{"title":"Vinyylilevyt","description":"\u003cdiv class=\"collection-hero__description rte\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEri lähteistä tarjolla yli 800.000 julkaisua, kaikkia emme valitettavasti pysty listaamaan Acceptus Records verkkokauppaan.  \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMielellän selvitämme hinnan ja saatavuden myös myös muille levyille. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eKysele rohkeasti. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","products":[{"product_id":"die-todliche-doris-angeldust-lp","title":"Die Tödliche Doris – Angeldust LP","description":"\u003cp\u003eLabel: Very Good Records – none\u003cbr\u003eFormat: 2 x Vinyl, LP, Album, Limited Edition, Compilation\u003cbr\u003eCountry: Germany\u003cbr\u003eReleased: Feb 7, 2003\u003cbr\u003eGenre: Electronic\u003cbr\u003eStyle: Experimental\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDer Siebenköpfige Informator \u003cbr\u003eA1 Der Siebenköpfige Informator (- Vor Dem Krieg)\u003cbr\u003eA2 Nahrung Für Den Hungernden Informator\u003cbr\u003eA3 Erste Regel: Wir Halten Kritisch Unsere Eindrücke Fest\u003cbr\u003e Die Tödliche Doris Bewirbt Sich Um Einen Sitz Im Berliner Senat 1981 \u003cbr\u003eA4 Was Möchte Die Tödliche Doris ?\u003cbr\u003eB5 Musik Für Wahlberechtigte\u003cbr\u003e Das Typische Ding \u003cbr\u003eB6 Die Schuldstruktur\u003cbr\u003eB7 Kavaliere\u003cbr\u003eB8 Stümmel Mir\u003cbr\u003eB9 Ein Schwarzes Kleid Und Ein Ei\u003cbr\u003eC1 Der Tod Ist Ein Skandal\u003cbr\u003eC2 Du Armes Ding\u003cbr\u003e Tabea Und Doris Dürfen Doch Wohl Noch Apache Tanzen \u003cbr\u003eC3 Privatparty\u003cbr\u003eC4 Apachentanz\u003cbr\u003eC5 Futuristenparty\u003cbr\u003eC6 Fleischration\u003cbr\u003e Helgoland 23.7.1983 Live- Und Open-AirKonzert Auf Der Deutschen Hochseeinsel \u003cbr\u003eC7 Unser Debut\u003cbr\u003eD8 Zwei Herzen\u003cbr\u003eD9 Guinea-Pig \u0026amp; Ein Hölzchen - Vier Schnürchen\u003cbr\u003e Komposition Für Eine Modenschau, Aufgeführt Während Der \"Durchbruch Modenschau\" In Der Deplana Kunsthalle In Berlin Am 14.10.1984 \u003cbr\u003eD10 Morphologische Modemusik\u003cbr\u003eFeaturing – Gerry Belz Showband\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eToimitusmaksu 7€ (1-20 levyä) \u003cbr data-mce-fragment=\"1\"\u003eToimitus: heti  \u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKaikki käytetyt levyt ovat pesty ultraäänipesurissa ja niiden kunto on tarkistettu.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLevyn kunto: \u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eMedia Condition: Near Mint (NM)\u003cbr\u003eSleeve Condition: Very Good Plus (VG+)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eHuom!\u003c\/strong\u003e Kuvat kansista eivät välttämättä vasta tuotteen todellista kuntoa.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-size: 1.4em;\"\u003e---------------------------------\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eKuntoluokitukset: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMint (M) - uusi, avaamaton \u003cbr\u003eNear Mint (NM) - lähes uudenveroinen\u003cbr\u003eVery Good Plus (VG+) - erittäin hyväkuntoinen, hyvin pidetty, ei naarmuja (jotkut kutsuvat myös termillä EX) \u003cbr\u003eVery Good (VG) - hyväkuntoinen kuuntelulevy, saattaa olla hiusnaarmuja ja jälkiä jotka eivät vaikuta soittoon\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eG+ (Good Plus) - levyssä saattaa olla naarmuja ja jälkiä, pääsääntöisesti soi läpi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Die_T%C3%B6dliche_Doris\"\u003e https:\/\/en.wikipedia.org\/wiki\/Die_T%C3%B6dliche_Doris\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDie Tödliche Doris\u003c\/b\u003e \u003ci\u003e(Deadly Doris;\u003c\/i\u003e a pun on \u003ci\u003etödliche Dosis,\u003c\/i\u003e meaning \u003ci\u003elethal dose)\u003c\/i\u003e was a performance art and music group based in \u003ca title=\"West Berlin\" href=\"https:\/\/en.wikipedia.org\/wiki\/West_Berlin\"\u003eWest Berlin\u003c\/a\u003e from 1980 to 1987. It was founded by band members \u003ca title=\"Wolfgang Müller (artist)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Wolfgang_M%C3%BCller_(artist)\"\u003eWolfgang Müller\u003c\/a\u003e and \u003ca title=\"Nikolaus Utermöhlen (page does not exist)\" class=\"new\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Nikolaus_Uterm%C3%B6hlen\u0026amp;action=edit\u0026amp;redlink=1\"\u003eNikolaus Utermöhlen\u003c\/a\u003e\u003cspan class=\"noprint\"\u003e [\u003ca title=\"de:Nikolaus Utermöhlen\" class=\"extiw\" href=\"https:\/\/de.wikipedia.org\/wiki\/Nikolaus_Uterm%C3%B6hlen\"\u003ede\u003c\/a\u003e]\u003c\/span\u003e and later joined by \u003ca title=\"Käthe Kruse (musician) (page does not exist)\" class=\"new\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=K%C3%A4the_Kruse_(musician)\u0026amp;action=edit\u0026amp;redlink=1\"\u003eKäthe Kruse\u003c\/a\u003e\u003cspan class=\"noprint\"\u003e [\u003ca title=\"de:Elke Kruse\" class=\"extiw\" href=\"https:\/\/de.wikipedia.org\/wiki\/Elke_Kruse\"\u003ede\u003c\/a\u003e]\u003c\/span\u003e, \u003ca title=\"Chris Dreier (page does not exist)\" class=\"new\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Chris_Dreier\u0026amp;action=edit\u0026amp;redlink=1\"\u003eChris Dreier\u003c\/a\u003e\u003cspan class=\"noprint\"\u003e [\u003ca title=\"de:Christine Dreier\" class=\"extiw\" href=\"https:\/\/de.wikipedia.org\/wiki\/Christine_Dreier\"\u003ede\u003c\/a\u003e]\u003c\/span\u003e, \u003ca title=\"Dagmar Dimitroff (page does not exist)\" class=\"new\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Dagmar_Dimitroff\u0026amp;action=edit\u0026amp;redlink=1\"\u003eDagmar Dimitroff\u003c\/a\u003e and \u003ca title=\"Tabea Blumenschein\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tabea_Blumenschein\"\u003eTabea Blumenschein\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan id=\"Biography\" class=\"mw-headline\"\u003eBiography\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eDie Tödliche Doris was part of the \u003cspan title=\"German-language text\"\u003e\u003ci lang=\"de\"\u003eGeniale Dilletanten\u003c\/i\u003e\u003c\/span\u003e movement (Ingenious Dilletantes (spelling error intentional)), a merger of the \u003ca title=\"New wave music\" href=\"https:\/\/en.wikipedia.org\/wiki\/New_wave_music\"\u003enew wave\u003c\/a\u003e and post-\u003ca title=\"Punk subculture\" href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_subculture\"\u003epunk scene\u003c\/a\u003e, which combined influences like \u003ca title=\"Frieder Butzmann (page does not exist)\" class=\"new\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Frieder_Butzmann\u0026amp;action=edit\u0026amp;redlink=1\"\u003eFrieder Butzmann\u003c\/a\u003e\u003cspan class=\"noprint\"\u003e [\u003ca title=\"de:Frieder Butzmann\" class=\"extiw\" href=\"https:\/\/de.wikipedia.org\/wiki\/Frieder_Butzmann\"\u003ede\u003c\/a\u003e]\u003c\/span\u003e, \u003ca title=\"Einstürzende Neubauten\" href=\"https:\/\/en.wikipedia.org\/wiki\/Einst%C3%BCrzende_Neubauten\"\u003eEinstürzende Neubauten\u003c\/a\u003e and \u003ca title=\"Malaria!\" href=\"https:\/\/en.wikipedia.org\/wiki\/Malaria!\"\u003eMalaria!\u003c\/a\u003e. The head of the band, author, musician and artist Wolfgang Müller, wrote the book \u003cspan title=\"German-language text\"\u003e\u003ci lang=\"de\"\u003eGeniale Dilletanten\u003c\/i\u003e\u003c\/span\u003e for the \u003ca title=\"Merve (publisher) (page does not exist)\" class=\"new\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Merve_(publisher)\u0026amp;action=edit\u0026amp;redlink=1\"\u003eMerve\u003c\/a\u003e\u003cspan class=\"noprint\"\u003e [\u003ca title=\"de:Merve Verlag\" class=\"extiw\" href=\"https:\/\/de.wikipedia.org\/wiki\/Merve_Verlag\"\u003ede\u003c\/a\u003e]\u003c\/span\u003e publishing house. This was known for the first German publisher of French postmodern philosophers.\u003c\/p\u003e\n\u003cp\u003eRather than constructing a consistent identity, typically essential for \u003ca title=\"Pop music\" href=\"https:\/\/en.wikipedia.org\/wiki\/Pop_music\"\u003epop music\u003c\/a\u003e groups, Die Tödliche Doris challenged the notion of \"convention\" or \"stereotype\". Instead, they tried with each music piece and production not to follow a \"style\" or \"image\". Inspired by the post-structuralism of \u003ca title=\"Baudrillard\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Baudrillard\"\u003eBaudrillard\u003c\/a\u003e, \u003ca title=\"Michel Foucault\" href=\"https:\/\/en.wikipedia.org\/wiki\/Michel_Foucault\"\u003eFoucault\u003c\/a\u003e, \u003ca title=\"Félix Guattari\" href=\"https:\/\/en.wikipedia.org\/wiki\/F%C3%A9lix_Guattari\"\u003eGuattarri\u003c\/a\u003e and \u003ca title=\"Lyotard\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Lyotard\"\u003eLyotard\u003c\/a\u003e, Die Tödliche Doris want to deConstruct ![sic] a sculpture, made by sounds. This musical, amusical or non-musical invisible sculpture should become the body of Doris itself.\u003c\/p\u003e\n\u003cp\u003eThe first 12-inch LP of Die Tödliche Doris has no title, but is known as \u003cspan title=\"German-language text\"\u003e\u003ci lang=\"de\"\u003e7 tödliche Unfälle im Haushalt\u003c\/i\u003e\u003c\/span\u003e (7 deadly accidents in household). Afterwards they published the LP \"Die Tödliche Doris\" (1981). On this LP are 13 tracks, which seems to have nothing in common: a \"funny\" song followed by a \"serious\" song, followed by a \"banal\" one, a \"cruel\" one, a \"soft\" one, a \"noisy\" one etc. Nothing seems to fit together, all styles or themes are strictly separated from one another. So Doris consists - like human beings - of a lot of different, contradictory characteristics, which exist in one body, but not co-instantaneously.\u003c\/p\u003e\n\u003cp\u003eBecause it is not possible to re-enact this concept of a further LP, now the band begin to deConstruct the medium \"vinyl-record\" itself. With their following project, Die Tödliche Doris and her head, the philosopher and artist Wolfgang Müller broke the convention of a normal record-producing. Called, \u003ci\u003eChöre \u0026amp; Soli\u003c\/i\u003e (1983–84), it looked like a five-vinyl-LP box, but contained eight small doll-records, a doll-record player with battery and a booklet. The songs lasted just 20 seconds and were of poor quality. This box is one of the most searched-for items among record collectors today.\u003csup class=\"noprint Inline-Template Template-Fact\"\u003e[\u003ci\u003e\u003ca title=\"Wikipedia:Citation needed\" href=\"https:\/\/en.wikipedia.org\/wiki\/Wikipedia:Citation_needed\"\u003e\u003cspan title=\"This claim needs references to reliable sources. (July 2010)\"\u003ecitation needed\u003c\/span\u003e\u003c\/a\u003e\u003c\/i\u003e]\u003c\/sup\u003e The plan of the band was that no reviewers would compare the music from their first LP with the second: \"We want to become the most independent band of all independent bands–even independent from a usual record player,\" Wolfgang Müller said in an interview: \"But also independent from music-reviews and critics, which want to put you in her sound- and identity-system.\"\u003c\/p\u003e\n\u003cp\u003eThe band's fourth album, \u003cspan title=\"German-language text\"\u003e\u003ci lang=\"de\"\u003eUnser Debüt\u003c\/i\u003e\u003c\/span\u003e (Our Debut), was perceived as a new wave pop album. It was published in 1984. This record played on popularity-seeking among other bands as a central musical theme. The music tried to sound \"opportunistic\", \"ambitious\", and overtly tried to \"please\" the audience. Doris-head Wolfgang Müller said this idea was born as a result of the coming-up atmosphere of becoming commercially successful, which has got since 1983 a noticeable influence of the West-Berlin Ingenious Dilettantes Scene around Einstürzende Neubauten, Malaria and others. \u003cspan title=\"German-language text\"\u003e\u003ci lang=\"de\"\u003eUnser Debut\u003c\/i\u003e\u003c\/span\u003e received many bad reviews, though some writers in Belgium and Canada identified the music of the LP as \"a parody about commercialism and conformance\".\u003c\/p\u003e\n\u003cp\u003eOne year later, the LP \u003cspan title=\"German-language text\"\u003e\u003ci lang=\"de\"\u003eSechs\u003c\/i\u003e\u003c\/span\u003e (Six) was produced, the musical opposite of \u003cspan title=\"German-language text\"\u003e\u003ci lang=\"de\"\u003eUnser Debüt\u003c\/i\u003e\u003c\/span\u003e. It was very puritan, abstract music, artistic and hermetic. Many reviewers thought that the band had come back to their \"experimental\" roots again.\u003c\/p\u003e\n\u003cp\u003eActually, both records were recorded at the same time in the same studio at Atatak, Düsseldorf. Their tracks have exactly the same lengths on each face a and b. \u003cspan title=\"German-language text\"\u003e\u003ci lang=\"de\"\u003eUnser Debut\u003c\/i\u003e\u003c\/span\u003e and \u003cspan title=\"German-language text\"\u003e\u003ci lang=\"de\"\u003esechs\u003c\/i\u003e\u003c\/span\u003e are full of relations between texts, sounds and contents. Also the covers relate and communicate in between colours, lyrics and images. But in public, nobody knows or find out, that both records a \"fitting together\". One year after \u003cspan title=\"German-language text\"\u003e\u003ci lang=\"de\"\u003eSechs\u003c\/i\u003e\u003c\/span\u003e was published, Die Tödliche Doris published a poster, where they announced having produced a completely independent, non-commercial record, \"the first invisible record of the world\", created in the head of listeners by playing the album \u003cspan title=\"German-language text\"\u003e\u003ci lang=\"de\"\u003eUnser Debüt\u003c\/i\u003e\u003c\/span\u003e simultaneously with \u003cspan title=\"German-language text\"\u003e\u003ci lang=\"de\"\u003eSechs\u003c\/i\u003e\u003c\/span\u003e. Thus, Die Tödliche Doris created an additional, invisible 5th album in between \u003cspan title=\"German-language text\"\u003e\u003ci lang=\"de\"\u003eUnser Debüt\u003c\/i\u003e\u003c\/span\u003e (their fourth) and \u003cspan title=\"German-language text\"\u003e\u003ci lang=\"de\"\u003eSechs\u003c\/i\u003e\u003c\/span\u003e (the sixth).\u003c\/p\u003e\n\u003ch2\u003e\u003cspan id=\"Discography\" class=\"mw-headline\"\u003eDiscography\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDer siebenköpfige Informator 1980\u003c\/li\u003e\n\u003cli\u003eDas typische Ding 1981\u003c\/li\u003e\n\u003cli\u003eTabea und Doris dürfen doch wohl noch Apache tanzen 1981\u003c\/li\u003e\n\u003cli\u003eno title, known as 7 tödliche Unfälle im Haushalt 1981\u003c\/li\u003e\n\u003cli\u003e”　” 1982\u003c\/li\u003e\n\u003cli\u003eDie Tödliche Doris Live im SO 36 1983\u003c\/li\u003e\n\u003cli\u003eChöre \u0026amp; Soli 1983\u003c\/li\u003e\n\u003cli\u003eChöre \u0026amp; Soli live im Delphi-Palast 1984\u003c\/li\u003e\n\u003cli\u003eUnser Debüt 1984\u003c\/li\u003e\n\u003cli\u003eNaturkatastrophen 1984\u003c\/li\u003e\n\u003cli\u003eDie Über-Doris 1985\u003c\/li\u003e\n\u003cli\u003esechs 1986\u003c\/li\u003e\n\u003cli\u003eLiveplaybacks 1986\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Acceptus Records","offers":[{"title":"Default Title","offer_id":43098512359598,"sku":"","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/1_f9346502-039f-43a1-8aef-21f3552d9603.jpg?v=1657459629"},{"product_id":"him-lp-levy","title":"HIM - Greatest love songs (remasterred 2022) 25th anniversary edition LP levy","description":"\u003cdiv class=\"head\"\u003e\n\u003cp\u003eLabel:  RCA \/ Sony Music 0194399822210 \u003cbr\u003eFormat: Vinyl, LP, Album, Gatefold black, 140 gr.\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: 2022\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Alternative Rock, Goth Rock\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cp\u003eFor You\u003cbr\u003eYour Sweet 666\u003cbr\u003eWicked Game\u003cbr\u003eThe Heartless\u003cbr\u003eOur Diabolikal Rapture\u003cbr\u003eIt's All Tears (Drown In This Love)\u003cbr\u003eWhen Love and Death Embrace\u003cbr\u003eThe Beginning Of The End\u003cbr\u003eDon't Fear The Reaper\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eToimitus: 1-2 viikkoa\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 7€ (1-20 levyä) \u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666\"\u003eGreatest Lovesongs Vol. 666 - Wikipedia\u003c\/a\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cb\u003eGreatest Lovesongs Vol. 666\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eon\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"HIM\" href=\"https:\/\/fi.wikipedia.org\/wiki\/HIM\"\u003eHIM\u003c\/a\u003e-yhtyeen ensimmäinen albumi vuodelta\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"1997\" href=\"https:\/\/fi.wikipedia.org\/wiki\/1997\"\u003e1997\u003c\/a\u003e. Sen tuottajana toimi\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Hiili Hiilesmaa\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Hiili_Hiilesmaa\"\u003eHiili Hiilesmaa\u003c\/a\u003e. Singleinä levyltä julkaistiin kappaleet \"When Love and Death Embrace\", \"It's All Tears\" ja \"Your Sweet Six Six Six\".\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Saksa\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Saksa\"\u003eSaksassa\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003elevy julkaistiin hieman erilaisella kappalejärjestyksellä: \"For You\" on aloitusraidan sijaan päätösraita. Greatest Lovesongs Vol. 666 on yksi parhaimmin menestyneistä debyyttialbumeista Suomessa.\u003csup class=\"reference\" id=\"cite_ref-2\"\u003e\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eLevyn naislauluosuudet ovat\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Sanna-June Hyde\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Sanna-June_Hyde\"\u003eSanna-June Hyden\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eja Asta Hannulan laulamia. Albumi on tähän mennessä\u003csup title=\"Milloin?\"\u003e\u003ca title=\"Wikipedia:Merkitse lähteet\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Wikipedia:Merkitse_l%C3%A4hteet\"\u003e\u003ci\u003emilloin?\u003c\/i\u003e\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003emyynyt Suomessa noin 68 000 kappaletta.\u003csup class=\"reference\" id=\"cite_ref-3\"\u003e\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAlbumi on myös Venus Doomin ohella ainoa HIM-levy, jolla kuullaan\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Perusvire (sivua ei ole)\" class=\"new\" href=\"https:\/\/fi.wikipedia.org\/w\/index.php?title=Perusvire\u0026amp;action=edit\u0026amp;redlink=1\"\u003eperusvirettä\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ealemmas viritettyjä kappaleita\u003cspan\u003e\u003csup\u003e\u003ci\u003e\u003ca title=\"Malline:Selvennä\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Malline:Selvenn%C3%A4\"\u003e\u003cspan title=\"mikä on perusvire?\" class=\"noprint\"\u003eselvennä\u003c\/span\u003e\u003c\/a\u003e\u003c\/i\u003e\u003c\/sup\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan id=\"Yhtyeen_kokoonpano\" class=\"mw-headline\"\u003eYhtyeen kokoonpano\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca title=\"Daniel Lioneye\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Daniel_Lioneye\"\u003eMikko Lindström\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– kitara\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Antto Melasniemi (sivua ei ole)\" class=\"new\" href=\"https:\/\/fi.wikipedia.org\/w\/index.php?title=Antto_Melasniemi\u0026amp;action=edit\u0026amp;redlink=1\"\u003eAntto Melasniemi\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– kosketinsoittimet\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Migé Amour\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Mig%C3%A9_Amour\"\u003eMikko Paananen\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– basso\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Juhana Rantala\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Juhana_Rantala\"\u003eJuhana Rantala\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– rummut\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Ville Valo\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Ville_Valo\"\u003eVille Valo\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– laulu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Objection_Overruled\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eGreatest Lovesongs Vol. 666\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis the debut studio album by Finnish\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Gothic rock\" href=\"https:\/\/en.wikipedia.org\/wiki\/Gothic_rock\"\u003egothic rock\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eband\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"HIM (Finnish band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/HIM_(Finnish_band)\"\u003eHIM\u003c\/a\u003e. The album was recorded in fifteen days during the summer of 1997 with producer Hiili Hiilesmaa, whom vocalist Ville Valo has credited as the honorary sixth member of the band due his help in honing the band's sound, and released on 3 November 1997. Musically\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGreatest Lovesongs Vol. 666\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ehas been described as a combination of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Heavy metal music\" href=\"https:\/\/en.wikipedia.org\/wiki\/Heavy_metal_music\"\u003eheavy metal\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand 1980s\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Rock music\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_music\"\u003erock\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand goth, with lyrics centered around themes of love and death. The album also features the only writing credits from guitarist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Linde Lindström\" href=\"https:\/\/en.wikipedia.org\/wiki\/Linde_Lindstr%C3%B6m\"\u003eMikko \"Linde\" Lindström\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein the band's history, and is their only album to feature keyboardist Antto Melasniemi and drummer Juhana \"Pätkä\" Rantala.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eGreatest Lovesongs Vol. 666\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ereceived positive reviews from critics, who commended the album's diversity and overall sound. The album peaked at number four in Finland and at number 50 in Germany, later going platinum in the former. Three singles were released, two of which reached the top ten in Finland, with music videos also being produced for two. HIM would later go on to win \"Debut Album of the Year\", as well as \"Newcomer of the Year\", at the 1997\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Emma-gaala\" href=\"https:\/\/en.wikipedia.org\/wiki\/Emma-gaala\"\u003eEmma Awards\u003c\/a\u003e. After a supporting tour across Finland,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGreatest Lovesongs Vol. 666\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ereceived its international release in late 1998, which was followed by the band's first tour abroad in Germany.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Production\" class=\"mw-headline\"\u003eProduction\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Production\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Greatest_Lovesongs_Vol._666\u0026amp;action=edit\u0026amp;section=1\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eHIM began recording their debut album in the northern summer of 1997.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää69_2-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A469-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe drums, bass and guitars were recorded at MD-Studios in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Munkkiniemi\" href=\"https:\/\/en.wikipedia.org\/wiki\/Munkkiniemi\"\u003eMunkkiniemi\u003c\/a\u003e, while the vocals and keyboards were recorded at Peacemakers Studios in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Jokela\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jokela\"\u003eJokela\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää69_2-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A469-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAll in all the recording process took fifteen days, while the album was mixed in approximately one week.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää69_2-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A469-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eDue to HIM's minimal studio experience, producer\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Hiili Hiilesmaa\" href=\"https:\/\/en.wikipedia.org\/wiki\/Hiili_Hiilesmaa\"\u003eHiili Hiilesmaa\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eplayed a key role in honing the band's sound, and was touted as the honorary sixth member of the group by vocalist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Ville Valo\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ville_Valo\"\u003eVille Valo\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää69_2-3\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A469-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-SynninViemää70_3-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A470-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eWhen recording began, HIM had eight songs ready for the album, two of which (\"\u003ca title=\"Wicked Game\" href=\"https:\/\/en.wikipedia.org\/wiki\/Wicked_Game\"\u003eWicked Game\u003c\/a\u003e\" and \"The Heartless\") were previously recorded for the group's 1996 EP\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"666 Ways to Love: Prologue\" href=\"https:\/\/en.wikipedia.org\/wiki\/666_Ways_to_Love:_Prologue\"\u003e666 Ways to Love: Prologue\u003c\/a\u003e\u003c\/i\u003e.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää70_3-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A470-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAfter initial recording ended, the album clocked in at 32 minutes, which the band's record label\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Bertelsmann Music Group\" href=\"https:\/\/en.wikipedia.org\/wiki\/Bertelsmann_Music_Group\"\u003eBMG\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efelt was too short.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää71_4-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A471-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAs a result, HIM opted to include a cover of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Blue Öyster Cult\" href=\"https:\/\/en.wikipedia.org\/wiki\/Blue_%C3%96yster_Cult\"\u003eBlue Öyster Cult\u003c\/a\u003e's \"\u003ca title=\"(Don't Fear) the Reaper\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/(Don%27t_Fear)_the_Reaper\"\u003e(Don't Fear) the Reaper\u003c\/a\u003e\" on the record, which the band had recorded the previous winter.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää72_5-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A472-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe track also featured guest vocals by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Sanna-June Hyde\" href=\"https:\/\/en.wikipedia.org\/wiki\/Sanna-June_Hyde\"\u003eSanna-June Hyde\u003c\/a\u003e, an old school friend of Valo's and guitarist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Linde Lindström\" href=\"https:\/\/en.wikipedia.org\/wiki\/Linde_Lindstr%C3%B6m\"\u003eLinde Lindström\u003c\/a\u003e's ex-girlfriend.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää72_5-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A472-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eDuring the album's mastering process, Hiili Hiilesmaa and Pauli Saastamoinen added an effect at the end \"It's All Tears (Drown in This Love)\", where the stereo sound breaks, which later caused many people to return the album to stores, believing they had received a faulty copy.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää76_6-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A476-6\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eValo had originally envisioned the album's front cover as featuring a replica of his body that would slowly turn into a skeleton as it went down.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää73_7-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A473-7\"\u003e[7]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eDue to minimal funds and time constraints, the band were unable to fulfill this idea, instead opting for a more traditional photo session with Vertti Teräsvuori.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää73_7-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A473-7\"\u003e[7]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe finished cover art was meant as a combination of goth and eroticism with its dark red color scheme, while Valo posing was described as a \"\u003ca title=\"Jeanne d’Arc\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jeanne_d%E2%80%99Arc\"\u003eJeanne d’Arc\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e-style tortured figure\".\u003csup class=\"reference\" id=\"cite_ref-SynninViemää73_7-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A473-7\"\u003e[7]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBMG were not fond of the finished artwork, feeling that it evoked too much of a \"\u003ca title=\"Billy Idol\" href=\"https:\/\/en.wikipedia.org\/wiki\/Billy_Idol\"\u003eBilly Idol\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003evibe\" by just having one band member on the cover.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää74_8-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A474-8\"\u003e[8]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe label also protested to the band's idea of having the name HIM barely visible on the cover.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää74_8-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A474-8\"\u003e[8]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\"For You\" was also chosen as the first track on the album at the insistence of BMG, with \"Intro\" in parentheses. According to Valo, this was done because the label didn't want people just listening to the long opening of the song, thinking the whole album would be like that.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää74_8-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A474-8\"\u003e[8]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\"Your Sweet Six Six Six\" was later switched out as the opening track on the international edition of the album.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää74_8-3\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A474-8\"\u003e[8]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Music_and_lyrics\" class=\"mw-headline\"\u003eMusic and lyrics\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Music and lyrics\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Greatest_Lovesongs_Vol._666\u0026amp;action=edit\u0026amp;section=2\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cdiv class=\"side-box side-box-right listen noprint\"\u003e\n\u003cdiv class=\"side-box-flex\"\u003e\n\u003cdiv class=\"side-box-image\"\u003e\n\u003cdiv class=\"center\"\u003e\n\u003cdiv class=\"floatnone\"\u003e\u003cimg data-file-height=\"160\" data-file-width=\"160\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/87\/Gnome-mime-sound-openclipart.svg\/75px-Gnome-mime-sound-openclipart.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/87\/Gnome-mime-sound-openclipart.svg\/100px-Gnome-mime-sound-openclipart.svg.png 2x\" height=\"50\" width=\"50\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/87\/Gnome-mime-sound-openclipart.svg\/50px-Gnome-mime-sound-openclipart.svg.png\" alt=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"side-box-text plainlist\"\u003e\n\u003cdiv class=\"haudio\"\u003e\n\u003cdiv class=\"listen-file-header\"\u003e\u003ca title=\"File:HIM - When Love and Death Embrace (sample).ogg\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:HIM_-_When_Love_and_Death_Embrace_(sample).ogg\"\u003e\"When Love and Death Embrace\" (1997)\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"mw-tmh-player audio\"\u003e\u003ca role=\"button\" title=\"Play media\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:HIM_-_When_Love_and_Death_Embrace_(sample).ogg\" class=\"mw-tmh-play\"\u003e\u003cspan class=\"mw-tmh-play-icon\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan aria-label=\"31 seconds\" class=\"mw-tmh-duration mw-tmh-label\"\u003e0:31\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"description\"\u003e\"When Love and Death Embrace\" was chosen as the first single from the album, and Valo later spoke of the song having \"something that we've very rarely been able touch since\".\u003csup class=\"reference\" id=\"cite_ref-HS_9-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-HS-9\"\u003e[9]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"side-box-abovebelow\"\u003e\n\u003chr\u003e\n\u003ci class=\"selfreference\"\u003eProblems playing this file? See\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Help:Media\" href=\"https:\/\/en.wikipedia.org\/wiki\/Help:Media\"\u003emedia help\u003c\/a\u003e.\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe sound of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGreatest Lovesongs Vol. 666\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ehas been described as a combination of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Heavy metal music\" href=\"https:\/\/en.wikipedia.org\/wiki\/Heavy_metal_music\"\u003eheavy metal\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand 1980s\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Rock music\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_music\"\u003erock\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Gothic rock\" href=\"https:\/\/en.wikipedia.org\/wiki\/Gothic_rock\"\u003egoth\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003emusic, with Valo citing\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Type O Negative\" href=\"https:\/\/en.wikipedia.org\/wiki\/Type_O_Negative\"\u003eType O Negative\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eas the main influence on the album.\u003csup class=\"reference\" id=\"cite_ref-Allmusic_10-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-Allmusic-10\"\u003e[10]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-Writing_11-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-Writing-11\"\u003e[11]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eLyrically the material is heavy on symbolism centered around love and death, a theme that would continue through the band's later work as well.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää70_3-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A470-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAs a whole however, Valo has described the album as much more \"serious\" than the band's later releases, stating: \"I guess I was a bit humorless back then. I thought we were really making some fucking fine art or something, and in hindsight, I realized that maybe it wasn't quite like that.\"\u003csup class=\"reference\" id=\"cite_ref-SynninViemää71_4-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A471-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe album opens with \"For You\", which features a '50s-style guitar intro, inspired by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Chris Isaak\" href=\"https:\/\/en.wikipedia.org\/wiki\/Chris_Isaak\"\u003eChris Isaak\u003c\/a\u003e's \"\u003ca title=\"Wicked Game\" href=\"https:\/\/en.wikipedia.org\/wiki\/Wicked_Game\"\u003eWicked Game\u003c\/a\u003e\",\u003csup class=\"reference\" id=\"cite_ref-SynninViemää80_12-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A480-12\"\u003e[12]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ewhile the main riff of the song is taken from \"Bloody Hammer\" by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Roky Erickson\" href=\"https:\/\/en.wikipedia.org\/wiki\/Roky_Erickson\"\u003eRoky Erickson\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää80_12-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A480-12\"\u003e[12]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\"For You\", along with \"Our Diabolikal Rapture\", are the only two HIM-songs to date to be co-written by guitarist Linde Lindström.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää69_2-4\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A469-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe latter of the two tracks came to be after Valo heard Lindström playing a riff, which they then modified to be more \"\u003ca title=\"Stoner rock\" href=\"https:\/\/en.wikipedia.org\/wiki\/Stoner_rock\"\u003estonery\u003c\/a\u003e\".\u003csup class=\"reference\" id=\"cite_ref-SynninViemää80_12-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A480-12\"\u003e[12]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThis eventually evolved into \"Our Diabolikal Rapture\", which Valo described as \"progressive, yet catchy\".\u003csup class=\"reference\" id=\"cite_ref-SynninViemää81_13-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A481-13\"\u003e[13]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\"Your Sweet Six Six Six\" is a love song about how \"when another person does you harm, but still it's so fucking hard to let go. You're not even sure if you want to let go\" according to Valo.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää80_12-3\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A480-12\"\u003e[12]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe title was inspired by the alleged\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Backmasking\" href=\"https:\/\/en.wikipedia.org\/wiki\/Backmasking\"\u003ebackmasking\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efeatured on\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Led Zeppelin\" href=\"https:\/\/en.wikipedia.org\/wiki\/Led_Zeppelin\"\u003eLed Zeppelin\u003c\/a\u003e's \"\u003ca title=\"Stairway to Heaven\" href=\"https:\/\/en.wikipedia.org\/wiki\/Stairway_to_Heaven\"\u003eStairway to Heaven\u003c\/a\u003e\", where TV evangelist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Paul Crouch\" href=\"https:\/\/en.wikipedia.org\/wiki\/Paul_Crouch\"\u003ePaul Crouch\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eclaimed that, when played backwards, satanic messages can be heard in the song, including the phrase \"Here's to my sweet Satan\".\u003csup class=\"reference\" id=\"cite_ref-SynninViemää80_12-4\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A480-12\"\u003e[12]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe use of the number 666 was also seen by the band as purely \"symbolic\" and \"traditionally rock 'n' roll\", not indicative of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Satanism\" href=\"https:\/\/en.wikipedia.org\/wiki\/Satanism\"\u003eSatanism\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-LoudLegacy_14-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-LoudLegacy-14\"\u003e[14]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-SynninViemää29_15-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A429-15\"\u003e[15]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\"The Heartless\" was inspired by Valo's first crush, who fell in love with his best friend, whom Valo felt was being \"completely heartless\" to her.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää80_12-5\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A480-12\"\u003e[12]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\"When Love and Death Embrace\" was chosen as the first single from the album by BMG Finland's Asko Kallonen, who felt that the song \"represented HIM at its core\",\u003csup class=\"reference\" id=\"cite_ref-SynninViemää76_6-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A476-6\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eto which Valo agreed, touting it as being a good representation of the band overall.\u003csup class=\"reference\" id=\"cite_ref-MetalHammerInspiration_16-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-MetalHammerInspiration-16\"\u003e[16]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-SoundwaveInterview_17-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SoundwaveInterview-17\"\u003e[17]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe verse-chords of the song are taken from the soundtrack to the TV series\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Twin Peaks\" href=\"https:\/\/en.wikipedia.org\/wiki\/Twin_Peaks\"\u003eTwin Peaks\u003c\/a\u003e\u003c\/i\u003e, while the use of a\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Moog synthesizer\" href=\"https:\/\/en.wikipedia.org\/wiki\/Moog_synthesizer\"\u003eMoog synthesizer\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003elater became a \"trademark of HIM\" according to Valo.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää81_13-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A481-13\"\u003e[13]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe banging sounds featured on \"The Beginning of the End\" were achieved by the band hitting trash bins in a cellar, while the opening riff was performed by Valo, as Lindström was not present at the studio and the band wanted \"the world's shittiest sound played badly\", which they believed Lindström could not provide.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää70_3-3\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A470-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\"Wicked Game\" was originally released in 1989 by Chris Isaak on his album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Heart Shaped World (Chris Isaak album)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Heart_Shaped_World_(Chris_Isaak_album)\"\u003eHeart Shaped World\u003c\/a\u003e\u003c\/i\u003e. A year later the song was used in the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"David Lynch\" href=\"https:\/\/en.wikipedia.org\/wiki\/David_Lynch\"\u003eDavid Lynch\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efilm\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Wild at Heart (film)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Wild_at_Heart_(film)\"\u003eWild at Heart\u003c\/a\u003e\u003c\/i\u003e, which is where Valo first heard it.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää50_18-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A450-18\"\u003e[18]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAround this time, HIM were low on original material and thus decided to add \"Wicked Game\" to their repertoire.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää50_18-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A450-18\"\u003e[18]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAccording to Valo, the song played an integral part in HIM's evolution, helping them develop their own sound.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää50_18-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A450-18\"\u003e[18]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\"\u003ca title=\"(Don't Fear) The Reaper\" href=\"https:\/\/en.wikipedia.org\/wiki\/(Don%27t_Fear)_The_Reaper\"\u003e(Don't Fear) The Reaper\u003c\/a\u003e\" was originally released by American rock band\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Blue Öyster Cult\" href=\"https:\/\/en.wikipedia.org\/wiki\/Blue_%C3%96yster_Cult\"\u003eBlue Öyster Cult\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eon their 1976 album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Agents of Fortune\" href=\"https:\/\/en.wikipedia.org\/wiki\/Agents_of_Fortune\"\u003eAgents of Fortune\u003c\/a\u003e\u003c\/i\u003e. The\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Romeo and Juliet\" href=\"https:\/\/en.wikipedia.org\/wiki\/Romeo_and_Juliet\"\u003eRomeo and Juliet\u003c\/a\u003e\u003c\/i\u003e-inspired lyrics of the song convinced Valo to record it as a duet, explaining: \"I never understood the manliness of the original by Blue Öyster Cult, as [the song] is clearly an exchange between a man and a woman. I thought it would be more interesting to make a version, where a boy and a girl decide you don't have to be afraid\".\u003csup class=\"reference\" id=\"cite_ref-SynninViemää72_5-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A472-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Release_and_promotion\" class=\"mw-headline\"\u003eRelease and promotion\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Release and promotion\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Greatest_Lovesongs_Vol._666\u0026amp;action=edit\u0026amp;section=3\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cdiv class=\"thumb tright\"\u003e\n\u003cdiv class=\"thumbinner\"\u003e\n\u003ca class=\"image\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:HIM-Mige%26Ville%26(Gas)%26Juska%26Linde-Provinssi99.jpg\"\u003e\u003cimg data-file-height=\"419\" data-file-width=\"1024\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/54\/HIM-Mige%26Ville%26%28Gas%29%26Juska%26Linde-Provinssi99.jpg\/450px-HIM-Mige%26Ville%26%28Gas%29%26Juska%26Linde-Provinssi99.jpg 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/54\/HIM-Mige%26Ville%26%28Gas%29%26Juska%26Linde-Provinssi99.jpg\/600px-HIM-Mige%26Ville%26%28Gas%29%26Juska%26Linde-Provinssi99.jpg 2x\" class=\"thumbimage\" height=\"123\" width=\"300\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/54\/HIM-Mige%26Ville%26%28Gas%29%26Juska%26Linde-Provinssi99.jpg\/300px-HIM-Mige%26Ville%26%28Gas%29%26Juska%26Linde-Provinssi99.jpg\" alt=\"\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\u003cdiv class=\"magnify\"\u003e\u003ca title=\"Enlarge\" class=\"internal\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:HIM-Mige%26Ville%26(Gas)%26Juska%26Linde-Provinssi99.jpg\"\u003e\u003c\/a\u003e\u003c\/div\u003e\nHIM performing at\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Provinssirock\" href=\"https:\/\/en.wikipedia.org\/wiki\/Provinssirock\"\u003eProvinssirock\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein June 1999\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\"When Love and Death Embrace\" was released as the first single from the album in October 1997, debuting at number twelve on the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Official Finnish Charts\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Official_Finnish_Charts\"\u003eFinnish Singles Chart\u003c\/a\u003e, before peaking at number nine two weeks later.\u003csup class=\"reference\" id=\"cite_ref-FIN_19-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-FIN-19\"\u003e[19]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eA music video, directed by Mikko Pitkänen, was also produced.\u003csup class=\"reference\" id=\"cite_ref-WhenLove_20-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-WhenLove-20\"\u003e[20]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAlso in October, HIM held a showcase for members of the music industry at the Music and Media Expo in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Tampere\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tampere\"\u003eTampere\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää85_21-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A485-21\"\u003e[21]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGreatest Lovesongs Vol. 666\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas released on 3 November 1997, debuting at number eleven on the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Official Finnish Charts\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Official_Finnish_Charts\"\u003eFinnish Albums Chart\u003c\/a\u003e, before peaking at number four a week later,\u003csup class=\"reference\" id=\"cite_ref-SynninViemää85_21-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A485-21\"\u003e[21]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-FIN_19-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-FIN-19\"\u003e[19]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eeventually being\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Music recording sales certification\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Music_recording_sales_certification\"\u003ecertified gold\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand later platinum.\u003csup class=\"reference\" id=\"cite_ref-FINcerts_22-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-FINcerts-22\"\u003e[22]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eOn the day of the album's release, HIM held a party at King's Kakadu, a strip club in Helsinki, where they performed three songs by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Rauli Somerjoki\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rauli_Somerjoki\"\u003eRauli \"Badding\" Somerjoki\u003c\/a\u003e, dressed in suits with slicked-back hair, as well as '50s-style instruments.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää87_23-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A487-23\"\u003e[23]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAfterwards HIM performed a sold-out show at the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Tavastia Club\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tavastia_Club\"\u003eTavastia Club\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein Helsinki.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää87_23-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A487-23\"\u003e[23]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe official supporting tour for\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGreatest Lovesongs Vol. 666\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ebegan in mid-December 1997 at the Maxim in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Kuopio\" href=\"https:\/\/en.wikipedia.org\/wiki\/Kuopio\"\u003eKuopio\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää88_24-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A488-24\"\u003e[24]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\"Your Sweet Six Six Six\" and \"Wicked Game\" were released as the follow-up singles from the album, with the former charting at number nine in Finland and the latter receiving a music video, directed by Markus Walter.\u003csup class=\"reference\" id=\"cite_ref-FIN_19-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-FIN-19\"\u003e[19]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-SynninViemää234_25-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A4234-25\"\u003e[25]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHIM would go on to win \"Newcomer of the Year\" and \"Debut Album of the Year\" at the Finnish\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Emma-gaala\" href=\"https:\/\/en.wikipedia.org\/wiki\/Emma-gaala\"\u003eEmma Awards\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein 1998.\u003csup class=\"reference\" id=\"cite_ref-Emma_26-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-Emma-26\"\u003e[26]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGreatest Lovesongs Vol. 666\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas released internationally a year after its initial Finnish release, charting at number 56 in Germany.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää97_27-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A497-27\"\u003e[27]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-GER_28-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-GER-28\"\u003e[28]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe album would re-enter the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"GfK Entertainment Charts\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/GfK_Entertainment_Charts\"\u003eGerman Albums Chart\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein 2000, peaking at number 50.\u003csup class=\"reference\" id=\"cite_ref-GER_28-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-GER-28\"\u003e[28]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ePrior to the album's release, HIM were invited to play two festival dates in Germany, followed by a fourteen date tour across the country in the fall.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää98_29-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A498-29\"\u003e[29]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-SynninViemää99_30-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A499-30\"\u003e[30]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBefore the start of the tour, keyboardist Antto Melasniemi was let go from the band, being replaced by Jussi-Mikko \"Juska\" Salminen.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää100_31-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A4100-31\"\u003e[31]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAfter returning to Finland, HIM also decided to part ways with drummer Juhana \"Pätkä\" Rantala, who was replaced by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Gas Lipstick\" href=\"https:\/\/en.wikipedia.org\/wiki\/Gas_Lipstick\"\u003eMika \"Gas Lipstick\" Karppinen\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ebefore the start of another German tour.