantasy is the fifth album by John Lennon and Yoko Ono, released in November 1980 on Geffen Records. Produced by Lennon, Ono and Jack Douglas, it was the seventh and final studio album released by Lennon during his lifetime. The album marked Lennon's return to recording music full-time, following his five-year hiatus to raise his son Sean. Recording sessions took place at the Hit Factory in New York City between August and October 1980. The final album features songs from both Lennon and Ono, largely alternating between the two in its track listing. Other tracks recorded by Lennon from the sessions were compiled by Ono for release on Milk and Honey in 1984.

Upon its release, the album stalled on music charts and received largely negative reviews from music critics,[1][2] with many focusing on the album's idealisation of Lennon and Ono's marriage. However, following Lennon's murder three weeks after its release, it became a worldwide commercial success and went on to win the 1981 Grammy Award for Album of the Year at the 24th Annual Grammy Awards in 1982. In subsequent decades, the album has been viewed favourably, with Lennon's songs in particular garnering praise as some of his finest.

In 2010, Ono and Douglas released a remix of the album, titled Double Fantasy Stripped Down, which featured less lavish production than the original.

Background

Following the birth of his son Sean in 1975, Lennon put his career on hold to raise him.[3] After five years of little musical activity aside from recording the occasional demo in his apartment in New York, Lennon resumed work.

In the middle of 1980, Lennon embarked on a sailing trip from Newport, Rhode Island, to Bermuda. During the journey, his yacht encountered a prolonged severe storm. Most of the crew succumbed to fatigue and seasickness except Lennon, who was eventually forced to take the yacht's wheel alone for many hours. It had the effect of both renewing his confidence and making him contemplate the fragility of life. As a result, he began to write new songs and reworked earlier demos. He commented later, "I was so centered after the experience at sea that I was tuned in to the cosmos – and all these songs came!"[4] Ono also wrote many songs, inspired with new confidence after Lennon had stated that he believed that contemporary popular music, such as "Rock Lobster" by the B-52's, bore similarities to Ono's earlier work.[5]

The couple decided to release their work on the same album, the first time they had done so since 1972's politically charged Some Time in New York City. In stark contrast to that album, Double Fantasy (subtitled A Heart Play) was a collection of songs wherein husband and wife would conduct a musical dialogue. The album took its title from a species of freesia, seen in the Bermuda Botanical Gardens, whose name Lennon regarded as a perfect description of his marriage to Ono.[6]

Lennon was also inspired to return to music by his former songwriting partner within the Beatles. Upon hearing former bandmate Paul McCartney's 1980 single "Coming Up", Lennon deemed the song "a good piece of work". According to McCartney, the track prompted Lennon to return to recording later that year.[7][8]

Recording

Ono approached producer Jack Douglas, with whom the couple had previously worked, and gave him Lennon's demos to listen to. "My immediate impressions were that I was going to have a hard time making it better than the demos because there was such intimacy in the demos," Douglas told Uncut's Chris Hunt in 2005.[4]

Sessions for the album began at the Hit Factory in New York City on 7 August 1980 and continued through 19 October 1980.[9] They produced dozens of songs, enough to fill Double Fantasy and a large part of a projected second album, Milk and Honey.

Lennon wanted to work with different musicians than he had previously, and had Douglas assemble and rehearse the band without telling them who they would be recording with.[10] While the sessions were underway, Douglas brought Rick Nielsen and Bun E. Carlos of the band Cheap Trick (whom he was also producing)[11] to play on Lennon's "I'm Losing You" and Ono's "I'm Moving On", but these were eventually re-recorded with the studio musicians. (The Cheap Trick version of "I'm Losing You" was included on the John Lennon Anthology collection released in 1998.)[12]

The sessions remained top secret. Lennon and Ono still were not signed to a record label and paid for the initial sessions themselves.[10] After they were satisfied with the album, their publicist Bruce Replogle leaked the news that the couple were back in the studio again.

Immediately, Lennon was inundated with offers from all the major labels. The recording industry was shocked when the couple signed with the newly formed Geffen Records on 22 September 1980[13] because David Geffen shrewdly insisted on speaking with Ono first and regarded her contributions as equal to Lennon's. He signed them before hearing any of the tracks.[14]


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