\u003csup class=\"reference\" id=\"cite_ref-SynninViemää104_32-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-SynninViem%C3%A4%C3%A4104-32\"\u003e[32]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Reception\" class=\"mw-headline\"\u003eReception\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Reception\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Greatest_Lovesongs_Vol._666\u0026amp;action=edit\u0026amp;section=4\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003ctable class=\"wikitable floatright\"\u003e\n\u003ccaption\u003eProfessional ratings\u003c\/caption\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\" scope=\"col\"\u003eReview scores\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003eSource\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eRating\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ca title=\"Allmusic\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Allmusic\"\u003eAllmusic\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan title=\"4\/5 stars\" role=\"img\"\u003e\u003cimg data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" height=\"11\" width=\"11\" title=\"4\/5 stars\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" height=\"11\" width=\"11\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" height=\"11\" width=\"11\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" height=\"11\" width=\"11\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/17px-Star_empty.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/22px-Star_empty.svg.png 2x\" height=\"11\" width=\"11\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/11px-Star_empty.svg.png\" alt=\"\"\u003e\u003c\/span\u003e\u003csup class=\"reference\" id=\"cite_ref-Allmusic_10-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-Allmusic-10\"\u003e[10]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ci\u003e\u003ca title=\"Rock Hard (magazine)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_Hard_(magazine)\"\u003eRock Hard\u003c\/a\u003e\u003c\/i\u003e\u003c\/td\u003e\n\u003ctd\u003e9\/10\u003csup class=\"reference\" id=\"cite_ref-Rock_Hard_1-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-Rock_Hard-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ci\u003eRumba\u003c\/i\u003e\u003c\/td\u003e\n\u003ctd\u003e9\/10\u003csup class=\"reference\" id=\"cite_ref-Rumba_33-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-Rumba-33\"\u003e[33]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ci\u003eSoundi\u003c\/i\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan title=\"4\/5 stars\" role=\"img\"\u003e\u003cimg data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" height=\"11\" width=\"11\" title=\"4\/5 stars\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" height=\"11\" width=\"11\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" height=\"11\" width=\"11\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" height=\"11\" width=\"11\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/17px-Star_empty.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/22px-Star_empty.svg.png 2x\" height=\"11\" width=\"11\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/11px-Star_empty.svg.png\" alt=\"\"\u003e\u003c\/span\u003e\u003csup class=\"reference\" id=\"cite_ref-Soundi_34-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-Soundi-34\"\u003e[34]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003ci\u003eGreatest Lovesongs Vol. 666\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ereceived positive reviews from critics. Holger Stratmann of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Rock Hard (magazine)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_Hard_(magazine)\"\u003eRock Hard\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003egave the album nine out of ten, and declared it \"one of the best debut albums of the year\".\u003csup class=\"reference\" id=\"cite_ref-Rock_Hard_1-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-Rock_Hard-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHe singled out \"You Sweet Six Six Six\" as a particular highlight, and described the album as a \"good start for a newcomer band\".\u003csup class=\"reference\" id=\"cite_ref-Rock_Hard_1-3\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-Rock_Hard-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRumba\u003c\/i\u003e\u003cspan class=\"nowrap\"\u003e'\u003c\/span\u003es Johanna Kiiski also gave the album nine out of ten, describing it as delivering on all expectations set-up by\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e666 Ways to Love: Prologue\u003c\/i\u003e.\u003csup class=\"reference\" id=\"cite_ref-Rumba_33-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-Rumba-33\"\u003e[33]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eShe gave praise to the musicianship and melodies, and ultimately hailed\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGreatest Lovesongs Vol. 666\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eas \"the best metal album of the year\".\u003csup class=\"reference\" id=\"cite_ref-Rumba_33-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-Rumba-33\"\u003e[33]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Allmusic\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Allmusic\"\u003eAllmusic\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ereviewer Antti J. Ravelin awarded the album four stars out of five, and commended the album's \"diverse sound\" and the band's \"sense for dynamics instead of playing just quiet or loud\".\u003csup class=\"reference\" id=\"cite_ref-Allmusic_10-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-Allmusic-10\"\u003e[10]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eRavelin concluded his review by stating that the album \"succeeds in pleasing everyone, whether they're into rock or pop\", and singled out \"It's All Tears (Drown in This Love)\" and \"The Beginning of the End\" as particular highlights.\u003csup class=\"reference\" id=\"cite_ref-Allmusic_10-3\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-Allmusic-10\"\u003e[10]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eMarjo Kreku of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSoundi\u003c\/i\u003e, who also gave the album four stars out of five, felt similarly, commending the album's versatility and stating that \"the band achieve an unparalleled whole\" with\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGreatest Lovesongs Vol. 666\u003c\/i\u003e.\u003csup class=\"reference\" id=\"cite_ref-Soundi_34-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-Soundi-34\"\u003e[34]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eKreku concluded that the album \"is a great record, that only needs candlelight and red wine to keep it company\", and praised \"When Love and Death Embrace\" as the album's \"most fruitful piece\".\u003csup class=\"reference\" id=\"cite_ref-Soundi_34-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-Soundi-34\"\u003e[34]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eIn 2017, Valo revisited\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGreatest Lovesongs Vol. 666\u003c\/i\u003e, and called it \"a first-timer's endearing virginal exploration\", stating: \"First you're ashamed of it for a couple of years, then you understand its good parts\".\u003csup class=\"reference\" id=\"cite_ref-HS_9-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-HS-9\"\u003e[9]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Loudwire\" href=\"https:\/\/en.wikipedia.org\/wiki\/Loudwire\"\u003eLoudwire\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003elater ranked\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGreatest Lovesongs Vol. 666\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eas HIM's third best album, and described it as \"incredibly raw\" and \"easily the heaviest album in [the band's] discography\".\u003csup class=\"reference\" id=\"cite_ref-Ranked_35-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-Ranked-35\"\u003e[35]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eOn the other hand,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKaaosZine\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eranked the album lowest in HIM's discography, commending the album's \"dark atmosphere and ragged sound\", but stating that \"you can clearly hear a band still trying to find themselves [on the album]\".\u003csup class=\"reference\" id=\"cite_ref-Ranked2_36-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-Ranked2-36\"\u003e[36]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eIn 2020, it was named one of the 20 best metal albums of 1997 by\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Metal Hammer\" href=\"https:\/\/en.wikipedia.org\/wiki\/Metal_Hammer\"\u003eMetal Hammer\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emagazine.\u003csup class=\"reference\" id=\"cite_ref-MHtop2097_37-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greatest_Lovesongs_Vol._666#cite_note-MHtop2097-37\"\u003e[37]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43394775285934,"sku":"","price":31.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/HIMGreatestLoveSongsvol.666.jpg?v=1664181643"},{"product_id":"annihilator-2-alice-in-hell-lp-levy","title":"Annihilator – Alice In Hell LP levy","description":"\u003cp\u003eLabel: Music On Vinyl – MOVLP2133, Roadrunner Records – MOVLP2133\u003cbr\u003eFormat: \u003cbr\u003eVinyl, LP, Album, Limited Edition, Numbered, Red Translucent\u003cbr\u003eCountry: Netherlands\u003cbr\u003eReleased: Sep 9, 2022\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Thrash, Speed Metal\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: noin 7 työpäivää\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Crystal Ann\u003cbr\u003eA2 Alison Hell\u003cbr\u003eA3 W.T.Y.D.\u003cbr\u003eA4 Wicked Mystic\u003cbr\u003eA5 Burns Like A Buzzsaw Blade\u003cbr\u003eB1 Word Salad\u003cbr\u003eB2 Schizos (Are Never Alone) Parts I \u0026amp; II\u003cbr\u003eB3 Ligeia\u003cbr\u003eB4 Human Insecticide\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell\"\u003ehttps:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eAlice in Hell\u003c\/b\u003e\u003c\/i\u003e is the debut studio album by Canadian \u003ca title=\"Thrash metal\" href=\"https:\/\/en.wikipedia.org\/wiki\/Thrash_metal\"\u003ethrash metal\u003c\/a\u003e band \u003ca title=\"Annihilator (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Annihilator_(band)\"\u003eAnnihilator\u003c\/a\u003e, released on April 17, 1989 through \u003ca title=\"Roadrunner Records\" href=\"https:\/\/en.wikipedia.org\/wiki\/Roadrunner_Records\"\u003eRoadrunner Records\u003c\/a\u003e. This was the only Annihilator album for ten years to feature \u003ca title=\"Randy Rampage\" href=\"https:\/\/en.wikipedia.org\/wiki\/Randy_Rampage\"\u003eRandy Rampage\u003c\/a\u003e on vocals, until he returned for their seventh studio album \u003ci\u003e\u003ca title=\"Criteria for a Black Widow\" href=\"https:\/\/en.wikipedia.org\/wiki\/Criteria_for_a_Black_Widow\"\u003eCriteria for a Black Widow\u003c\/a\u003e\u003c\/i\u003e (1999).\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eAlice in Hell\u003c\/b\u003e\u003c\/i\u003e is the debut studio album by Canadian \u003ca title=\"Thrash metal\" href=\"https:\/\/en.wikipedia.org\/wiki\/Thrash_metal\"\u003ethrash metal\u003c\/a\u003e band \u003ca title=\"Annihilator (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Annihilator_(band)\"\u003eAnnihilator\u003c\/a\u003e, released on April 17, 1989 through \u003ca title=\"Roadrunner Records\" href=\"https:\/\/en.wikipedia.org\/wiki\/Roadrunner_Records\"\u003eRoadrunner Records\u003c\/a\u003e. This was the only Annihilator album for ten years to feature \u003ca title=\"Randy Rampage\" href=\"https:\/\/en.wikipedia.org\/wiki\/Randy_Rampage\"\u003eRandy Rampage\u003c\/a\u003e on vocals, until he returned for their seventh studio album \u003ci\u003e\u003ca title=\"Criteria for a Black Widow\" href=\"https:\/\/en.wikipedia.org\/wiki\/Criteria_for_a_Black_Widow\"\u003eCriteria for a Black Widow\u003c\/a\u003e\u003c\/i\u003e (1999).\u003c\/p\u003e\n\u003ch2\u003e\u003cspan id=\"Reception_and_legacy\" class=\"mw-headline\"\u003eReception and legacy\u003c\/span\u003e\u003c\/h2\u003e\n\u003ctable class=\"wikitable floatright\"\u003e\n\u003ccaption\u003eProfessional ratings\u003c\/caption\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\" scope=\"col\"\u003eReview scores\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003eSource\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eRating\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ca title=\"Allmusic\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Allmusic\"\u003eAllmusic\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan title=\"3\/5 stars\" role=\"img\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" title=\"3\/5 stars\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/17px-Star_empty.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/22px-Star_empty.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/11px-Star_empty.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/17px-Star_empty.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/22px-Star_empty.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/11px-Star_empty.svg.png\" alt=\"\"\u003e\u003c\/span\u003e\u003csup class=\"reference\" id=\"cite_ref-allmusic_3-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-allmusic-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ca title=\"Rock Hard (magazine)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_Hard_(magazine)\"\u003eRock Hard\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd\u003e9.0\/10\u003csup class=\"reference\" id=\"cite_ref-4\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003ci\u003eAlice in Hell\u003c\/i\u003e has received mostly positive reviews. \u003ca title=\"Allmusic\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Allmusic\"\u003eAllmusic\u003c\/a\u003e's Eduardo Rivadavia gave it three stars out of five, and states that \"Annihilator's brand of technical, thinking man's thrash metal garnered many fans with this fine debut, arguably the best release of the band's career.\"\u003csup class=\"reference\" id=\"cite_ref-allmusic_3-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-allmusic-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e Adam McCann of Metal Digest referred to \u003ci\u003eAlice in Hell\u003c\/i\u003e as \"a real classic thrash metal album\", and wrote, \"For a debut album, Annihilator blasted it out of the park, the Canadian band hit the ground running with one of thrash metal's best albums, tracks such as 'Human Insecticide', 'W.T.Y.D. (Welcome to Your Death)' and 'Alison Hell' in particular still stand tall today as thrash metal anthems as Jeff Waters demonstrated his prowess on guitar backed up by the indomitable vocals of the late Randy Rampage which drove \u003ci\u003eAlice in Hell\u003c\/i\u003e into \u003ca title=\"MTV\" href=\"https:\/\/en.wikipedia.org\/wiki\/MTV\"\u003eMTV\u003c\/a\u003e's heavy rotation.\"\u003csup class=\"reference\" id=\"cite_ref-5\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan id=\"Accolades\" class=\"mw-headline\"\u003eAccolades\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eIn 2014, \u003ca title=\"Loudwire\" href=\"https:\/\/en.wikipedia.org\/wiki\/Loudwire\"\u003eLoudwire\u003c\/a\u003e ranked the album the 9th best thrash album not released by the Big Four.\u003csup class=\"reference\" id=\"cite_ref-6\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-6\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003eIn 2015, \u003ca title=\"VH1\" href=\"https:\/\/en.wikipedia.org\/wiki\/VH1\"\u003eVH1\u003c\/a\u003e listed the album as one of the greatest thrash debuts.\u003csup class=\"reference\" id=\"cite_ref-7\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-7\"\u003e[7]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003eIn 2017, Loudwire also listed the album as the 30th best thrash metal album of all time.\u003csup class=\"reference\" id=\"cite_ref-8\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-8\"\u003e[8]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003eIn 2020, \u003ca title=\"Revolver (magazine)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Revolver_(magazine)\"\u003eRevolver\u003c\/a\u003e placed it on their list of \"10 Criminally Underrated 80s Thrash Albums.\"\u003csup class=\"reference\" id=\"cite_ref-9\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-9\"\u003e[9]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe same year, Loudwire included the album on their list of the best debut thrash albums of all time.\u003csup class=\"reference\" id=\"cite_ref-10\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-10\"\u003e[10]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cspan id=\"Reception_and_legacy\" class=\"mw-headline\"\u003eReception and legacy\u003c\/span\u003e\u003c\/h2\u003e\n\u003ctable class=\"wikitable floatright\"\u003e\n\u003ccaption\u003eProfessional ratings\u003c\/caption\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\" scope=\"col\"\u003eReview scores\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003eSource\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eRating\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ca title=\"Allmusic\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Allmusic\"\u003eAllmusic\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan title=\"3\/5 stars\" role=\"img\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" title=\"3\/5 stars\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/17px-Star_empty.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/22px-Star_empty.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/11px-Star_empty.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/17px-Star_empty.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/22px-Star_empty.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/11px-Star_empty.svg.png\" alt=\"\"\u003e\u003c\/span\u003e\u003csup class=\"reference\" id=\"cite_ref-allmusic_3-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-allmusic-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ca title=\"Rock Hard (magazine)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_Hard_(magazine)\"\u003eRock Hard\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd\u003e9.0\/10\u003csup class=\"reference\" id=\"cite_ref-4\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003ci\u003eAlice in Hell\u003c\/i\u003e has received mostly positive reviews. \u003ca title=\"Allmusic\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Allmusic\"\u003eAllmusic\u003c\/a\u003e's Eduardo Rivadavia gave it three stars out of five, and states that \"Annihilator's brand of technical, thinking man's thrash metal garnered many fans with this fine debut, arguably the best release of the band's career.\"\u003csup class=\"reference\" id=\"cite_ref-allmusic_3-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-allmusic-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e Adam McCann of Metal Digest referred to \u003ci\u003eAlice in Hell\u003c\/i\u003e as \"a real classic thrash metal album\", and wrote, \"For a debut album, Annihilator blasted it out of the park, the Canadian band hit the ground running with one of thrash metal's best albums, tracks such as 'Human Insecticide', 'W.T.Y.D. (Welcome to Your Death)' and 'Alison Hell' in particular still stand tall today as thrash metal anthems as Jeff Waters demonstrated his prowess on guitar backed up by the indomitable vocals of the late Randy Rampage which drove \u003ci\u003eAlice in Hell\u003c\/i\u003e into \u003ca title=\"MTV\" href=\"https:\/\/en.wikipedia.org\/wiki\/MTV\"\u003eMTV\u003c\/a\u003e's heavy rotation.\"\u003csup class=\"reference\" id=\"cite_ref-5\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan id=\"Accolades\" class=\"mw-headline\"\u003eAccolades\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eIn 2014, \u003ca title=\"Loudwire\" href=\"https:\/\/en.wikipedia.org\/wiki\/Loudwire\"\u003eLoudwire\u003c\/a\u003e ranked the album the 9th best thrash album not released by the Big Four.\u003csup class=\"reference\" id=\"cite_ref-6\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-6\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003eIn 2015, \u003ca title=\"VH1\" href=\"https:\/\/en.wikipedia.org\/wiki\/VH1\"\u003eVH1\u003c\/a\u003e listed the album as one of the greatest thrash debuts.\u003csup class=\"reference\" id=\"cite_ref-7\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-7\"\u003e[7]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003eIn 2017, Loudwire also listed the album as the 30th best thrash metal album of all time.\u003csup class=\"reference\" id=\"cite_ref-8\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-8\"\u003e[8]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003eIn 2020, \u003ca title=\"Revolver (magazine)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Revolver_(magazine)\"\u003eRevolver\u003c\/a\u003e placed it on their list of \"10 Criminally Underrated 80s Thrash Albums.\"\u003csup class=\"reference\" id=\"cite_ref-9\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-9\"\u003e[9]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe same year, Loudwire included the album on their list of the best debut thrash albums of all time.\u003csup class=\"reference\" id=\"cite_ref-10\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell#cite_note-10\"\u003e[10]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43476704034990,"sku":"","price":31.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/NzgtMjQ2NC5qcGVn.jpg?v=1665818967"},{"product_id":"annihilator-set-the-world-on-fire-lp-levy","title":"Annihilator – Set The World On Fire LP levy","description":"\u003cp\u003eLabel: Music On Vinyl – MOVLP3066, Roadrunner Records – none\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFormat: Vinyl, LP, Album, Reissue, Stereo\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: Jul 29, 2022\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Heavy Metal, Thrash\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: 1-2 viikkoa\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Set The World On Fire\u003cbr\u003eLyrics By – Coburn Pharr, Jeff Waters\u003cbr\u003eMusic By – Jeff Waters\u003cbr\u003eA2 No Zone\u003cbr\u003eLyrics By – Jeff Waters\u003cbr\u003eMusic By – Jeff Waters, Ray Harlmann*, Wayne Darley\u003cbr\u003eA3 Bats In The Belfry\u003cbr\u003eLyrics By – Coburn Pharr, Jeff Waters\u003cbr\u003eMusic By – Jeff Waters, Ray Harlmann*\u003cbr\u003eA4 Snake In The Grass\u003cbr\u003eLyrics By, Music By – Jeff Waters\u003cbr\u003eA5 Phoenix Rising\u003cbr\u003eLyrics By – Ralph Murphy\u003cbr\u003eMusic By – Jeff Waters\u003cbr\u003eB1 Knight Jumps Queen\u003cbr\u003eLyrics By, Music By – Jeff Waters\u003cbr\u003eB2 Sounds Good To Me\u003cbr\u003eLyrics By, Music By – Jeff Waters\u003cbr\u003eB3 The Edge\u003cbr\u003eLyrics By – Ralph Murphy\u003cbr\u003eMusic By – Jeff Waters\u003cbr\u003eB4 Don't Bother Me\u003cbr\u003eLyrics By – Coburn Pharr, Jeff Waters\u003cbr\u003eMusic By – Jeff Waters, Neil Goldberg (2)\u003cbr\u003eB5 Brain Dance\u003cbr\u003eLyrics By – Coburn Pharr, Jeff Waters\u003cbr\u003eMusic By – Jeff Water\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Set_the_World_on_Fire_(Annihilator_album)\"\u003ehttps:\/\/en.wikipedia.org\/wiki\/Set_the_World_on_Fire_(Annihilator_album)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eet the World on Fire\u003c\/b\u003e\u003c\/i\u003e is the third studio album by Canadian \u003ca title=\"Heavy metal music\" href=\"https:\/\/en.wikipedia.org\/wiki\/Heavy_metal_music\"\u003eheavy metal\u003c\/a\u003e band \u003ca title=\"Annihilator (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Annihilator_(band)\"\u003eAnnihilator\u003c\/a\u003e, released on May 4, 1993\u003csup class=\"reference\" id=\"cite_ref-metallipromo_1-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Set_the_World_on_Fire_(Annihilator_album)#cite_note-metallipromo-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e by \u003ca title=\"Roadrunner Records\" href=\"https:\/\/en.wikipedia.org\/wiki\/Roadrunner_Records\"\u003eRoadrunner\u003c\/a\u003e and \u003ca title=\"Epic Records\" href=\"https:\/\/en.wikipedia.org\/wiki\/Epic_Records\"\u003eEpic Records\u003c\/a\u003e. The album received mixed reviews, toning down the \u003ca title=\"Thrash metal\" href=\"https:\/\/en.wikipedia.org\/wiki\/Thrash_metal\"\u003ethrash\u003c\/a\u003e elements of \u003ci\u003e\u003ca title=\"Alice in Hell\" href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell\"\u003eAlice in Hell\u003c\/a\u003e\u003c\/i\u003e and \u003ci\u003e\u003ca title=\"Never, Neverland\" href=\"https:\/\/en.wikipedia.org\/wiki\/Never,_Neverland\"\u003eNever, Neverland\u003c\/a\u003e\u003c\/i\u003e in favor of a more radio friendly sound. The title track, \"Knight Jumps Queen\", and \"Brain Dance\" are still setlist regulars, becoming fan favourites years after the release of the album.\u003c\/p\u003e\n\u003cp\u003eThe album was successful in Europe (charting at No. 79 in the German charts) and Asia (charting at No. 47 in Japan) but failed to break America – leading to the band (along with many others) being dropped from Roadrunner in 1993. Bassist Wayne Darley left the band shortly after, as he was not able to enter Japan on tour in support of the album. The album was reissued in 2009.\u003csup class=\"reference\" id=\"cite_ref-5\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Set_the_World_on_Fire_(Annihilator_album)#cite_note-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eet the World on Fire\u003c\/b\u003e\u003c\/i\u003e is the third studio album by Canadian \u003ca title=\"Heavy metal music\" href=\"https:\/\/en.wikipedia.org\/wiki\/Heavy_metal_music\"\u003eheavy metal\u003c\/a\u003e band \u003ca title=\"Annihilator (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Annihilator_(band)\"\u003eAnnihilator\u003c\/a\u003e, released on May 4, 1993\u003csup class=\"reference\" id=\"cite_ref-metallipromo_1-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Set_the_World_on_Fire_(Annihilator_album)#cite_note-metallipromo-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e by \u003ca title=\"Roadrunner Records\" href=\"https:\/\/en.wikipedia.org\/wiki\/Roadrunner_Records\"\u003eRoadrunner\u003c\/a\u003e and \u003ca title=\"Epic Records\" href=\"https:\/\/en.wikipedia.org\/wiki\/Epic_Records\"\u003eEpic Records\u003c\/a\u003e. The album received mixed reviews, toning down the \u003ca title=\"Thrash metal\" href=\"https:\/\/en.wikipedia.org\/wiki\/Thrash_metal\"\u003ethrash\u003c\/a\u003e elements of \u003ci\u003e\u003ca title=\"Alice in Hell\" href=\"https:\/\/en.wikipedia.org\/wiki\/Alice_in_Hell\"\u003eAlice in Hell\u003c\/a\u003e\u003c\/i\u003e and \u003ci\u003e\u003ca title=\"Never, Neverland\" href=\"https:\/\/en.wikipedia.org\/wiki\/Never,_Neverland\"\u003eNever, Neverland\u003c\/a\u003e\u003c\/i\u003e in favor of a more radio friendly sound. The title track, \"Knight Jumps Queen\", and \"Brain Dance\" are still setlist regulars, becoming fan favourites years after the release of the album.\u003c\/p\u003e\n\u003cp\u003eThe album was successful in Europe (charting at No. 79 in the German charts) and Asia (charting at No. 47 in Japan) but failed to break America – leading to the band (along with many others) being dropped from Roadrunner in 1993. Bassist Wayne Darley left the band shortly after, as he was not able to enter Japan on tour in support of the album. The album was reissued in 2009.\u003csup class=\"reference\" id=\"cite_ref-5\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Set_the_World_on_Fire_(Annihilator_album)#cite_note-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43476729561262,"sku":"","price":31.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/NDUtOTIzOC5qcGVn.jpg?v=1665819564"},{"product_id":"ac-dc-74-jailbreak-lp-levy","title":"AC\/DC – '74 Jailbreak LP levy","description":"\u003cp\u003eLabel: Columbia – E 80200, Albert Productions – E 80200, Sony Music – E 80200\u003cbr\u003eFormat: Vinyl, LP, Album, Compilation, Reissue, Remastered, Stereo, 180 gram\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: Jul 17, 2020\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Blues Rock, Hard Rock\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: 1-2 viikkoa\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Jailbreak\u003cbr\u003eWritten-By – A. Young*, B. Scott*, M. Young*\u003cbr\u003e4:40\u003cbr\u003eA2 You Ain't Got A Hold On Me\u003cbr\u003eWritten-By – A. Young*, Bon Scott, M. Young*\u003cbr\u003e3:31\u003cbr\u003eA3 Show Business\u003cbr\u003eWritten-By – A. Young*, Bon Scott, M. Young*\u003cbr\u003e4:46\u003cbr\u003eB1 Soul Stripper\u003cbr\u003eWritten-By – A. Young*, M. Young*\u003cbr\u003e6:25\u003cbr\u003eB2 Baby, Please Don't Go\u003cbr\u003eWritten-By – J. Williams*\u003cbr\u003e4:49\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/%2774_Jailbreak\"\u003ehttps:\/\/en.wikipedia.org\/wiki\/%2774_Jailbreak\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003e '74 Jailbreak\u003c\/b\u003e\u003c\/i\u003e is an \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Extended_play\" title=\"Extended play\"\u003eEP\u003c\/a\u003e by Australian \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_music\" title=\"Rock music\"\u003erock\u003c\/a\u003e band \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/AC\/DC\" title=\"AC\/DC\"\u003eAC\/DC\u003c\/a\u003e, released in 1984. It is composed of five tracks that had previously been released only in Australia. Despite the EP's title, the song \"Jailbreak\" was actually recorded in 1976 and was originally released that year on the Australian version of the \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dirty_Deeds_Done_Dirt_Cheap_(album)\" class=\"mw-redirect\" title=\"Dirty Deeds Done Dirt Cheap (album)\"\u003eDirty Deeds Done Dirt Cheap\u003c\/a\u003e\u003c\/i\u003e album. The EP's four other tracks were originally released on the Australian version of the band's debut album, \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/High_Voltage_(Australian_album)\" class=\"mw-redirect\" title=\"High Voltage (Australian album)\"\u003eHigh Voltage\u003c\/a\u003e\u003c\/i\u003e, recorded in 1974 and released early the following year.\u003c\/p\u003e\n\u003cp\u003eThe song \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Jailbreak_(AC\/DC_song)\" title=\"Jailbreak (AC\/DC song)\"\u003eJailbreak\u003c\/a\u003e\" was released as a single with accompanying \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Music_video\" title=\"Music video\"\u003emusic video\u003c\/a\u003e at the same time as the EP. \u003ci\u003e '74 Jailbreak\u003c\/i\u003e was re-released worldwide in 2003 as part of the AC\/DC Remasters series.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan class=\"mw-headline\" id=\"Personnel\"\u003ePersonnel\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Bon_Scott\" title=\"Bon Scott\"\u003eBon Scott\u003c\/a\u003e – \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Singing\" title=\"Singing\"\u003elead vocals\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Angus_Young\" title=\"Angus Young\"\u003eAngus Young\u003c\/a\u003e – \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Lead_guitar\" title=\"Lead guitar\"\u003elead guitar\u003c\/a\u003e (tracks 1 and 5), \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rhythm_guitar\" title=\"Rhythm guitar\"\u003erhythm guitar\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Malcolm_Young\" title=\"Malcolm Young\"\u003eMalcolm Young\u003c\/a\u003e – rhythm guitar, lead guitar (tracks 2, 3 and 4),\u003csup id=\"cite_ref-3\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/%2774_Jailbreak#cite_note-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Backing_vocalist\" title=\"Backing vocalist\"\u003ebacking vocals\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/George_Young_(rock_musician)\" title=\"George Young (rock musician)\"\u003eGeorge Young\u003c\/a\u003e – \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Record_producer\" title=\"Record producer\"\u003eproduction\u003c\/a\u003e, backing vocals, \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Drum_kit\" title=\"Drum kit\"\u003edrums\u003c\/a\u003e\u003csup id=\"cite_ref-4\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/%2774_Jailbreak#cite_note-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e – bass guitar on all but Jailbreak\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Mark_Evans_(musician)\" title=\"Mark Evans (musician)\"\u003eMark Evans\u003c\/a\u003e – bass guitar on \"Jailbreak\"\u003csup id=\"cite_ref-Music_Legends_5-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/%2774_Jailbreak#cite_note-Music_Legends-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Phil_Rudd\" title=\"Phil Rudd\"\u003ePhil Rudd\u003c\/a\u003e – drums \u0026amp; percussion on \"Jailbreak\"\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Tony_Currenti\" title=\"Tony Currenti\"\u003eTony Currenti\u003c\/a\u003e – drums \u0026amp; percussion on tracks 2-4\u003csup id=\"cite_ref-book_6-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/%2774_Jailbreak#cite_note-book-6\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Harry_Vanda\" title=\"Harry Vanda\"\u003eHarry Vanda\u003c\/a\u003e – production\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43478354428078,"sku":"","price":28.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/MTItODcwOS5qcGVn.jpg?v=1665902224"},{"product_id":"ac-dc-high-voltage-lp-levy","title":"AC\/DC – High Voltage LP levy","description":"\u003cp\u003eLabel: Epic – EPC 510759 1, Epic – 5107591000, Albert Productions – EPC 510759 1, Albert Productions – 5107591000\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Remastered, Stereo, 180 gram\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: 2003\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Hard Rock\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: 1-2 viikkoa\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 It's A Long Way To The Top (If You Wanna Rock 'N' Roll) 5:16\u003cbr\u003eA2 Rock 'N' Roll Singer 5:04\u003cbr\u003eA3 The Jack 5:52\u003cbr\u003eA4 Live Wire 5:50\u003cbr\u003eB1 T.N.T. 3:34\u003cbr\u003eB2 Can I Sit Next To You Girl 4:12\u003cbr\u003eB3 Little Lover 5:37\u003cbr\u003eB4 She's Got Balls 4:51\u003cbr\u003eB5 High Voltage 4:03\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/High_Voltage_(1976_album)\"\u003e https:\/\/en.wikipedia.org\/wiki\/High_Voltage_(1976_album)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eHigh Voltage\u003c\/b\u003e\u003c\/i\u003e is the first internationally released studio album by Australian \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Hard_rock\" title=\"Hard rock\"\u003ehard rock\u003c\/a\u003e band \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/AC\/DC\" title=\"AC\/DC\"\u003eAC\/DC\u003c\/a\u003e. It contains tracks from their first two previous Australia-only issued albums: \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/High_Voltage_(1975_album)\" title=\"High Voltage (1975 album)\"\u003eHigh Voltage\u003c\/a\u003e\u003c\/i\u003e and \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/T.N.T._(album)\" title=\"T.N.T. (album)\"\u003eT.N.T.\u003c\/a\u003e\u003c\/i\u003e (both from 1975).\u003c\/p\u003e\n\u003cp\u003eOriginally released internationally on 30 April 1976 on \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Atlantic_Records\" title=\"Atlantic Records\"\u003eAtlantic Records\u003c\/a\u003e and in the US on 14 May 1976 on \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/ATCO_Records\" class=\"mw-redirect\" title=\"ATCO Records\"\u003eATCO Records\u003c\/a\u003e, this edition of \u003ci\u003eHigh Voltage\u003c\/i\u003e has proven popular, selling three million units in the US alone. However, initially the album was panned by some critics upon its release, including a review by \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rolling_Stone\" title=\"Rolling Stone\"\u003eRolling Stone\u003c\/a\u003e\u003c\/i\u003e magazine's Billy Altman that called it an \"all-time low\" for the hard rock genre.\u003csup id=\"cite_ref-Altman_2-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/High_Voltage_(1976_album)#cite_note-Altman-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e It was re-released in 2003 as part of the \u003ci\u003eAC\/DC Remasters\u003c\/i\u003e series.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan class=\"mw-headline\" id=\"Background\"\u003eBackground\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eIn December 1975, Atlantic Records' UK head \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Phil_Carson\" title=\"Phil Carson\"\u003ePhil Carson\u003c\/a\u003e signed AC\/DC to a worldwide deal. The group's first two albums, \u003ci\u003eHigh Voltage\u003c\/i\u003e and the harder driving \u003ci\u003eT.N.T.\u003c\/i\u003e, had been hits in their native Australia – the single \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/It%27s_a_Long_Way_to_the_Top_(If_You_Wanna_Rock_%27n%27_Roll)\" title=\"It's a Long Way to the Top (If You Wanna Rock 'n' Roll)\"\u003eIt's a Long Way to the Top (If You Wanna Rock 'n' Roll)\u003c\/a\u003e\" peaked at #5 – and now plans were made for the band to tour England in 1976. The group had already recorded their next single \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Jailbreak_(AC\/DC_song)\" title=\"Jailbreak (AC\/DC song)\"\u003eJailbreak\u003c\/a\u003e\" (for which they had shot a music video) and had already begun recording their third LP \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dirty_Deeds_Done_Dirt_Cheap\" title=\"Dirty Deeds Done Dirt Cheap\"\u003eDirty Deeds Done Dirt Cheap\u003c\/a\u003e\u003c\/i\u003e when, in April 1976, they flew out on their first British tour. The international release only included two tracks from the Australian \u003ci\u003eHigh Voltage\u003c\/i\u003e release – \"She's Got Balls\" and \"Little Lover\" – with the rest of the songs taken from \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/T.N.T._(album)\" title=\"T.N.T. (album)\"\u003eT.N.T.\u003c\/a\u003e\u003c\/i\u003e\u003csup id=\"cite_ref-albumnotes_3-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/High_Voltage_(1976_album)#cite_note-albumnotes-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e The band arrived in the UK in the midst of the fledgling \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_movement\" class=\"mw-redirect\" title=\"Punk movement\"\u003epunk movement\u003c\/a\u003e, spearheaded by bands like the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Sex_Pistols\" title=\"Sex Pistols\"\u003eSex Pistols\u003c\/a\u003e and the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Damned_(band)\" title=\"The Damned (band)\"\u003eDamned\u003c\/a\u003e. AC\/DC was never really part of the movement, but got misidentified as such by some observers, as guitarist \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Angus_Young\" title=\"Angus Young\"\u003eAngus Young\u003c\/a\u003e recalled to \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Guitar_World\" title=\"Guitar World\"\u003eGuitar World\u003c\/a\u003e\u003c\/i\u003e\u003cspan class=\"nowrap\"\u003e'\u003c\/span\u003es Alan Di Perna in 1993:\u003c\/p\u003e\n\u003cblockquote class=\"templatequote\"\u003e\n\u003cp\u003eAt that time… we were giving punk music a good name. Because that was the word they used to describe us – punk band. They'd get the wrong idea. We weren't punk, but they'd put us on the same bill as punk bands. And they sure got a shock when they started spitting at us and we spat back. We were never ones for getting slumped under a tag or filed under A, B, or C. We started as a \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_and_roll\" title=\"Rock and roll\"\u003erock and roll\u003c\/a\u003e band. That's what we play – what we do best. We never claimed to be anything else.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIn 2010 Malcolm Young concurred, telling \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Mojo_(magazine)\" title=\"Mojo (magazine)\"\u003eMojo\u003c\/a\u003e\u003c\/i\u003e\u003cspan class=\"nowrap\"\u003e'\u003c\/span\u003es Phil Alexander, \"Punk rock was just a fashion. … It didn't change the music; it changed the fashion, and that's basically all it is.\" In a 1977 interview with ABC's \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Countdown_(Australian_TV_series)\" class=\"mw-redirect\" title=\"Countdown (Australian TV series)\"\u003eCountdown\u003c\/a\u003e\u003c\/i\u003e, Bon Scott insisted, \"We're pulling bigger crowds than they are. I mean, we've got our following here. It's not new wave, it's not punk, it's just people who like our band. We honestly thought that the punk and the new wave thing might spoil it a bit for us but it hasn't at all. It was a big fad, just like anything else, a big fad for a while. … The main thing about it is it gave rock music a real kick in the guts.\"\u003c\/p\u003e\n\u003ch2\u003e\u003cspan class=\"mw-headline\" id=\"Recording\"\u003eRecording\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\"It's a Long Way to the Top (If You Wanna Rock 'n' Roll)\" was edited down from an extended jam by producer George Young (older brother of guitarist \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Malcolm_Young\" title=\"Malcolm Young\"\u003eMalcolm Young\u003c\/a\u003e and Angus) and the inclusion of the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Bagpipes\" title=\"Bagpipes\"\u003ebagpipes\u003c\/a\u003e was his idea to add an extra dynamic to the track. Singer \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Bon_Scott\" title=\"Bon Scott\"\u003eBon Scott\u003c\/a\u003e had played in a pipe band in his teens, so George suggested he play bagpipes on the song, not realizing that Scott had been a drummer, not a piper. Regardless, Scott – who knew how to play the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Recorder_(musical_instrument)\" title=\"Recorder (musical instrument)\"\u003erecorder\u003c\/a\u003e – learned the instrument and went on to play them on stage with the band for several years. In Murray Engleheart's book \u003ci\u003eAC\/DC: Maximum Rock \u0026amp; Roll\u003c\/i\u003e, former manager Michael Browning states that the bagpipes became the bane of Scott's existence: \"I think they probably put more pressure on him than anything I can think of! They invariably never worked. It's a hard instrument to time to guitars, because you're pumping them and they kind of kick in when the bag's full – very difficult to time to guitars.\" The chanting in \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/T.N.T._(song)\" title=\"T.N.T. (song)\"\u003eT.N.T.\u003c\/a\u003e\" was also George Young's idea, added after he heard Angus ad-libbing the \"oi\" chant to himself, and suggested he record it.\u003csup id=\"cite_ref-Engleheart_4-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/High_Voltage_(1976_album)#cite_note-Engleheart-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe production team of George Young and \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Harry_Vanda\" title=\"Harry Vanda\"\u003eHarry Vanda\u003c\/a\u003e was crucial in the development of AC\/DC's sound. Vanda was a bandmate of Young's in \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Easybeats\" title=\"The Easybeats\"\u003eThe Easybeats\u003c\/a\u003e and the pair were the main songwriters of The Easybeats' later hits, including their international hit \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Friday_on_My_Mind\" title=\"Friday on My Mind\"\u003eFriday on My Mind\u003c\/a\u003e\". In the 1994 book \u003ci\u003eHighway to Hell: The Life and Times of AC\/DC Legend Bon Scott\u003c\/i\u003e, Chris Gilbey, who was the promotion man at \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Albert_Productions\" title=\"Albert Productions\"\u003eAlbert Productions\u003c\/a\u003e at the time, recalls to author Clinton Walker, \"The great thing George and Harry taught me, as a producer, was that if you got a good rhythm track, you've got the beginnings of a record. If you don't, you've got nothing.\" In the same memoir Michael Browning confirms, \"George and Harry's most important criterion was rhythm, the whole thing had to just feel right. If you listen to those records today, they feel good.\"\u003c\/p\u003e\n\u003ch2\u003e\u003cspan class=\"mw-headline\" id=\"Composition\"\u003eComposition\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eAC\/DC's second album \u003ci\u003eT.N.T.\u003c\/i\u003e was a breakthrough for the band composition-wise and sound-wise, containing more of the twin-guitar assault that the band would become famous for, and this may explain why only two songs were included from the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Glam_rock\" title=\"Glam rock\"\u003eglam rock\u003c\/a\u003e – leaning 1975 debut. \"She's Got Balls\" (about Scott's ex-wife Irene) was the first song that Scott and the Young brothers put together, while \"Little Lover\" had been a song Malcolm had been tinkering with since he was about 14 and had been originally titled \"Front Row Fantasies\" (Scott claimed to have written the song about Angus).\u003csup id=\"cite_ref-Engleheart_4-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/High_Voltage_(1976_album)#cite_note-Engleheart-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Can_I_Sit_Next_to_You_Girl\" class=\"mw-redirect\" title=\"Can I Sit Next to You Girl\"\u003eCan I Sit Next to You Girl\u003c\/a\u003e\" predated Scott's involvement in the band, having been recorded as a single with former vocalist \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dave_Evans_(singer)\" title=\"Dave Evans (singer)\"\u003eDave Evans\u003c\/a\u003e; it features a different arrangement and slightly different lyrics from the original version. It also runs almost a minute longer. In 1993, Angus Young shared the origins of the title track with Vic Garbarini of \u003ci\u003eGuitar For the Practicing Musician\u003c\/i\u003e: \"I remember sitting home one night before going into the studio and playing around with some chords, and I suddenly thought, let's try playing...A...C...D...C. Sounded good. And then I thought AC\/DC...power...\"High Voltage\"! I sang the chorus part to my brother in the studio and he thought it sounded great.\" Lyrically, the LP features Bon Scott chronicling both the good and the bad about the rock and roll lifestyle, warning aspiring musicians that \"it's harder than it looks\" (\"It's a Long Way to the Top\") but also defiantly telling the moral majority to \"stick your moral standards 'cause it's all a dirty lie\" (\"Rock 'n' Roll Singer\"). In 1994 biographer Clifton Walker observed that Scott was \"virtually encapsulating his entire life\" in both songs. The lyrics of \"The Jack\" (sometimes titled \"(She's Got) The Jack\") were developed by Scott who was inspired by a letter Malcolm Young received during a tour of \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Adelaide,_Australia\" class=\"mw-redirect\" title=\"Adelaide, Australia\"\u003eAdelaide\u003c\/a\u003e. The letter, from a woman in \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Melbourne,_Australia\" class=\"mw-redirect\" title=\"Melbourne, Australia\"\u003eMelbourne\u003c\/a\u003e, implied that Malcolm had given her a \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Venereal_disease\" class=\"mw-redirect\" title=\"Venereal disease\"\u003evenereal disease\u003c\/a\u003e, although he claims that when he got tested, he was clean. Scott's original lyrics were far more explicit than those heard on the album, which he deliberately toned down in case the song got played on radio. The bravado-driven \"Live Wire\", which was also sexually suggestive, would be the band's show-opener for several years.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan class=\"mw-headline\" id=\"Personnel\"\u003ePersonnel\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Bon_Scott\" title=\"Bon Scott\"\u003eBon Scott\u003c\/a\u003e – lead vocals, bagpipes on \"It's a Long Way to the Top (If You Wanna Rock 'n' Roll)\"\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Angus_Young\" title=\"Angus Young\"\u003eAngus Young\u003c\/a\u003e – lead guitar\u003csup id=\"cite_ref-13\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/High_Voltage_(1976_album)#cite_note-13\"\u003e[13]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Malcolm_Young\" title=\"Malcolm Young\"\u003eMalcolm Young\u003c\/a\u003e – rhythm guitar, lead guitar on \"Little Lover\",\u003csup id=\"cite_ref-14\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/High_Voltage_(1976_album)#cite_note-14\"\u003e[14]\u003c\/a\u003e\u003c\/sup\u003e backing vocals\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Mark_Evans_(musician)\" title=\"Mark Evans (musician)\"\u003eMark Evans\u003c\/a\u003e – bass guitar on tracks 1–6\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Phil_Rudd\" title=\"Phil Rudd\"\u003ePhil Rudd\u003c\/a\u003e – drums on tracks 1–6\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan class=\"mw-headline\" id=\"Additional_personnel\"\u003eAdditional personnel\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/George_Young_(rock_musician)\" title=\"George Young (rock musician)\"\u003eGeorge Young\u003c\/a\u003e – bass guitar on tracks 7–9\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Tony_Currenti\" title=\"Tony Currenti\"\u003eTony Currenti\u003c\/a\u003e – drums on tracks 7–9\u003csup id=\"cite_ref-15\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/High_Voltage_(1976_album)#cite_note-15\"\u003e[15]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43478357344430,"sku":"","price":28.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/MDEtNjE4OS5qcGVn.jpg?v=1665902553"},{"product_id":"ac-dc-highway-to-hell-lp-levy","title":"AC\/DC ‎– Highway To Hell   LP levy","description":"\u003cp\u003eLabel: Columbia ‎– 5107641, Albert Productions ‎– 5107641, Sony Music ‎– 5107641\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Remastered, Stereo\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: 2009\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Hard Rock, Blues Rock\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: 1-2 viikkoa\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Highway To Hell 3:26\u003cbr\u003eA2 Girls Got Rhythm 3:23\u003cbr\u003eA3 Walk All Over You 5:08\u003cbr\u003eA4 Touch Too Much 4:24\u003cbr\u003eA5 Beating Around The Bush 3:55\u003cbr\u003eB1 Shot Down In Flames 3:21\u003cbr\u003eB2 Get It Hot 2:24\u003cbr\u003eB3 If You Want Blood (You've Got It) 4:32\u003cbr\u003eB4 Love Hungry Man 4:14\u003cbr\u003eB5 Night Prowler 6:13\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Highway_to_Hell\"\u003ehttps:\/\/fi.wikipedia.org\/wiki\/Highway_to_Hell\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHighway to Hell\u003c\/b\u003e on \u003ca title=\"Australia\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Australia\"\u003eaustralialaisen\u003c\/a\u003e \u003ca title=\"AC\/DC\" href=\"https:\/\/fi.wikipedia.org\/wiki\/AC\/DC\"\u003eAC\/DC-yhtyeen\u003c\/a\u003e kuudes studioalbumi, joka ilmestyi vuonna 1979.\u003csup class=\"reference\" id=\"cite_ref-2\"\u003e\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Highway_to_Hell#cite_note-2\"\u003e[a]\u003c\/a\u003e\u003c\/sup\u003e Sitä pidetään yleisesti yhtyeen läpimurtona. Levy on yhtyeen suosituimpia julkaisuja ja sen \u003ca title=\"Highway to Hell (kappale)\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Highway_to_Hell_(kappale)\"\u003enimiraita\u003c\/a\u003e on AC\/DC:n tunnetuimpia kappaleita. Albumi on yhtyeen viimeinen, jossa laulajana toimii helmikuussa 1980 kuollut \u003ca title=\"Bon Scott\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Bon_Scott\"\u003eBon Scott\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eAC\/DC:n uusi tuottaja \u003ca title=\"Robert John ”Mutt” Lange\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Robert_John_%E2%80%9DMutt%E2%80%9D_Lange\"\u003eRobert John ”Mutt” Lange\u003c\/a\u003e muutti yhtyeen soundin hieman radioystävällisempään suuntaan. Albumi olikin siihen asti menestynein AC\/DC-levy: Britanniassa se nousi myyntilistan kahdeksanneksi ja Yhdysvalloissa 17:nneksi. Sitä on myyty pelkästään Yhdysvalloissa noin seitsemän miljoonaa kappaletta. Albumi sai ilmestyessään myös kriitikoilta hyvän vastaanoton.\u003c\/p\u003e\n\u003cp\u003eAlbumilta julkaistiin singlet ”\u003ca title=\"Highway to Hell (kappale)\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Highway_to_Hell_(kappale)\"\u003eHighway to Hell\u003c\/a\u003e”, ”\u003ca title=\"Touch Too Much\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Touch_Too_Much\"\u003eTouch Too Much\u003c\/a\u003e” ja ”\u003ca title=\"Girls Got Rhythm\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Girls_Got_Rhythm\"\u003eGirls Got Rhythm\u003c\/a\u003e”. Niistä kaksi ensin mainittua saavuttivat myös listamenestystä. ”Highway to Hell” oli samalla yhtyeen ensimmäinen listahitti Yhdysvalloissa. Siitä on muodostunut yksi yhtyeen klassikkokappaleista.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHighway to Hell\u003c\/b\u003e on \u003ca title=\"Australia\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Australia\"\u003eaustralialaisen\u003c\/a\u003e \u003ca title=\"AC\/DC\" href=\"https:\/\/fi.wikipedia.org\/wiki\/AC\/DC\"\u003eAC\/DC-yhtyeen\u003c\/a\u003e kuudes studioalbumi, joka ilmestyi vuonna 1979.\u003csup class=\"reference\" id=\"cite_ref-2\"\u003e\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Highway_to_Hell#cite_note-2\"\u003e[a]\u003c\/a\u003e\u003c\/sup\u003e Sitä pidetään yleisesti yhtyeen läpimurtona. Levy on yhtyeen suosituimpia julkaisuja ja sen \u003ca title=\"Highway to Hell (kappale)\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Highway_to_Hell_(kappale)\"\u003enimiraita\u003c\/a\u003e on AC\/DC:n tunnetuimpia kappaleita. Albumi on yhtyeen viimeinen, jossa laulajana toimii helmikuussa 1980 kuollut \u003ca title=\"Bon Scott\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Bon_Scott\"\u003eBon Scott\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eAC\/DC:n uusi tuottaja \u003ca title=\"Robert John ”Mutt” Lange\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Robert_John_%E2%80%9DMutt%E2%80%9D_Lange\"\u003eRobert John ”Mutt” Lange\u003c\/a\u003e muutti yhtyeen soundin hieman radioystävällisempään suuntaan. Albumi olikin siihen asti menestynein AC\/DC-levy: Britanniassa se nousi myyntilistan kahdeksanneksi ja Yhdysvalloissa 17:nneksi. Sitä on myyty pelkästään Yhdysvalloissa noin seitsemän miljoonaa kappaletta. Albumi sai ilmestyessään myös kriitikoilta hyvän vastaanoton.\u003c\/p\u003e\n\u003cp\u003eAlbumilta julkaistiin singlet ”\u003ca title=\"Highway to Hell (kappale)\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Highway_to_Hell_(kappale)\"\u003eHighway to Hell\u003c\/a\u003e”, ”\u003ca title=\"Touch Too Much\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Touch_Too_Much\"\u003eTouch Too Much\u003c\/a\u003e” ja ”\u003ca title=\"Girls Got Rhythm\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Girls_Got_Rhythm\"\u003eGirls Got Rhythm\u003c\/a\u003e”. Niistä kaksi ensin mainittua saavuttivat myös listamenestystä. ”Highway to Hell” oli samalla yhtyeen ensimmäinen listahitti Yhdysvalloissa. Siitä on muodostunut yksi yhtyeen klassikkokappaleista.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan id=\"Kokoonpano\" class=\"mw-headline\"\u003eKokoonpano\u003c\/span\u003e\u003c\/h2\u003e\n\u003ctable cellpadding=\"0\" cellspacing=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cb\u003eMuusikot\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca title=\"Angus Young\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Angus_Young\"\u003eAngus Young\u003c\/a\u003e – kitara\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Malcolm Young\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Malcolm_Young\"\u003eMalcolm Young\u003c\/a\u003e – rytmikitara\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Bon Scott\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Bon_Scott\"\u003eBon Scott\u003c\/a\u003e – laulu\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Phil Rudd\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Phil_Rudd\"\u003ePhil Rudd\u003c\/a\u003e – rummut\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Cliff Williams\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Cliff_Williams\"\u003eCliff Williams\u003c\/a\u003e – basso\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cb\u003eMuut\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMark Dearnley – äänittäjä\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Tony Platt\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Tony_Platt\"\u003eTony Platt\u003c\/a\u003e – miksaaja\u003c\/li\u003e\n\u003cli\u003eKevin Dallimore – avustava miksaaja\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Robert John ”Mutt” Lange\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Robert_John_%E2%80%9DMutt%E2%80%9D_Lange\"\u003eRobert John ”Mutt” Lange\u003c\/a\u003e – tuottaja\u003c\/li\u003e\n\u003cli\u003eBob Defrin – taiteellinen ohjaus\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Jim Houghton\" class=\"mw-redirect\" href=\"https:\/\/fi.wikipedia.org\/wiki\/Jim_Houghton\"\u003eJim Houghton\u003c\/a\u003e – valokuvaus\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43478448177326,"sku":"","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/Ny00OTQzLmpwZWc.jpg?v=1665905777"},{"product_id":"ac-dc-for-those-about-to-rock-we-salute-you-lp-levy","title":"AC\/DC ‎– For Those About To Rock (We Salute You)  LP levy","description":"\u003cp\u003eLabel: Columbia ‎– 5107661, Albert Productions ‎– 5107661, Sony Music ‎– 5107661\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Remastered, 180g\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: 11 May 2009\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Hard Rock\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: noin 7 työpäivää\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 For Those About To Rock (We Salute You) 5:43\u003cbr\u003eA2 I Put The Finger On You 3:26\u003cbr\u003eA3 Let's Get It Up 3:54\u003cbr\u003eA4 Inject The Venom 3:31\u003cbr\u003eA5 Snowballed 3:23\u003cbr\u003eB1 Evil Walks 4:23\u003cbr\u003eB2 C.O.D. 3:20\u003cbr\u003eB3 Breaking The Rules 4:23\u003cbr\u003eB4 Night Of The Long Knives 3:25\u003cbr\u003eB5 Spellbound 4:30\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/For_Those_About_to_Rock_We_Salute_You\"\u003ehttps:\/\/en.wikipedia.org\/wiki\/For_Those_About_to_Rock_We_Salute_You\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eFor Those About to Rock (We Salute You)\u003c\/b\u003e\u003c\/i\u003e (referred to as \u003ci\u003e\u003cb\u003eFor Those About to Rock\u003c\/b\u003e\u003c\/i\u003e on its cover) is the eighth studio album by Australian \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Hard_rock\" title=\"Hard rock\"\u003ehard rock\u003c\/a\u003e band \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/AC\/DC\" title=\"AC\/DC\"\u003eAC\/DC\u003c\/a\u003e. It was released on 20 November 1981 for the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/United_States\" title=\"United States\"\u003eUnited States\u003c\/a\u003e, 27 November 1981 for the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/United_Kingdom\" title=\"United Kingdom\"\u003eUnited Kingdom\u003c\/a\u003e, 7 December 1981 for \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Australia\" title=\"Australia\"\u003eAustralia\u003c\/a\u003e and 19 December 1981 for \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Japan\" title=\"Japan\"\u003eJapan\u003c\/a\u003e.\u003csup id=\"cite_ref-releaseinfo_1-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/For_Those_About_to_Rock_We_Salute_You#cite_note-releaseinfo-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe album is a follow-up to their highly successful album \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Back_in_Black\" title=\"Back in Black\"\u003eBack in Black\u003c\/a\u003e\u003c\/i\u003e. \u003ci\u003eFor Those About to Rock\u003c\/i\u003e has sold over four million copies in the US. It would be AC\/DC's first and only No. 1 album in the U.S. until the release of \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Black_Ice_(album)\" title=\"Black Ice (album)\"\u003eBlack Ice\u003c\/a\u003e\u003c\/i\u003e in October 2008. In their original 1981 review, \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rolling_Stone\" title=\"Rolling Stone\"\u003eRolling Stone\u003c\/a\u003e\u003c\/i\u003e magazine declared it to be their best album. In Australia, the album peaked at No. 3 on the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kent_Music_Report\" title=\"Kent Music Report\"\u003eKent Music Report\u003c\/a\u003e Albums Chart.\u003csup id=\"cite_ref-Kent_2-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/For_Those_About_to_Rock_We_Salute_You#cite_note-Kent-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe album, recorded in Paris, was the third and final AC\/DC collaboration with producer \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Robert_John_%22Mutt%22_Lange\" title='Robert John \"Mutt\" Lange'\u003eRobert John \"Mutt\" Lange\u003c\/a\u003e. The album was re-released in 2003 as part of the \u003ci\u003eAC\/DC Remasters\u003c\/i\u003e series.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eFor Those About to Rock (We Salute You)\u003c\/b\u003e\u003c\/i\u003e (referred to as \u003ci\u003e\u003cb\u003eFor Those About to Rock\u003c\/b\u003e\u003c\/i\u003e on its cover) is the eighth studio album by Australian \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Hard_rock\" title=\"Hard rock\"\u003ehard rock\u003c\/a\u003e band \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/AC\/DC\" title=\"AC\/DC\"\u003eAC\/DC\u003c\/a\u003e. It was released on 20 November 1981 for the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/United_States\" title=\"United States\"\u003eUnited States\u003c\/a\u003e, 27 November 1981 for the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/United_Kingdom\" title=\"United Kingdom\"\u003eUnited Kingdom\u003c\/a\u003e, 7 December 1981 for \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Australia\" title=\"Australia\"\u003eAustralia\u003c\/a\u003e and 19 December 1981 for \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Japan\" title=\"Japan\"\u003eJapan\u003c\/a\u003e.\u003csup id=\"cite_ref-releaseinfo_1-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/For_Those_About_to_Rock_We_Salute_You#cite_note-releaseinfo-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe album is a follow-up to their highly successful album \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Back_in_Black\" title=\"Back in Black\"\u003eBack in Black\u003c\/a\u003e\u003c\/i\u003e. \u003ci\u003eFor Those About to Rock\u003c\/i\u003e has sold over four million copies in the US. It would be AC\/DC's first and only No. 1 album in the U.S. until the release of \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Black_Ice_(album)\" title=\"Black Ice (album)\"\u003eBlack Ice\u003c\/a\u003e\u003c\/i\u003e in October 2008. In their original 1981 review, \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rolling_Stone\" title=\"Rolling Stone\"\u003eRolling Stone\u003c\/a\u003e\u003c\/i\u003e magazine declared it to be their best album. In Australia, the album peaked at No. 3 on the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kent_Music_Report\" title=\"Kent Music Report\"\u003eKent Music Report\u003c\/a\u003e Albums Chart.\u003csup id=\"cite_ref-Kent_2-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/For_Those_About_to_Rock_We_Salute_You#cite_note-Kent-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe album, recorded in Paris, was the third and final AC\/DC collaboration with producer \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Robert_John_%22Mutt%22_Lange\" title='Robert John \"Mutt\" Lange'\u003eRobert John \"Mutt\" Lange\u003c\/a\u003e. The album was re-released in 2003 as part of the \u003ci\u003eAC\/DC Remasters\u003c\/i\u003e series.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eFor Those About to Rock (We Salute You)\u003c\/b\u003e\u003c\/i\u003e (referred to as \u003ci\u003e\u003cb\u003eFor Those About to Rock\u003c\/b\u003e\u003c\/i\u003e on its cover) is the eighth studio album by Australian \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Hard_rock\" title=\"Hard rock\"\u003ehard rock\u003c\/a\u003e band \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/AC\/DC\" title=\"AC\/DC\"\u003eAC\/DC\u003c\/a\u003e. It was released on 20 November 1981 for the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/United_States\" title=\"United States\"\u003eUnited States\u003c\/a\u003e, 27 November 1981 for the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/United_Kingdom\" title=\"United Kingdom\"\u003eUnited Kingdom\u003c\/a\u003e, 7 December 1981 for \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Australia\" title=\"Australia\"\u003eAustralia\u003c\/a\u003e and 19 December 1981 for \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Japan\" title=\"Japan\"\u003eJapan\u003c\/a\u003e.\u003csup id=\"cite_ref-releaseinfo_1-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/For_Those_About_to_Rock_We_Salute_You#cite_note-releaseinfo-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe album is a follow-up to their highly successful album \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Back_in_Black\" title=\"Back in Black\"\u003eBack in Black\u003c\/a\u003e\u003c\/i\u003e. \u003ci\u003eFor Those About to Rock\u003c\/i\u003e has sold over four million copies in the US. It would be AC\/DC's first and only No. 1 album in the U.S. until the release of \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Black_Ice_(album)\" title=\"Black Ice (album)\"\u003eBlack Ice\u003c\/a\u003e\u003c\/i\u003e in October 2008. In their original 1981 review, \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rolling_Stone\" title=\"Rolling Stone\"\u003eRolling Stone\u003c\/a\u003e\u003c\/i\u003e magazine declared it to be their best album. In Australia, the album peaked at No. 3 on the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kent_Music_Report\" title=\"Kent Music Report\"\u003eKent Music Report\u003c\/a\u003e Albums Chart.\u003csup id=\"cite_ref-Kent_2-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/For_Those_About_to_Rock_We_Salute_You#cite_note-Kent-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe album, recorded in Paris, was the third and final AC\/DC collaboration with producer \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Robert_John_%22Mutt%22_Lange\" title='Robert John \"Mutt\" Lange'\u003eRobert John \"Mutt\" Lange\u003c\/a\u003e. The album was re-released in 2003 as part of the \u003ci\u003eAC\/DC Remasters\u003c\/i\u003e series.\u003c\/p\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43478456533166,"sku":"","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/NC5qcGVn_0d1c4301-1dc9-4149-a3c5-b6d9675398cd.jpg?v=1665906263"},{"product_id":"ac-dc-live-lp-levy","title":"AC\/DC ‎– Live  LP levy","description":"\u003cp\u003eLabel: Columbia ‎– 5107661, Albert Productions ‎– 5107661, Sony Music ‎– 5107661\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Remastered, 180g\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: 11 May 2009\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Hard Rock\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: 1-2 viikkoa\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Thunderstruck 6:34\u003cbr\u003eA2 Shoot To Thrill 5:23\u003cbr\u003eA3 Back In Black 4:28\u003cbr\u003eA4 Sin City 5:40\u003cbr\u003eA5 Who Made Who 5:16\u003cbr\u003eA6 Fire Your Guns 3:40\u003cbr\u003eB1 Jailbreak 14:43\u003cbr\u003eB2 The Jack 6:56\u003cbr\u003eB3 The Razor's Edge 4:35\u003cbr\u003eB4 Dirty Deeds Done Dirt Cheap 5:02\u003cbr\u003eC1 Hells Bells 6:01\u003cbr\u003eC2 Heatseeker 3:37\u003cbr\u003eC3 That's The Way I Wanna Rock 'N' Roll 3:57\u003cbr\u003eC4 High Voltage 10:32\u003cbr\u003eC5 You Shook Me All Night Long 3:54\u003cbr\u003eD1 Whole Lotta Rosie 4:30\u003cbr\u003eD2 Let There Be Rock 12:17\u003cbr\u003eD3 Highway To Hell 3:53\u003cbr\u003eD4 T.N.T. 3:48\u003cbr\u003eD5 For Those About Rock (We Salute You) 7:09\u003c\/p\u003e\n\u003cp\u003e \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/AC\/DC_Live\"\u003ehttps:\/\/en.wikipedia.org\/wiki\/AC\/DC_Live\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eAC\/DC Live\u003c\/b\u003e\u003c\/i\u003e is the second live album by \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Australia\" title=\"Australia\"\u003eAustralian\u003c\/a\u003e \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Hard_rock\" title=\"Hard rock\"\u003ehard rock\u003c\/a\u003e band \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/AC\/DC\" title=\"AC\/DC\"\u003eAC\/DC\u003c\/a\u003e, released on 27 October 1992. Two versions were released, one containing a single CD, with the second version being a double album on LP and CD known as \u003ci\u003eAC\/DC Live: 2 CD Collector's Edition\u003c\/i\u003e. A feature-length live video, \u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Live_at_Donington_(AC\/DC_album)\" title=\"Live at Donington (AC\/DC album)\"\u003eAC\/DC: Live at Donington\u003c\/a\u003e\u003c\/i\u003e, was released concurrently.\u003csup id=\"cite_ref-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/AC\/DC_Live#cite_note-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e The double album \u003ci\u003eAC\/DC Live: 2 CD Collector's Edition\u003c\/i\u003e was released a month after the single-disc version, in a slipcased two-disc \"book\" (similar in shape to old CD \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Longbox\" title=\"Longbox\"\u003elongboxes\u003c\/a\u003e) and containing an \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Angus_Bucks\" title=\"Angus Bucks\"\u003eAC\/DC dollar note\u003c\/a\u003e known as \"Angus Bucks\". Both editions of the album were re-released in 2003 as part of the \u003ci\u003eAC\/DC Remasters\u003c\/i\u003e series.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan class=\"mw-headline\" id=\"Reception\"\u003eReception\u003c\/span\u003e\u003c\/h2\u003e\n\u003ctable class=\"wikitable floatright\"\u003e\n\u003ccaption\u003eProfessional ratings\u003c\/caption\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" colspan=\"2\"\u003eReview scores\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003eSource\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eRating\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Allmusic\" class=\"mw-redirect\" title=\"Allmusic\"\u003eAllmusic\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan role=\"img\" title=\"3\/5 stars\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" decoding=\"async\" title=\"3\/5 stars\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" decoding=\"async\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" decoding=\"async\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/11px-Star_empty.svg.png\" decoding=\"async\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/17px-Star_empty.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/22px-Star_empty.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/11px-Star_empty.svg.png\" decoding=\"async\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/17px-Star_empty.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/22px-Star_empty.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003c\/span\u003e\u003csup id=\"cite_ref-2\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/AC\/DC_Live#cite_note-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Blender_(magazine)\" title=\"Blender (magazine)\"\u003eBlender\u003c\/a\u003e\u003c\/i\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan role=\"img\" title=\"3\/5 stars\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" decoding=\"async\" title=\"3\/5 stars\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" decoding=\"async\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" decoding=\"async\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/11px-Star_empty.svg.png\" decoding=\"async\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/17px-Star_empty.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/22px-Star_empty.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/11px-Star_empty.svg.png\" decoding=\"async\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/17px-Star_empty.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/22px-Star_empty.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003c\/span\u003e\u003csup id=\"cite_ref-3\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/AC\/DC_Live#cite_note-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Entertainment_Weekly\" title=\"Entertainment Weekly\"\u003eEntertainment Weekly\u003c\/a\u003e\u003c\/i\u003e\u003c\/td\u003e\n\u003ctd\u003eB+\u003csup id=\"cite_ref-4\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/AC\/DC_Live#cite_note-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Rolling_Stone_Album_Guide\" title=\"The Rolling Stone Album Guide\"\u003eThe Rolling Stone Album Guide\u003c\/a\u003e\u003c\/i\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan role=\"img\" title=\"2.5\/5 stars\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" decoding=\"async\" title=\"2.5\/5 stars\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" decoding=\"async\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/81\/Star_half.svg\/11px-Star_half.svg.png\" decoding=\"async\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/81\/Star_half.svg\/17px-Star_half.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/81\/Star_half.svg\/22px-Star_half.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/11px-Star_empty.svg.png\" decoding=\"async\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/17px-Star_empty.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/22px-Star_empty.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/11px-Star_empty.svg.png\" decoding=\"async\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/17px-Star_empty.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/22px-Star_empty.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003c\/span\u003e\u003csup id=\"cite_ref-5\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/AC\/DC_Live#cite_note-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Encyclopedia_of_Popular_Music\" title=\"The Encyclopedia of Popular Music\"\u003eThe Encyclopedia of Popular Music\u003c\/a\u003e\u003c\/i\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan role=\"img\" title=\"2\/5 stars\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" decoding=\"async\" title=\"2\/5 stars\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" decoding=\"async\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/11px-Star_empty.svg.png\" decoding=\"async\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/17px-Star_empty.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/22px-Star_empty.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/11px-Star_empty.svg.png\" decoding=\"async\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/17px-Star_empty.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/22px-Star_empty.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/11px-Star_empty.svg.png\" decoding=\"async\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/17px-Star_empty.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/22px-Star_empty.svg.png 2x\" data-file-width=\"108\" data-file-height=\"110\" width=\"11\" height=\"11\"\u003e\u003c\/span\u003e\u003csup id=\"cite_ref-6\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/AC\/DC_Live#cite_note-6\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eBarry Weber of \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/AllMusic\" title=\"AllMusic\"\u003eAllMusic\u003c\/a\u003e writes: \"All too often, a live album is a cheaply made, rushed recording that only serves as a testament to a band's decline. \u003ci\u003eAC\/DC Live\u003c\/i\u003e, however, shows what makes this band different from their peers - here they are still entirely capable of pulling off a great live show. This ranks among the best live metal albums of the '90s.\" Classic Rock wrote that \"Live is a triumphant refutation to anyone who still claims 'DC died with Bon. Jonno [Brian Johnson] is in fine voice and good humour throughout, and the live setting gives Angus space to stretch out a bit.\"\u003c\/p\u003e\n\u003ch2\u003e\u003cspan class=\"mw-headline\" id=\"Personnel\"\u003ePersonnel\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Brian_Johnson\" title=\"Brian Johnson\"\u003eBrian Johnson\u003c\/a\u003e – \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Lead_vocals\" class=\"mw-redirect\" title=\"Lead vocals\"\u003elead vocals\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Angus_Young\" title=\"Angus Young\"\u003eAngus Young\u003c\/a\u003e – \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Lead_guitar\" title=\"Lead guitar\"\u003elead guitar\u003c\/a\u003e, \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Backing_vocals\" class=\"mw-redirect\" title=\"Backing vocals\"\u003ebacking vocals\u003c\/a\u003e in T.N.T and Dirty Deeds Done Dirt Cheap\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Malcolm_Young\" title=\"Malcolm Young\"\u003eMalcolm Young\u003c\/a\u003e – \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rhythm_guitar\" title=\"Rhythm guitar\"\u003erhythm guitar\u003c\/a\u003e, \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Backing_vocals\" class=\"mw-redirect\" title=\"Backing vocals\"\u003ebacking vocals\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Cliff_Williams\" title=\"Cliff Williams\"\u003eCliff Williams\u003c\/a\u003e – \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Bass_guitar\" title=\"Bass guitar\"\u003ebass guitar\u003c\/a\u003e, backing vocals\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Chris_Slade\" title=\"Chris Slade\"\u003eChris Slade\u003c\/a\u003e – \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Drum_kit\" title=\"Drum kit\"\u003edrums\u003c\/a\u003e, \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Percussion_instrument\" title=\"Percussion instrument\"\u003epercussion\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cspan class=\"mw-headline\" id=\"Reception\"\u003e\u003c\/span\u003e\u003c\/h2\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43478465282222,"sku":"","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/MS0zMDE1LmpwZWc.jpg?v=1665906587"},{"product_id":"billy-cobham-spectrum-lp-levy","title":"Billy Cobham – Spectrum LP levy","description":"\u003cp\u003eLabel: Music On Vinyl – MOVLP2167, Atlantic – MOVLP2167\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, 180 gr.\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: Jul 20, 2018\u003cbr\u003eGenre: Jazz, Rock\u003cbr\u003eStyle: Jazz-Rock\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eToimitusmaksu 8€ (1-20 levyä) \u003cbr data-mce-fragment=\"1\"\u003eToimitus: 1-2 viikkoa\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Quadrant 4 4:30\u003cbr\u003e Searching For The Right Door \/ Spectrum (6:30)\u003cbr\u003eA2a Searching For The Right Door \u003cbr\u003eA2b Spectrum\u003cbr\u003eFlute, Soprano Saxophone – Joe Farrell\u003cbr\u003eFlugelhorn – Jimmy Owens\u003cbr\u003eAcoustic Bass – Ron Carter\u003cbr\u003eCongas – Ray Barreto*\u003cbr\u003e Anxiety \/ Taurian Matador (4:45)\u003cbr\u003eA3a Anxiety \u003cbr\u003eA3b Taurian Matador \u003cbr\u003eB1 Stratus 9:50\u003cbr\u003e To The Women In My Life \/ Le Lis (4:00)\u003cbr\u003eB2a To The Women In My Life \u003cbr\u003eB2b Le Lis\u003cbr\u003eAlto Saxophone – Joe Farrell\u003cbr\u003eFlugelhorn, Trumpet – Jimmy Owens\u003cbr\u003eGuitar – John Tropea\u003cbr\u003eAcoustic Bass – Ron Carter\u003cbr\u003eCongas – Ray Barreto*\u003cbr\u003e Snoopy's Search \/ Red Baron (7:39)\u003cbr\u003eB3a Snoopy's Search \u003cbr\u003eB3b Red Baron\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Spectrum_(Billy_Cobham_album)\"\u003e https:\/\/en.wikipedia.org\/wiki\/Spectrum_(Billy_Cobham_album)\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eSpectrum\u003c\/b\u003e\u003c\/i\u003e is the debut solo album by \u003ca title=\"Jazz fusion\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jazz_fusion\"\u003ejazz fusion\u003c\/a\u003e \u003ca title=\"Drummer\" href=\"https:\/\/en.wikipedia.org\/wiki\/Drummer\"\u003edrummer\u003c\/a\u003e \u003ca title=\"Billy Cobham\" href=\"https:\/\/en.wikipedia.org\/wiki\/Billy_Cobham\"\u003eBilly Cobham\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eThe song \"Stratus\" appears in the video game \u003ci\u003e\u003ca title=\"Grand Theft Auto IV\" href=\"https:\/\/en.wikipedia.org\/wiki\/Grand_Theft_Auto_IV\"\u003eGrand Theft Auto IV\u003c\/a\u003e\u003c\/i\u003e of the radio station \"\u003ca title=\"Grand Theft Auto IV soundtrack\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Grand_Theft_Auto_IV_soundtrack#Fusion_FM.E2.80.A0.E2.80.A0\"\u003eFusion FM\u003c\/a\u003e\", as well as being the main sample in the \u003ca title=\"Massive Attack\" href=\"https:\/\/en.wikipedia.org\/wiki\/Massive_Attack\"\u003eMassive Attack\u003c\/a\u003e hit \"\u003ca title=\"Safe from Harm (single)\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Safe_from_Harm_(single)\"\u003eSafe from Harm\u003c\/a\u003e\".\u003c\/p\u003e\n\u003cp\u003e'\u003c\/p\u003e\n\u003ch2\u003e\u003cspan id=\"Recording\" class=\"mw-headline\"\u003eRecording\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe recording process took place at \u003ca title=\"Electric Lady Studios\" href=\"https:\/\/en.wikipedia.org\/wiki\/Electric_Lady_Studios\"\u003eElectric Lady Studios\u003c\/a\u003e. According to \u003ca title=\"Leland Sklar\" href=\"https:\/\/en.wikipedia.org\/wiki\/Leland_Sklar\"\u003eLeland Sklar\u003c\/a\u003e it was done in just two or three days and almost every track that ended up on a record was \"first or second take at the most\".\u003csup class=\"reference\" id=\"cite_ref-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Spectrum_(Billy_Cobham_album)#cite_note-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Ken Scott\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ken_Scott\"\u003eKen Scott\u003c\/a\u003e, engineer of \u003ci\u003eSpectrum\u003c\/i\u003e, recounted: \"Bill Cobham's drums were treated in exactly the same way as I recorded every other drummer. I just used more mics: \u003ca title=\"Georg Neumann\" href=\"https:\/\/en.wikipedia.org\/wiki\/Georg_Neumann\"\u003eNeumann\u003c\/a\u003e U67s on toms, D20s or \u003ca title=\"Electro-Voice RE20\" href=\"https:\/\/en.wikipedia.org\/wiki\/Electro-Voice_RE20\"\u003eRE20s\u003c\/a\u003e (at Electric Lady) on the bass drums, Neumann KM54 or 56 on snare, and either \u003ca title=\"Coles 4038\" href=\"https:\/\/en.wikipedia.org\/wiki\/Coles_4038\"\u003eSTC 4038s\u003c\/a\u003e or \u003ca title=\"Beyerdynamic M 160\" href=\"https:\/\/en.wikipedia.org\/wiki\/Beyerdynamic_M_160\"\u003eBeyer M160\u003c\/a\u003e ribbon mics for the overheads. One other thing: in order to dampen the snare, Bill just laid his wallet on the top head.\"\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Leland Sklar\" href=\"https:\/\/en.wikipedia.org\/wiki\/Leland_Sklar\"\u003eLeland Sklar\u003c\/a\u003e, bassist on four of the songs, remarked, \"Spectrum is such a benchmark for so many people. There was a sort of fire in it. It was new ground and it wasn't very analytical. It was more flying by the seat of your pants. That's where great accidents happen, which seems impossible these days. We never did more than a couple of takes on any of it. It was more or less a two-day record. It went by so fast.\"\u003csup class=\"reference\" id=\"cite_ref-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Spectrum_(Billy_Cobham_album)#cite_note-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e Sklar and Hammer recall that the music was recorded live and was not fixed in any way afterwards,\u003csup class=\"reference\" id=\"cite_ref-3\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Spectrum_(Billy_Cobham_album)#cite_note-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e which, in particular, resulted in capturing \u003ca title=\"Tommy Bolin\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tommy_Bolin\"\u003eTommy Bolin\u003c\/a\u003e breaking his \u003ca title=\"Guitar tunings\" href=\"https:\/\/en.wikipedia.org\/wiki\/Guitar_tunings#Standard\"\u003ehigh E string\u003c\/a\u003e while soloing on \"Taurian Matador\" (approximately at 1:45 into the track) and continuing playing.\u003csup class=\"reference\" id=\"cite_ref-4\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Spectrum_(Billy_Cobham_album)#cite_note-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e Bolin used Fender \u003ca title=\"Stratocaster\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Stratocaster\"\u003eStratocaster\u003c\/a\u003e and \u003ca title=\"Echoplex\" href=\"https:\/\/en.wikipedia.org\/wiki\/Echoplex\"\u003eMaestro Echoplex\u003c\/a\u003e delay unit, prominently heard on \"Quadrant 4\". Sklar attests that he played his 1962 Fender Jazz bass through a small \u003ca title=\"Univox\" href=\"https:\/\/en.wikipedia.org\/wiki\/Univox\"\u003eUnivox\u003c\/a\u003e amp with a single 12″ speaker.\u003csup class=\"reference\" id=\"cite_ref-5\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Spectrum_(Billy_Cobham_album)#cite_note-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eNot as well known at the time, Tommy Bolin plays lead guitar on four songs. Cobham had met Bolin years before, when he was a member of \u003ca title=\"Zephyr (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Zephyr_(band)\"\u003eZephyr\u003c\/a\u003e. Bolin had recently joined rock band \u003ca title=\"James Gang\" href=\"https:\/\/en.wikipedia.org\/wiki\/James_Gang\"\u003eJames Gang\u003c\/a\u003e, and recorded his first album with that band just two months prior to the \u003ci\u003eSpectrum\u003c\/i\u003e sessions.\u003csup class=\"reference\" id=\"cite_ref-6\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Spectrum_(Billy_Cobham_album)#cite_note-6\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\"To the Women in My Life\" is unusual in that Cobham himself does not play on it, though he did produce the track. It is an unaccompanied piano piece performed by \u003ca title=\"Jan Hammer\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jan_Hammer\"\u003eJan Hammer\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan id=\"Critical_reception\" class=\"mw-headline\"\u003eCritical reception\u003c\/span\u003e\u003c\/h2\u003e\n\u003ctable class=\"wikitable floatright\"\u003e\n\u003ccaption\u003eRetrospective professional reviews\u003c\/caption\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\" scope=\"col\"\u003eReview scores\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003eSource\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eRating\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ca title=\"AllMusic\" href=\"https:\/\/en.wikipedia.org\/wiki\/AllMusic\"\u003eAllMusic\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan title=\"5\/5 stars\" role=\"img\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" title=\"5\/5 stars\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003c\/span\u003e\u003csup class=\"reference\" id=\"cite_ref-AM_7-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Spectrum_(Billy_Cobham_album)#cite_note-AM-7\"\u003e[7]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ci\u003e\u003ca title=\"Christgau's Record Guide: Rock Albums of the Seventies\" href=\"https:\/\/en.wikipedia.org\/wiki\/Christgau%27s_Record_Guide:_Rock_Albums_of_the_Seventies\"\u003eChristgau's Record Guide\u003c\/a\u003e\u003c\/i\u003e\u003c\/td\u003e\n\u003ctd\u003eC+\u003csup class=\"reference\" id=\"cite_ref-CG_8-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Spectrum_(Billy_Cobham_album)#cite_note-CG-8\"\u003e[8]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ci\u003e\u003ca title=\"The Rolling Stone Jazz Record Guide\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Rolling_Stone_Jazz_Record_Guide\"\u003eThe Rolling Stone Jazz Record Guide\u003c\/a\u003e\u003c\/i\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan title=\"4\/5 stars\" role=\"img\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" title=\"4\/5 stars\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/17px-Star_empty.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/22px-Star_empty.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Star_empty.svg\/11px-Star_empty.svg.png\" alt=\"\"\u003e\u003c\/span\u003e\u003csup class=\"reference\" id=\"cite_ref-RSJRG_9-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Spectrum_(Billy_Cobham_album)#cite_note-RSJRG-9\"\u003e[9]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ca title=\"Sputnikmusic\" href=\"https:\/\/en.wikipedia.org\/wiki\/Sputnikmusic\"\u003eSputnikmusic\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd\u003e4\/5\u003csup class=\"reference\" id=\"cite_ref-10\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Spectrum_(Billy_Cobham_album)#cite_note-10\"\u003e[10]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ci\u003e\u003ca title=\"The Penguin Guide to Jazz Recordings\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Penguin_Guide_to_Jazz_Recordings\"\u003eThe Penguin Guide to Jazz Recordings\u003c\/a\u003e\u003c\/i\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan title=\"3.5\/4 stars\" role=\"img\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" title=\"3.5\/4 stars\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/17px-Star_full.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/22px-Star_full.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/5\/51\/Star_full.svg\/11px-Star_full.svg.png\" alt=\"\"\u003e\u003cimg height=\"11\" width=\"11\" data-file-height=\"110\" data-file-width=\"108\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/81\/Star_half.svg\/17px-Star_half.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/81\/Star_half.svg\/22px-Star_half.svg.png 2x\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/81\/Star_half.svg\/11px-Star_half.svg.png\" alt=\"\"\u003e\u003c\/span\u003e \u003csup class=\"reference\" id=\"cite_ref-Penguin_11-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Spectrum_(Billy_Cobham_album)#cite_note-Penguin-11\"\u003e[11]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003ci\u003eSpectrum\u003c\/i\u003e received positive reviews from contemporary critics. However, \u003ca title=\"Robert Christgau\" href=\"https:\/\/en.wikipedia.org\/wiki\/Robert_Christgau\"\u003eRobert Christgau\u003c\/a\u003e offered a dissenting review for \u003ci\u003e\u003ca title=\"Creem\" href=\"https:\/\/en.wikipedia.org\/wiki\/Creem\"\u003eCreem\u003c\/a\u003e\u003c\/i\u003e magazine, calling Cobham \"Mahavishnu's muscle-headed muscle man\" and saying, \"Despite a few tough minutes this is basically slick, gimmicky, one-dimensional—in a word, undemanding. All of which may make him a star.\"\u003csup class=\"reference\" id=\"cite_ref-12\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Spectrum_(Billy_Cobham_album)#cite_note-12\"\u003e[12]\u003c\/a\u003e\u003c\/sup\u003e \u003ca title=\"Scott Yanow\" href=\"https:\/\/en.wikipedia.org\/wiki\/Scott_Yanow\"\u003eScott Yanow\u003c\/a\u003e was more impressed by the record, writing years later in his review for \u003ca title=\"AllMusic\" href=\"https:\/\/en.wikipedia.org\/wiki\/AllMusic\"\u003eAllMusic\u003c\/a\u003e that \u003ci\u003eSpectrum\u003c\/i\u003e remains Cobham's best and an exceptional \u003ca title=\"Jazz fusion\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jazz_fusion\"\u003ejazz fusion\u003c\/a\u003e album with \"rock-ish rhythms and jazz improvising\".\u003csup class=\"reference\" id=\"cite_ref-AM_7-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Spectrum_(Billy_Cobham_album)#cite_note-AM-7\"\u003e[7]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan id=\"Personnel\" class=\"mw-headline\"\u003ePersonnel\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca title=\"Billy Cobham\" href=\"https:\/\/en.wikipedia.org\/wiki\/Billy_Cobham\"\u003eBilly Cobham\u003c\/a\u003e - \u003ca title=\"Drum kit\" href=\"https:\/\/en.wikipedia.org\/wiki\/Drum_kit\"\u003edrums\u003c\/a\u003e, percussion, \u003ca title=\"Record producer\" href=\"https:\/\/en.wikipedia.org\/wiki\/Record_producer\"\u003eproduction\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Jan Hammer\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jan_Hammer\"\u003eJan Hammer\u003c\/a\u003e - \u003ca title=\"Electric piano\" href=\"https:\/\/en.wikipedia.org\/wiki\/Electric_piano\"\u003eelectric\u003c\/a\u003e and \u003ca title=\"Acoustic piano\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Acoustic_piano\"\u003eacoustic pianos\u003c\/a\u003e, \u003ca title=\"Moog synthesizer\" href=\"https:\/\/en.wikipedia.org\/wiki\/Moog_synthesizer\"\u003eMoog synthesizer\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Ken Scott\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ken_Scott\"\u003eKen Scott\u003c\/a\u003e - \u003ca title=\"Audio engineer\" href=\"https:\/\/en.wikipedia.org\/wiki\/Audio_engineer\"\u003erecording and re-mix engineering\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdl\u003e\n\u003cdt\u003eAdditional personnel on \"Quadrant 4\", \"Taurian Matador\", \"Stratus\", and \"Red Baron\"\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca title=\"Tommy Bolin\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tommy_Bolin\"\u003eTommy Bolin\u003c\/a\u003e - \u003ca title=\"Guitar\" href=\"https:\/\/en.wikipedia.org\/wiki\/Guitar\"\u003eguitar\u003c\/a\u003e, \u003ca title=\"Echoplex\" href=\"https:\/\/en.wikipedia.org\/wiki\/Echoplex\"\u003eEchoplex\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Leland Sklar\" href=\"https:\/\/en.wikipedia.org\/wiki\/Leland_Sklar\"\u003eLee Sklar\u003c\/a\u003e - \u003ca title=\"Bass guitar\" href=\"https:\/\/en.wikipedia.org\/wiki\/Bass_guitar\"\u003eelectric bass\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdl\u003e\n\u003cdt\u003eAdditional personnel on \"Spectrum\" and \"Le Lis\"\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca title=\"Joe Farrell\" href=\"https:\/\/en.wikipedia.org\/wiki\/Joe_Farrell\"\u003eJoe Farrell\u003c\/a\u003e - \u003ca title=\"Soprano saxophone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Soprano_saxophone\"\u003esoprano\u003c\/a\u003e and \u003ca title=\"Alto sax\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Alto_sax\"\u003ealto saxes\u003c\/a\u003e, \u003ca title=\"Flute\" href=\"https:\/\/en.wikipedia.org\/wiki\/Flute\"\u003eflute\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Jimmy Owens (jazz)\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jimmy_Owens_(jazz)\"\u003eJimmy Owens\u003c\/a\u003e - \u003ca title=\"Flugelhorn\" href=\"https:\/\/en.wikipedia.org\/wiki\/Flugelhorn\"\u003eflugelhorn\u003c\/a\u003e, \u003ca title=\"Trumpet\" href=\"https:\/\/en.wikipedia.org\/wiki\/Trumpet\"\u003etrumpet\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"John Tropea\" href=\"https:\/\/en.wikipedia.org\/wiki\/John_Tropea\"\u003eJohn Tropea\u003c\/a\u003e - guitar on \"Le Lis\"\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Ron Carter\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ron_Carter\"\u003eRon Carter\u003c\/a\u003e - acoustic bass\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Ray Barretto\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ray_Barretto\"\u003eRay Barretto\u003c\/a\u003e - congas\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch2\u003e\u003cspan class=\"mw-headline\" id=\"Reception\"\u003e\u003c\/span\u003e\u003c\/h2\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43490496544942,"sku":"","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/tdv262mv.jpg?v=1666291055"},{"product_id":"kopio-alice-in-chains-dirt-musta-lp-levy","title":"Alice In Chains – Dirt (musta) LP levy","description":"\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eToimitusmaksu 8€ (1-20 levyä) \u003cbr\u003eToimitus: noin 7 työpäivää\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eLabel: Columbia – 19439953541, Legacy – 19439953541, Velvet Hammer – 19439953541\u003cbr\u003eFormat: 2 x Vinyl, LP, Album, Reissue, Remastered, United Record Pressing\u003cbr\u003eCountry: US\u003cbr\u003eReleased: Sep 23, 2022\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Grunge, Hard Rock\u003c\/p\u003e\n\u003ch4\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Them Bones\u003cbr\u003eWritten-By – J. Cantrell*\u003cbr\u003e2:30\u003cbr\u003eA2 Dam That River\u003cbr\u003eWritten-By – J. Cantrell*\u003cbr\u003e3:09\u003cbr\u003eA3 Rain When I Die\u003cbr\u003eWritten-By – J. Cantrell*, L. Staley*, M. Starr*, S. Kinney*\u003cbr\u003e6:02\u003cbr\u003eB1 Down In A Hole\u003cbr\u003eWritten-By – J. Cantrell*\u003cbr\u003e5:37\u003cbr\u003eB2 Sickman\u003cbr\u003eWritten-By – J. Cantrell*, L. Staley*\u003cbr\u003e5:31\u003cbr\u003eB3 Rooster\u003cbr\u003eWritten-By – J. Cantrell*\u003cbr\u003e6:15\u003cbr\u003eC1 Junkhead\u003cbr\u003eWritten-By – J. Cantrell*, L. Staley*\u003cbr\u003e5:09\u003cbr\u003eC2 Dirt\u003cbr\u003eWritten-By – J. Cantrell*, L. Staley*\u003cbr\u003e5:17\u003cbr\u003eC3 Godsmack\u003cbr\u003eWritten-By – J. Cantrell*, L. Staley*\u003cbr\u003e3:51\u003cbr\u003eD1 Hate To Feel\u003cbr\u003eWritten-By – L. Staley*\u003cbr\u003e5:17\u003cbr\u003eD2 Angry Chair\u003cbr\u003eWritten-By – L. Staley*\u003cbr\u003e4:48\u003cbr\u003eD3 Would?\u003cbr\u003eWritten-By – J. Cantrell*\u003cbr\u003e3:27\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Dirt\"\u003ehttps:\/\/fi.wikipedia.org\/wiki\/Dirt\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDirt\u003c\/b\u003e on \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Yhdysvallat\" title=\"Yhdysvallat\"\u003eyhdysvaltalaisen\u003c\/a\u003e \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Rock\" title=\"Rock\"\u003erockyhtye\u003c\/a\u003e \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Alice_in_Chains\" title=\"Alice in Chains\"\u003eAlice in Chainsin\u003c\/a\u003e toinen \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Studioalbumi\" class=\"mw-redirect\" title=\"Studioalbumi\"\u003estudioalbumi\u003c\/a\u003e. Albumin \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Tuottaja_(musiikki)\" title=\"Tuottaja (musiikki)\"\u003etuotti\u003c\/a\u003e yhtyeen \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Esikoisalbumi\" title=\"Esikoisalbumi\"\u003eesikoisalbumin\u003c\/a\u003e \u003ci\u003e\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Facelift_(albumi)\" title=\"Facelift (albumi)\"\u003eFacelift\u003c\/a\u003e\u003c\/i\u003e tavoin \u003ca href=\"https:\/\/fi.wikipedia.org\/w\/index.php?title=Dave_Jerden\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Dave Jerden (sivua ei ole)\"\u003eDave Jerden\u003c\/a\u003e, ja sen julkaisi 29. syyskuuta 1992 \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Levy-yhti%C3%B6\" title=\"Levy-yhtiö\"\u003elevy-yhtiö\u003c\/a\u003e \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Columbia_Records\" title=\"Columbia Records\"\u003eColumbia Records\u003c\/a\u003e. \u003ci\u003eDirt\u003c\/i\u003e on viimeinen Alice in Chainsin albumi, jolla soittaa yhtyeen alkuperäinen kokoonpano, sillä \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Basisti\" title=\"Basisti\"\u003ebasisti\u003c\/a\u003e \u003ca href=\"https:\/\/fi.wikipedia.org\/w\/index.php?title=Mike_Starr\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Mike Starr (sivua ei ole)\"\u003eMike Starr\u003c\/a\u003e erotettiin yhtyeestä vuoden 1993 alussa.\u003csup id=\"cite_ref-Elävä_arkisto_2-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Dirt#cite_note-El%C3%A4v%C3%A4_arkisto-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eAlbumi edustaa musiikillisesti Alice in Chainsin raskaampaa puolta, ja sillä on paljon \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Heavy_metal\" title=\"Heavy metal\"\u003eheavy metal\u003c\/a\u003e -vaikutteita. Albumin kappaleiden \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Sanoitus\" title=\"Sanoitus\"\u003esanoituksissa\u003c\/a\u003e käsitellään muun muassa \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Masennus\" title=\"Masennus\"\u003emasennusta\u003c\/a\u003e, ihmissuhteita, huumeriippuvaisuutta, sotaa ja kuolemaa. Albumin kappaleiden tekemisestä vastasivat suurimmaksi osaksi yhtyeen \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Kitaristi\" title=\"Kitaristi\"\u003ekitaristi\u003c\/a\u003e \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Jerry_Cantrell\" title=\"Jerry Cantrell\"\u003eJerry Cantrell\u003c\/a\u003e ja \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Laulaja\" class=\"mw-redirect\" title=\"Laulaja\"\u003elaulaja\u003c\/a\u003e \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Layne_Staley\" title=\"Layne Staley\"\u003eLayne Staley\u003c\/a\u003e, mutta kappaleen ”Rain When I Die” kirjoittamiseen osallistuivat myös basisti Mike Starr ja \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Rumpali\" title=\"Rumpali\"\u003erumpali\u003c\/a\u003e \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Sean_Kinney\" title=\"Sean Kinney\"\u003eSean Kinney\u003c\/a\u003e. Layne Staley kirjoitti albumille yksin kappaleet ”Hate to Feel” ja ”\u003ca href=\"https:\/\/fi.wikipedia.org\/w\/index.php?title=Angry_Chair\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Angry Chair (sivua ei ole)\"\u003eAngry Chair\u003c\/a\u003e”, ja soittaa myös \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Kitara\" title=\"Kitara\"\u003ekitaraa\u003c\/a\u003e molemmissa kappaleissa. \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Slayer\" title=\"Slayer\"\u003eSlayer\u003c\/a\u003e-yhtyeen basisti ja laulaja \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Tom_Araya\" title=\"Tom Araya\"\u003eTom Araya\u003c\/a\u003e vierailee kappaleessa ”Iron Gland”.\u003c\/p\u003e\n\u003cp\u003eAlbumilta julkaistiin viisi \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Single\" title=\"Single\"\u003esingleä\u003c\/a\u003e ja \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Musiikkivideo\" title=\"Musiikkivideo\"\u003emusiikkivideoa\u003c\/a\u003e: ”\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Would%3F\" title=\"Would?\"\u003eWould?\u003c\/a\u003e”, ”\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Them_Bones\" title=\"Them Bones\"\u003eThem Bones\u003c\/a\u003e”, ”Angry Chair”, ”\u003ca href=\"https:\/\/fi.wikipedia.org\/w\/index.php?title=Rooster_(kappale)\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Rooster (kappale) (sivua ei ole)\"\u003eRooster\u003c\/a\u003e” ja ”\u003ca href=\"https:\/\/fi.wikipedia.org\/w\/index.php?title=Down_in_a_Hole\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Down in a Hole (sivua ei ole)\"\u003eDown in a Hole\u003c\/a\u003e”. Vuonna 1993 \u003ci\u003eDirt\u003c\/i\u003e oli ehdokas parhaan hard rock -esityksen \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Grammy-palkinto\" title=\"Grammy-palkinto\"\u003eGrammy-palkinnon\u003c\/a\u003e saajaksi, ja ”Would?” ehdokas \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/MTV_Video_Music_Awards\" title=\"MTV Video Music Awards\"\u003eMTV Video Music Award\u003c\/a\u003e -palkinnon saajaksi.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eDirt\u003c\/i\u003e on Alice in Chainsin kaupallisesti menestynein albumi, ja sitä on myyty kansainvälisesti yli viisi miljoonaa kappaletta. Yhdysvalloissa \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Recording_Industry_Association_of_America\" title=\"Recording Industry Association of America\"\u003eRecording Industry Association of America\u003c\/a\u003e on sertifioinut albumin myyneen nelinkertaista \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Platinalevy\" class=\"mw-redirect\" title=\"Platinalevy\"\u003eplatinaa\u003c\/a\u003e. Albumi nousi Yhdysvalloissa parhaimmillaan \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Billboard_200\" title=\"Billboard 200\"\u003eBillboard 200\u003c\/a\u003e -albumilistan sijalle kuusi,\u003csup id=\"cite_ref-Elävä_arkisto_2-2\" class=\"reference\"\u003e\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Dirt#cite_note-El%C3%A4v%C3%A4_arkisto-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-Billboard_1-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Dirt#cite_note-Billboard-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e ja se sai myönteisen vastaanoton myös \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Kriitikko\" title=\"Kriitikko\"\u003ekriitikoiden\u003c\/a\u003e keskuudessa. Myöhemmin muun muassa \u003ci\u003e\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Rolling_Stone\" title=\"Rolling Stone\"\u003eRolling Stone\u003c\/a\u003e\u003c\/i\u003e on huomioinut albumin valitsemalla sen 26. sijalle sadan kaikkien aikojen parhaan metallialbumin listallaan, ja albumi on valittu myös mukaan teokseen \u003ci\u003e\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/1001_albumia_jotka_jokaisen_on_kuultava_edes_kerran_el%C3%A4ess%C3%A4%C3%A4n\" title=\"1001 albumia jotka jokaisen on kuultava edes kerran eläessään\"\u003e1001 albumia jotka jokaisen on kuultava edes kerran eläessään\u003c\/a\u003e\u003c\/i\u003e.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan class=\"mw-headline\" id=\"Albumin_konsepti\"\u003eAlbumin konsepti\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eAlbumin peruskonsepti on erittäin tummanpuhuva. Sanoitukset käsittelevät masennusta, ihmissuhdeongelmia, kuolemaa, sosiaalisen kanssakäymisen vaikeuksia ja päihdeongelmia.\u003c\/p\u003e\n\u003cp\u003eMonet albumin sanoituksista, eritoten kappaleet \"God Smack\", \"Angry Chair\" ja \"Junkhead\", puivat laulaja \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Layne_Staley\" title=\"Layne Staley\"\u003eLayne Staleyn\u003c\/a\u003e päihdeongelmia ja kamppailua heroiiniaddiktion kanssa. Kappale \"Hate to Feel\" keskittyy päihteiden lisäksi Staleyn isäsuhteeseen.\u003c\/p\u003e\n\u003cp\u003eKappale \"Them Bones\" kertoo kitaristi \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Jerry_Cantrell\" title=\"Jerry Cantrell\"\u003eJerry Cantrellin\u003c\/a\u003e kuolemanpelosta, \"Dam That River\" ja \"Rain When I Die\" puolestaan ihmissuhteista. \"Down in a Hole\", \"Sickman\" ja \"Dirt\" pureutuvat masennukseen, josta Cantrell kärsi albumin nauhoitusten aikoihin. Hänen äitinsä oli kuollut ja hän oli vastikään kokenut myös seurustelusuhteen päättymisen. Kappale \"Rooster\" puolestaan kertoo Cantrellin isän kokemuksista \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Vietnamin_sota\" title=\"Vietnamin sota\"\u003eVietnamin sodassa\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eAlbumin viimeinen kappale \"Would?\" on Cantrellin kunnianosoitus vuonna \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/1990\" title=\"1990\"\u003e1990\u003c\/a\u003e kuolleelle \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Andrew_Wood\" title=\"Andrew Wood\"\u003eAndrew Woodille\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan class=\"mw-headline\" id=\"Kokoonpano\"\u003eKokoonpano\u003c\/span\u003e\u003c\/h2\u003e\n\u003ctable cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"50%\" valign=\"top\" align=\"left\"\u003e\n\u003cdl\u003e\n\u003cdt\u003eAlice in Chains\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Layne_Staley\" title=\"Layne Staley\"\u003eLayne Staley\u003c\/a\u003e – \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Laulu\" title=\"Laulu\"\u003elaulu\u003c\/a\u003e, \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Rytmikitara\" title=\"Rytmikitara\"\u003erytmikitara\u003c\/a\u003e kappaleissa ”Hate to Feel” ja ”\u003ca href=\"https:\/\/fi.wikipedia.org\/w\/index.php?title=Angry_Chair\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Angry Chair (sivua ei ole)\"\u003eAngry Chair\u003c\/a\u003e”\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Jerry_Cantrell\" title=\"Jerry Cantrell\"\u003eJerry Cantrell\u003c\/a\u003e – \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Soolokitara\" class=\"mw-redirect\" title=\"Soolokitara\"\u003esoolo-\u003c\/a\u003e ja rytmikitara, \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Taustalaulu\" class=\"mw-redirect\" title=\"Taustalaulu\"\u003etaustalaulu\u003c\/a\u003e, \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Akustinen_kitara\" title=\"Akustinen kitara\"\u003eakustinen kitara\u003c\/a\u003e kappaleessa ”\u003ca href=\"https:\/\/fi.wikipedia.org\/w\/index.php?title=Down_in_a_Hole\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Down in a Hole (sivua ei ole)\"\u003eDown in a Hole\u003c\/a\u003e”, laulu kappaleessa ”\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Would%3F\" title=\"Would?\"\u003eWould?\u003c\/a\u003e”\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/fi.wikipedia.org\/w\/index.php?title=Mike_Starr\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Mike Starr (sivua ei ole)\"\u003eMike Starr\u003c\/a\u003e – \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Bassokitara\" title=\"Bassokitara\"\u003ebasso\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Sean_Kinney\" title=\"Sean Kinney\"\u003eSean Kinney\u003c\/a\u003e – \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Rumpusetti\" title=\"Rumpusetti\"\u003erummut\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdl\u003e\n\u003cdt\u003eVierailevana muusikkona\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Tom_Araya\" title=\"Tom Araya\"\u003eTom Araya\u003c\/a\u003e – laulu kappaleessa \"Iron Gland\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003ctd width=\"50%\" valign=\"top\" align=\"left\"\u003e\n\u003cdl\u003e\n\u003cdt\u003eHenkilöstö\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Tuottaja_(musiikki)\" title=\"Tuottaja (musiikki)\"\u003eTuotanto\u003c\/a\u003e – \u003ca href=\"https:\/\/fi.wikipedia.org\/w\/index.php?title=Dave_Jerden\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Dave Jerden (sivua ei ole)\"\u003eDave Jerden\u003c\/a\u003e ja \u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Alice_in_Chains\" title=\"Alice in Chains\"\u003eAlice in Chains\u003c\/a\u003e, paitsi kappaleen ”\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Would%3F\" title=\"Would?\"\u003eWould?\u003c\/a\u003e” tuotanto \u003ca href=\"https:\/\/fi.wikipedia.org\/w\/index.php?title=Rick_Parashar\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Rick Parashar (sivua ei ole)\"\u003eRick Parashar\u003c\/a\u003e ja Alice in Chains\u003c\/li\u003e\n\u003cli\u003eÄänittäminen – Bryan Carlstrom, apunaan Annette Cisneros ja Ulrich Wild\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/Miksaus\" title=\"Miksaus\"\u003eMiksaus\u003c\/a\u003e – Dave Jerden, apunaan Annette Cisneros\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/fi.wikipedia.org\/wiki\/%C3%84%C3%A4nen_masterointi\" title=\"Äänen masterointi\"\u003eÄänen masterointi\u003c\/a\u003e – Steve Hall ja Eddy Schreyer\u003c\/li\u003e\n\u003cli\u003eTaiteellinen ohjaus – Mary Maurer\u003c\/li\u003e\n\u003cli\u003eSuunnittelu – Doug Erb\u003c\/li\u003e\n\u003cli\u003eLogo – David Coleman\u003c\/li\u003e\n\u003cli\u003eAlice in Chainsin aurinko-logo – Layne Staley\u003c\/li\u003e\n\u003cli\u003eValokuvaus – Rocky Schenck\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43538161828014,"sku":"","price":32.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/1b_b8357af6-52f4-4d5a-ae34-5bc14038de61.jpg?v=1667736704"},{"product_id":"spandau-ballet-true-lp-levy","title":"Spandau Ballet – True LP levy","description":"\u003cp\u003eLabel: Reformation – CDL 1403, Chrysalis – CDL 1403\u003cbr\u003eFormat: Vinyl, LP, Album, Stereo\u003cbr\u003eCountry: UK\u003cbr\u003eReleased: 1983\u003cbr\u003eGenre: Electronic, Rock, Pop\u003cbr\u003eStyle: Synth-pop, Ballad, New Wave, Pop Rock, Vocal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Pleasure 3:30\u003cbr data-mce-fragment=\"1\"\u003eA2 Communication 3:36\u003cbr data-mce-fragment=\"1\"\u003eA3 Code Of Love 5:10\u003cbr data-mce-fragment=\"1\"\u003eA4 Gold 4:49\u003cbr data-mce-fragment=\"1\"\u003eB1 Lifeline 3:33\u003cbr data-mce-fragment=\"1\"\u003eB2 Heaven Is A Secret 4:24\u003cbr data-mce-fragment=\"1\"\u003eB3 Foundation 4:04\u003cbr data-mce-fragment=\"1\"\u003eB4 True 6:30\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: heti\u003c\/span\u003e  \u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKaikki käytetyt levyt ovat pesty ultraäänipesurissa ja niiden kunto on tarkistettu.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLevyn kunto: \u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eMedia Condition: Very Good Plus (VG+) like NM\u003cbr\u003eSleeve Condition: Very Good Plus (VG+)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003e---------------------------------\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKuntoluokitukset: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMint (M) - uusi, avaamaton \u003cbr\u003eNear Mint (NM) - lähes uudenveroinen\u003cbr\u003eVery Good Plus (VG+) - erittäin hyväkuntoinen, hyvin pidetty, ei naarmuja (jotkut kutsuvat myös termillä EX) \u003cbr\u003eVery Good (VG) - hyväkuntoinen kuuntelulevy, saattaa olla hiusnaarmuja ja jälkiä jotka eivät vaikuta soittoon\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eG+ (Good Plus) - levyssä saattaa olla naarmuja ja jälkiä, pääsääntöisesti soi läpi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/True_(Spandau_Ballet_album)\"\u003ehttps:\/\/en.wikipedia.org\/wiki\/True_(Spandau_Ballet_album)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eTrue\u003c\/b\u003e\u003c\/i\u003e is the third studio album by English \u003ca title=\"New wave music\" href=\"https:\/\/en.wikipedia.org\/wiki\/New_wave_music\"\u003enew wave\u003c\/a\u003e band \u003ca title=\"Spandau Ballet\" href=\"https:\/\/en.wikipedia.org\/wiki\/Spandau_Ballet\"\u003eSpandau Ballet\u003c\/a\u003e, released on 4 March 1983 by \u003ca title=\"Chrysalis Records\" href=\"https:\/\/en.wikipedia.org\/wiki\/Chrysalis_Records\"\u003eChrysalis Records\u003c\/a\u003e. While Spandau Ballet's first two albums earned them European popularity, \u003ci\u003eTrue\u003c\/i\u003e made them worldwide stars and was heavily influenced by \u003ca title=\"Jazz\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jazz\"\u003ejazz\u003c\/a\u003e, \u003ca title=\"Soul music\" href=\"https:\/\/en.wikipedia.org\/wiki\/Soul_music\"\u003esoul\u003c\/a\u003e and \u003ca title=\"Rhythm and blues\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rhythm_and_blues\"\u003eR\u0026amp;B\u003c\/a\u003e. It reached number one on the \u003ca title=\"UK Albums Chart\" href=\"https:\/\/en.wikipedia.org\/wiki\/UK_Albums_Chart\"\u003eUK Albums Chart\u003c\/a\u003e,\u003csup class=\"reference\" id=\"cite_ref-UK_Charts_5-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/True_(Spandau_Ballet_album)#cite_note-UK_Charts-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e number 19 on the US \u003ca title=\"Billboard 200\" href=\"https:\/\/en.wikipedia.org\/wiki\/Billboard_200\"\u003e\u003ci\u003eBillboard\u003c\/i\u003e 200\u003c\/a\u003e,\u003csup class=\"reference\" id=\"cite_ref-BB200_6-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/True_(Spandau_Ballet_album)#cite_note-BB200-6\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e and charted in numerous other countries around the world. The \u003ca title=\"True (Spandau Ballet song)\" href=\"https:\/\/en.wikipedia.org\/wiki\/True_(Spandau_Ballet_song)\"\u003etitle track\u003c\/a\u003e spent four weeks at number one on the \u003ca title=\"UK Singles Chart\" href=\"https:\/\/en.wikipedia.org\/wiki\/UK_Singles_Chart\"\u003eUK Singles Chart\u003c\/a\u003e and peaked at number four on the US \u003ca title=\"Billboard Hot 100\" href=\"https:\/\/en.wikipedia.org\/wiki\/Billboard_Hot_100\"\u003e\u003ci\u003eBillboard\u003c\/i\u003e Hot 100\u003c\/a\u003e. It was also Spandau Ballet's first album to be recorded outside of London (at \u003ca title=\"Compass Point Studios\" href=\"https:\/\/en.wikipedia.org\/wiki\/Compass_Point_Studios\"\u003eCompass Point Studios\u003c\/a\u003e in the \u003ca title=\"Bahamas\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Bahamas\"\u003eBahamas\u003c\/a\u003e).\u003csup class=\"reference\" id=\"cite_ref-wallstreet_7-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/True_(Spandau_Ballet_album)#cite_note-wallstreet-7\"\u003e[7]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eOther singles from the album included \"\u003ca title=\"Gold (Spandau Ballet song)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Gold_(Spandau_Ballet_song)\"\u003eGold\u003c\/a\u003e\" (number two in the UK and top 30 in the US), \"\u003ca title=\"Lifeline (Spandau Ballet song)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Lifeline_(Spandau_Ballet_song)\"\u003eLifeline\u003c\/a\u003e\", \"\u003ca title=\"Communication (Spandau Ballet song)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Communication_(Spandau_Ballet_song)\"\u003eCommunication\u003c\/a\u003e\", and \"Pleasure\".\u003c\/p\u003e\n\u003cp\u003eA remastered version of \"True\" was released on 3 July 2003 to commemorate its 20th anniversary. It was re-released as a single CD with the original eight tracks along with the music video for \"Gold\" and some home video footage of the band. The original 8-track album was also issued on the high-resolution super audio CD format as a Hybrid SACD (in stereo only). In 2008, the album was given away free with copies of the \u003ci\u003e\u003ca title=\"Daily Mail\" href=\"https:\/\/en.wikipedia.org\/wiki\/Daily_Mail\"\u003eDaily Mail\u003c\/a\u003e\u003c\/i\u003e newspaper.\u003csup class=\"reference\" id=\"cite_ref-8\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/True_(Spandau_Ballet_album)#cite_note-8\"\u003e[8]\u003c\/a\u003e\u003c\/sup\u003e In June 2010, a special edition was released on 2 CDs and DVD as part of the 2010 Spandau Ballet reissues series, featuring remastered 12″ remixes and B-sides, plus a live concert.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan id=\"Personnel\" class=\"mw-headline\"\u003ePersonnel\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan id=\"Spandau_Ballet\" class=\"mw-headline\"\u003eSpandau Ballet\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca title=\"Tony Hadley\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tony_Hadley\"\u003eTony Hadley\u003c\/a\u003e – lead and backing vocals\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Gary Kemp\" href=\"https:\/\/en.wikipedia.org\/wiki\/Gary_Kemp\"\u003eGary Kemp\u003c\/a\u003e – guitars, backing vocals\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Martin Kemp\" href=\"https:\/\/en.wikipedia.org\/wiki\/Martin_Kemp\"\u003eMartin Kemp\u003c\/a\u003e – bass\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"John Keeble\" href=\"https:\/\/en.wikipedia.org\/wiki\/John_Keeble\"\u003eJohn Keeble\u003c\/a\u003e – drums\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Steve Norman\" href=\"https:\/\/en.wikipedia.org\/wiki\/Steve_Norman\"\u003eSteve Norman\u003c\/a\u003e – percussion, saxophone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan id=\"Additional_musician\" class=\"mw-headline\"\u003eAdditional musician\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eJess Bailey – keyboards\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan id=\"Technical\" class=\"mw-headline\"\u003eTechnical\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSpandau Ballet – production\u003c\/li\u003e\n\u003cli\u003eSteve Jolley – production\u003c\/li\u003e\n\u003cli\u003eTony Swain – production, engineering\u003c\/li\u003e\n\u003cli\u003eRichard Lengyel – engineering assistance\u003c\/li\u003e\n\u003cli\u003eTim Young – mastering\u003c\/li\u003e\n\u003cli\u003eDavid Band – art direction, illustration\u003c\/li\u003e\n\u003cli\u003eLynn Goldsmith – photography\u003c\/li\u003e\n\u003cli\u003eStephen Horsfall – typography\u003c\/li\u003e\n\u003cli\u003eMixed at Red Bus Studios (London)\u003c\/li\u003e\n\u003cli\u003eMastered at CBS Studios (London)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Acceptus Records","offers":[{"title":"Default Title","offer_id":43540288372910,"sku":"","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/LTkzNzguanBlZw.jpg?v=1667822776"},{"product_id":"def-leppard-songs-from-the-sparkle-lounge-lp-levy","title":"Def Leppard – Songs From The Sparkle Lounge LP levy","description":"\u003cdiv class=\"head\"\u003e\u003c\/div\u003e\n\u003cp\u003eLabel: Bludgeon Riffola – 0818006, Mercury – 0818006, UMC – 0602508180064\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: 2021\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Hard Rock, Pop Rock\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eToimitusmaksu 7€ (1-20 levyä) \u003cbr data-mce-fragment=\"1\"\u003eToimitus:  Heti\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Go\u003cbr\u003eA2 Nine Lives\u003cbr\u003eA3 C'mon C'mon\u003cbr\u003eA4 Love\u003cbr\u003eA5 Tomorrow\u003cbr\u003eB1 Cruise Control\u003cbr\u003eB2 Hallucinate\u003cbr\u003eB3 Only The Good Die Young\u003cbr\u003eB4 Bad Actress\u003cbr\u003eB5 Come Undone\u003cbr\u003eB6 Gotta Let It Go\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43567103639726,"sku":"","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/OTMtNzk3Ny5qcGVn.jpg?v=1668758734"},{"product_id":"rammstein-mutter-lp-levy","title":"Rammstein – Mutter LP levy","description":"\u003cdiv class=\"head\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eLabel: Universal Music – 2729669\u003cbr\u003eFormat: 2 x Vinyl, LP, Album, Reissue, Remastered, Stereo, 180 Gram\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: Dec 8, 2017\u003cbr\u003eGenre: Electronic, Rock\u003cbr\u003eStyle: Industrial Metal\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eToimitusmaksu 7€ (1-20 levyä) \u003cbr data-mce-fragment=\"1\"\u003eToimitus:  1-2 viikkoa\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Mein Herz Brennt 4:39\u003cbr\u003eA2 Links 2 3 4 3:36\u003cbr\u003eA3 Sonne\u003cbr\u003eVocals [Samples] – Symphony Of Voices\u003cbr\u003e4:32\u003cbr\u003eB1 Ich Will 3:37\u003cbr\u003eB2 Feuer Frei! 3:08\u003cbr\u003eB3 Mutter 4:28\u003cbr\u003eC1 Spieluhr\u003cbr\u003eVoice [Child] – Khira Li\u003cbr\u003e4:46\u003cbr\u003eC2 Zwitter 4:17\u003cbr\u003eC3 Rein Raus 3:09\u003cbr\u003eD1 Adios 3:48\u003cbr\u003eD2 Nebel\u003cbr\u003eBacking Vocals – Bobo (3)\u003cbr\u003e4:54\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43567183724718,"sku":"","price":54.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/ODQtMzM2Mi5qcGVn.jpg?v=1668760436"},{"product_id":"metallica-72-seasons-lp","title":"Metallica - 72 Seasons LP levy","description":"\u003cdiv class=\"head\"\u003eLabel: Universal, 0602455012401 \u003cbr\u003eFormat: Gatefold, LP, Album, 2 x black vinyl\u003cbr\u003eCountry: Europe\u003cbr\u003eGenre: Heavy Metal\u003cbr\u003eStyle: Heavy Metal\u003c\/div\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eToimitusmaksu 8€ (1-20 levyä) \u003cbr data-mce-fragment=\"1\"\u003eToimitus: 1-2 viikkoa\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eKappaleet :\u003c\/strong\u003e\n\u003c\/h4\u003e\n\u003cp\u003e1. 72 Seasons\u003cbr\u003e2. Shadows Follow\u003cbr\u003e3. Screaming Suicide\u003cbr\u003e4. Sleepwalk My Life Away\u003cbr\u003e5. You Must Burn!\u003cbr\u003e6. Lux Fterna\u003cbr\u003e7. Crown of Barbed Wire\u003cbr\u003e8. Chasing Light\u003cbr\u003e9. If Darkness Had a Son\u003cbr\u003e10. Too Far Gone?\u003cbr\u003e11. Room of Mirrors\u003cbr\u003e12. Inamorata\u003c\/p\u003e\n\u003cp class=\"ng-star-inserted\" _ngcontent-gqk-c19=\"\"\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_u-7rWKnVVo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eMetallica has confirmed the title and release date of its forthcoming 12th studio album: 72 Seasons will be available April 14, 2023 via the band’s own Blackened Recordings. Produced by Greg Fidelman with Hetfield \u0026amp; Ulrich, and clocking in at over 77 minutes, the 12-track 72 Seasons is Metallica’s first full length collection of new material since 2016’s Hardwired…To Self-Destruct. The album will be released in formats including 2LP 140g black vinyl and limited edition variants, CD and digital.\u003c\/p\u003e\n\u003cp\u003e72 Seasons is heralded by first single “Lux Æterna,” a short, sharp blast that distills 40 years of Metallica into three and a half minutes. “Lux Æterna” is available now to stream and download, and as an instant grat track with all pre-orders of 72 Seasons.\u003c\/p\u003e\n\u003cp\u003eSpeaking on the concept of the album title, James Hetfield said: “72 seasons. The first 18 years of our lives that form our true or false selves. The concept that we were told ‘who we are’ by our parents. A possible pigeonholing around what kind of personality we are. I think the most interesting part of this is the continued study of those core beliefs and how it affects our perception of the world today. Much of our adult experience is reenactment or reaction to these childhood experiences. Prisoners of childhood or breaking free of those bondages we carry.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43643877589166,"sku":"","price":49.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/meta11.jpg?v=1670583017"},{"product_id":"metal-church-metal-church-lp-levy","title":"Metal Church – Metal Church LP levy","description":"\u003cdiv class=\"head\"\u003eLabel: Music On Vinyl – MOVLP3207\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eFormat: Vinyl, LP, Album,  Reissue\u003cbr\u003eReleased: Dec 9, 2022\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Heavy Metal\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eToimitusmaksu 7€ (1-20 levyä) \u003cbr data-mce-fragment=\"1\"\u003eToimitus:  1-2 viikkoa\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Beyond The Black 6:21\u003cbr\u003eA2 Metal Church 5:00\u003cbr\u003eA3 Merciless Onslaught 2:55\u003cbr\u003eA4 God Of Wrath 6:42\u003cbr\u003eB1 Hitman 4:31\u003cbr\u003eB2 In The Blood 3:30\u003cbr\u003eB3 [My Favourite] Nightmare 3:10\u003cbr\u003eB4 Battalions 4:54\u003cbr\u003eB5 Highway Star\u003cbr\u003eWritten-By – Gillan*, Paice*, Lord*, Blackmore*, Glover*\u003cbr\u003e4:37\u003c\/p\u003e\n\u003cp\u003e \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Metal_Church_(album)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Metal_Church_(album)\"\u003eMetal Church (album) - Wikipedia\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eMetal Church\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis the debut album by American\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Heavy metal music\" href=\"https:\/\/en.wikipedia.org\/wiki\/Heavy_metal_music\"\u003eheavy metal\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eband\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Metal Church\" href=\"https:\/\/en.wikipedia.org\/wiki\/Metal_Church\"\u003eMetal Church\u003c\/a\u003e. The album was originally released by the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Independent record label\" href=\"https:\/\/en.wikipedia.org\/wiki\/Independent_record_label\"\u003eindependent record label\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eGround Zero in 1984. Based on the success of the album, the band was signed to a recording contract by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Elektra Records\" href=\"https:\/\/en.wikipedia.org\/wiki\/Elektra_Records\"\u003eElektra Records\u003c\/a\u003e, who reissued it in 1985. The cover art depicts a\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Cruciform\" href=\"https:\/\/en.wikipedia.org\/wiki\/Cruciform\"\u003ecruciform\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Gibson Explorer\" href=\"https:\/\/en.wikipedia.org\/wiki\/Gibson_Explorer\"\u003eGibson Explorer\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ehidden in shadows and smoke.\u003c\/p\u003e\n\u003cp\u003eThe album contains a cover of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Deep Purple\" href=\"https:\/\/en.wikipedia.org\/wiki\/Deep_Purple\"\u003eDeep Purple\u003c\/a\u003e's \"\u003ca title=\"Highway Star (song)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Highway_Star_(song)\"\u003eHighway Star\u003c\/a\u003e\". The cassette edition and first European vinyl edition contained the bonus track \"Big Guns\". The\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Metal Blade Records\" href=\"https:\/\/en.wikipedia.org\/wiki\/Metal_Blade_Records\"\u003eMetal Blade Records\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecompilation\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Metal Massacre\" href=\"https:\/\/en.wikipedia.org\/wiki\/Metal_Massacre\"\u003eMetal Massacre V\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eof 1984 features the song \"The Brave\", which is not included in this album. The first press release included a coupon to order a t-shirt and other merchandise.\u003c\/p\u003e\n\u003cdl\u003e\n\u003cdt\u003eMetal Church\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca title=\"David Wayne (singer)\" href=\"https:\/\/en.wikipedia.org\/wiki\/David_Wayne_(singer)\"\u003eDavid Wayne\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– vocals\u003c\/li\u003e\n\u003cli\u003eCraig Wells – lead guitar\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Kurdt Vanderhoof\" href=\"https:\/\/en.wikipedia.org\/wiki\/Kurdt_Vanderhoof\"\u003eKurdt Vanderhoof\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– rhythm guitar\u003c\/li\u003e\n\u003cli\u003eDuke Erickson – bass\u003c\/li\u003e\n\u003cli\u003eKirk Arrington – drums\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdl\u003e\n\u003cdt\u003eProduction\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca title=\"Terry Date\" href=\"https:\/\/en.wikipedia.org\/wiki\/Terry_Date\"\u003eTerry Date\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– producer, engineer\u003c\/li\u003e\n\u003cli\u003eJack Skinner – mastering\u003c\/li\u003e\n\u003cli\u003eSaulius Pempe – photography\u003c\/li\u003e\n\u003cli\u003eWillie Mackay – executive producer\u003c\/li\u003e\n\u003cli\u003eKurdt Vanderhoof – logo design\u003c\/li\u003e\n\u003cli\u003eGround Zero Entertainment - management\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43650026668206,"sku":"","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/3_LI_ede70680-8358-43c0-80b1-40e4d0f9d52b.jpg?v=1670921576"},{"product_id":"ramones-road-to-ruin-lp-levy","title":"Ramones – Road To Ruin LP levy","description":"\u003cdiv class=\"head\"\u003eLabel: Sire – RR1 6063, Rhino Records (2) – 603497858262\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Remastered, 180 Gram\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: Sep 6, 2019\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Punk\u003c\/div\u003e\n\u003cdiv class=\"head\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eToimitusmaksu 8€ (1-20 levyä) \u003cbr data-mce-fragment=\"1\"\u003eToimitus:  1-2 viikkoa\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 I Just Want To Have Something To Do 2:45\u003cbr\u003eA2 I Wanted Everything 2:47\u003cbr\u003eA3 Don't Come Close 2:50\u003cbr\u003eA4 I Don't Want You 2:29\u003cbr\u003eA5 Needles And Pins\u003cbr\u003eWritten-By – Jack Nitzsche, Sonny Bono\u003cbr\u003e2:24\u003cbr\u003eA6 I'm Against It 2:10\u003cbr\u003eB1 I Wanna Be Sedated 2:34\u003cbr\u003eB2 Go Mental 2:46\u003cbr\u003eB3 Questioningly 3:24\u003cbr\u003eB4 She's The One 2:16\u003cbr\u003eB5 Bad Brain 2:14\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eRamones\u003c\/b\u003e\u003csup id=\"cite_ref-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-1\"\u003e[a]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ewere an American\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_rock\" title=\"Punk rock\"\u003epunk rock\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eband that formed in the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_City\" title=\"New York City\"\u003eNew York City\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eneighborhood of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Forest_Hills,_Queens\" title=\"Forest Hills, Queens\"\u003eForest Hills, Queens\u003c\/a\u003e, in 1974. They are often cited as the first true punk rock group.\u003csup id=\"cite_ref-mtvbio_2-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-mtvbio-2\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-HallofFame_3-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-HallofFame-3\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eDespite achieving a limited commercial appeal in the United States during their time together, the band saw more success in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/England\" title=\"England\"\u003eEngland\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Brazil\" title=\"Brazil\"\u003eBrazil\u003c\/a\u003e, and are today seen as highly influential.\u003c\/p\u003e\n\u003cp\u003eAll of the band members adopted pseudonyms ending with the surname \"Ramone\", although none of them were biologically related; they were inspired by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Paul_McCartney\" title=\"Paul McCartney\"\u003ePaul McCartney\u003c\/a\u003e, who would check into hotels as \"Paul Ramon\". The Ramones performed 2,263 concerts, touring virtually nonstop for 22 years.\u003csup id=\"cite_ref-HallofFame_3-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-HallofFame-3\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn 1996, after a tour with the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Lollapalooza\" title=\"Lollapalooza\"\u003eLollapalooza\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003emusic festival, they played\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/We%27re_Outta_Here!\" title=\"We're Outta Here!\"\u003ea farewell concert\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein Los Angeles and disbanded.\u003csup id=\"cite_ref-Schinder559_4-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Schinder559-4\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBy 2014, all four of the band's original members had died – lead singer\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Joey_Ramone\" title=\"Joey Ramone\"\u003eJoey Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(1951–2001), bassist\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dee_Dee_Ramone\" title=\"Dee Dee Ramone\"\u003eDee Dee Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(1951–2002), guitarist\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Johnny_Ramone\" title=\"Johnny Ramone\"\u003eJohnny Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(1948–2004) and drummer\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Tommy_Ramone\" title=\"Tommy Ramone\"\u003eTommy Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(1949–2014).\u003csup id=\"cite_ref-AP_5-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-AP-5\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-nytimes_6-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-nytimes-6\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-Sisario_7-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Sisario-7\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-guardian_8-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-guardian-8\"\u003e[7]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe remaining surviving members of the Ramones—bassist\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/C._J._Ramone\" title=\"C. J. Ramone\"\u003eC. J. Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(who replaced Dee Dee in 1989 and stayed with the band until its dissolution) and drummers\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Marky_Ramone\" title=\"Marky Ramone\"\u003eMarky Ramone\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Richie_Ramone\" title=\"Richie Ramone\"\u003eRichie Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Clem_Burke\" title=\"Clem Burke\"\u003eElvis Ramone\u003c\/a\u003e—are still musically active.\u003c\/p\u003e\n\u003cp\u003eRecognition of the band's importance built over the years.\u003csup id=\"cite_ref-9\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-9\"\u003e[8]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe Ramones ranked number 26 in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rolling_Stone\" title=\"Rolling Stone\"\u003eRolling Stone\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emagazine's list of the \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rolling_Stone%27s_100_Greatest_Artists_of_All_Time\" title=\"Rolling Stone's 100 Greatest Artists of All Time\"\u003e100 Greatest Artists of All Time\u003c\/a\u003e\"\u003csup id=\"cite_ref-10\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-10\"\u003e[9]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand number 17 in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/VH1\" title=\"VH1\"\u003eVH1\u003c\/a\u003e's \"100 Greatest Artists of Hard Rock\".\u003csup id=\"cite_ref-11\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-11\"\u003e[10]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn 2002, the Ramones were ranked the second-greatest band of all time by\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Spin_(magazine)\" title=\"Spin (magazine)\"\u003eSpin\u003c\/a\u003e\u003c\/i\u003e, trailing only\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Beatles\" title=\"The Beatles\"\u003eThe Beatles\u003c\/a\u003e.\u003csup id=\"cite_ref-12\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-12\"\u003e[11]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eOn March 18, 2002, the original four members and Tommy's replacement on drums, Marky Ramone, were inducted into the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_and_Roll_Hall_of_Fame\" title=\"Rock and Roll Hall of Fame\"\u003eRock and Roll Hall of Fame\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein their first year of eligibility.\u003csup id=\"cite_ref-HallofFame_3-2\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-HallofFame-3\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-13\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-13\"\u003e[12]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn 2011, the group was awarded a\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Grammy_Lifetime_Achievement_Award\" title=\"Grammy Lifetime Achievement Award\"\u003eGrammy Lifetime Achievement Award\u003c\/a\u003e.\u003csup id=\"cite_ref-Sterndan_14-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Sterndan-14\"\u003e[13]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-grammy1_15-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-grammy1-15\"\u003e[14]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan class=\"mw-headline\" id=\"Formation_(1974–1975)\"\u003eFormation (1974–1975)\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=2\" title=\"Edit section: Formation (1974–1975)\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"thumb tleft\"\u003e\n\u003cdiv class=\"thumbinner\"\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/File:ForestHillsHS.jpg\" class=\"image\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/d\/d6\/ForestHillsHS.jpg\/170px-ForestHillsHS.jpg\" decoding=\"async\" width=\"170\" height=\"275\" class=\"thumbimage\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/d\/d6\/ForestHillsHS.jpg 1.5x\" data-file-width=\"200\" data-file-height=\"324\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\u003cdiv class=\"magnify\"\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/File:ForestHillsHS.jpg\" class=\"internal\" title=\"Enlarge\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Forest_Hills_High_School_(New_York)\" title=\"Forest Hills High School (New York)\"\u003eForest Hills High School\u003c\/a\u003e, attended by the four original members of the Ramones\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe original members of the band met in and around the middle-class neighborhood of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Forest_Hills,_Queens\" title=\"Forest Hills, Queens\"\u003eForest Hills\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein the New York City borough of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Queens\" title=\"Queens\"\u003eQueens\u003c\/a\u003e.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Johnny_Ramone\" title=\"Johnny Ramone\"\u003eJohn Cummings\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Tommy_Ramone\" title=\"Tommy Ramone\"\u003eThomas Erdelyi\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ehad both been in a high-school\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Garage_rock\" title=\"Garage rock\"\u003egarage band\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efrom 1965 to 1967 known as the Tangerine Puppets.\u003csup id=\"cite_ref-16\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-16\"\u003e[15]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThey became friends with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dee_Dee_Ramone\" title=\"Dee Dee Ramone\"\u003eDouglas Colvin\u003c\/a\u003e, who had recently moved to the area from Germany,\u003csup id=\"cite_ref-eotc_17-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-eotc-17\"\u003e[16]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Joey_Ramone\" title=\"Joey Ramone\"\u003eJeff Hyman\u003c\/a\u003e, who was the singer for the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Glam_rock\" title=\"Glam rock\"\u003eglam rock\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eband\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Sniper_(American_band)\" title=\"Sniper (American band)\"\u003eSniper\u003c\/a\u003e, founded in 1972.\u003csup id=\"cite_ref-Time_18-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Time-18\"\u003e[17]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-19\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-19\"\u003e[18]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-20\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-20\"\u003e[19]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe Ramones began taking shape in early 1974 when Cummings and Colvin invited Hyman to join them in a band. Colvin wanted to play guitar and sing, Cummings would also play guitar and Hyman would play drums. The lineup was to be completed with their friend Richie Stern on bass. However, after only a few rehearsals it became clear that Richie Stern could not play bass, so in addition to singing, Colvin switched from guitar to bass and Cummings became the only guitarist.\u003csup id=\"cite_ref-Commando_21-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Commando-21\"\u003e[20]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eColvin was the first to adopt the name \"Ramone\", calling himself Dee Dee Ramone. He was inspired by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Paul_McCartney\" title=\"Paul McCartney\"\u003ePaul McCartney\u003c\/a\u003e's use of the pseudonym Paul Ramon during his\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Quarrymen\" title=\"The Quarrymen\"\u003eSilver Beetles\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003edays.\u003csup id=\"cite_ref-MM32_22-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-MM32-22\"\u003e[21]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-23\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-23\"\u003e[22]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eDee Dee convinced the other members to take on the name and came up with the idea of calling the band the Ramones.\u003csup id=\"cite_ref-punkbands_24-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-punkbands-24\"\u003e[23]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHyman and Cummings became Joey and Johnny Ramone, respectively.\u003csup id=\"cite_ref-punkbands_24-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-punkbands-24\"\u003e[23]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eA friend of the band, Monte A. Melnick (later their tour manager), helped to arrange rehearsal time for them at Manhattan's Performance Studios, where he worked. Johnny's former bandmate Erdelyi was set to become their manager. Soon after the band was formed, Dee Dee realized that he could not sing and play his bass guitar simultaneously; with Erdelyi's encouragement, Joey became the band's new lead singer.\u003csup id=\"cite_ref-MM32_22-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-MM32-22\"\u003e[21]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eDee Dee would continue, however, to count off each song's tempo with his signature rapid-fire shout of \"1-2-3-4!\" Joey soon similarly realized that he could not sing and play drums simultaneously and left the position of drummer. While auditioning prospective replacements, Erdelyi would often take to the drums and demonstrate how to play the songs. It became apparent that he was able to perform the group's music better than anyone else, and he joined the band as Tommy Ramone.\u003csup id=\"cite_ref-MM33_25-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-MM33-25\"\u003e[24]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe Ramones played before an audience for the first time on March 30, 1974, at Performance Studios.\u003csup id=\"cite_ref-HallofFame_3-3\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-HallofFame-3\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe songs they played were very fast and very short; most clocked in at under two minutes. Around this time, a new music scene was emerging in New York centered on two clubs in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Downtown_Manhattan\" class=\"mw-redirect\" title=\"Downtown Manhattan\"\u003edowntown Manhattan\u003c\/a\u003e—\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Max%27s_Kansas_City\" title=\"Max's Kansas City\"\u003eMax's Kansas City\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand, more famously,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/CBGB\" title=\"CBGB\"\u003eCBGB\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(usually referred to as CBGB's). The Ramones made their CBGB debut on August 16, 1974.\u003csup id=\"cite_ref-26\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-26\"\u003e[25]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Legs_McNeil\" title=\"Legs McNeil\"\u003eLegs McNeil\u003c\/a\u003e, who cofounded\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_(magazine)\" title=\"Punk (magazine)\"\u003ePunk\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emagazine the following year, later described the impact of that performance: \"They were all wearing these black leather jackets. And they counted off this song ... and it was just this wall of noise ... They looked so striking. These guys were not hippies. This was something completely new.\"\u003csup id=\"cite_ref-27\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-27\"\u003e[26]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe band swiftly became regulars at the club, playing there seventy-four times by the end of the year. After garnering considerable attention for their performances—which averaged about seventeen minutes from beginning to end—the group was signed to a recording contract in late 1975 by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Seymour_Stein\" title=\"Seymour Stein\"\u003eSeymour Stein\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Sire_Records\" title=\"Sire Records\"\u003eSire Records\u003c\/a\u003e. Sire\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/A%26R\" class=\"mw-redirect\" title=\"A\u0026amp;R\"\u003eA\u0026amp;R\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eman\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Craig_Leon\" title=\"Craig Leon\"\u003eCraig Leon\u003c\/a\u003e\u003csup id=\"cite_ref-MM101_28-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-MM101-28\"\u003e[27]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003esaw the band and brought them to the attention of the label. Stein's wife,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Linda_S._Stein\" title=\"Linda S. Stein\"\u003eLinda Stein\u003c\/a\u003e, saw the band play at Mothers; she would later co-manage them along with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Danny_Fields\" title=\"Danny Fields\"\u003eDanny Fields\u003c\/a\u003e.\u003csup id=\"cite_ref-Bessman,_211_29-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Bessman,_211-29\"\u003e[28]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBy this time, the Ramones were recognized as leaders of the new scene that was increasingly being referred to as \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_rock\" title=\"Punk rock\"\u003epunk\u003c\/a\u003e\".\u003csup id=\"cite_ref-St62_30-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-St62-30\"\u003e[29]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-31\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-31\"\u003e[30]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe group's unusual frontman had a lot to do with their impact. As Dee Dee explained, \"All the other singers [in New York] were copying\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/David_Johansen\" title=\"David Johansen\"\u003eDavid Johansen\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e[of the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_Dolls\" title=\"New York Dolls\"\u003eNew York Dolls\u003c\/a\u003e], who was copying\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Mick_Jagger\" title=\"Mick Jagger\"\u003eMick Jagger\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e... But Joey was unique, totally unique.\"\u003csup id=\"cite_ref-32\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-32\"\u003e[31]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan id=\"Spearheading_punk_.281976.E2.80.931977.29\"\u003e\u003c\/span\u003e\u003cspan class=\"mw-headline\" id=\"Spearheading_punk_(1976–1977)\"\u003eSpearheading punk (1976–1977)\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=3\" title=\"Edit section: Spearheading punk (1976–1977)\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"thumb tleft\"\u003e\n\u003cdiv class=\"thumbinner\"\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/File:Ramones_Toronto_1976.jpg\" class=\"image\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/3\/3a\/Ramones_Toronto_1976.jpg\/220px-Ramones_Toronto_1976.jpg\" decoding=\"async\" width=\"220\" height=\"147\" class=\"thumbimage\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/3\/3a\/Ramones_Toronto_1976.jpg\/330px-Ramones_Toronto_1976.jpg 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/3\/3a\/Ramones_Toronto_1976.jpg\/440px-Ramones_Toronto_1976.jpg 2x\" data-file-width=\"864\" data-file-height=\"576\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\u003cdiv class=\"magnify\"\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/File:Ramones_Toronto_1976.jpg\" class=\"internal\" title=\"Enlarge\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\nRamones performing in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Toronto,_Canada\" class=\"mw-redirect\" title=\"Toronto, Canada\"\u003eToronto\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein 1976\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"thumb tleft\"\u003e\n\u003cdiv class=\"thumbinner\"\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/File:PunkMagazine.jpg\" class=\"image\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/en\/thumb\/2\/2e\/PunkMagazine.jpg\/170px-PunkMagazine.jpg\" decoding=\"async\" width=\"170\" height=\"217\" class=\"thumbimage\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/en\/2\/2e\/PunkMagazine.jpg 1.5x\" data-file-width=\"199\" data-file-height=\"254\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\u003cdiv class=\"magnify\"\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/File:PunkMagazine.jpg\" class=\"internal\" title=\"Enlarge\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\nApril 1976 issue of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_(magazine)\" title=\"Punk (magazine)\"\u003ePunk\u003c\/a\u003e\u003c\/i\u003e. The cover image of Joey, by\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePunk\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecofounder\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/John_Holmstrom\" title=\"John Holmstrom\"\u003eJohn Holmstrom\u003c\/a\u003e, was inspired by the work of comic book artist\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Will_Eisner\" title=\"Will Eisner\"\u003eWill Eisner\u003c\/a\u003e.\u003csup id=\"cite_ref-Shirley_34-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Shirley-34\"\u003e[33]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHolmstrom would go on to do album art for\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rocket_to_Russia\" title=\"Rocket to Russia\"\u003eRocket to Russia\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Road_to_Ruin_(Ramones_album)\" title=\"Road to Ruin (Ramones album)\"\u003eRoad to Ruin\u003c\/a\u003e\u003c\/i\u003e.\u003csup id=\"cite_ref-35\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-35\"\u003e[34]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe Ramones recorded their debut album,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_(album)\" title=\"Ramones (album)\"\u003eRamones\u003c\/a\u003e\u003c\/i\u003e, in February 1976. Of the fourteen songs on the album, the longest, \"I Don't Wanna Go Down to the Basement\", barely surpassed two and a half minutes. While the songwriting credits were shared by the entire band, and each member did contribute some writing, much of the writing was done by Dee Dee.\u003csup id=\"cite_ref-36\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-36\"\u003e[35]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-37\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-37\"\u003e[36]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRamones\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ealbum was produced by Sire's\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Craig_Leon\" title=\"Craig Leon\"\u003eCraig Leon\u003c\/a\u003e, with Tommy as associate producer, on an extremely low budget of about $6,400 and released in April.\u003csup id=\"cite_ref-38\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-38\"\u003e[37]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe now iconic front cover photograph of the band was taken by Roberta Bayley, a photographer for\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_(magazine)\" title=\"Punk (magazine)\"\u003ePunk\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emagazine.\u003csup id=\"cite_ref-39\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-39\"\u003e[38]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePunk\u003c\/i\u003e, which was largely responsible for codifying the term for the scene emerging around CBGB, ran a cover story on the Ramones in its third issue, the same month as the record's release.\u003csup id=\"cite_ref-Shirley_34-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Shirley-34\"\u003e[33]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-40\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-40\"\u003e[39]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe Ramones' debut album was greeted by rock critics with glowing reviews. The\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Village_Voice\" class=\"mw-redirect\" title=\"Village Voice\"\u003eVillage Voice\u003c\/a\u003e\u003c\/i\u003e\u003cspan class=\"nowrap\"\u003e'\u003c\/span\u003es\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Robert_Christgau\" title=\"Robert Christgau\"\u003eRobert Christgau\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewrote, \"I love this record—love it—even though I know these boys flirt with images of brutality (Nazi especially) ... For me, it blows everything else off the radio\".\u003csup id=\"cite_ref-41\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-41\"\u003e[40]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rolling_Stone\" title=\"Rolling Stone\"\u003eRolling Stone\u003c\/a\u003e\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Paul_Nelson_(critic)\" title=\"Paul Nelson (critic)\"\u003ePaul Nelson\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003edescribed it as \"constructed almost entirely of rhythm tracks of an exhilarating intensity rock \u0026amp; roll has not experienced since its earliest days.\" Characterizing the band as \"authentic American primitives whose work has to be heard to be understood\", he declared, \"It is time popular music followed the other arts in honoring its primitives.\"\u003csup id=\"cite_ref-42\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-42\"\u003e[41]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Newsday\" title=\"Newsday\"\u003eNewsday\u003c\/a\u003e\u003c\/i\u003e\u003cspan class=\"nowrap\"\u003e'\u003c\/span\u003es Wayne Robbins simply anointed the Ramones as \"the best young rock 'n' roll band in the known universe.\"\u003csup id=\"cite_ref-43\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-43\"\u003e[42]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eDespite Sire's high hopes for it,\u003csup id=\"cite_ref-44\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-44\"\u003e[43]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRamones\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas not a commercial success, reaching only number 111 on the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Billboard_charts\" title=\"Billboard charts\"\u003eBillboard\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ealbum chart.\u003csup id=\"cite_ref-45\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-45\"\u003e[44]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe two singles issued from the album, \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Blitzkrieg_Bop\" title=\"Blitzkrieg Bop\"\u003eBlitzkrieg Bop\u003c\/a\u003e\" and \"I Wanna Be Your Boyfriend\", failed to chart. At the band's first major performance outside of New York, a June date in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Youngstown,_Ohio\" title=\"Youngstown, Ohio\"\u003eYoungstown, Ohio\u003c\/a\u003e, members of Cleveland punk legends Frankenstein aka the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Dead_Boys\" class=\"mw-redirect\" title=\"The Dead Boys\"\u003eDead Boys\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewere present and struck up a friendship with the band.\u003csup id=\"cite_ref-46\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-46\"\u003e[45]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIt was not until they made a brief tour of England that they began to see the fruits of their labor; a performance at the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Roundhouse_(venue)\" title=\"Roundhouse (venue)\"\u003eRoundhouse\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein London on July 4, 1976, second-billed to the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Flamin%27_Groovies\" title=\"Flamin' Groovies\"\u003eFlamin' Groovies\u003c\/a\u003e, organized by Linda Stein, was a resounding success.\u003csup id=\"cite_ref-47\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-47\"\u003e[46]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/T-Rex_(band)\" class=\"mw-redirect\" title=\"T-Rex (band)\"\u003eT-Rex\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eleader\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Marc_Bolan\" title=\"Marc Bolan\"\u003eMarc Bolan\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewas in attendance at the Roundhouse show and was invited on stage.\u003csup id=\"cite_ref-48\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-48\"\u003e[47]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-49\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-49\"\u003e[48]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eTheir Roundhouse appearance and a club date the following night—where the band met members of the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Sex_Pistols\" title=\"Sex Pistols\"\u003eSex Pistols\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Clash\" title=\"The Clash\"\u003ethe Clash\u003c\/a\u003e—helped galvanize the burgeoning UK punk rock scene.\u003csup id=\"cite_ref-AP_5-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-AP-5\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe Flamin' Groovies\/Ramones double bill was successfully reprised at the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Roxy_Theatre_(West_Hollywood)\" title=\"Roxy Theatre (West Hollywood)\"\u003eRoxy Theatre\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein Los Angeles the following month, fueling the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_rock_in_California\" title=\"Punk rock in California\"\u003epunk scene there\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eas well. The Ramones were becoming an increasingly popular live act—a Toronto performance in September energized yet another growing punk scene.\u003csup id=\"cite_ref-LW_50-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-LW-50\"\u003e[49]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eTheir next two albums,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Leave_Home\" title=\"Leave Home\"\u003eLeave Home\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rocket_to_Russia\" title=\"Rocket to Russia\"\u003eRocket to Russia\u003c\/a\u003e\u003c\/i\u003e, were released in 1977. Both were produced by Tommy and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Tony_Bongiovi\" title=\"Tony Bongiovi\"\u003eTony Bongiovi\u003c\/a\u003e, the second cousin of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Jon_Bon_Jovi\" title=\"Jon Bon Jovi\"\u003eJon Bon Jovi\u003c\/a\u003e.\u003csup id=\"cite_ref-51\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-51\"\u003e[50]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLeave Home\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emet with even less chart success than\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRamones\u003c\/i\u003e, though it did include \"Pinhead\", which became one of the band's signature songs with its chanted refrain of \"Gabba gabba hey!\"\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLeave Home\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ealso included a fast-paced cover of the oldie \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/California_Sun\" title=\"California Sun\"\u003eCalifornia Sun\u003c\/a\u003e\", written by Henry Glover \u0026amp; Morris Levy, and originally recorded by Joe Jones,\u003csup id=\"cite_ref-52\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-52\"\u003e[51]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ethough the Ramones based their version on the remake by the Rivieras.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRocket to Russia\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas the band's highest-charting album to date, reaching number 49 on the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Billboard_200\" title=\"Billboard 200\"\u003e\u003ci\u003eBillboard\u003c\/i\u003e 200\u003c\/a\u003e.\u003csup id=\"cite_ref-53\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-53\"\u003e[52]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRolling Stone\u003c\/i\u003e, critic\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dave_Marsh\" title=\"Dave Marsh\"\u003eDave Marsh\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecalled it \"the best American rock \u0026amp; roll of the year\".\u003csup id=\"cite_ref-54\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-54\"\u003e[53]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe album also featured the first Ramones single to enter the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBillboard\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003echarts (albeit only as high as number 81): \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Sheena_Is_a_Punk_Rocker\" title=\"Sheena Is a Punk Rocker\"\u003eSheena Is a Punk Rocker\u003c\/a\u003e\". The follow-up single, \"Rockaway Beach\", reached number 66—the highest any Ramones single would ever reach in America. On December 31, 1977, the Ramones recorded\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/It%27s_Alive_(Ramones_album)\" title=\"It's Alive (Ramones album)\"\u003eIt's Alive\u003c\/a\u003e\u003c\/i\u003e, a live concert double album, at the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rainbow_(London)\" class=\"mw-redirect\" title=\"Rainbow (London)\"\u003eRainbow Theatre\u003c\/a\u003e, London, which was released in April 1979 (the title is a reference to the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/It%27s_Alive_(1974_film)\" title=\"It's Alive (1974 film)\"\u003e1974 horror film of the same name\u003c\/a\u003e).\u003csup id=\"cite_ref-55\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-55\"\u003e[54]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan id=\"Transitional_period_.281978.E2.80.931983.29\"\u003e\u003c\/span\u003e\u003cspan class=\"mw-headline\" id=\"Transitional_period_(1978–1983)\"\u003eTransitional period (1978–1983)\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=4\" title=\"Edit section: Transitional period (1978–1983)\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"thumb tright\"\u003e\n\u003cdiv class=\"thumbinner\"\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/File:Joeyramone.jpg\" class=\"image\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/0\/01\/Joeyramone.jpg\/200px-Joeyramone.jpg\" decoding=\"async\" width=\"200\" height=\"284\" class=\"thumbimage\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/0\/01\/Joeyramone.jpg\/300px-Joeyramone.jpg 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/0\/01\/Joeyramone.jpg 2x\" data-file-width=\"320\" data-file-height=\"455\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\u003cdiv class=\"magnify\"\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/File:Joeyramone.jpg\" class=\"internal\" title=\"Enlarge\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\nJoey Ramone, c. 1980\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eTommy, tired of touring, left the band in early 1978. He continued as the Ramones' record producer under his birth name of Erdelyi. His position as drummer was filled by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Marky_Ramone\" title=\"Marky Ramone\"\u003eMarc Bell\u003c\/a\u003e, who had been a member of the early 1970s hard rock band\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dust_(band)\" title=\"Dust (band)\"\u003eDust\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Jayne_County\" title=\"Jayne County\"\u003eWayne County\u003c\/a\u003e,\u003csup id=\"cite_ref-56\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-56\"\u003e[55]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand the pioneering punk group\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Voidoids\" class=\"mw-redirect\" title=\"The Voidoids\"\u003eRichard Hell \u0026amp; the Voidoids\u003c\/a\u003e.\u003csup id=\"cite_ref-57\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-57\"\u003e[56]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBell adopted the name Marky Ramone. Later that year, the band released their fourth studio album, and first with Marky,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Road_to_Ruin_(Ramones_album)\" title=\"Road to Ruin (Ramones album)\"\u003eRoad to Ruin\u003c\/a\u003e\u003c\/i\u003e. The album, co-produced by Tommy with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ed_Stasium\" title=\"Ed Stasium\"\u003eEd Stasium\u003c\/a\u003e, included some new sounds such as acoustic guitar, several ballads, and the band's first two recorded songs longer than three minutes. It failed to reach the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Billboard_Top_100\" class=\"mw-redirect\" title=\"Billboard Top 100\"\u003e\u003ci\u003eBillboard\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eTop 100\u003c\/a\u003e. However, \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/I_Wanna_Be_Sedated\" title=\"I Wanna Be Sedated\"\u003eI Wanna Be Sedated\u003c\/a\u003e\", which appeared both on the album and as a single, would become one of the band's best-known songs.\u003csup id=\"cite_ref-58\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-58\"\u003e[57]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe artwork on the album's cover was done by\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePunk\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emagazine cofounder\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/John_Holmstrom\" title=\"John Holmstrom\"\u003eJohn Holmstrom\u003c\/a\u003e.\u003csup id=\"cite_ref-59\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-59\"\u003e[58]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eAfter the band's movie debut in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Roger_Corman\" title=\"Roger Corman\"\u003eRoger Corman\u003c\/a\u003e's\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_%27n%27_Roll_High_School\" title=\"Rock 'n' Roll High School\"\u003eRock 'n' Roll High School\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1979), renowned producer\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Phil_Spector\" title=\"Phil Spector\"\u003ePhil Spector\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ebecame interested in the Ramones and produced their 1980 album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/End_of_the_Century\" title=\"End of the Century\"\u003eEnd of the Century\u003c\/a\u003e\u003c\/i\u003e. There is a long-disputed rumor that during the recording sessions in Los Angeles, Spector held Johnny at gunpoint, forcing him to repeatedly play a riff.\u003csup id=\"cite_ref-60\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-60\"\u003e[59]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThough it was to be the highest-charting album in the band's history—reaching number 44 in the United States and number 14 in Great Britain—Johnny made clear that he favored the band's more aggressive punk material: \"\u003ci\u003eEnd of the Century\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas just watered-down Ramones. It's not the real Ramones.\"\u003csup id=\"cite_ref-61\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-61\"\u003e[60]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThis stance was also conveyed by the title and track selection of the compilation album Johnny later oversaw,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Loud,_Fast_Ramones:_Their_Toughest_Hits\" title=\"Loud, Fast Ramones: Their Toughest Hits\"\u003eLoud, Fast Ramones: Their Toughest Hits\u003c\/a\u003e\u003c\/i\u003e. Despite these reservations, Johnny did concede that some of Spector's work with the band had merit, saying \"It really worked when he got to a slower song like '\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Danny_Says\" title=\"Danny Says\"\u003eDanny Says\u003c\/a\u003e'—the production really worked tremendously. 'Rock 'N' Roll Radio' is really good. For the harder stuff, it didn't work as well.\"\u003csup id=\"cite_ref-jrst_62-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-jrst-62\"\u003e[61]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe string-laden\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ronettes\" class=\"mw-redirect\" title=\"Ronettes\"\u003eRonettes\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecover \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Baby,_I_Love_You\" title=\"Baby, I Love You\"\u003eBaby, I Love You\u003c\/a\u003e\" released as a single, became the band's biggest hit in Great Britain, reaching number 8 on the charts.\u003csup id=\"cite_ref-telegraph_63-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-telegraph-63\"\u003e[62]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Pleasant_Dreams\" title=\"Pleasant Dreams\"\u003ePleasant Dreams\u003c\/a\u003e\u003c\/i\u003e, the band's sixth album, was released in 1981. It continued the trend established by\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEnd of the Century\u003c\/i\u003e, taking the band further from the raw punk sound of its early records. As described by\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Trouser_Press\" title=\"Trouser Press\"\u003eTrouser Press\u003c\/a\u003e\u003c\/i\u003e, the album, produced by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Graham_Gouldman\" title=\"Graham Gouldman\"\u003eGraham Gouldman\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof UK pop act\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/10cc\" title=\"10cc\"\u003e10cc\u003c\/a\u003e, moved the Ramones \"away from their pioneering minimalism into heavy metal territory\".\u003csup id=\"cite_ref-TP533_64-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-TP533-64\"\u003e[63]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eJohnny would contend in retrospect that this direction was a record company decision, a continued futile attempt to get airplay on American radio.\u003csup id=\"cite_ref-mtvbio_2-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-mtvbio-2\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eWhile\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePleasant Dreams\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ereached number 58 on the U.S. chart, its two singles failed to register at all.\u003csup id=\"cite_ref-65\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-65\"\u003e[64]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Subterranean_Jungle\" title=\"Subterranean Jungle\"\u003eSubterranean Jungle\u003c\/a\u003e\u003c\/i\u003e, produced by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ritchie_Cordell\" title=\"Ritchie Cordell\"\u003eRitchie Cordell\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand Glen Kolotkin, was released in 1983.\u003csup id=\"cite_ref-66\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-66\"\u003e[65]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAccording to\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTrouser Press\u003c\/i\u003e, it brought the band \"back to where they once belonged: junky '60s pop adjusted for current tastes\", which among other things meant \"easing off the breakneck rhythm that was once Ramones dogma.\"\u003csup id=\"cite_ref-TP533_64-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-TP533-64\"\u003e[63]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBilly Rogers, who had performed with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Heartbreakers\" title=\"The Heartbreakers\"\u003eJohnny Thunders and the Heartbreakers\u003c\/a\u003e, played drums on the album's second single, a cover of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Chambers_Brothers\" title=\"The Chambers Brothers\"\u003ethe Chambers Brothers\u003c\/a\u003e' \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Time_Has_Come_Today\" title=\"Time Has Come Today\"\u003eTime Has Come Today\u003c\/a\u003e\", becoming the only song showing three different drummers: Rogers on recording, Marky on album credits and Richie on video clip.\u003csup id=\"cite_ref-manifesto_67-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-manifesto-67\"\u003e[66]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSubterranean Jungle\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003epeaked at number 83 in the United States—it would be the last album by the band to crack the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBillboard\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eTop 100.\u003csup id=\"cite_ref-68\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-68\"\u003e[67]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-69\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-69\"\u003e[68]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn 2002, Rhino Records released a new version of it with seven bonus tracks.\u003csup id=\"cite_ref-70\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-70\"\u003e[69]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan id=\"Shuffling_members_.281983.E2.80.931989.29\"\u003e\u003c\/span\u003e\u003cspan class=\"mw-headline\" id=\"Shuffling_members_(1983–1989)\"\u003eShuffling members (1983–1989)\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=5\" title=\"Edit section: Shuffling members (1983–1989)\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"thumb tright\"\u003e\n\u003cdiv class=\"thumbinner\"\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/File:Ramones_1983_b.jpg\" class=\"image\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/b\/b2\/Ramones_1983_b.jpg\/220px-Ramones_1983_b.jpg\" decoding=\"async\" width=\"220\" height=\"154\" class=\"thumbimage\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/b\/b2\/Ramones_1983_b.jpg\/330px-Ramones_1983_b.jpg 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/b\/b2\/Ramones_1983_b.jpg\/440px-Ramones_1983_b.jpg 2x\" data-file-width=\"533\" data-file-height=\"374\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\u003cdiv class=\"magnify\"\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/File:Ramones_1983_b.jpg\" class=\"internal\" title=\"Enlarge\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\nJoey and Dee Dee Ramone in concert, 1983\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"thumb tright\"\u003e\n\u003cdiv class=\"thumbinner\"\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/File:Ramones_em_S%C3%A3o_Paulo_em_1987.jpg\" class=\"image\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/0\/00\/Ramones_em_S%C3%A3o_Paulo_em_1987.jpg\/220px-Ramones_em_S%C3%A3o_Paulo_em_1987.jpg\" decoding=\"async\" width=\"220\" height=\"152\" class=\"thumbimage\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/0\/00\/Ramones_em_S%C3%A3o_Paulo_em_1987.jpg\/330px-Ramones_em_S%C3%A3o_Paulo_em_1987.jpg 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/0\/00\/Ramones_em_S%C3%A3o_Paulo_em_1987.jpg\/440px-Ramones_em_S%C3%A3o_Paulo_em_1987.jpg 2x\" data-file-width=\"500\" data-file-height=\"345\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\u003cdiv class=\"magnify\"\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/File:Ramones_em_S%C3%A3o_Paulo_em_1987.jpg\" class=\"internal\" title=\"Enlarge\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\nRamones performing in São Paulo in 1987\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAfter the release of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSubterranean Jungle\u003c\/i\u003e, Marky was fired from the band due to his alcoholism.\u003csup id=\"cite_ref-71\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-71\"\u003e[70]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHe was replaced by Richard Reinhardt, who adopted the name\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Richie_Ramone\" title=\"Richie Ramone\"\u003eRichie Ramone\u003c\/a\u003e.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Joey_Ramone\" title=\"Joey Ramone\"\u003eJoey Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eremarked that \"[Richie] saved the band as far as I'm concerned. He's the greatest thing to happen to the Ramones. He put the spirit back in the band.\"\u003csup id=\"cite_ref-72\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-72\"\u003e[71]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eRichie is the only Ramones drummer to sing lead vocals on Ramones songs, including \"(You) Can't Say Anything Nice\" as well as the unreleased \"Elevator Operator\". Joey Ramone commented, \"Richie's very talented and he's very diverse ... He really strengthened the band a hundred percent because he sings backing tracks, he sings lead, and he sings with Dee Dee's stuff. In the past, it was always just me singing for the most part.\"\u003csup id=\"cite_ref-73\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-73\"\u003e[72]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eRichie was also the only drummer to be the sole composer of Ramones songs including their hit \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Somebody_Put_Something_in_My_Drink\" title=\"Somebody Put Something in My Drink\"\u003eSomebody Put Something in My Drink\u003c\/a\u003e\" as well as \"Smash You\", \"Humankind\", \"I'm Not Jesus\", \"I Know Better Now\" and \"(You) Can't Say Anything Nice\". Joey Ramone supported Richie's songwriting contributions: \"I encouraged Richie to write songs. I figured it would make him feel more a part of the group, because we never let anybody else write our songs.\"\u003csup id=\"cite_ref-74\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-74\"\u003e[73]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-75\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-75\"\u003e[74]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eRichie's composition, \"Somebody Put Something in My Drink\", remained a staple in the Ramones set list until their last show in 1996 and was included in the album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLoud, Fast Ramones: Their Toughest Hits\u003c\/i\u003e.\u003csup id=\"cite_ref-76\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-76\"\u003e[75]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe eight-song bonus disc,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Ramones Smash You: Live '85\u003c\/i\u003e, is also named after Richie's composition \"Smash You\".\u003c\/p\u003e\n\u003cp\u003eThe first album the Ramones recorded with Richie was\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Too_Tough_to_Die\" title=\"Too Tough to Die\"\u003eToo Tough to Die\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ein 1984, with Tommy Erdelyi and Ed Stasium returning as producers. The album marked a shift to something like the band's original sound. In the description of Allmusic's\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Stephen_Thomas_Erlewine\" title=\"Stephen Thomas Erlewine\"\u003eStephen Thomas Erlewine\u003c\/a\u003e, the \"rhythms are back up to jackhammer speed and the songs are down to short, terse statements.\"\u003csup id=\"cite_ref-77\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-77\"\u003e[76]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe band's main release of 1985 was the British single \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Bonzo_Goes_to_Bitburg\" title=\"Bonzo Goes to Bitburg\"\u003eBonzo Goes to Bitburg\u003c\/a\u003e\"; though it was available in the United States only as an import, it was played widely on American college radio.\u003csup id=\"cite_ref-78\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-78\"\u003e[77]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe song was written, primarily by Joey, in protest of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ronald_Reagan\" title=\"Ronald Reagan\"\u003eRonald Reagan\u003c\/a\u003e's visit to a German military cemetery, which included graves of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Waffen_SS\" class=\"mw-redirect\" title=\"Waffen SS\"\u003eWaffen SS\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003esoldiers.\u003csup id=\"cite_ref-rivadavia_79-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-rivadavia-79\"\u003e[78]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eRetitled \"My Brain Is Hanging Upside Down (Bonzo Goes to Bitburg)\", the song appeared on the band's ninth studio album,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Animal_Boy\" title=\"Animal Boy\"\u003eAnimal Boy\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1986). Produced by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Jean_Beauvoir\" title=\"Jean Beauvoir\"\u003eJean Beauvoir\u003c\/a\u003e, formerly a member of the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Plasmatics\" title=\"Plasmatics\"\u003ePlasmatics\u003c\/a\u003e, the album was characterized by a\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRolling Stone\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ereviewer as \"nonstop primal fuzz pop\".\u003csup id=\"cite_ref-80\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-80\"\u003e[79]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eMaking it his pick for \"album of the week\",\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_Times\" class=\"mw-redirect\" title=\"New York Times\"\u003eNew York Times\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecritic\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Jon_Pareles\" title=\"Jon Pareles\"\u003eJon Pareles\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewrote that the Ramones \"speak up for outcasts and disturbed individuals\".\u003csup id=\"cite_ref-81\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-81\"\u003e[80]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe following year the band recorded their last album with Richie,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Halfway_to_Sanity\" title=\"Halfway to Sanity\"\u003eHalfway to Sanity\u003c\/a\u003e.\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eRichie left in August 1987 after financial conflicts with Johnny that centered around him being refused a small percentage of the merchandising money, which had been requested based on his tenure with the band and their use of his name and image.\u003csup id=\"cite_ref-film_82-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-film-82\"\u003e[81]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-83\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-83\"\u003e[82]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eRichie was replaced by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Clem_Burke\" title=\"Clem Burke\"\u003eClem Burke\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efrom\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Blondie_(band)\" title=\"Blondie (band)\"\u003eBlondie\u003c\/a\u003e, which was disbanded at the time. According to Johnny, the performances with Burke—who adopted the name Elvis Ramone—were a disaster. He was fired after two performances (August 28 \u0026amp; 29, 1987) because his drumming could not keep up with the rest of the band.\u003csup id=\"cite_ref-film_82-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-film-82\"\u003e[81]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn September, Marky, now clean and sober, returned to the band.\u003csup id=\"cite_ref-punkbands_24-2\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-punkbands-24\"\u003e[23]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eIn December 1988, the Ramones recorded material for their eleventh studio album, and what was supposed to be a \"comeback\" for the band,\u003csup id=\"cite_ref-84\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-84\"\u003e[83]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-85\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-85\"\u003e[84]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Brain_Drain_(album)\" title=\"Brain Drain (album)\"\u003eBrain Drain\u003c\/a\u003e\u003c\/i\u003e; co-produced by Beauvoir, Rey, and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Bill_Laswell\" title=\"Bill Laswell\"\u003eBill Laswell\u003c\/a\u003e. However, the bass parts were done by Daniel Rey and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Dictators\" title=\"The Dictators\"\u003ethe Dictators\u003c\/a\u003e'\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Andy_Shernoff\" title=\"Andy Shernoff\"\u003eAndy Shernoff\u003c\/a\u003e. Dee Dee Ramone would only record the additional vocals on the album citing that members of the band (including himself) were going through personal troubles and changes to the point where he did not want to be in the band anymore. Although it received mixed reviews upon its release in early 1989, the album included the band's highest-charting hit in America, \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Pet_Sematary_(song)\" title=\"Pet Sematary (song)\"\u003ePet Sematary\u003c\/a\u003e\".\u003csup id=\"cite_ref-modernrock_86-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-modernrock-86\"\u003e[85]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eDespite not wanting to be in the band anymore, Dee Dee (who was sober by this point) was present for the world tour for\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBrain Drain\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand played his last show with the Ramones on July 5, 1989, at One Step Beyond in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Santa_Clara,_California\" title=\"Santa Clara, California\"\u003eSanta Clara\u003c\/a\u003e.\u003csup id=\"cite_ref-87\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-87\"\u003e[86]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHe was replaced by Christopher Joseph Ward (\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/C._J._Ramone\" title=\"C. J. Ramone\"\u003eC. J. Ramone\u003c\/a\u003e), who performed with the band until it disbanded. Dee Dee initially pursued a brief career as a rapper under the name Dee Dee King. He quickly returned to punk rock and formed several bands, in much the same vein as the Ramones. He also continued to write songs for the Ramones, but never rejoined the band.\u003csup id=\"cite_ref-dee-dee-mtv-obit_88-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-dee-dee-mtv-obit-88\"\u003e[87]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan id=\"Final_years_.281990.E2.80.931996.29\"\u003e\u003c\/span\u003e\u003cspan class=\"mw-headline\" id=\"Final_years_(1990–1996)\"\u003eFinal years (1990–1996)\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=6\" title=\"Edit section: Final years (1990–1996)\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe band fulfilled their contract with Sire Records in 1991 after being on the label for over a decade and a half, ending with the release of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Loco_Live\" title=\"Loco Live\"\u003eLoco Live\u003c\/a\u003e. After leaving Sire Records,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Brett_Gurewitz\" title=\"Brett Gurewitz\"\u003eBrett Gurewitz\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Epitaph_Records\" title=\"Epitaph Records\"\u003eEpitaph Records\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eoffered to sign the band, going so far as to go to a concert in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Amsterdam\" title=\"Amsterdam\"\u003eAmsterdam\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ebegging Joey and Johnny to let him do it, while Stormy Shepard from Leave Home Bookings who was booking bands like Rancid and The Offspring, negotiated with the Ramones: \"I'll put you on tour with these bands that are huge now. They're your fans; you can do whatever you want. You'll be playing in front of kids who like this style of music.\". At the same time, the band's manager, Gary Kurfurst had just worked out a deal where he was gonna get his own record label,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Radioactive_Records\" title=\"Radioactive Records\"\u003eRadioactive Records\u003c\/a\u003e. When CJ Ramone heard Johnny talking about signing to Kurfirst's label, he questioned: \"Johnny, you've run this band for years. You carried it all yourself. I don't understand how you don't see the conflict of interest in signing to your manager's label. Just in terms of business, I don't understand how you don't see that. You're really throwing away the last few years of your career. Those Epitaph guys grew up listening to you. They will do anything to give you the business success you never had. Your manager will do the same thing he always has. He's going to throw his stuff out there. You're going to break through without anyone's support and you're going to face the rest of your career the way it's been up until now.\", but Johnny replied: \"When you have as many years in the business as I do, then you can make the decisions.\". By Johnny's decision, the group ended up signing a new contract with Radioactive Records at the end of that year, Ramones were soon able to start on sessions for what would become\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMondo Bizarro\u003c\/i\u003e\u003csup id=\"cite_ref-89\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-89\"\u003e[88]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-90\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-90\"\u003e[89]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-91\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-91\"\u003e[90]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eTheir first album for the label was 1992's\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Mondo_Bizarro\" title=\"Mondo Bizarro\"\u003eMondo Bizarro\u003c\/a\u003e\u003c\/i\u003e, which reunited them with producer Ed Stasium.\u003csup id=\"cite_ref-mondo_92-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-mondo-92\"\u003e[91]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAnticipated as a \"comeback\" for the Ramones after years of decline in popularity,\u003csup id=\"cite_ref-93\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-93\"\u003e[92]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-94\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-94\"\u003e[93]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ethe album was certified Gold in Brazil after selling 100,000 copies, being the first Gold certification The Ramones were ever awarded,\u003csup id=\"cite_ref-95\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-95\"\u003e[94]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-96\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-96\"\u003e[95]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-97\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-97\"\u003e[96]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ewhile its lead single \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Poison_Heart\" title=\"Poison Heart\"\u003ePoison Heart\u003c\/a\u003e\" was another top ten hit in the US for the band.\u003csup id=\"cite_ref-modernrock_86-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-modernrock-86\"\u003e[85]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Acid_Eaters\" title=\"Acid Eaters\"\u003eAcid Eaters\u003c\/a\u003e\u003c\/i\u003e, consisting entirely of cover songs, came out in 1993.\u003csup id=\"cite_ref-acid_98-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-acid-98\"\u003e[97]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThat same year, the Ramones were featured in the animated television series\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Simpsons\" title=\"The Simpsons\"\u003eThe Simpsons\u003c\/a\u003e\u003c\/i\u003e, providing music and voices for animated versions of themselves in the episode \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rosebud_(The_Simpsons)\" title=\"Rosebud (The Simpsons)\"\u003eRosebud\u003c\/a\u003e\".\u003csup id=\"cite_ref-99\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-99\"\u003e[98]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eExecutive producer\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/David_Mirkin\" title=\"David Mirkin\"\u003eDavid Mirkin\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003edescribed the Ramones as \"gigantic, obsessive\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSimpsons\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efans.\"\u003c\/p\u003e\n\u003cp\u003eIn 1995, the Ramones released their fourteenth and final studio album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/%C2%A1Adios_Amigos!\" class=\"mw-redirect\" title=\"¡Adios Amigos!\"\u003e¡Adios Amigos!\u003c\/a\u003e\u003c\/i\u003e, and announced that they would be disbanding the following year.\u003csup id=\"cite_ref-100\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-100\"\u003e[99]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-Adios_101-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Adios-101\"\u003e[100]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIts sales were unremarkable, garnering it just two weeks on the lower end of the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBillboard\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003echart.\u003csup id=\"cite_ref-adiosbillboard_102-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-adiosbillboard-102\"\u003e[101]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe band spent late 1995 on what was promoted as a farewell tour. However, they accepted an offer to appear in the sixth\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Lollapalooza\" title=\"Lollapalooza\"\u003eLollapalooza\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efestival, which toured around the United States during the following summer.\u003csup id=\"cite_ref-Beowülf_103-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Beow%C3%BClf-103\"\u003e[102]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAfter the Lollapalooza tour's conclusion, the Ramones played their final show on August 6, 1996, at the Palace in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Hollywood,_Los_Angeles\" title=\"Hollywood, Los Angeles\"\u003eHollywood\u003c\/a\u003e. A recording of the concert was later released on video and CD as\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/We%27re_Outta_Here!\" title=\"We're Outta Here!\"\u003eWe're Outta Here!\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eIn addition to a reappearance by Dee Dee, the show featured several guests including\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Mot%C3%B6rhead\" title=\"Motörhead\"\u003eMotörhead\u003c\/a\u003e's\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Lemmy\" title=\"Lemmy\"\u003eLemmy\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Pearl_Jam\" title=\"Pearl Jam\"\u003ePearl Jam\u003c\/a\u003e's\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Eddie_Vedder\" title=\"Eddie Vedder\"\u003eEddie Vedder\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Soundgarden\" title=\"Soundgarden\"\u003eSoundgarden\u003c\/a\u003e's\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Chris_Cornell\" title=\"Chris Cornell\"\u003eChris Cornell\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ben_Shepherd\" title=\"Ben Shepherd\"\u003eBen Shepherd\u003c\/a\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rancid_(band)\" title=\"Rancid (band)\"\u003eRancid\u003c\/a\u003e's\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Tim_Armstrong\" title=\"Tim Armstrong\"\u003eTim Armstrong\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Lars_Frederiksen\" title=\"Lars Frederiksen\"\u003eLars Frederiksen\u003c\/a\u003e.\u003csup id=\"cite_ref-Schinder559_4-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Schinder559-4\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan class=\"mw-headline\" id=\"Aftermath_and_deaths\"\u003eAftermath and deaths\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=7\" title=\"Edit section: Aftermath and deaths\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eOn July 20, 1999, Dee Dee, Johnny, Joey, Tommy, Marky, and C. J. appeared together at the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Virgin_Megastore\" class=\"mw-redirect\" title=\"Virgin Megastore\"\u003eVirgin Megastore\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_City\" title=\"New York City\"\u003eNew York City\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor an autograph signing. This was the last occasion on which the original four members of the group appeared together. Joey, who had been diagnosed with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Lymphoma\" title=\"Lymphoma\"\u003elymphoma\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein 1995, died of the illness on April 15, 2001, in New York.\u003csup id=\"cite_ref-AP_5-2\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-AP-5\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-104\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-104\"\u003e[103]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eTommy, Richie and C. J. were the only former bandmates to attend his funeral.\u003csup id=\"cite_ref-105\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-105\"\u003e[104]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-106\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-106\"\u003e[105]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-107\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-107\"\u003e[106]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eJoey and Marky, who had been involved in a feud, buried the hatchet and made up on live radio on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Howard_Stern_Show\" title=\"The Howard Stern Show\"\u003ethe Howard Stern Show\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein 1999.\u003csup id=\"cite_ref-108\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-108\"\u003e[107]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eJoey and Richie had a close friendship during their time together in the band and the latter expressed sadness over not being able to reconnect with Joey before his passing.\u003csup id=\"cite_ref-109\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-109\"\u003e[108]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eOn March 18, 2002, the Ramones were inducted into the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_and_Roll_Hall_of_Fame\" title=\"Rock and Roll Hall of Fame\"\u003eRock and Roll Hall of Fame\u003c\/a\u003e, which specifically named Dee Dee, Johnny, Joey, Tommy, and Marky. At the ceremony, the surviving inductees spoke on behalf of the band. Johnny spoke first, thanking the band's fans and blessing\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/George_W._Bush\" title=\"George W. Bush\"\u003eGeorge W. Bush\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand his presidency, and America. Tommy spoke next, saying how honored the band felt, but how much it would have meant for Joey. Dee Dee humorously congratulated and thanked himself, while Marky thanked Tommy for influencing his drum style.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Green_Day\" title=\"Green Day\"\u003eGreen Day\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eplayed \"Teenage Lobotomy\", \"Rockaway Beach\", and \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Blitzkrieg_Bop\" title=\"Blitzkrieg Bop\"\u003eBlitzkrieg Bop\u003c\/a\u003e\" as a tribute, demonstrating the Ramones' continuing influence on later rock musicians. The ceremony was one of Dee Dee's last public appearances, as he was found dead on June 5, 2002, from a\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Heroin_overdose\" class=\"mw-redirect\" title=\"Heroin overdose\"\u003eheroin overdose\u003c\/a\u003e.\u003csup id=\"cite_ref-nytimes_6-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-nytimes-6\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eOn November 30, 2003, New York City unveiled a sign designating East 2nd Street at the corner of Bowery as Joey Ramone Place. The singer lived on East 2nd for a time, and the sign is near the former Bowery site of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/CBGB\" title=\"CBGB\"\u003eCBGB\u003c\/a\u003e.\u003csup id=\"cite_ref-110\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-110\"\u003e[109]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe documentary film\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/End_of_the_Century:_The_Story_of_the_Ramones\" title=\"End of the Century: The Story of the Ramones\"\u003eEnd of the Century: The Story of the Ramones\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecame out in 2004. Johnny, who had been diagnosed with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Prostate_cancer\" title=\"Prostate cancer\"\u003eprostate cancer\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein 1999, died on September 15, 2004, in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Los_Angeles\" title=\"Los Angeles\"\u003eLos Angeles\u003c\/a\u003e, shortly after the film's release.\u003csup id=\"cite_ref-Sisario_7-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Sisario-7\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eOn the same day as Johnny's death, the world's first\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_Museum\" title=\"Ramones Museum\"\u003eRamones Museum\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eopened its doors to the public. Located in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Berlin\" title=\"Berlin\"\u003eBerlin\u003c\/a\u003e, Germany, the museum features more than 300 items of memorabilia, including a pair of stage-worn jeans from Johnny, a stage-worn glove from Joey, Marky's sneakers, and C. J.'s stage-worn bass strap.\u003csup id=\"cite_ref-111\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-111\"\u003e[110]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eOn October 8, 2004,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Tommy_Ramone\" title=\"Tommy Ramone\"\u003eTommy Ramone\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/C._J._Ramone\" title=\"C. J. Ramone\"\u003eC. J. Ramone\u003c\/a\u003e, Clem Burke, and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Daniel_Rey\" title=\"Daniel Rey\"\u003eDaniel Rey\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eperformed in the \"Ramones Beat on Cancer\" concert.\u003csup id=\"cite_ref-112\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-112\"\u003e[111]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe Ramones were inducted into the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Long_Island_Music_Hall_of_Fame\" class=\"mw-redirect\" title=\"Long Island Music Hall of Fame\"\u003eLong Island Music Hall of Fame\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein 2007.\u003csup id=\"cite_ref-113\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-113\"\u003e[112]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThat October saw the release of a DVD set containing concert footage of the band:\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/It%27s_Alive_1974%E2%80%931996\" title=\"It's Alive 1974–1996\"\u003eIt's Alive 1974–1996\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eincludes 118 songs from 33 performances over the span of the group's career.\u003csup id=\"cite_ref-114\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-114\"\u003e[113]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn February 2011 the group was honored with a\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Grammy_Lifetime_Achievement_Award\" title=\"Grammy Lifetime Achievement Award\"\u003eGrammy Lifetime Achievement Award\u003c\/a\u003e. Drummers Tommy, Marky, and Richie attended the ceremony.\u003csup id=\"cite_ref-Sterndan_14-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Sterndan-14\"\u003e[13]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-grammy1_15-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-grammy1-15\"\u003e[14]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eMarky declared, \"This is amazing. I never expected this. I'm sure Johnny, Joey, and Dee Dee would never have expected this.\"\u003csup id=\"cite_ref-Sterndan_14-2\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Sterndan-14\"\u003e[13]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eRichie noted that it was the first time ever that all three drummers were under the same roof, and mused that he couldn't \"help thinking that [Joey] is watching us right now with a little smile on his face behind his rose-colored glasses.\"\u003csup id=\"cite_ref-grammy1_15-2\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-grammy1-15\"\u003e[14]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eOn April 30, 2014, their debut album,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_(album)\" title=\"Ramones (album)\"\u003eRamones\u003c\/a\u003e\u003c\/i\u003e, became certified Gold by the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Recording_Industry_of_America\" class=\"mw-redirect\" title=\"Recording Industry of America\"\u003eRecording Industry of America\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eafter selling 500,000 copies, 38 years after its release.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Arturo_Vega\" title=\"Arturo Vega\"\u003eArturo Vega\u003c\/a\u003e, creative director from their formation in 1974 until their disbanding in 1996 and often considered the fifth Ramone, died of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Cancer\" title=\"Cancer\"\u003ecancer\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eon June 8, 2013, at the age of 65.\u003csup id=\"cite_ref-115\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-115\"\u003e[114]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe final original member, Tommy Ramone, died on July 11, 2014, after a battle with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Bile_duct_cancer\" class=\"mw-redirect\" title=\"Bile duct cancer\"\u003ebile duct cancer\u003c\/a\u003e.\u003csup id=\"cite_ref-116\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-116\"\u003e[115]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eOn October 30, 2016, the band had a street in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Queens\" title=\"Queens\"\u003eQueens\u003c\/a\u003e, New York named for them. As of that date, the intersection of 67th Avenue and 110th Street in front of the main entrance of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Forest_Hills_High_School_(New_York)\" title=\"Forest Hills High School (New York)\"\u003eForest Hills High School\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewas officially named The Ramones Way.\u003csup id=\"cite_ref-117\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-117\"\u003e[116]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eOn April 15, 2021, the 20th anniversary of Joey Ramone's death, it was announced that\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Pete_Davidson\" title=\"Pete Davidson\"\u003ePete Davidson\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewould portray Ramone in the upcoming\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Netflix\" title=\"Netflix\"\u003eNetflix\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ebiopic\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eI Slept with Joey Ramone\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewhich is based on the 2009 memoir of the same name written by Ramone's brother\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Mickey_Leigh\" title=\"Mickey Leigh\"\u003eMickey Leigh\u003c\/a\u003e. Leigh will serve as an executive producer with a script written by Davidson and director Jason Orley.\u003csup id=\"cite_ref-118\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-118\"\u003e[117]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan class=\"mw-headline\" id=\"Conflicts_between_members\"\u003eConflicts between members\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=8\" title=\"Edit section: Conflicts between members\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eTension between\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Joey_Ramone\" title=\"Joey Ramone\"\u003eJoey\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Johnny_Ramone\" title=\"Johnny Ramone\"\u003eJohnny\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecolored much of the Ramones' career. The pair were\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Politically\" class=\"mw-redirect\" title=\"Politically\"\u003epolitically\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eantagonistic, Joey being a\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Liberalism_in_the_United_States\" title=\"Liberalism in the United States\"\u003eliberal\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand Johnny a\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Conservatism_in_the_United_States\" title=\"Conservatism in the United States\"\u003econservative\u003c\/a\u003e. Their personalities also clashed: Johnny, who spent two years in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Military_school\" class=\"mw-redirect\" title=\"Military school\"\u003emilitary school\u003c\/a\u003e, lived by a strict code of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Self-discipline\" class=\"mw-redirect\" title=\"Self-discipline\"\u003eself-discipline\u003c\/a\u003e,\u003csup id=\"cite_ref-119\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-119\"\u003e[118]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ewhile Joey struggled with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Obsessive%E2%80%93compulsive_disorder\" title=\"Obsessive–compulsive disorder\"\u003eobsessive–compulsive disorder\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alcoholism\" title=\"Alcoholism\"\u003ealcoholism\u003c\/a\u003e.\u003csup id=\"cite_ref-120\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-120\"\u003e[119]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-121\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-121\"\u003e[120]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn the early 1980s, Linda Danielle began a relationship with Johnny after having already been romantically involved with Joey, who had reportedly accused Johnny of \"stealing\" his girlfriend; this incident is believed to have been the inspiration behind \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_KKK_Took_My_Baby_Away\" title=\"The KKK Took My Baby Away\"\u003eThe KKK Took My Baby Away\u003c\/a\u003e\".\u003csup id=\"cite_ref-ref1_122-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-ref1-122\"\u003e[121]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eConsequently, despite their continued professional relationship, Joey and Johnny had become aloof from each other.\u003csup id=\"cite_ref-Sisario_7-2\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Sisario-7\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eJohnny did not contact Joey before the latter's death, although he said that he was\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Depression_(mood)\" title=\"Depression (mood)\"\u003edepressed\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor \"the whole week\" after his death.\u003csup id=\"cite_ref-film_82-2\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-film-82\"\u003e[81]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dee_Dee_Ramone\" title=\"Dee Dee Ramone\"\u003eDee Dee\u003c\/a\u003e's\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Bipolar_disorder\" title=\"Bipolar disorder\"\u003ebipolar disorder\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand repeated relapses into\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Drug_addiction\" class=\"mw-redirect\" title=\"Drug addiction\"\u003edrug addiction\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ealso caused significant strains.\u003csup id=\"cite_ref-123\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-123\"\u003e[122]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eTommy would also leave the band after being \"physically threatened by Johnny, treated with contempt by Dee Dee, and all but ignored by Joey\".\u003csup id=\"cite_ref-Beeber_124-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Beeber-124\"\u003e[123]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAs new members joined over the years, disbursement and the band's image frequently became matters of serious dispute.\u003csup id=\"cite_ref-125\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-125\"\u003e[124]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe tensions among the group members were not kept secret from the public as was heard on the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Howard_Stern\" title=\"Howard Stern\"\u003eHoward Stern\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eradio show in 1997, where during the interview\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Marky_Ramone\" title=\"Marky Ramone\"\u003eMarky\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand Joey got into a fight about their respective drinking habits.\u003csup id=\"cite_ref-126\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-126\"\u003e[125]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eA year after the Ramones' breakup, Marky Ramone made disparaging remarks against\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/C._J._Ramone\" title=\"C. J. Ramone\"\u003eC. J.\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein the press, calling him a \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Bigot\" class=\"mw-redirect\" title=\"Bigot\"\u003ebigot\u003c\/a\u003e,\"\u003csup id=\"cite_ref-127\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-127\"\u003e[126]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ea statement he would reiterate a decade later.\u003csup id=\"cite_ref-128\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-128\"\u003e[127]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eC. J. would later respond that he was unsure as to why Marky would make negative comments against him in the press though he denied that it had anything to do with his marrying Marky's niece. He also denied being a bigot.\u003csup id=\"cite_ref-129\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-129\"\u003e[128]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eMany years later, C. J. lamented that despite being the two surviving members of arguably the Ramones' most commercially successful era, and despite reaching out a few times to join him on stage, he and Marky were no longer in contact.\u003csup id=\"cite_ref-130\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-130\"\u003e[129]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan class=\"mw-headline\" id=\"Style\"\u003eStyle\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=9\" title=\"Edit section: Style\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003ch3\u003e\n\u003cspan class=\"mw-headline\" id=\"Musical_style\"\u003eMusical style\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=10\" title=\"Edit section: Musical style\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe Ramones' loud, fast, straightforward musical style was influenced by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Pop_music\" title=\"Pop music\"\u003epop music\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ethat the band members grew up listening to in the 1950s and 1960s, including\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Classic_rock\" title=\"Classic rock\"\u003eclassic rock\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003egroups such as\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Buddy_Holly_and_the_Crickets\" class=\"mw-redirect\" title=\"Buddy Holly and the Crickets\"\u003eBuddy Holly and the Crickets\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Beach_Boys\" title=\"The Beach Boys\"\u003ethe Beach Boys\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Who\" title=\"The Who\"\u003ethe Who\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Beatles\" title=\"The Beatles\"\u003ethe Beatles\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Kinks\" title=\"The Kinks\"\u003ethe Kinks\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Led_Zeppelin\" title=\"Led Zeppelin\"\u003eLed Zeppelin\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Rolling_Stones\" title=\"The Rolling Stones\"\u003ethe Rolling Stones\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Doors\" title=\"The Doors\"\u003ethe Doors\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Creedence_Clearwater_Revival\" title=\"Creedence Clearwater Revival\"\u003eCreedence Clearwater Revival\u003c\/a\u003e;\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Bubblegum_music\" title=\"Bubblegum music\"\u003ebubblegum\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eacts like the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/1910_Fruitgum_Company\" title=\"1910 Fruitgum Company\"\u003e1910 Fruitgum Company\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ohio_Express\" title=\"Ohio Express\"\u003eOhio Express\u003c\/a\u003e; and girl groups such as\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Ronettes\" title=\"The Ronettes\"\u003ethe Ronettes\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Shangri-Las\" title=\"The Shangri-Las\"\u003ethe Shangri-Las\u003c\/a\u003e. They also drew on the harder rock sound of the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/MC5\" title=\"MC5\"\u003eMC5\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Black_Sabbath\" title=\"Black Sabbath\"\u003eBlack Sabbath\u003c\/a\u003e,\u003csup id=\"cite_ref-131\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-131\"\u003e[130]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Stooges\" title=\"The Stooges\"\u003ethe Stooges\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_Dolls\" title=\"New York Dolls\"\u003eNew York Dolls\u003c\/a\u003e, now known as seminal\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Protopunk\" class=\"mw-redirect\" title=\"Protopunk\"\u003eprotopunk\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ebands.\u003csup id=\"cite_ref-132\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-132\"\u003e[131]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe Ramones' style was in part a reaction against the heavily produced, often bombastic music that dominated the pop charts in the 1970s. \"We decided to start our own group because we were bored with everything we heard,\" Joey once explained. \"In 1974 everything was tenth-generation\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Elton_John\" title=\"Elton John\"\u003eElton John\u003c\/a\u003e, or overproduced, or just junk. Everything was long jams, long\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Guitar_solos\" class=\"mw-redirect\" title=\"Guitar solos\"\u003eguitar solos\u003c\/a\u003e ... . We missed music like it used to be.\"\u003csup id=\"cite_ref-133\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-133\"\u003e[132]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ira_Robbins\" class=\"mw-redirect\" title=\"Ira Robbins\"\u003eIra Robbins\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand Scott Isler of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Trouser_Press\" title=\"Trouser Press\"\u003eTrouser Press\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003edescribe the result:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eWith just four chords and one manic tempo,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_City\" title=\"New York City\"\u003eNew York\u003c\/a\u003e's Ramones blasted open the clogged arteries of mid-'70s rock, reanimating the music. Their genius was to recapture the short\/simple aesthetic from which pop had strayed, adding a caustic sense of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Trash_culture\" title=\"Trash culture\"\u003etrash-culture\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ehumor and minimalist rhythm guitar sound.\u003csup id=\"cite_ref-TP_134-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-TP-134\"\u003e[133]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAs leaders in the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_rock\" title=\"Punk rock\"\u003epunk rock\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003escene, the Ramones' music is strongly identified with that label.\u003csup id=\"cite_ref-mtvbio_2-2\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-mtvbio-2\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIt has been noted that their recordings also helped the subgenre\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Pop_punk\" class=\"mw-redirect\" title=\"Pop punk\"\u003epop punk\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eto develop.\u003csup id=\"cite_ref-135\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-135\"\u003e[134]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-136\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-136\"\u003e[135]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-punkco_137-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-punkco-137\"\u003e[136]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eSome have described certain Ramones songs as \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Power_pop\" title=\"Power pop\"\u003epower pop\u003c\/a\u003e\".\u003csup id=\"cite_ref-zivkovic_138-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-zivkovic-138\"\u003e[137]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-powerpophof_139-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-powerpophof-139\"\u003e[138]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-happyfamily_140-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-happyfamily-140\"\u003e[139]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eStarting in the 1980s, the band sometimes veered into\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Hardcore_punk\" title=\"Hardcore punk\"\u003ehardcore punk\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eterritory, as can be heard on albums such as\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Too_Tough_to_Die\" title=\"Too Tough to Die\"\u003eToo Tough to Die\u003c\/a\u003e\u003c\/i\u003e.\u003csup id=\"cite_ref-TP_134-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-TP-134\"\u003e[133]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eOn stage, the band adopted a focused approach directly intended to increase the audience's concert experience.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Johnny_Ramone\" title=\"Johnny Ramone\"\u003eJohnny\u003c\/a\u003e's instructions to\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/C._J._Ramone\" title=\"C. J. Ramone\"\u003eC. J.\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewhen preparing for his first live performances with the group were to play facing the audience, to stand with the bass slung low between spread legs, and to walk forward to the front of stage at the same time as he did. Johnny was not a fan of guitarists who performed facing their drummer, amplifier, or other band members.\u003csup id=\"cite_ref-141\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-141\"\u003e[140]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan class=\"mw-headline\" id=\"Visual_imagery\"\u003eVisual imagery\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=11\" title=\"Edit section: Visual imagery\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe Ramones' art and visual imagery complemented the themes of their music and performance. The members adopted a uniform look of long hair,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Leather_jackets\" class=\"mw-redirect\" title=\"Leather jackets\"\u003eleather jackets\u003c\/a\u003e, T-shirts, torn jeans, and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Sneakers\" title=\"Sneakers\"\u003esneakers\u003c\/a\u003e. This fashion emphasized\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Minimalism\" title=\"Minimalism\"\u003eminimalism\u003c\/a\u003e—a powerful influence on the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_rock\" title=\"Punk rock\"\u003eNew York punk scene of the 1970s\u003c\/a\u003e—and reflected the band's short, simple songs.\u003csup id=\"cite_ref-CS67_142-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-CS67-142\"\u003e[141]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Tommy_Ramone\" title=\"Tommy Ramone\"\u003eTommy Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003erecalled that, musically and visually, \"We were influenced by comic books, movies, the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Andy_Warhol\" title=\"Andy Warhol\"\u003eAndy Warhol\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003escene, and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Avant-garde_films\" class=\"mw-redirect\" title=\"Avant-garde films\"\u003eavant-garde films\u003c\/a\u003e. I was a big\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Mad_(magazine)\" title=\"Mad (magazine)\"\u003eMad\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emagazine fan myself.\"\u003csup id=\"cite_ref-CS67_142-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-CS67-142\"\u003e[141]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cdiv class=\"thumb tright\"\u003e\n\u003cdiv class=\"thumbinner\"\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/File:Ramones_logo.jpg\" class=\"image\"\u003e\u003cimg alt=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/en\/thumb\/5\/57\/Ramones_logo.jpg\/220px-Ramones_logo.jpg\" decoding=\"async\" width=\"220\" height=\"236\" class=\"thumbimage\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/en\/5\/57\/Ramones_logo.jpg 1.5x\" data-file-width=\"304\" data-file-height=\"326\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\u003cdiv class=\"magnify\"\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/File:Ramones_logo.jpg\" class=\"internal\" title=\"Enlarge\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\nThe band's logo, based on the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Seal_of_the_President_of_the_United_States\" title=\"Seal of the President of the United States\"\u003eSeal of the President of the United States\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe band's logo was created by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_City\" title=\"New York City\"\u003eNew York City\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eartist\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Arturo_Vega\" title=\"Arturo Vega\"\u003eArturo Vega\u003c\/a\u003e, with guidance from the Ramones. Vega, a longtime friend, had allowed\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Joey_Ramone\" title=\"Joey Ramone\"\u003eJoey\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dee_Dee_Ramone\" title=\"Dee Dee Ramone\"\u003eDee Dee\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eto move into his loft.\u003csup id=\"cite_ref-McCain_\u0026amp;_McNeil,_211_143-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-McCain_\u0026amp;_McNeil,_211-143\"\u003e[142]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHe produced the band's T-shirts—their main source of income—basing most of the images on a black-and-white self-portrait photograph he had taken of his American bald eagle belt buckle, which appeared on the back sleeve of the Ramones' first album.\u003csup id=\"cite_ref-B40_144-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-B40-144\"\u003e[143]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHe was inspired to create the band's logo after a trip to\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Washington,_D.C.\" title=\"Washington, D.C.\"\u003eWashington, D.C.\u003c\/a\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eI saw them as the ultimate all-American band. To me, they reflected the American character in general—an almost childish innocent aggression ... . I thought, 'The Great\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Seal_of_the_President_of_the_United_States\" title=\"Seal of the President of the United States\"\u003eSeal of the President of the United States\u003c\/a\u003e' would be perfect for the Ramones, with the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Eagle\" title=\"Eagle\"\u003eeagle\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eholding arrows—to symbolize strength and the aggression that would be used against whomever dares to attack us—and an olive branch, offered to those who want to be friendly. But we decided to change it a little bit. Instead of the olive branch, we had an apple tree branch, since the Ramones were American as\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Apple_pie\" title=\"Apple pie\"\u003eapple pie\u003c\/a\u003e. And since Johnny was such a\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Baseball\" title=\"Baseball\"\u003ebaseball\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efanatic, we had the eagle hold a\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Baseball_bat\" title=\"Baseball bat\"\u003ebaseball bat\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003einstead of the [Great Seal]'s arrows.\u003csup id=\"cite_ref-B40_144-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-B40-144\"\u003e[143]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eThe scroll in the eagle's beak originally read \"Look out below\", but this was soon changed to \"Hey ho let's go\" after the opening lyrics of the band's first single, \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Blitzkrieg_Bop\" title=\"Blitzkrieg Bop\"\u003eBlitzkrieg Bop\u003c\/a\u003e\". The arrowheads on the shield came from a design on a polyester shirt Vega had bought. \"Ramones\" was spelled out in block capitals above the logo using plastic stick-on letters.\u003csup id=\"cite_ref-Bessman,_211_29-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Bessman,_211-29\"\u003e[28]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eWhere the presidential emblem read \"Seal of the President of the United States\" clockwise in the border around the eagle, Vega placed the pseudonyms of the band members:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Johnny_Ramone\" title=\"Johnny Ramone\"\u003eJohnny\u003c\/a\u003e, Joey, Dee Dee, and Tommy. Over the years the names in the border would change as the band's line-up fluctuated.\u003csup id=\"cite_ref-145\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-145\"\u003e[144]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\"It's the American presidential seal—anyone can use it,\" said\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Marky_Ramone\" title=\"Marky Ramone\"\u003eMarky Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof the logo's ubiquity. \"We share the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Royalty_payment\" title=\"Royalty payment\"\u003eroyalties\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eon the t-shirt and on the merchandise. A lot of the kids wearing that shirt might not even have heard of the Ramones' music. I guess if you have the shirt, your curiosity might bring you to buy the music. Whatever, it is a strange phenomenon.\"\u003csup id=\"cite_ref-146\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-146\"\u003e[145]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan class=\"mw-headline\" id=\"Legacy_and_influence\"\u003eLegacy and influence\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=12\" title=\"Edit section: Legacy and influence\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe Ramones had a broad and lasting influence on the development of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Popular_music\" title=\"Popular music\"\u003epopular music\u003c\/a\u003e. Music historian\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Jon_Savage\" title=\"Jon Savage\"\u003eJon Savage\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewrites of their\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_(album)\" title=\"Ramones (album)\"\u003edebut album\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ethat \"it remains one of the few records that changed pop forever.\"\u003csup id=\"cite_ref-147\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-147\"\u003e[146]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAs described by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/AllMusic\" title=\"AllMusic\"\u003eAllMusic\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecritic\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Stephen_Thomas_Erlewine\" title=\"Stephen Thomas Erlewine\"\u003eStephen Thomas Erlewine\u003c\/a\u003e, \"The band's first four albums set the blueprint for punk, especially American punk and hardcore, for the next two decades.\"\u003csup id=\"cite_ref-148\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-148\"\u003e[147]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTrouser Press\u003c\/i\u003e\u003cspan class=\"nowrap\"\u003e's\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eRobbins and Isler similarly wrote that the Ramones \"not only spearheaded the original new wave\/punk movement, but also drew the blueprint for subsequent hardcore punk bands\".\u003csup id=\"cite_ref-TP_134-2\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-TP-134\"\u003e[133]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ePunk journalist Phil Strongman writes, \"In purely\u003cspan\u003e \u003c\/span\u003e\u003ci\u003emusical\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eterms, the Ramones, in attempting to re-create the excitement of pre-Dolby rock, were to cast a huge shadow—they had fused a blueprint for much of the indie future.\"\u003csup id=\"cite_ref-St62_30-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-St62-30\"\u003e[29]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eWriting for\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Slate_(magazine)\" title=\"Slate (magazine)\"\u003eSlate\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ein 2001,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Douglas_Wolk\" title=\"Douglas Wolk\"\u003eDouglas Wolk\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003edescribed the Ramones as \"easily the most influential group of the last 30 years.\"\u003csup id=\"cite_ref-149\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-149\"\u003e[148]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eLocally, several musicians who would play in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_hardcore\" title=\"New York hardcore\"\u003eNew York hardcore\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ebands cite the Ramones as an influence. These include members of the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Beastie_Boys\" title=\"Beastie Boys\"\u003eBeastie Boys\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Gorilla_Biscuits\" title=\"Gorilla Biscuits\"\u003eGorilla Biscuits\u003c\/a\u003e, the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Misfits_(band)\" title=\"Misfits (band)\"\u003eMisfits\u003c\/a\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Mob_(American_hardcore_band)\" title=\"The Mob (American hardcore band)\"\u003eThe Mob\u003c\/a\u003e.\u003csup id=\"cite_ref-150\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-150\"\u003e[149]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003csup id=\"cite_ref-151\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-151\"\u003e[150]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003csup id=\"cite_ref-152\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-152\"\u003e[151]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-153\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-153\"\u003e[152]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-154\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-154\"\u003e[153]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Roger_Miret\" title=\"Roger Miret\"\u003eRoger Miret\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Agnostic_Front\" title=\"Agnostic Front\"\u003eAgnostic Front\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ehas stated that\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLeave Home\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas the first album he bought with his own money.\u003csup id=\"cite_ref-155\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-155\"\u003e[154]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_(album)\" title=\"Ramones (album)\"\u003eThe Ramones' debut album\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ehad an outsized effect relative to its modest sales, particularly in the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/UK\" class=\"mw-redirect\" title=\"UK\"\u003eUK\u003c\/a\u003e. According to\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Generation_X_(band)\" title=\"Generation X (band)\"\u003eGeneration X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ebassist\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Tony_James_(musician)\" title=\"Tony James (musician)\"\u003eTony James\u003c\/a\u003e, \"Everybody went up three gears the day they got that first Ramones album. Punk rock—that rama-lama super fast stuff—is totally down to the Ramones. Bands were just playing in an\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/MC5\" title=\"MC5\"\u003eMC5\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003egroove until then.\"\u003csup id=\"cite_ref-156\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-156\"\u003e[155]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe Ramones' two July 1976 shows, like their debut album, are seen as having a significant impact on the style of many of the newly formed British punk acts—as one observer put it, \"instantly nearly every band speeded up\".\u003csup id=\"cite_ref-157\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-157\"\u003e[156]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe Ramones' first British concert, at London's Roundhouse concert hall, was held on July 4, 1976, the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/United_States_Bicentennial\" title=\"United States Bicentennial\"\u003eUnited States Bicentennial\u003c\/a\u003e.\u003csup id=\"cite_ref-158\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-158\"\u003e[157]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Sex_Pistols\" title=\"Sex Pistols\"\u003eSex Pistols\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewere playing in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Sheffield\" title=\"Sheffield\"\u003eSheffield\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ethat evening, supported by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Clash\" title=\"The Clash\"\u003ethe Clash\u003c\/a\u003e, making their public debut. The next night, members of both bands attended the Ramones' gig at the Dingwall's club. Ramones manager Danny Fields recalls a conversation between Johnny Ramone and Clash bassist\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Paul_Simonon\" title=\"Paul Simonon\"\u003ePaul Simonon\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(which he mislocates at the Roundhouse): \"Johnny asked him, 'What do you do? Are you in a band?' Paul said, 'Well, we just rehearse. We call ourselves the Clash but we're not good enough.' Johnny said, 'Wait till you see us—we stink, we're lousy, we can't play. Just get out there and do it.'\"\u003csup id=\"cite_ref-159\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-159\"\u003e[158]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAnother band whose members saw the Ramones perform,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Damned_(band)\" title=\"The Damned (band)\"\u003ethe Damned\u003c\/a\u003e, played their first show two days later.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Jimmy_Pursey\" title=\"Jimmy Pursey\"\u003eJimmy Pursey\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Sham_69\" title=\"Sham 69\"\u003eSham 69\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ehas said that he considers the Ramones his band's \"only blueprint\".\u003csup id=\"cite_ref-160\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-160\"\u003e[159]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe central\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Fanzine\" title=\"Fanzine\"\u003efanzine\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof the early UK punk scene,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Sniffin%27_Glue\" title=\"Sniffin' Glue\"\u003eSniffin' Glue\u003c\/a\u003e\u003c\/i\u003e, was named after the song \"Now I Wanna Sniff Some Glue\", which appeared on the debut LP.\u003csup id=\"cite_ref-DG_161-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-DG-161\"\u003e[160]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eRamones concerts and recordings influenced many musicians central to the development of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_rock_in_California\" title=\"Punk rock in California\"\u003eCalifornia punk\u003c\/a\u003e, including\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Greg_Ginn\" title=\"Greg Ginn\"\u003eGreg Ginn\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Black_Flag_(band)\" title=\"Black Flag (band)\"\u003eBlack Flag\u003c\/a\u003e,\u003csup id=\"cite_ref-162\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-162\"\u003e[161]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Jello_Biafra\" title=\"Jello Biafra\"\u003eJello Biafra\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dead_Kennedys\" title=\"Dead Kennedys\"\u003eDead Kennedys\u003c\/a\u003e,\u003csup id=\"cite_ref-163\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-163\"\u003e[162]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Al_Jourgensen\" title=\"Al Jourgensen\"\u003eAl Jourgensen\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ministry_(band)\" title=\"Ministry (band)\"\u003eMinistry\u003c\/a\u003e,\u003csup id=\"cite_ref-164\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-164\"\u003e[163]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Mike_Ness\" title=\"Mike Ness\"\u003eMike Ness\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Social_Distortion\" title=\"Social Distortion\"\u003eSocial Distortion\u003c\/a\u003e,\u003csup id=\"cite_ref-165\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-165\"\u003e[164]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Brett_Gurewitz\" title=\"Brett Gurewitz\"\u003eBrett Gurewitz\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Bad_Religion\" title=\"Bad Religion\"\u003eBad Religion\u003c\/a\u003e,\u003csup id=\"cite_ref-166\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-166\"\u003e[165]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand members of the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Descendents\" title=\"Descendents\"\u003eDescendents\u003c\/a\u003e.\u003csup id=\"cite_ref-167\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-167\"\u003e[166]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eCanada's first major punk scenes—in Toronto and in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/British_Columbia\" title=\"British Columbia\"\u003eBritish Columbia\u003c\/a\u003e's\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Victoria,_British_Columbia\" title=\"Victoria, British Columbia\"\u003eVictoria\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand Vancouver—were also heavily influenced by the Ramones.\u003csup id=\"cite_ref-LW_50-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-LW-50\"\u003e[49]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-168\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-168\"\u003e[167]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn the late 1970s, many bands emerged with musical styles deeply indebted to the band's. There were\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Lurkers\" title=\"The Lurkers\"\u003ethe Lurkers\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efrom England,\u003csup id=\"cite_ref-169\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-169\"\u003e[168]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Undertones\" title=\"The Undertones\"\u003ethe Undertones\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efrom Ireland,\u003csup id=\"cite_ref-170\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-170\"\u003e[169]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Teenage_Head_(band)\" title=\"Teenage Head (band)\"\u003eTeenage Head\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efrom Canada,\u003csup id=\"cite_ref-171\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-171\"\u003e[170]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Zeros_(American_band)\" title=\"The Zeros (American band)\"\u003ethe Zeros\u003c\/a\u003e\u003csup id=\"cite_ref-172\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-172\"\u003e[171]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Dickies\" title=\"The Dickies\"\u003ethe Dickies\u003c\/a\u003e\u003csup id=\"cite_ref-173\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-173\"\u003e[172]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003efrom southern California. The seminal hardcore band\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Bad_Brains\" title=\"Bad Brains\"\u003eBad Brains\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003etook its name from a Ramones song.\u003csup id=\"cite_ref-174\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-174\"\u003e[173]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Riverdales\" title=\"Riverdales\"\u003eRiverdales\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eemulated the sound of the Ramones throughout their career.\u003csup id=\"cite_ref-175\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-175\"\u003e[174]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Green_Day\" title=\"Green Day\"\u003eGreen Day\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efrontman\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Billie_Joe_Armstrong\" title=\"Billie Joe Armstrong\"\u003eBillie Joe Armstrong\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003enamed his son Joey in homage to Joey Ramone, and drummer\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Tr%C3%A9_Cool\" title=\"Tré Cool\"\u003eTré Cool\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003enamed his daughter Ramona.\u003csup id=\"cite_ref-176\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-176\"\u003e[175]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe Ramones also influenced musicians associated with other genres, such as\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Heavy_metal_music\" title=\"Heavy metal music\"\u003eheavy metal\u003c\/a\u003e. Their influence on metal gave birth to the punk-metal \"fusion\" genre of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Thrash_metal\" title=\"Thrash metal\"\u003ethrash\u003c\/a\u003e.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Metallica\" title=\"Metallica\"\u003eMetallica\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eguitarist\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kirk_Hammett\" title=\"Kirk Hammett\"\u003eKirk Hammett\u003c\/a\u003e, one of the originators of thrash guitar, has described the importance of Johnny's rapid-fire guitar playing style to his own musical development.\u003csup id=\"cite_ref-177\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-177\"\u003e[176]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Mot%C3%B6rhead\" title=\"Motörhead\"\u003eMotörhead\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003elead singer\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Lemmy\" title=\"Lemmy\"\u003eLemmy\u003c\/a\u003e, a friend of the Ramones since the late 1970s, mixed the band's \"Go Home Ann\" in 1985. The members of Motörhead later composed the song \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/R.A.M.O.N.E.S.\" title=\"R.A.M.O.N.E.S.\"\u003eR.A.M.O.N.E.S.\u003c\/a\u003e\" as a tribute, and Lemmy performed at the final Ramones concert in 1996.\u003csup id=\"cite_ref-178\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-178\"\u003e[177]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Paul_Dianno\" class=\"mw-redirect\" title=\"Paul Dianno\"\u003ePaul Dianno\u003c\/a\u003e, who sang on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Iron_Maiden\" title=\"Iron Maiden\"\u003eIron Maiden\u003c\/a\u003e's first two albums has called the Ramones his \"favorite band,\" and often performs Ramones material in his live shows.\u003csup id=\"cite_ref-179\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-179\"\u003e[178]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn the realm of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alternative_rock\" title=\"Alternative rock\"\u003ealternative rock\u003c\/a\u003e, the song \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/53rd_%26_3rd\" class=\"mw-redirect\" title=\"53rd \u0026amp; 3rd\"\u003e53rd \u0026amp; 3rd\u003c\/a\u003e\" lent its name to a British\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Indie_pop\" title=\"Indie pop\"\u003eindie pop\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003elabel cofounded by Stephen Pastel of the Scottish band\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Pastels\" title=\"The Pastels\"\u003ethe Pastels\u003c\/a\u003e.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Evan_Dando\" title=\"Evan Dando\"\u003eEvan Dando\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Lemonheads\" title=\"The Lemonheads\"\u003ethe Lemonheads\u003c\/a\u003e,\u003csup id=\"cite_ref-180\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-180\"\u003e[179]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dave_Grohl\" title=\"Dave Grohl\"\u003eDave Grohl\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Nirvana_(band)\" title=\"Nirvana (band)\"\u003eNirvana\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Foo_Fighters\" title=\"Foo Fighters\"\u003eFoo Fighters\u003c\/a\u003e,\u003csup id=\"cite_ref-DG_161-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-DG-161\"\u003e[160]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Mike_Portnoy\" title=\"Mike Portnoy\"\u003eMike Portnoy\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dream_Theater\" title=\"Dream Theater\"\u003eDream Theater\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Eddie_Vedder\" title=\"Eddie Vedder\"\u003eEddie Vedder\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Pearl_Jam\" title=\"Pearl Jam\"\u003ePearl Jam\u003c\/a\u003e\u003csup id=\"cite_ref-181\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-181\"\u003e[180]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e(who introduced the band members at their Rock and Roll Hall of Fame induction) and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Strokes\" title=\"The Strokes\"\u003ethe Strokes\u003c\/a\u003e\u003csup id=\"cite_ref-182\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-182\"\u003e[181]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eare among the many alternative rock and metal musicians who have credited the Ramones with inspiring them.\u003csup id=\"cite_ref-gaba_183-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-gaba-183\"\u003e[182]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe band members were also individually influential.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Johnny_Ramone\" title=\"Johnny Ramone\"\u003eJohnny Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewas named one of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Time_(magazine)\" title=\"Time (magazine)\"\u003e\u003ci\u003eTime\u003c\/i\u003e\u003c\/a\u003e's \"10 Greatest Electric-Guitar Players\" in 2003.\u003csup id=\"cite_ref-184\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-184\"\u003e[183]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThat same year, he was number 16 on the \"100 Greatest Guitarists of All Time\" list in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rolling_Stone\" title=\"Rolling Stone\"\u003eRolling Stone\u003c\/a\u003e\u003c\/i\u003e.\u003csup id=\"cite_ref-185\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-185\"\u003e[184]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\"We think of the Ramones as a classic, iconic band,\" observed\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Gene_Simmons\" title=\"Gene Simmons\"\u003eGene Simmons\u003c\/a\u003e. \"They have\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_(album)\" title=\"Ramones (album)\"\u003eone gold record\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eto their name. They never played arenas; couldn't sell them out. It was a failed band. It doesn't mean they weren't great. It means the masses didn't care.\"\u003csup id=\"cite_ref-186\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-186\"\u003e[185]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan class=\"mw-headline\" id=\"Tribute_albums\"\u003eTribute albums\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=13\" title=\"Edit section: Tribute albums\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eIn April 2009,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSpin\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewriter Mark Prindle observed that the Ramones had to date \"inspired a jaw-dropping 48 (at least!) full-length tribute records.\"\u003csup id=\"cite_ref-PrindleTributes_187-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-PrindleTributes-187\"\u003e[186]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe first Ramones tribute album featuring multiple performers was released in 1991:\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Gabba_Gabba_Hey:_A_Tribute_to_the_Ramones\" title=\"Gabba Gabba Hey: A Tribute to the Ramones\"\u003eGabba Gabba Hey: A Tribute to the Ramones\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eincludes tracks by such acts as\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Flesh_Eaters\" title=\"The Flesh Eaters\"\u003ethe Flesh Eaters\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/L7_(band)\" title=\"L7 (band)\"\u003eL7\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Mojo_Nixon\" title=\"Mojo Nixon\"\u003eMojo Nixon\u003c\/a\u003e, and Bad Religion.\u003csup id=\"cite_ref-gaba_183-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-gaba-183\"\u003e[182]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn 2001, Dee Dee made a guest appearance on one track of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_Maniacs\" title=\"Ramones Maniacs\"\u003eRamones Maniacs\u003c\/a\u003e\u003c\/i\u003e, a multi-artist cover of the entire\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_Mania\" title=\"Ramones Mania\"\u003eRamones Mania\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecompilation album.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Song_Ramones_the_Same\" title=\"The Song Ramones the Same\"\u003eThe Song Ramones the Same\u003c\/a\u003e\u003c\/i\u003e, which came out the following year, includes performances by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Dictators\" title=\"The Dictators\"\u003ethe Dictators\u003c\/a\u003e, who were part of the early New York punk scene, and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Wayne_Kramer_(guitarist)\" title=\"Wayne Kramer (guitarist)\"\u003eWayne Kramer\u003c\/a\u003e, guitarist for the influential protopunk band\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/MC5\" title=\"MC5\"\u003eMC5\u003c\/a\u003e.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/We%27re_a_Happy_Family:_A_Tribute_to_Ramones\" title=\"We're a Happy Family: A Tribute to Ramones\"\u003eWe're a Happy Family: A Tribute to Ramones\u003c\/a\u003e\u003c\/i\u003e, released in 2003, features performers such as\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rancid_(band)\" title=\"Rancid (band)\"\u003eRancid\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Green_Day\" title=\"Green Day\"\u003eGreen Day\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Metallica\" title=\"Metallica\"\u003eMetallica\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kiss_(band)\" title=\"Kiss (band)\"\u003eKISS\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Offspring\" title=\"The Offspring\"\u003ethe Offspring\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Red_Hot_Chili_Peppers\" title=\"Red Hot Chili Peppers\"\u003eRed Hot Chili Peppers\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/U2\" title=\"U2\"\u003eU2\u003c\/a\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rob_Zombie\" title=\"Rob Zombie\"\u003eRob Zombie\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(who also did the album cover artwork).\u003csup id=\"cite_ref-188\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-188\"\u003e[187]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAlso some other famous bands recorded tribute songs. Motörhead's Phil Campbell tells in Jari-Pekka Laitio-Ramone's book\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRamones: Soundtrack Of Our Lives\u003c\/i\u003e: \"We did a cover of Rockaway Beach with me on backing vocals, which was quite enjoyable. When Johnny Ramone heard it, he refused to put it on the tribute album. Lemmy and I thought we did a good version.\"\u003csup id=\"cite_ref-189\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-189\"\u003e[188]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003ePunk bands such as\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Screeching_Weasel\" title=\"Screeching Weasel\"\u003eScreeching Weasel\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Vindictives\" title=\"The Vindictives\"\u003ethe Vindictives\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Queers\" title=\"The Queers\"\u003ethe Queers\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Parasites_(band)\" title=\"Parasites (band)\"\u003eParasites\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Mr._T_Experience\" title=\"The Mr. T Experience\"\u003ethe Mr. T Experience\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Boris_the_Sprinkler\" title=\"Boris the Sprinkler\"\u003eBoris the Sprinkler\u003c\/a\u003e, Beatnik Termites, Tip Toppers,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Jon_Cougar_Concentration_Camp\" title=\"Jon Cougar Concentration Camp\"\u003eJon Cougar Concentration Camp\u003c\/a\u003e, and McRackins have recorded cover versions of entire Ramones albums—\u003ci\u003eRamones\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLeave Home\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRocket to Russia\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eIt's Alive\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRoad to Ruin\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEnd of the Century\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePleasant Dreams\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSubterranean Jungle\u003c\/i\u003e, two versions of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eToo Tough to Die\u003c\/i\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHalfway To Sanity\u003c\/i\u003e, respectively.\u003csup id=\"cite_ref-PrindleTributes_187-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-PrindleTributes-187\"\u003e[186]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-190\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-190\"\u003e[189]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Huntingtons\" title=\"The Huntingtons\"\u003eThe Huntingtons\u003c\/a\u003e'\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/File_Under_Ramones\" title=\"File Under Ramones\"\u003eFile Under Ramones\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003econsists of Ramones covers from across the band's history.\u003csup id=\"cite_ref-191\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-191\"\u003e[190]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Shonen_Knife\" title=\"Shonen Knife\"\u003eShonen Knife\u003c\/a\u003e, an all-female trio from Osaka, Japan, was formed in 1981 as a direct result of founder-lead singer-guitarist\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Naoko_Yamano\" title=\"Naoko Yamano\"\u003eNaoko Yamano\u003c\/a\u003e's instant infatuation with the music of the Ramones. In 2012, to observe the band's 30th anniversary, Shonen Knife released\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Osaka_Ramones\" title=\"Osaka Ramones\"\u003eOsaka Ramones\u003c\/a\u003e\u003c\/i\u003e, which featured thirteen Ramones songs covered by the band.\u003csup id=\"cite_ref-192\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-192\"\u003e[191]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThere are also many other tribute albums listed on Jari-Pekka Laitio-Ramone's site.\u003csup id=\"cite_ref-193\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-193\"\u003e[192]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan class=\"mw-headline\" id=\"Band_members\"\u003eBand members\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=14\" title=\"Edit section: Band members\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003eFormer members\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Joey_Ramone\" title=\"Joey Ramone\"\u003eJoey Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(Jeffrey Hyman) – lead vocals (1974–1996), drums (1974);\u003cspan\u003e \u003c\/span\u003e\u003ci\u003edied 2001\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Johnny_Ramone\" title=\"Johnny Ramone\"\u003eJohnny Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(John Cummings) – guitars (1974–1996);\u003cspan\u003e \u003c\/span\u003e\u003ci\u003edied 2004\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dee_Dee_Ramone\" title=\"Dee Dee Ramone\"\u003eDee Dee Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(Douglas Colvin) – bass, backing and co-lead vocals (1974–1989), guitar (1974);\u003cspan\u003e \u003c\/span\u003e\u003ci\u003edied 2002\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Tommy_Ramone\" title=\"Tommy Ramone\"\u003eTommy Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(Thomas Erdelyi) – drums (1974–1978);\u003cspan\u003e \u003c\/span\u003e\u003ci\u003edied 2014\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Marky_Ramone\" title=\"Marky Ramone\"\u003eMarky Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(Marc Bell) – drums (1978–1983, 1987–1996)\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Richie_Ramone\" title=\"Richie Ramone\"\u003eRichie Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(Richard Reinhardt) – drums, backing vocals (1983–1987)\u003c\/li\u003e\n\u003cli\u003eElvis Ramone (\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Clem_Burke\" title=\"Clem Burke\"\u003eClem Burke\u003c\/a\u003e) – drums (1987)\u003c\/li\u003e\n\u003cli\u003eRichie Stern – bass (1974);\u003cspan\u003e \u003c\/span\u003e\u003ci\u003edied 2015\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/C._J._Ramone\" title=\"C. J. Ramone\"\u003eC. J. Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(Christopher Ward) – bass, backing and co-lead vocals (1989–1996)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eStudio albums\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_(album)\" title=\"Ramones (album)\"\u003eRamones\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1976)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Leave_Home\" title=\"Leave Home\"\u003eLeave Home\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1977)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rocket_to_Russia\" title=\"Rocket to Russia\"\u003eRocket to Russia\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1977)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Road_to_Ruin_(Ramones_album)\" title=\"Road to Ruin (Ramones album)\"\u003eRoad to Ruin\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1978)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/End_of_the_Century\" title=\"End of the Century\"\u003eEnd of the Century\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1980)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Pleasant_Dreams\" title=\"Pleasant Dreams\"\u003ePleasant Dreams\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1981)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Subterranean_Jungle\" title=\"Subterranean Jungle\"\u003eSubterranean Jungle\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1983)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Too_Tough_to_Die\" title=\"Too Tough to Die\"\u003eToo Tough to Die\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1984)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Animal_Boy\" title=\"Animal Boy\"\u003eAnimal Boy\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1986)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Halfway_to_Sanity\" title=\"Halfway to Sanity\"\u003eHalfway to Sanity\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1987)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Brain_Drain_(album)\" title=\"Brain Drain (album)\"\u003eBrain Drain\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1989)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Mondo_Bizarro\" title=\"Mondo Bizarro\"\u003eMondo Bizarro\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1992)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Acid_Eaters\" title=\"Acid Eaters\"\u003eAcid Eaters\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1993)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/%C2%A1Adios_Amigos!\" class=\"mw-redirect\" title=\"¡Adios Amigos!\"\u003e¡Adios Amigos!\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1995)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eB6 It's A Long Way Back 2:21\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43696258678958,"sku":"","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/MjgtODgyMy5qcGVn.jpg?v=1673182399"},{"product_id":"ramones-ramones-lp-levy","title":"Ramones – Ramones LP levy","description":"\u003cdiv class=\"head\"\u003eLabel: Rhino Vinyl – RR1 6020, Sire – RR1 6020\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Remastered, 180 gram\u003cbr\u003eCountry: US\u003cbr\u003eReleased: Feb 9, 2018\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Rock \u0026amp; Roll, Punk\u003c\/div\u003e\n\u003cdiv class=\"head\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eToimitusmaksu 8€ (1-20 levyä) \u003cbr data-mce-fragment=\"1\"\u003eToimitus:  1-2 viikkoa\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Blitzkrieg Bop 2:12\u003cbr\u003eA2 Beat On The Brat 2:30\u003cbr\u003eA3 Judy Is A Punk 1:30\u003cbr\u003eA4 I Wanna Be Your Boyfriend 2:24\u003cbr\u003eA5 Chain Saw 1:55\u003cbr\u003eA6 Now I Wanna Sniff Some Glue 1:34\u003cbr\u003eA7 I Don't Wanna Go Down To The Basement 2:35\u003cbr\u003eB1 Loudmouth 2:14\u003cbr\u003eB2 Havana Affair 2:00\u003cbr\u003eB3 Listen To My Heart 1:56\u003cbr\u003eB4 53rd \u0026amp; 3rd 2:19\u003cbr\u003eB5 Let's Dance\u003cbr\u003eWritten-By – Jim Lee\u003cbr\u003e1:51\u003cbr\u003eB6 I Don't Wanna Walk Around With You 1:43\u003cbr\u003eB7 Today Your Love, Tomorrow The World 2:09\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eRamones\u003c\/b\u003e\u003csup class=\"reference\" id=\"cite_ref-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-1\"\u003e[a]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ewere an American\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Punk rock\" href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_rock\"\u003epunk rock\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eband that formed in the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"New York City\" href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_City\"\u003eNew York City\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eneighborhood of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Forest Hills, Queens\" href=\"https:\/\/en.wikipedia.org\/wiki\/Forest_Hills,_Queens\"\u003eForest Hills, Queens\u003c\/a\u003e, in 1974. They are often cited as the first true punk rock group.\u003csup class=\"reference\" id=\"cite_ref-mtvbio_2-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-mtvbio-2\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-HallofFame_3-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-HallofFame-3\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eDespite achieving a limited commercial appeal in the United States during their time together, the band saw more success in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"England\" href=\"https:\/\/en.wikipedia.org\/wiki\/England\"\u003eEngland\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Brazil\" href=\"https:\/\/en.wikipedia.org\/wiki\/Brazil\"\u003eBrazil\u003c\/a\u003e, and are today seen as highly influential.\u003c\/p\u003e\n\u003cp\u003eAll of the band members adopted pseudonyms ending with the surname \"Ramone\", although none of them were biologically related; they were inspired by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Paul McCartney\" href=\"https:\/\/en.wikipedia.org\/wiki\/Paul_McCartney\"\u003ePaul McCartney\u003c\/a\u003e, who would check into hotels as \"Paul Ramon\". The Ramones performed 2,263 concerts, touring virtually nonstop for 22 years.\u003csup class=\"reference\" id=\"cite_ref-HallofFame_3-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-HallofFame-3\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn 1996, after a tour with the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Lollapalooza\" href=\"https:\/\/en.wikipedia.org\/wiki\/Lollapalooza\"\u003eLollapalooza\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003emusic festival, they played\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"We're Outta Here!\" href=\"https:\/\/en.wikipedia.org\/wiki\/We%27re_Outta_Here!\"\u003ea farewell concert\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein Los Angeles and disbanded.\u003csup class=\"reference\" id=\"cite_ref-Schinder559_4-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Schinder559-4\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBy 2014, all four of the band's original members had died – lead singer\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Joey Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Joey_Ramone\"\u003eJoey Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(1951–2001), bassist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Dee Dee Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Dee_Dee_Ramone\"\u003eDee Dee Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(1951–2002), guitarist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Johnny Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Johnny_Ramone\"\u003eJohnny Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(1948–2004) and drummer\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Tommy Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tommy_Ramone\"\u003eTommy Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(1949–2014).\u003csup class=\"reference\" id=\"cite_ref-AP_5-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-AP-5\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-nytimes_6-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-nytimes-6\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-Sisario_7-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Sisario-7\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-guardian_8-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-guardian-8\"\u003e[7]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe remaining surviving members of the Ramones—bassist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"C. J. Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/C._J._Ramone\"\u003eC. J. Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(who replaced Dee Dee in 1989 and stayed with the band until its dissolution) and drummers\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Marky Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Marky_Ramone\"\u003eMarky Ramone\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Richie Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Richie_Ramone\"\u003eRichie Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Clem Burke\" href=\"https:\/\/en.wikipedia.org\/wiki\/Clem_Burke\"\u003eElvis Ramone\u003c\/a\u003e—are still musically active.\u003c\/p\u003e\n\u003cp\u003eRecognition of the band's importance built over the years.\u003csup class=\"reference\" id=\"cite_ref-9\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-9\"\u003e[8]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe Ramones ranked number 26 in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Rolling Stone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rolling_Stone\"\u003eRolling Stone\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emagazine's list of the \"\u003ca title=\"Rolling Stone's 100 Greatest Artists of All Time\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rolling_Stone%27s_100_Greatest_Artists_of_All_Time\"\u003e100 Greatest Artists of All Time\u003c\/a\u003e\"\u003csup class=\"reference\" id=\"cite_ref-10\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-10\"\u003e[9]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand number 17 in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"VH1\" href=\"https:\/\/en.wikipedia.org\/wiki\/VH1\"\u003eVH1\u003c\/a\u003e's \"100 Greatest Artists of Hard Rock\".\u003csup class=\"reference\" id=\"cite_ref-11\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-11\"\u003e[10]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn 2002, the Ramones were ranked the second-greatest band of all time by\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Spin (magazine)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Spin_(magazine)\"\u003eSpin\u003c\/a\u003e\u003c\/i\u003e, trailing only\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Beatles\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Beatles\"\u003eThe Beatles\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-12\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-12\"\u003e[11]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eOn March 18, 2002, the original four members and Tommy's replacement on drums, Marky Ramone, were inducted into the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Rock and Roll Hall of Fame\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_and_Roll_Hall_of_Fame\"\u003eRock and Roll Hall of Fame\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein their first year of eligibility.\u003csup class=\"reference\" id=\"cite_ref-HallofFame_3-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-HallofFame-3\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-13\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-13\"\u003e[12]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn 2011, the group was awarded a\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Grammy Lifetime Achievement Award\" href=\"https:\/\/en.wikipedia.org\/wiki\/Grammy_Lifetime_Achievement_Award\"\u003eGrammy Lifetime Achievement Award\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-Sterndan_14-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Sterndan-14\"\u003e[13]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-grammy1_15-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-grammy1-15\"\u003e[14]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan id=\"Formation_(1974–1975)\" class=\"mw-headline\"\u003eFormation (1974–1975)\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Formation (1974–1975)\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=2\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"thumb tleft\"\u003e\n\u003cdiv class=\"thumbinner\"\u003e\n\u003ca class=\"image\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:ForestHillsHS.jpg\"\u003e\u003cimg data-file-height=\"324\" data-file-width=\"200\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/d\/d6\/ForestHillsHS.jpg 1.5x\" class=\"thumbimage\" height=\"275\" width=\"170\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/d\/d6\/ForestHillsHS.jpg\/170px-ForestHillsHS.jpg\" alt=\"\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\u003cdiv class=\"magnify\"\u003e\n\u003ca title=\"Enlarge\" class=\"internal\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:ForestHillsHS.jpg\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ca title=\"Forest Hills High School (New York)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Forest_Hills_High_School_(New_York)\"\u003eForest Hills High School\u003c\/a\u003e, attended by the four original members of the Ramones\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe original members of the band met in and around the middle-class neighborhood of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Forest Hills, Queens\" href=\"https:\/\/en.wikipedia.org\/wiki\/Forest_Hills,_Queens\"\u003eForest Hills\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein the New York City borough of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Queens\" href=\"https:\/\/en.wikipedia.org\/wiki\/Queens\"\u003eQueens\u003c\/a\u003e.\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Johnny Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Johnny_Ramone\"\u003eJohn Cummings\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Tommy Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tommy_Ramone\"\u003eThomas Erdelyi\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ehad both been in a high-school\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Garage rock\" href=\"https:\/\/en.wikipedia.org\/wiki\/Garage_rock\"\u003egarage band\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efrom 1965 to 1967 known as the Tangerine Puppets.\u003csup class=\"reference\" id=\"cite_ref-16\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-16\"\u003e[15]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThey became friends with\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Dee Dee Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Dee_Dee_Ramone\"\u003eDouglas Colvin\u003c\/a\u003e, who had recently moved to the area from Germany,\u003csup class=\"reference\" id=\"cite_ref-eotc_17-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-eotc-17\"\u003e[16]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Joey Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Joey_Ramone\"\u003eJeff Hyman\u003c\/a\u003e, who was the singer for the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Glam rock\" href=\"https:\/\/en.wikipedia.org\/wiki\/Glam_rock\"\u003eglam rock\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eband\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Sniper (American band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Sniper_(American_band)\"\u003eSniper\u003c\/a\u003e, founded in 1972.\u003csup class=\"reference\" id=\"cite_ref-Time_18-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Time-18\"\u003e[17]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-19\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-19\"\u003e[18]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-20\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-20\"\u003e[19]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe Ramones began taking shape in early 1974 when Cummings and Colvin invited Hyman to join them in a band. Colvin wanted to play guitar and sing, Cummings would also play guitar and Hyman would play drums. The lineup was to be completed with their friend Richie Stern on bass. However, after only a few rehearsals it became clear that Richie Stern could not play bass, so in addition to singing, Colvin switched from guitar to bass and Cummings became the only guitarist.\u003csup class=\"reference\" id=\"cite_ref-Commando_21-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Commando-21\"\u003e[20]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eColvin was the first to adopt the name \"Ramone\", calling himself Dee Dee Ramone. He was inspired by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Paul McCartney\" href=\"https:\/\/en.wikipedia.org\/wiki\/Paul_McCartney\"\u003ePaul McCartney\u003c\/a\u003e's use of the pseudonym Paul Ramon during his\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Quarrymen\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Quarrymen\"\u003eSilver Beetles\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003edays.\u003csup class=\"reference\" id=\"cite_ref-MM32_22-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-MM32-22\"\u003e[21]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-23\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-23\"\u003e[22]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eDee Dee convinced the other members to take on the name and came up with the idea of calling the band the Ramones.\u003csup class=\"reference\" id=\"cite_ref-punkbands_24-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-punkbands-24\"\u003e[23]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHyman and Cummings became Joey and Johnny Ramone, respectively.\u003csup class=\"reference\" id=\"cite_ref-punkbands_24-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-punkbands-24\"\u003e[23]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eA friend of the band, Monte A. Melnick (later their tour manager), helped to arrange rehearsal time for them at Manhattan's Performance Studios, where he worked. Johnny's former bandmate Erdelyi was set to become their manager. Soon after the band was formed, Dee Dee realized that he could not sing and play his bass guitar simultaneously; with Erdelyi's encouragement, Joey became the band's new lead singer.\u003csup class=\"reference\" id=\"cite_ref-MM32_22-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-MM32-22\"\u003e[21]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eDee Dee would continue, however, to count off each song's tempo with his signature rapid-fire shout of \"1-2-3-4!\" Joey soon similarly realized that he could not sing and play drums simultaneously and left the position of drummer. While auditioning prospective replacements, Erdelyi would often take to the drums and demonstrate how to play the songs. It became apparent that he was able to perform the group's music better than anyone else, and he joined the band as Tommy Ramone.\u003csup class=\"reference\" id=\"cite_ref-MM33_25-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-MM33-25\"\u003e[24]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe Ramones played before an audience for the first time on March 30, 1974, at Performance Studios.\u003csup class=\"reference\" id=\"cite_ref-HallofFame_3-3\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-HallofFame-3\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe songs they played were very fast and very short; most clocked in at under two minutes. Around this time, a new music scene was emerging in New York centered on two clubs in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Downtown Manhattan\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Downtown_Manhattan\"\u003edowntown Manhattan\u003c\/a\u003e—\u003ca title=\"Max's Kansas City\" href=\"https:\/\/en.wikipedia.org\/wiki\/Max%27s_Kansas_City\"\u003eMax's Kansas City\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand, more famously,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"CBGB\" href=\"https:\/\/en.wikipedia.org\/wiki\/CBGB\"\u003eCBGB\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(usually referred to as CBGB's). The Ramones made their CBGB debut on August 16, 1974.\u003csup class=\"reference\" id=\"cite_ref-26\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-26\"\u003e[25]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Legs McNeil\" href=\"https:\/\/en.wikipedia.org\/wiki\/Legs_McNeil\"\u003eLegs McNeil\u003c\/a\u003e, who cofounded\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Punk (magazine)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_(magazine)\"\u003ePunk\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emagazine the following year, later described the impact of that performance: \"They were all wearing these black leather jackets. And they counted off this song ... and it was just this wall of noise ... They looked so striking. These guys were not hippies. This was something completely new.\"\u003csup class=\"reference\" id=\"cite_ref-27\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-27\"\u003e[26]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe band swiftly became regulars at the club, playing there seventy-four times by the end of the year. After garnering considerable attention for their performances—which averaged about seventeen minutes from beginning to end—the group was signed to a recording contract in late 1975 by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Seymour Stein\" href=\"https:\/\/en.wikipedia.org\/wiki\/Seymour_Stein\"\u003eSeymour Stein\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Sire Records\" href=\"https:\/\/en.wikipedia.org\/wiki\/Sire_Records\"\u003eSire Records\u003c\/a\u003e. Sire\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"A\u0026amp;R\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/A%26R\"\u003eA\u0026amp;R\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eman\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Craig Leon\" href=\"https:\/\/en.wikipedia.org\/wiki\/Craig_Leon\"\u003eCraig Leon\u003c\/a\u003e\u003csup class=\"reference\" id=\"cite_ref-MM101_28-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-MM101-28\"\u003e[27]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003esaw the band and brought them to the attention of the label. Stein's wife,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Linda S. Stein\" href=\"https:\/\/en.wikipedia.org\/wiki\/Linda_S._Stein\"\u003eLinda Stein\u003c\/a\u003e, saw the band play at Mothers; she would later co-manage them along with\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Danny Fields\" href=\"https:\/\/en.wikipedia.org\/wiki\/Danny_Fields\"\u003eDanny Fields\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-Bessman,_211_29-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Bessman,_211-29\"\u003e[28]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBy this time, the Ramones were recognized as leaders of the new scene that was increasingly being referred to as \"\u003ca title=\"Punk rock\" href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_rock\"\u003epunk\u003c\/a\u003e\".\u003csup class=\"reference\" id=\"cite_ref-St62_30-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-St62-30\"\u003e[29]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-31\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-31\"\u003e[30]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe group's unusual frontman had a lot to do with their impact. As Dee Dee explained, \"All the other singers [in New York] were copying\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"David Johansen\" href=\"https:\/\/en.wikipedia.org\/wiki\/David_Johansen\"\u003eDavid Johansen\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e[of the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"New York Dolls\" href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_Dolls\"\u003eNew York Dolls\u003c\/a\u003e], who was copying\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Mick Jagger\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mick_Jagger\"\u003eMick Jagger\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e... But Joey was unique, totally unique.\"\u003csup class=\"reference\" id=\"cite_ref-32\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-32\"\u003e[31]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan id=\"Spearheading_punk_.281976.E2.80.931977.29\"\u003e\u003c\/span\u003e\u003cspan id=\"Spearheading_punk_(1976–1977)\" class=\"mw-headline\"\u003eSpearheading punk (1976–1977)\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Spearheading punk (1976–1977)\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=3\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"thumb tleft\"\u003e\n\u003cdiv class=\"thumbinner\"\u003e\n\u003ca class=\"image\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Ramones_Toronto_1976.jpg\"\u003e\u003cimg data-file-height=\"576\" data-file-width=\"864\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/3\/3a\/Ramones_Toronto_1976.jpg\/330px-Ramones_Toronto_1976.jpg 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/3\/3a\/Ramones_Toronto_1976.jpg\/440px-Ramones_Toronto_1976.jpg 2x\" class=\"thumbimage\" height=\"147\" width=\"220\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/3\/3a\/Ramones_Toronto_1976.jpg\/220px-Ramones_Toronto_1976.jpg\" alt=\"\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\u003cdiv class=\"magnify\"\u003e\n\u003ca title=\"Enlarge\" class=\"internal\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Ramones_Toronto_1976.jpg\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\nRamones performing in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Toronto, Canada\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Toronto,_Canada\"\u003eToronto\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein 1976\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"thumb tleft\"\u003e\n\u003cdiv class=\"thumbinner\"\u003e\n\u003ca class=\"image\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:PunkMagazine.jpg\"\u003e\u003cimg data-file-height=\"254\" data-file-width=\"199\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/en\/2\/2e\/PunkMagazine.jpg 1.5x\" class=\"thumbimage\" height=\"217\" width=\"170\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/en\/thumb\/2\/2e\/PunkMagazine.jpg\/170px-PunkMagazine.jpg\" alt=\"\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\u003cdiv class=\"magnify\"\u003e\n\u003ca title=\"Enlarge\" class=\"internal\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:PunkMagazine.jpg\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\nApril 1976 issue of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Punk (magazine)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_(magazine)\"\u003ePunk\u003c\/a\u003e\u003c\/i\u003e. The cover image of Joey, by\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePunk\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecofounder\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"John Holmstrom\" href=\"https:\/\/en.wikipedia.org\/wiki\/John_Holmstrom\"\u003eJohn Holmstrom\u003c\/a\u003e, was inspired by the work of comic book artist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Will Eisner\" href=\"https:\/\/en.wikipedia.org\/wiki\/Will_Eisner\"\u003eWill Eisner\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-Shirley_34-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Shirley-34\"\u003e[33]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHolmstrom would go on to do album art for\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Rocket to Russia\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rocket_to_Russia\"\u003eRocket to Russia\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Road to Ruin (Ramones album)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Road_to_Ruin_(Ramones_album)\"\u003eRoad to Ruin\u003c\/a\u003e\u003c\/i\u003e.\u003csup class=\"reference\" id=\"cite_ref-35\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-35\"\u003e[34]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe Ramones recorded their debut album,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Ramones (album)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_(album)\"\u003eRamones\u003c\/a\u003e\u003c\/i\u003e, in February 1976. Of the fourteen songs on the album, the longest, \"I Don't Wanna Go Down to the Basement\", barely surpassed two and a half minutes. While the songwriting credits were shared by the entire band, and each member did contribute some writing, much of the writing was done by Dee Dee.\u003csup class=\"reference\" id=\"cite_ref-36\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-36\"\u003e[35]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-37\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-37\"\u003e[36]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRamones\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ealbum was produced by Sire's\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Craig Leon\" href=\"https:\/\/en.wikipedia.org\/wiki\/Craig_Leon\"\u003eCraig Leon\u003c\/a\u003e, with Tommy as associate producer, on an extremely low budget of about $6,400 and released in April.\u003csup class=\"reference\" id=\"cite_ref-38\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-38\"\u003e[37]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe now iconic front cover photograph of the band was taken by Roberta Bayley, a photographer for\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Punk (magazine)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_(magazine)\"\u003ePunk\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emagazine.\u003csup class=\"reference\" id=\"cite_ref-39\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-39\"\u003e[38]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePunk\u003c\/i\u003e, which was largely responsible for codifying the term for the scene emerging around CBGB, ran a cover story on the Ramones in its third issue, the same month as the record's release.\u003csup class=\"reference\" id=\"cite_ref-Shirley_34-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Shirley-34\"\u003e[33]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-40\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-40\"\u003e[39]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe Ramones' debut album was greeted by rock critics with glowing reviews. The\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Village Voice\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Village_Voice\"\u003eVillage Voice\u003c\/a\u003e\u003c\/i\u003e\u003cspan class=\"nowrap\"\u003e'\u003c\/span\u003es\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Robert Christgau\" href=\"https:\/\/en.wikipedia.org\/wiki\/Robert_Christgau\"\u003eRobert Christgau\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewrote, \"I love this record—love it—even though I know these boys flirt with images of brutality (Nazi especially) ... For me, it blows everything else off the radio\".\u003csup class=\"reference\" id=\"cite_ref-41\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-41\"\u003e[40]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Rolling Stone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rolling_Stone\"\u003eRolling Stone\u003c\/a\u003e\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Paul Nelson (critic)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Paul_Nelson_(critic)\"\u003ePaul Nelson\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003edescribed it as \"constructed almost entirely of rhythm tracks of an exhilarating intensity rock \u0026amp; roll has not experienced since its earliest days.\" Characterizing the band as \"authentic American primitives whose work has to be heard to be understood\", he declared, \"It is time popular music followed the other arts in honoring its primitives.\"\u003csup class=\"reference\" id=\"cite_ref-42\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-42\"\u003e[41]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Newsday\" href=\"https:\/\/en.wikipedia.org\/wiki\/Newsday\"\u003eNewsday\u003c\/a\u003e\u003c\/i\u003e\u003cspan class=\"nowrap\"\u003e'\u003c\/span\u003es Wayne Robbins simply anointed the Ramones as \"the best young rock 'n' roll band in the known universe.\"\u003csup class=\"reference\" id=\"cite_ref-43\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-43\"\u003e[42]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eDespite Sire's high hopes for it,\u003csup class=\"reference\" id=\"cite_ref-44\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-44\"\u003e[43]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRamones\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas not a commercial success, reaching only number 111 on the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Billboard charts\" href=\"https:\/\/en.wikipedia.org\/wiki\/Billboard_charts\"\u003eBillboard\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ealbum chart.\u003csup class=\"reference\" id=\"cite_ref-45\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-45\"\u003e[44]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe two singles issued from the album, \"\u003ca title=\"Blitzkrieg Bop\" href=\"https:\/\/en.wikipedia.org\/wiki\/Blitzkrieg_Bop\"\u003eBlitzkrieg Bop\u003c\/a\u003e\" and \"I Wanna Be Your Boyfriend\", failed to chart. At the band's first major performance outside of New York, a June date in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Youngstown, Ohio\" href=\"https:\/\/en.wikipedia.org\/wiki\/Youngstown,_Ohio\"\u003eYoungstown, Ohio\u003c\/a\u003e, members of Cleveland punk legends Frankenstein aka the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Dead Boys\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Dead_Boys\"\u003eDead Boys\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewere present and struck up a friendship with the band.\u003csup class=\"reference\" id=\"cite_ref-46\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-46\"\u003e[45]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIt was not until they made a brief tour of England that they began to see the fruits of their labor; a performance at the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Roundhouse (venue)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Roundhouse_(venue)\"\u003eRoundhouse\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein London on July 4, 1976, second-billed to the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Flamin' Groovies\" href=\"https:\/\/en.wikipedia.org\/wiki\/Flamin%27_Groovies\"\u003eFlamin' Groovies\u003c\/a\u003e, organized by Linda Stein, was a resounding success.\u003csup class=\"reference\" id=\"cite_ref-47\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-47\"\u003e[46]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"T-Rex (band)\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/T-Rex_(band)\"\u003eT-Rex\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eleader\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Marc Bolan\" href=\"https:\/\/en.wikipedia.org\/wiki\/Marc_Bolan\"\u003eMarc Bolan\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewas in attendance at the Roundhouse show and was invited on stage.\u003csup class=\"reference\" id=\"cite_ref-48\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-48\"\u003e[47]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-49\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-49\"\u003e[48]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eTheir Roundhouse appearance and a club date the following night—where the band met members of the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Sex Pistols\" href=\"https:\/\/en.wikipedia.org\/wiki\/Sex_Pistols\"\u003eSex Pistols\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Clash\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Clash\"\u003ethe Clash\u003c\/a\u003e—helped galvanize the burgeoning UK punk rock scene.\u003csup class=\"reference\" id=\"cite_ref-AP_5-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-AP-5\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe Flamin' Groovies\/Ramones double bill was successfully reprised at the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Roxy Theatre (West Hollywood)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Roxy_Theatre_(West_Hollywood)\"\u003eRoxy Theatre\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein Los Angeles the following month, fueling the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Punk rock in California\" href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_rock_in_California\"\u003epunk scene there\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eas well. The Ramones were becoming an increasingly popular live act—a Toronto performance in September energized yet another growing punk scene.\u003csup class=\"reference\" id=\"cite_ref-LW_50-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-LW-50\"\u003e[49]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eTheir next two albums,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Leave Home\" href=\"https:\/\/en.wikipedia.org\/wiki\/Leave_Home\"\u003eLeave Home\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Rocket to Russia\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rocket_to_Russia\"\u003eRocket to Russia\u003c\/a\u003e\u003c\/i\u003e, were released in 1977. Both were produced by Tommy and\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Tony Bongiovi\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tony_Bongiovi\"\u003eTony Bongiovi\u003c\/a\u003e, the second cousin of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Jon Bon Jovi\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jon_Bon_Jovi\"\u003eJon Bon Jovi\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-51\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-51\"\u003e[50]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLeave Home\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emet with even less chart success than\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRamones\u003c\/i\u003e, though it did include \"Pinhead\", which became one of the band's signature songs with its chanted refrain of \"Gabba gabba hey!\"\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLeave Home\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ealso included a fast-paced cover of the oldie \"\u003ca title=\"California Sun\" href=\"https:\/\/en.wikipedia.org\/wiki\/California_Sun\"\u003eCalifornia Sun\u003c\/a\u003e\", written by Henry Glover \u0026amp; Morris Levy, and originally recorded by Joe Jones,\u003csup class=\"reference\" id=\"cite_ref-52\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-52\"\u003e[51]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ethough the Ramones based their version on the remake by the Rivieras.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRocket to Russia\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas the band's highest-charting album to date, reaching number 49 on the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Billboard 200\" href=\"https:\/\/en.wikipedia.org\/wiki\/Billboard_200\"\u003e\u003ci\u003eBillboard\u003c\/i\u003e 200\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-53\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-53\"\u003e[52]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRolling Stone\u003c\/i\u003e, critic\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Dave Marsh\" href=\"https:\/\/en.wikipedia.org\/wiki\/Dave_Marsh\"\u003eDave Marsh\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecalled it \"the best American rock \u0026amp; roll of the year\".\u003csup class=\"reference\" id=\"cite_ref-54\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-54\"\u003e[53]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe album also featured the first Ramones single to enter the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBillboard\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003echarts (albeit only as high as number 81): \"\u003ca title=\"Sheena Is a Punk Rocker\" href=\"https:\/\/en.wikipedia.org\/wiki\/Sheena_Is_a_Punk_Rocker\"\u003eSheena Is a Punk Rocker\u003c\/a\u003e\". The follow-up single, \"Rockaway Beach\", reached number 66—the highest any Ramones single would ever reach in America. On December 31, 1977, the Ramones recorded\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"It's Alive (Ramones album)\" href=\"https:\/\/en.wikipedia.org\/wiki\/It%27s_Alive_(Ramones_album)\"\u003eIt's Alive\u003c\/a\u003e\u003c\/i\u003e, a live concert double album, at the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Rainbow (London)\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rainbow_(London)\"\u003eRainbow Theatre\u003c\/a\u003e, London, which was released in April 1979 (the title is a reference to the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"It's Alive (1974 film)\" href=\"https:\/\/en.wikipedia.org\/wiki\/It%27s_Alive_(1974_film)\"\u003e1974 horror film of the same name\u003c\/a\u003e).\u003csup class=\"reference\" id=\"cite_ref-55\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-55\"\u003e[54]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan id=\"Transitional_period_.281978.E2.80.931983.29\"\u003e\u003c\/span\u003e\u003cspan id=\"Transitional_period_(1978–1983)\" class=\"mw-headline\"\u003eTransitional period (1978–1983)\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Transitional period (1978–1983)\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=4\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"thumb tright\"\u003e\n\u003cdiv class=\"thumbinner\"\u003e\n\u003ca class=\"image\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Joeyramone.jpg\"\u003e\u003cimg data-file-height=\"455\" data-file-width=\"320\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/0\/01\/Joeyramone.jpg\/300px-Joeyramone.jpg 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/0\/01\/Joeyramone.jpg 2x\" class=\"thumbimage\" height=\"284\" width=\"200\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/0\/01\/Joeyramone.jpg\/200px-Joeyramone.jpg\" alt=\"\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\u003cdiv class=\"magnify\"\u003e\n\u003ca title=\"Enlarge\" class=\"internal\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Joeyramone.jpg\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\nJoey Ramone, c. 1980\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eTommy, tired of touring, left the band in early 1978. He continued as the Ramones' record producer under his birth name of Erdelyi. His position as drummer was filled by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Marky Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Marky_Ramone\"\u003eMarc Bell\u003c\/a\u003e, who had been a member of the early 1970s hard rock band\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Dust (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Dust_(band)\"\u003eDust\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Jayne County\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jayne_County\"\u003eWayne County\u003c\/a\u003e,\u003csup class=\"reference\" id=\"cite_ref-56\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-56\"\u003e[55]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand the pioneering punk group\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Voidoids\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Voidoids\"\u003eRichard Hell \u0026amp; the Voidoids\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-57\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-57\"\u003e[56]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBell adopted the name Marky Ramone. Later that year, the band released their fourth studio album, and first with Marky,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Road to Ruin (Ramones album)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Road_to_Ruin_(Ramones_album)\"\u003eRoad to Ruin\u003c\/a\u003e\u003c\/i\u003e. The album, co-produced by Tommy with\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Ed Stasium\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ed_Stasium\"\u003eEd Stasium\u003c\/a\u003e, included some new sounds such as acoustic guitar, several ballads, and the band's first two recorded songs longer than three minutes. It failed to reach the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Billboard Top 100\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Billboard_Top_100\"\u003e\u003ci\u003eBillboard\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eTop 100\u003c\/a\u003e. However, \"\u003ca title=\"I Wanna Be Sedated\" href=\"https:\/\/en.wikipedia.org\/wiki\/I_Wanna_Be_Sedated\"\u003eI Wanna Be Sedated\u003c\/a\u003e\", which appeared both on the album and as a single, would become one of the band's best-known songs.\u003csup class=\"reference\" id=\"cite_ref-58\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-58\"\u003e[57]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe artwork on the album's cover was done by\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePunk\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emagazine cofounder\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"John Holmstrom\" href=\"https:\/\/en.wikipedia.org\/wiki\/John_Holmstrom\"\u003eJohn Holmstrom\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-59\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-59\"\u003e[58]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eAfter the band's movie debut in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Roger Corman\" href=\"https:\/\/en.wikipedia.org\/wiki\/Roger_Corman\"\u003eRoger Corman\u003c\/a\u003e's\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Rock 'n' Roll High School\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_%27n%27_Roll_High_School\"\u003eRock 'n' Roll High School\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1979), renowned producer\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Phil Spector\" href=\"https:\/\/en.wikipedia.org\/wiki\/Phil_Spector\"\u003ePhil Spector\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ebecame interested in the Ramones and produced their 1980 album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"End of the Century\" href=\"https:\/\/en.wikipedia.org\/wiki\/End_of_the_Century\"\u003eEnd of the Century\u003c\/a\u003e\u003c\/i\u003e. There is a long-disputed rumor that during the recording sessions in Los Angeles, Spector held Johnny at gunpoint, forcing him to repeatedly play a riff.\u003csup class=\"reference\" id=\"cite_ref-60\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-60\"\u003e[59]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThough it was to be the highest-charting album in the band's history—reaching number 44 in the United States and number 14 in Great Britain—Johnny made clear that he favored the band's more aggressive punk material: \"\u003ci\u003eEnd of the Century\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas just watered-down Ramones. It's not the real Ramones.\"\u003csup class=\"reference\" id=\"cite_ref-61\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-61\"\u003e[60]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThis stance was also conveyed by the title and track selection of the compilation album Johnny later oversaw,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Loud, Fast Ramones: Their Toughest Hits\" href=\"https:\/\/en.wikipedia.org\/wiki\/Loud,_Fast_Ramones:_Their_Toughest_Hits\"\u003eLoud, Fast Ramones: Their Toughest Hits\u003c\/a\u003e\u003c\/i\u003e. Despite these reservations, Johnny did concede that some of Spector's work with the band had merit, saying \"It really worked when he got to a slower song like '\u003ca title=\"Danny Says\" href=\"https:\/\/en.wikipedia.org\/wiki\/Danny_Says\"\u003eDanny Says\u003c\/a\u003e'—the production really worked tremendously. 'Rock 'N' Roll Radio' is really good. For the harder stuff, it didn't work as well.\"\u003csup class=\"reference\" id=\"cite_ref-jrst_62-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-jrst-62\"\u003e[61]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe string-laden\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Ronettes\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ronettes\"\u003eRonettes\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecover \"\u003ca title=\"Baby, I Love You\" href=\"https:\/\/en.wikipedia.org\/wiki\/Baby,_I_Love_You\"\u003eBaby, I Love You\u003c\/a\u003e\" released as a single, became the band's biggest hit in Great Britain, reaching number 8 on the charts.\u003csup class=\"reference\" id=\"cite_ref-telegraph_63-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-telegraph-63\"\u003e[62]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003ca title=\"Pleasant Dreams\" href=\"https:\/\/en.wikipedia.org\/wiki\/Pleasant_Dreams\"\u003ePleasant Dreams\u003c\/a\u003e\u003c\/i\u003e, the band's sixth album, was released in 1981. It continued the trend established by\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEnd of the Century\u003c\/i\u003e, taking the band further from the raw punk sound of its early records. As described by\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Trouser Press\" href=\"https:\/\/en.wikipedia.org\/wiki\/Trouser_Press\"\u003eTrouser Press\u003c\/a\u003e\u003c\/i\u003e, the album, produced by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Graham Gouldman\" href=\"https:\/\/en.wikipedia.org\/wiki\/Graham_Gouldman\"\u003eGraham Gouldman\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof UK pop act\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"10cc\" href=\"https:\/\/en.wikipedia.org\/wiki\/10cc\"\u003e10cc\u003c\/a\u003e, moved the Ramones \"away from their pioneering minimalism into heavy metal territory\".\u003csup class=\"reference\" id=\"cite_ref-TP533_64-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-TP533-64\"\u003e[63]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eJohnny would contend in retrospect that this direction was a record company decision, a continued futile attempt to get airplay on American radio.\u003csup class=\"reference\" id=\"cite_ref-mtvbio_2-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-mtvbio-2\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eWhile\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePleasant Dreams\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ereached number 58 on the U.S. chart, its two singles failed to register at all.\u003csup class=\"reference\" id=\"cite_ref-65\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-65\"\u003e[64]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003ca title=\"Subterranean Jungle\" href=\"https:\/\/en.wikipedia.org\/wiki\/Subterranean_Jungle\"\u003eSubterranean Jungle\u003c\/a\u003e\u003c\/i\u003e, produced by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Ritchie Cordell\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ritchie_Cordell\"\u003eRitchie Cordell\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand Glen Kolotkin, was released in 1983.\u003csup class=\"reference\" id=\"cite_ref-66\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-66\"\u003e[65]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAccording to\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTrouser Press\u003c\/i\u003e, it brought the band \"back to where they once belonged: junky '60s pop adjusted for current tastes\", which among other things meant \"easing off the breakneck rhythm that was once Ramones dogma.\"\u003csup class=\"reference\" id=\"cite_ref-TP533_64-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-TP533-64\"\u003e[63]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBilly Rogers, who had performed with\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Heartbreakers\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Heartbreakers\"\u003eJohnny Thunders and the Heartbreakers\u003c\/a\u003e, played drums on the album's second single, a cover of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Chambers Brothers\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Chambers_Brothers\"\u003ethe Chambers Brothers\u003c\/a\u003e' \"\u003ca title=\"Time Has Come Today\" href=\"https:\/\/en.wikipedia.org\/wiki\/Time_Has_Come_Today\"\u003eTime Has Come Today\u003c\/a\u003e\", becoming the only song showing three different drummers: Rogers on recording, Marky on album credits and Richie on video clip.\u003csup class=\"reference\" id=\"cite_ref-manifesto_67-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-manifesto-67\"\u003e[66]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSubterranean Jungle\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003epeaked at number 83 in the United States—it would be the last album by the band to crack the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBillboard\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eTop 100.\u003csup class=\"reference\" id=\"cite_ref-68\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-68\"\u003e[67]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-69\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-69\"\u003e[68]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn 2002, Rhino Records released a new version of it with seven bonus tracks.\u003csup class=\"reference\" id=\"cite_ref-70\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-70\"\u003e[69]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan id=\"Shuffling_members_.281983.E2.80.931989.29\"\u003e\u003c\/span\u003e\u003cspan id=\"Shuffling_members_(1983–1989)\" class=\"mw-headline\"\u003eShuffling members (1983–1989)\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Shuffling members (1983–1989)\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=5\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"thumb tright\"\u003e\n\u003cdiv class=\"thumbinner\"\u003e\n\u003ca class=\"image\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Ramones_1983_b.jpg\"\u003e\u003cimg data-file-height=\"374\" data-file-width=\"533\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/b\/b2\/Ramones_1983_b.jpg\/330px-Ramones_1983_b.jpg 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/b\/b2\/Ramones_1983_b.jpg\/440px-Ramones_1983_b.jpg 2x\" class=\"thumbimage\" height=\"154\" width=\"220\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/b\/b2\/Ramones_1983_b.jpg\/220px-Ramones_1983_b.jpg\" alt=\"\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\u003cdiv class=\"magnify\"\u003e\n\u003ca title=\"Enlarge\" class=\"internal\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Ramones_1983_b.jpg\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\nJoey and Dee Dee Ramone in concert, 1983\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"thumb tright\"\u003e\n\u003cdiv class=\"thumbinner\"\u003e\n\u003ca class=\"image\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Ramones_em_S%C3%A3o_Paulo_em_1987.jpg\"\u003e\u003cimg data-file-height=\"345\" data-file-width=\"500\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/0\/00\/Ramones_em_S%C3%A3o_Paulo_em_1987.jpg\/330px-Ramones_em_S%C3%A3o_Paulo_em_1987.jpg 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/0\/00\/Ramones_em_S%C3%A3o_Paulo_em_1987.jpg\/440px-Ramones_em_S%C3%A3o_Paulo_em_1987.jpg 2x\" class=\"thumbimage\" height=\"152\" width=\"220\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/0\/00\/Ramones_em_S%C3%A3o_Paulo_em_1987.jpg\/220px-Ramones_em_S%C3%A3o_Paulo_em_1987.jpg\" alt=\"\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\u003cdiv class=\"magnify\"\u003e\n\u003ca title=\"Enlarge\" class=\"internal\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Ramones_em_S%C3%A3o_Paulo_em_1987.jpg\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\nRamones performing in São Paulo in 1987\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAfter the release of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSubterranean Jungle\u003c\/i\u003e, Marky was fired from the band due to his alcoholism.\u003csup class=\"reference\" id=\"cite_ref-71\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-71\"\u003e[70]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHe was replaced by Richard Reinhardt, who adopted the name\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Richie Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Richie_Ramone\"\u003eRichie Ramone\u003c\/a\u003e.\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Joey Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Joey_Ramone\"\u003eJoey Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eremarked that \"[Richie] saved the band as far as I'm concerned. He's the greatest thing to happen to the Ramones. He put the spirit back in the band.\"\u003csup class=\"reference\" id=\"cite_ref-72\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-72\"\u003e[71]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eRichie is the only Ramones drummer to sing lead vocals on Ramones songs, including \"(You) Can't Say Anything Nice\" as well as the unreleased \"Elevator Operator\". Joey Ramone commented, \"Richie's very talented and he's very diverse ... He really strengthened the band a hundred percent because he sings backing tracks, he sings lead, and he sings with Dee Dee's stuff. In the past, it was always just me singing for the most part.\"\u003csup class=\"reference\" id=\"cite_ref-73\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-73\"\u003e[72]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eRichie was also the only drummer to be the sole composer of Ramones songs including their hit \"\u003ca title=\"Somebody Put Something in My Drink\" href=\"https:\/\/en.wikipedia.org\/wiki\/Somebody_Put_Something_in_My_Drink\"\u003eSomebody Put Something in My Drink\u003c\/a\u003e\" as well as \"Smash You\", \"Humankind\", \"I'm Not Jesus\", \"I Know Better Now\" and \"(You) Can't Say Anything Nice\". Joey Ramone supported Richie's songwriting contributions: \"I encouraged Richie to write songs. I figured it would make him feel more a part of the group, because we never let anybody else write our songs.\"\u003csup class=\"reference\" id=\"cite_ref-74\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-74\"\u003e[73]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-75\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-75\"\u003e[74]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eRichie's composition, \"Somebody Put Something in My Drink\", remained a staple in the Ramones set list until their last show in 1996 and was included in the album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLoud, Fast Ramones: Their Toughest Hits\u003c\/i\u003e.\u003csup class=\"reference\" id=\"cite_ref-76\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-76\"\u003e[75]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe eight-song bonus disc,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Ramones Smash You: Live '85\u003c\/i\u003e, is also named after Richie's composition \"Smash You\".\u003c\/p\u003e\n\u003cp\u003eThe first album the Ramones recorded with Richie was\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Too Tough to Die\" href=\"https:\/\/en.wikipedia.org\/wiki\/Too_Tough_to_Die\"\u003eToo Tough to Die\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ein 1984, with Tommy Erdelyi and Ed Stasium returning as producers. The album marked a shift to something like the band's original sound. In the description of Allmusic's\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Stephen Thomas Erlewine\" href=\"https:\/\/en.wikipedia.org\/wiki\/Stephen_Thomas_Erlewine\"\u003eStephen Thomas Erlewine\u003c\/a\u003e, the \"rhythms are back up to jackhammer speed and the songs are down to short, terse statements.\"\u003csup class=\"reference\" id=\"cite_ref-77\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-77\"\u003e[76]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe band's main release of 1985 was the British single \"\u003ca title=\"Bonzo Goes to Bitburg\" href=\"https:\/\/en.wikipedia.org\/wiki\/Bonzo_Goes_to_Bitburg\"\u003eBonzo Goes to Bitburg\u003c\/a\u003e\"; though it was available in the United States only as an import, it was played widely on American college radio.\u003csup class=\"reference\" id=\"cite_ref-78\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-78\"\u003e[77]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe song was written, primarily by Joey, in protest of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Ronald Reagan\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ronald_Reagan\"\u003eRonald Reagan\u003c\/a\u003e's visit to a German military cemetery, which included graves of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Waffen SS\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Waffen_SS\"\u003eWaffen SS\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003esoldiers.\u003csup class=\"reference\" id=\"cite_ref-rivadavia_79-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-rivadavia-79\"\u003e[78]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eRetitled \"My Brain Is Hanging Upside Down (Bonzo Goes to Bitburg)\", the song appeared on the band's ninth studio album,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Animal Boy\" href=\"https:\/\/en.wikipedia.org\/wiki\/Animal_Boy\"\u003eAnimal Boy\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1986). Produced by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Jean Beauvoir\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jean_Beauvoir\"\u003eJean Beauvoir\u003c\/a\u003e, formerly a member of the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Plasmatics\" href=\"https:\/\/en.wikipedia.org\/wiki\/Plasmatics\"\u003ePlasmatics\u003c\/a\u003e, the album was characterized by a\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRolling Stone\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ereviewer as \"nonstop primal fuzz pop\".\u003csup class=\"reference\" id=\"cite_ref-80\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-80\"\u003e[79]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eMaking it his pick for \"album of the week\",\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"New York Times\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_Times\"\u003eNew York Times\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecritic\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Jon Pareles\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jon_Pareles\"\u003eJon Pareles\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewrote that the Ramones \"speak up for outcasts and disturbed individuals\".\u003csup class=\"reference\" id=\"cite_ref-81\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-81\"\u003e[80]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe following year the band recorded their last album with Richie,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Halfway to Sanity\" href=\"https:\/\/en.wikipedia.org\/wiki\/Halfway_to_Sanity\"\u003eHalfway to Sanity\u003c\/a\u003e.\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eRichie left in August 1987 after financial conflicts with Johnny that centered around him being refused a small percentage of the merchandising money, which had been requested based on his tenure with the band and their use of his name and image.\u003csup class=\"reference\" id=\"cite_ref-film_82-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-film-82\"\u003e[81]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-83\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-83\"\u003e[82]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eRichie was replaced by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Clem Burke\" href=\"https:\/\/en.wikipedia.org\/wiki\/Clem_Burke\"\u003eClem Burke\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efrom\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Blondie (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Blondie_(band)\"\u003eBlondie\u003c\/a\u003e, which was disbanded at the time. According to Johnny, the performances with Burke—who adopted the name Elvis Ramone—were a disaster. He was fired after two performances (August 28 \u0026amp; 29, 1987) because his drumming could not keep up with the rest of the band.\u003csup class=\"reference\" id=\"cite_ref-film_82-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-film-82\"\u003e[81]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn September, Marky, now clean and sober, returned to the band.\u003csup class=\"reference\" id=\"cite_ref-punkbands_24-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-punkbands-24\"\u003e[23]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eIn December 1988, the Ramones recorded material for their eleventh studio album, and what was supposed to be a \"comeback\" for the band,\u003csup class=\"reference\" id=\"cite_ref-84\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-84\"\u003e[83]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-85\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-85\"\u003e[84]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Brain Drain (album)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Brain_Drain_(album)\"\u003eBrain Drain\u003c\/a\u003e\u003c\/i\u003e; co-produced by Beauvoir, Rey, and\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Bill Laswell\" href=\"https:\/\/en.wikipedia.org\/wiki\/Bill_Laswell\"\u003eBill Laswell\u003c\/a\u003e. However, the bass parts were done by Daniel Rey and\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Dictators\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Dictators\"\u003ethe Dictators\u003c\/a\u003e'\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Andy Shernoff\" href=\"https:\/\/en.wikipedia.org\/wiki\/Andy_Shernoff\"\u003eAndy Shernoff\u003c\/a\u003e. Dee Dee Ramone would only record the additional vocals on the album citing that members of the band (including himself) were going through personal troubles and changes to the point where he did not want to be in the band anymore. Although it received mixed reviews upon its release in early 1989, the album included the band's highest-charting hit in America, \"\u003ca title=\"Pet Sematary (song)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Pet_Sematary_(song)\"\u003ePet Sematary\u003c\/a\u003e\".\u003csup class=\"reference\" id=\"cite_ref-modernrock_86-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-modernrock-86\"\u003e[85]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eDespite not wanting to be in the band anymore, Dee Dee (who was sober by this point) was present for the world tour for\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBrain Drain\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand played his last show with the Ramones on July 5, 1989, at One Step Beyond in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Santa Clara, California\" href=\"https:\/\/en.wikipedia.org\/wiki\/Santa_Clara,_California\"\u003eSanta Clara\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-87\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-87\"\u003e[86]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHe was replaced by Christopher Joseph Ward (\u003ca title=\"C. J. Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/C._J._Ramone\"\u003eC. J. Ramone\u003c\/a\u003e), who performed with the band until it disbanded. Dee Dee initially pursued a brief career as a rapper under the name Dee Dee King. He quickly returned to punk rock and formed several bands, in much the same vein as the Ramones. He also continued to write songs for the Ramones, but never rejoined the band.\u003csup class=\"reference\" id=\"cite_ref-dee-dee-mtv-obit_88-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-dee-dee-mtv-obit-88\"\u003e[87]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan id=\"Final_years_.281990.E2.80.931996.29\"\u003e\u003c\/span\u003e\u003cspan id=\"Final_years_(1990–1996)\" class=\"mw-headline\"\u003eFinal years (1990–1996)\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Final years (1990–1996)\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=6\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe band fulfilled their contract with Sire Records in 1991 after being on the label for over a decade and a half, ending with the release of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Loco Live\" href=\"https:\/\/en.wikipedia.org\/wiki\/Loco_Live\"\u003eLoco Live\u003c\/a\u003e. After leaving Sire Records,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Brett Gurewitz\" href=\"https:\/\/en.wikipedia.org\/wiki\/Brett_Gurewitz\"\u003eBrett Gurewitz\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Epitaph Records\" href=\"https:\/\/en.wikipedia.org\/wiki\/Epitaph_Records\"\u003eEpitaph Records\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eoffered to sign the band, going so far as to go to a concert in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Amsterdam\" href=\"https:\/\/en.wikipedia.org\/wiki\/Amsterdam\"\u003eAmsterdam\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ebegging Joey and Johnny to let him do it, while Stormy Shepard from Leave Home Bookings who was booking bands like Rancid and The Offspring, negotiated with the Ramones: \"I'll put you on tour with these bands that are huge now. They're your fans; you can do whatever you want. You'll be playing in front of kids who like this style of music.\". At the same time, the band's manager, Gary Kurfurst had just worked out a deal where he was gonna get his own record label,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Radioactive Records\" href=\"https:\/\/en.wikipedia.org\/wiki\/Radioactive_Records\"\u003eRadioactive Records\u003c\/a\u003e. When CJ Ramone heard Johnny talking about signing to Kurfirst's label, he questioned: \"Johnny, you've run this band for years. You carried it all yourself. I don't understand how you don't see the conflict of interest in signing to your manager's label. Just in terms of business, I don't understand how you don't see that. You're really throwing away the last few years of your career. Those Epitaph guys grew up listening to you. They will do anything to give you the business success you never had. Your manager will do the same thing he always has. He's going to throw his stuff out there. You're going to break through without anyone's support and you're going to face the rest of your career the way it's been up until now.\", but Johnny replied: \"When you have as many years in the business as I do, then you can make the decisions.\". By Johnny's decision, the group ended up signing a new contract with Radioactive Records at the end of that year, Ramones were soon able to start on sessions for what would become\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMondo Bizarro\u003c\/i\u003e\u003csup class=\"reference\" id=\"cite_ref-89\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-89\"\u003e[88]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-90\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-90\"\u003e[89]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-91\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-91\"\u003e[90]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eTheir first album for the label was 1992's\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Mondo Bizarro\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mondo_Bizarro\"\u003eMondo Bizarro\u003c\/a\u003e\u003c\/i\u003e, which reunited them with producer Ed Stasium.\u003csup class=\"reference\" id=\"cite_ref-mondo_92-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-mondo-92\"\u003e[91]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAnticipated as a \"comeback\" for the Ramones after years of decline in popularity,\u003csup class=\"reference\" id=\"cite_ref-93\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-93\"\u003e[92]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-94\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-94\"\u003e[93]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ethe album was certified Gold in Brazil after selling 100,000 copies, being the first Gold certification The Ramones were ever awarded,\u003csup class=\"reference\" id=\"cite_ref-95\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-95\"\u003e[94]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-96\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-96\"\u003e[95]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-97\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-97\"\u003e[96]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ewhile its lead single \"\u003ca title=\"Poison Heart\" href=\"https:\/\/en.wikipedia.org\/wiki\/Poison_Heart\"\u003ePoison Heart\u003c\/a\u003e\" was another top ten hit in the US for the band.\u003csup class=\"reference\" id=\"cite_ref-modernrock_86-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-modernrock-86\"\u003e[85]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003ca title=\"Acid Eaters\" href=\"https:\/\/en.wikipedia.org\/wiki\/Acid_Eaters\"\u003eAcid Eaters\u003c\/a\u003e\u003c\/i\u003e, consisting entirely of cover songs, came out in 1993.\u003csup class=\"reference\" id=\"cite_ref-acid_98-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-acid-98\"\u003e[97]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThat same year, the Ramones were featured in the animated television series\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"The Simpsons\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Simpsons\"\u003eThe Simpsons\u003c\/a\u003e\u003c\/i\u003e, providing music and voices for animated versions of themselves in the episode \"\u003ca title=\"Rosebud (The Simpsons)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rosebud_(The_Simpsons)\"\u003eRosebud\u003c\/a\u003e\".\u003csup class=\"reference\" id=\"cite_ref-99\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-99\"\u003e[98]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eExecutive producer\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"David Mirkin\" href=\"https:\/\/en.wikipedia.org\/wiki\/David_Mirkin\"\u003eDavid Mirkin\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003edescribed the Ramones as \"gigantic, obsessive\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSimpsons\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efans.\"\u003c\/p\u003e\n\u003cp\u003eIn 1995, the Ramones released their fourteenth and final studio album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"¡Adios Amigos!\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/%C2%A1Adios_Amigos!\"\u003e¡Adios Amigos!\u003c\/a\u003e\u003c\/i\u003e, and announced that they would be disbanding the following year.\u003csup class=\"reference\" id=\"cite_ref-100\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-100\"\u003e[99]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-Adios_101-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Adios-101\"\u003e[100]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIts sales were unremarkable, garnering it just two weeks on the lower end of the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBillboard\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003echart.\u003csup class=\"reference\" id=\"cite_ref-adiosbillboard_102-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-adiosbillboard-102\"\u003e[101]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe band spent late 1995 on what was promoted as a farewell tour. However, they accepted an offer to appear in the sixth\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Lollapalooza\" href=\"https:\/\/en.wikipedia.org\/wiki\/Lollapalooza\"\u003eLollapalooza\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efestival, which toured around the United States during the following summer.\u003csup class=\"reference\" id=\"cite_ref-Beowülf_103-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Beow%C3%BClf-103\"\u003e[102]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAfter the Lollapalooza tour's conclusion, the Ramones played their final show on August 6, 1996, at the Palace in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Hollywood, Los Angeles\" href=\"https:\/\/en.wikipedia.org\/wiki\/Hollywood,_Los_Angeles\"\u003eHollywood\u003c\/a\u003e. A recording of the concert was later released on video and CD as\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"We're Outta Here!\" href=\"https:\/\/en.wikipedia.org\/wiki\/We%27re_Outta_Here!\"\u003eWe're Outta Here!\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eIn addition to a reappearance by Dee Dee, the show featured several guests including\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Motörhead\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mot%C3%B6rhead\"\u003eMotörhead\u003c\/a\u003e's\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Lemmy\" href=\"https:\/\/en.wikipedia.org\/wiki\/Lemmy\"\u003eLemmy\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Pearl Jam\" href=\"https:\/\/en.wikipedia.org\/wiki\/Pearl_Jam\"\u003ePearl Jam\u003c\/a\u003e's\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Eddie Vedder\" href=\"https:\/\/en.wikipedia.org\/wiki\/Eddie_Vedder\"\u003eEddie Vedder\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Soundgarden\" href=\"https:\/\/en.wikipedia.org\/wiki\/Soundgarden\"\u003eSoundgarden\u003c\/a\u003e's\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Chris Cornell\" href=\"https:\/\/en.wikipedia.org\/wiki\/Chris_Cornell\"\u003eChris Cornell\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Ben Shepherd\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ben_Shepherd\"\u003eBen Shepherd\u003c\/a\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Rancid (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rancid_(band)\"\u003eRancid\u003c\/a\u003e's\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Tim Armstrong\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tim_Armstrong\"\u003eTim Armstrong\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Lars Frederiksen\" href=\"https:\/\/en.wikipedia.org\/wiki\/Lars_Frederiksen\"\u003eLars Frederiksen\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-Schinder559_4-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Schinder559-4\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan id=\"Aftermath_and_deaths\" class=\"mw-headline\"\u003eAftermath and deaths\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Aftermath and deaths\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=7\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eOn July 20, 1999, Dee Dee, Johnny, Joey, Tommy, Marky, and C. J. appeared together at the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Virgin Megastore\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Virgin_Megastore\"\u003eVirgin Megastore\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"New York City\" href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_City\"\u003eNew York City\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor an autograph signing. This was the last occasion on which the original four members of the group appeared together. Joey, who had been diagnosed with\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Lymphoma\" href=\"https:\/\/en.wikipedia.org\/wiki\/Lymphoma\"\u003elymphoma\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein 1995, died of the illness on April 15, 2001, in New York.\u003csup class=\"reference\" id=\"cite_ref-AP_5-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-AP-5\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-104\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-104\"\u003e[103]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eTommy, Richie and C. J. were the only former bandmates to attend his funeral.\u003csup class=\"reference\" id=\"cite_ref-105\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-105\"\u003e[104]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-106\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-106\"\u003e[105]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-107\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-107\"\u003e[106]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eJoey and Marky, who had been involved in a feud, buried the hatchet and made up on live radio on\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Howard Stern Show\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Howard_Stern_Show\"\u003ethe Howard Stern Show\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein 1999.\u003csup class=\"reference\" id=\"cite_ref-108\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-108\"\u003e[107]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eJoey and Richie had a close friendship during their time together in the band and the latter expressed sadness over not being able to reconnect with Joey before his passing.\u003csup class=\"reference\" id=\"cite_ref-109\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-109\"\u003e[108]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eOn March 18, 2002, the Ramones were inducted into the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Rock and Roll Hall of Fame\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_and_Roll_Hall_of_Fame\"\u003eRock and Roll Hall of Fame\u003c\/a\u003e, which specifically named Dee Dee, Johnny, Joey, Tommy, and Marky. At the ceremony, the surviving inductees spoke on behalf of the band. Johnny spoke first, thanking the band's fans and blessing\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"George W. Bush\" href=\"https:\/\/en.wikipedia.org\/wiki\/George_W._Bush\"\u003eGeorge W. Bush\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand his presidency, and America. Tommy spoke next, saying how honored the band felt, but how much it would have meant for Joey. Dee Dee humorously congratulated and thanked himself, while Marky thanked Tommy for influencing his drum style.\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Green Day\" href=\"https:\/\/en.wikipedia.org\/wiki\/Green_Day\"\u003eGreen Day\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eplayed \"Teenage Lobotomy\", \"Rockaway Beach\", and \"\u003ca title=\"Blitzkrieg Bop\" href=\"https:\/\/en.wikipedia.org\/wiki\/Blitzkrieg_Bop\"\u003eBlitzkrieg Bop\u003c\/a\u003e\" as a tribute, demonstrating the Ramones' continuing influence on later rock musicians. The ceremony was one of Dee Dee's last public appearances, as he was found dead on June 5, 2002, from a\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Heroin overdose\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Heroin_overdose\"\u003eheroin overdose\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-nytimes_6-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-nytimes-6\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eOn November 30, 2003, New York City unveiled a sign designating East 2nd Street at the corner of Bowery as Joey Ramone Place. The singer lived on East 2nd for a time, and the sign is near the former Bowery site of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"CBGB\" href=\"https:\/\/en.wikipedia.org\/wiki\/CBGB\"\u003eCBGB\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-110\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-110\"\u003e[109]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe documentary film\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"End of the Century: The Story of the Ramones\" href=\"https:\/\/en.wikipedia.org\/wiki\/End_of_the_Century:_The_Story_of_the_Ramones\"\u003eEnd of the Century: The Story of the Ramones\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecame out in 2004. Johnny, who had been diagnosed with\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Prostate cancer\" href=\"https:\/\/en.wikipedia.org\/wiki\/Prostate_cancer\"\u003eprostate cancer\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein 1999, died on September 15, 2004, in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Los Angeles\" href=\"https:\/\/en.wikipedia.org\/wiki\/Los_Angeles\"\u003eLos Angeles\u003c\/a\u003e, shortly after the film's release.\u003csup class=\"reference\" id=\"cite_ref-Sisario_7-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Sisario-7\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eOn the same day as Johnny's death, the world's first\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Ramones Museum\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_Museum\"\u003eRamones Museum\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eopened its doors to the public. Located in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Berlin\" href=\"https:\/\/en.wikipedia.org\/wiki\/Berlin\"\u003eBerlin\u003c\/a\u003e, Germany, the museum features more than 300 items of memorabilia, including a pair of stage-worn jeans from Johnny, a stage-worn glove from Joey, Marky's sneakers, and C. J.'s stage-worn bass strap.\u003csup class=\"reference\" id=\"cite_ref-111\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-111\"\u003e[110]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eOn October 8, 2004,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Tommy Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tommy_Ramone\"\u003eTommy Ramone\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"C. J. Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/C._J._Ramone\"\u003eC. J. Ramone\u003c\/a\u003e, Clem Burke, and\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Daniel Rey\" href=\"https:\/\/en.wikipedia.org\/wiki\/Daniel_Rey\"\u003eDaniel Rey\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eperformed in the \"Ramones Beat on Cancer\" concert.\u003csup class=\"reference\" id=\"cite_ref-112\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-112\"\u003e[111]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe Ramones were inducted into the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Long Island Music Hall of Fame\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Long_Island_Music_Hall_of_Fame\"\u003eLong Island Music Hall of Fame\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein 2007.\u003csup class=\"reference\" id=\"cite_ref-113\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-113\"\u003e[112]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThat October saw the release of a DVD set containing concert footage of the band:\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"It's Alive 1974–1996\" href=\"https:\/\/en.wikipedia.org\/wiki\/It%27s_Alive_1974%E2%80%931996\"\u003eIt's Alive 1974–1996\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eincludes 118 songs from 33 performances over the span of the group's career.\u003csup class=\"reference\" id=\"cite_ref-114\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-114\"\u003e[113]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn February 2011 the group was honored with a\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Grammy Lifetime Achievement Award\" href=\"https:\/\/en.wikipedia.org\/wiki\/Grammy_Lifetime_Achievement_Award\"\u003eGrammy Lifetime Achievement Award\u003c\/a\u003e. Drummers Tommy, Marky, and Richie attended the ceremony.\u003csup class=\"reference\" id=\"cite_ref-Sterndan_14-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Sterndan-14\"\u003e[13]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-grammy1_15-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-grammy1-15\"\u003e[14]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eMarky declared, \"This is amazing. I never expected this. I'm sure Johnny, Joey, and Dee Dee would never have expected this.\"\u003csup class=\"reference\" id=\"cite_ref-Sterndan_14-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Sterndan-14\"\u003e[13]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eRichie noted that it was the first time ever that all three drummers were under the same roof, and mused that he couldn't \"help thinking that [Joey] is watching us right now with a little smile on his face behind his rose-colored glasses.\"\u003csup class=\"reference\" id=\"cite_ref-grammy1_15-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-grammy1-15\"\u003e[14]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eOn April 30, 2014, their debut album,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Ramones (album)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_(album)\"\u003eRamones\u003c\/a\u003e\u003c\/i\u003e, became certified Gold by the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Recording Industry of America\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Recording_Industry_of_America\"\u003eRecording Industry of America\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eafter selling 500,000 copies, 38 years after its release.\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Arturo Vega\" href=\"https:\/\/en.wikipedia.org\/wiki\/Arturo_Vega\"\u003eArturo Vega\u003c\/a\u003e, creative director from their formation in 1974 until their disbanding in 1996 and often considered the fifth Ramone, died of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Cancer\" href=\"https:\/\/en.wikipedia.org\/wiki\/Cancer\"\u003ecancer\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eon June 8, 2013, at the age of 65.\u003csup class=\"reference\" id=\"cite_ref-115\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-115\"\u003e[114]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe final original member, Tommy Ramone, died on July 11, 2014, after a battle with\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Bile duct cancer\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Bile_duct_cancer\"\u003ebile duct cancer\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-116\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-116\"\u003e[115]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eOn October 30, 2016, the band had a street in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Queens\" href=\"https:\/\/en.wikipedia.org\/wiki\/Queens\"\u003eQueens\u003c\/a\u003e, New York named for them. As of that date, the intersection of 67th Avenue and 110th Street in front of the main entrance of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Forest Hills High School (New York)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Forest_Hills_High_School_(New_York)\"\u003eForest Hills High School\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewas officially named The Ramones Way.\u003csup class=\"reference\" id=\"cite_ref-117\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-117\"\u003e[116]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eOn April 15, 2021, the 20th anniversary of Joey Ramone's death, it was announced that\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Pete Davidson\" href=\"https:\/\/en.wikipedia.org\/wiki\/Pete_Davidson\"\u003ePete Davidson\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewould portray Ramone in the upcoming\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Netflix\" href=\"https:\/\/en.wikipedia.org\/wiki\/Netflix\"\u003eNetflix\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ebiopic\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eI Slept with Joey Ramone\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewhich is based on the 2009 memoir of the same name written by Ramone's brother\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Mickey Leigh\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mickey_Leigh\"\u003eMickey Leigh\u003c\/a\u003e. Leigh will serve as an executive producer with a script written by Davidson and director Jason Orley.\u003csup class=\"reference\" id=\"cite_ref-118\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-118\"\u003e[117]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Conflicts_between_members\" class=\"mw-headline\"\u003eConflicts between members\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Conflicts between members\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=8\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eTension between\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Joey Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Joey_Ramone\"\u003eJoey\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Johnny Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Johnny_Ramone\"\u003eJohnny\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecolored much of the Ramones' career. The pair were\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Politically\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Politically\"\u003epolitically\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eantagonistic, Joey being a\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Liberalism in the United States\" href=\"https:\/\/en.wikipedia.org\/wiki\/Liberalism_in_the_United_States\"\u003eliberal\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand Johnny a\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Conservatism in the United States\" href=\"https:\/\/en.wikipedia.org\/wiki\/Conservatism_in_the_United_States\"\u003econservative\u003c\/a\u003e. Their personalities also clashed: Johnny, who spent two years in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Military school\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Military_school\"\u003emilitary school\u003c\/a\u003e, lived by a strict code of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Self-discipline\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Self-discipline\"\u003eself-discipline\u003c\/a\u003e,\u003csup class=\"reference\" id=\"cite_ref-119\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-119\"\u003e[118]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ewhile Joey struggled with\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Obsessive–compulsive disorder\" href=\"https:\/\/en.wikipedia.org\/wiki\/Obsessive%E2%80%93compulsive_disorder\"\u003eobsessive–compulsive disorder\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Alcoholism\" href=\"https:\/\/en.wikipedia.org\/wiki\/Alcoholism\"\u003ealcoholism\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-120\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-120\"\u003e[119]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-121\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-121\"\u003e[120]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn the early 1980s, Linda Danielle began a relationship with Johnny after having already been romantically involved with Joey, who had reportedly accused Johnny of \"stealing\" his girlfriend; this incident is believed to have been the inspiration behind \"\u003ca title=\"The KKK Took My Baby Away\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_KKK_Took_My_Baby_Away\"\u003eThe KKK Took My Baby Away\u003c\/a\u003e\".\u003csup class=\"reference\" id=\"cite_ref-ref1_122-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-ref1-122\"\u003e[121]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eConsequently, despite their continued professional relationship, Joey and Johnny had become aloof from each other.\u003csup class=\"reference\" id=\"cite_ref-Sisario_7-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Sisario-7\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eJohnny did not contact Joey before the latter's death, although he said that he was\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Depression (mood)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Depression_(mood)\"\u003edepressed\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor \"the whole week\" after his death.\u003csup class=\"reference\" id=\"cite_ref-film_82-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-film-82\"\u003e[81]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Dee Dee Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Dee_Dee_Ramone\"\u003eDee Dee\u003c\/a\u003e's\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Bipolar disorder\" href=\"https:\/\/en.wikipedia.org\/wiki\/Bipolar_disorder\"\u003ebipolar disorder\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand repeated relapses into\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Drug addiction\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Drug_addiction\"\u003edrug addiction\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ealso caused significant strains.\u003csup class=\"reference\" id=\"cite_ref-123\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-123\"\u003e[122]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eTommy would also leave the band after being \"physically threatened by Johnny, treated with contempt by Dee Dee, and all but ignored by Joey\".\u003csup class=\"reference\" id=\"cite_ref-Beeber_124-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Beeber-124\"\u003e[123]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAs new members joined over the years, disbursement and the band's image frequently became matters of serious dispute.\u003csup class=\"reference\" id=\"cite_ref-125\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-125\"\u003e[124]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe tensions among the group members were not kept secret from the public as was heard on the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Howard Stern\" href=\"https:\/\/en.wikipedia.org\/wiki\/Howard_Stern\"\u003eHoward Stern\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eradio show in 1997, where during the interview\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Marky Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Marky_Ramone\"\u003eMarky\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand Joey got into a fight about their respective drinking habits.\u003csup class=\"reference\" id=\"cite_ref-126\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-126\"\u003e[125]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eA year after the Ramones' breakup, Marky Ramone made disparaging remarks against\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"C. J. Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/C._J._Ramone\"\u003eC. J.\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein the press, calling him a \"\u003ca title=\"Bigot\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Bigot\"\u003ebigot\u003c\/a\u003e,\"\u003csup class=\"reference\" id=\"cite_ref-127\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-127\"\u003e[126]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ea statement he would reiterate a decade later.\u003csup class=\"reference\" id=\"cite_ref-128\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-128\"\u003e[127]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eC. J. would later respond that he was unsure as to why Marky would make negative comments against him in the press though he denied that it had anything to do with his marrying Marky's niece. He also denied being a bigot.\u003csup class=\"reference\" id=\"cite_ref-129\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-129\"\u003e[128]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eMany years later, C. J. lamented that despite being the two surviving members of arguably the Ramones' most commercially successful era, and despite reaching out a few times to join him on stage, he and Marky were no longer in contact.\u003csup class=\"reference\" id=\"cite_ref-130\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-130\"\u003e[129]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Style\" class=\"mw-headline\"\u003eStyle\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Style\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=9\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003ch3\u003e\n\u003cspan id=\"Musical_style\" class=\"mw-headline\"\u003eMusical style\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Musical style\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=10\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe Ramones' loud, fast, straightforward musical style was influenced by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Pop music\" href=\"https:\/\/en.wikipedia.org\/wiki\/Pop_music\"\u003epop music\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ethat the band members grew up listening to in the 1950s and 1960s, including\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Classic rock\" href=\"https:\/\/en.wikipedia.org\/wiki\/Classic_rock\"\u003eclassic rock\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003egroups such as\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Buddy Holly and the Crickets\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Buddy_Holly_and_the_Crickets\"\u003eBuddy Holly and the Crickets\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Beach Boys\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Beach_Boys\"\u003ethe Beach Boys\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Who\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Who\"\u003ethe Who\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Beatles\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Beatles\"\u003ethe Beatles\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Kinks\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Kinks\"\u003ethe Kinks\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Led Zeppelin\" href=\"https:\/\/en.wikipedia.org\/wiki\/Led_Zeppelin\"\u003eLed Zeppelin\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Rolling Stones\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Rolling_Stones\"\u003ethe Rolling Stones\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Doors\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Doors\"\u003ethe Doors\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Creedence Clearwater Revival\" href=\"https:\/\/en.wikipedia.org\/wiki\/Creedence_Clearwater_Revival\"\u003eCreedence Clearwater Revival\u003c\/a\u003e;\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Bubblegum music\" href=\"https:\/\/en.wikipedia.org\/wiki\/Bubblegum_music\"\u003ebubblegum\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eacts like the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"1910 Fruitgum Company\" href=\"https:\/\/en.wikipedia.org\/wiki\/1910_Fruitgum_Company\"\u003e1910 Fruitgum Company\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Ohio Express\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ohio_Express\"\u003eOhio Express\u003c\/a\u003e; and girl groups such as\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Ronettes\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Ronettes\"\u003ethe Ronettes\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Shangri-Las\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Shangri-Las\"\u003ethe Shangri-Las\u003c\/a\u003e. They also drew on the harder rock sound of the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"MC5\" href=\"https:\/\/en.wikipedia.org\/wiki\/MC5\"\u003eMC5\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Black Sabbath\" href=\"https:\/\/en.wikipedia.org\/wiki\/Black_Sabbath\"\u003eBlack Sabbath\u003c\/a\u003e,\u003csup class=\"reference\" id=\"cite_ref-131\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-131\"\u003e[130]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Stooges\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Stooges\"\u003ethe Stooges\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"New York Dolls\" href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_Dolls\"\u003eNew York Dolls\u003c\/a\u003e, now known as seminal\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Protopunk\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Protopunk\"\u003eprotopunk\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ebands.\u003csup class=\"reference\" id=\"cite_ref-132\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-132\"\u003e[131]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe Ramones' style was in part a reaction against the heavily produced, often bombastic music that dominated the pop charts in the 1970s. \"We decided to start our own group because we were bored with everything we heard,\" Joey once explained. \"In 1974 everything was tenth-generation\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Elton John\" href=\"https:\/\/en.wikipedia.org\/wiki\/Elton_John\"\u003eElton John\u003c\/a\u003e, or overproduced, or just junk. Everything was long jams, long\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Guitar solos\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Guitar_solos\"\u003eguitar solos\u003c\/a\u003e ... . We missed music like it used to be.\"\u003csup class=\"reference\" id=\"cite_ref-133\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-133\"\u003e[132]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Ira Robbins\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ira_Robbins\"\u003eIra Robbins\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand Scott Isler of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Trouser Press\" href=\"https:\/\/en.wikipedia.org\/wiki\/Trouser_Press\"\u003eTrouser Press\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003edescribe the result:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eWith just four chords and one manic tempo,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"New York City\" href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_City\"\u003eNew York\u003c\/a\u003e's Ramones blasted open the clogged arteries of mid-'70s rock, reanimating the music. Their genius was to recapture the short\/simple aesthetic from which pop had strayed, adding a caustic sense of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Trash culture\" href=\"https:\/\/en.wikipedia.org\/wiki\/Trash_culture\"\u003etrash-culture\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ehumor and minimalist rhythm guitar sound.\u003csup class=\"reference\" id=\"cite_ref-TP_134-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-TP-134\"\u003e[133]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAs leaders in the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Punk rock\" href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_rock\"\u003epunk rock\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003escene, the Ramones' music is strongly identified with that label.\u003csup class=\"reference\" id=\"cite_ref-mtvbio_2-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-mtvbio-2\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIt has been noted that their recordings also helped the subgenre\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Pop punk\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Pop_punk\"\u003epop punk\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eto develop.\u003csup class=\"reference\" id=\"cite_ref-135\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-135\"\u003e[134]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-136\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-136\"\u003e[135]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-punkco_137-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-punkco-137\"\u003e[136]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eSome have described certain Ramones songs as \"\u003ca title=\"Power pop\" href=\"https:\/\/en.wikipedia.org\/wiki\/Power_pop\"\u003epower pop\u003c\/a\u003e\".\u003csup class=\"reference\" id=\"cite_ref-zivkovic_138-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-zivkovic-138\"\u003e[137]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-powerpophof_139-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-powerpophof-139\"\u003e[138]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-happyfamily_140-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-happyfamily-140\"\u003e[139]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eStarting in the 1980s, the band sometimes veered into\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Hardcore punk\" href=\"https:\/\/en.wikipedia.org\/wiki\/Hardcore_punk\"\u003ehardcore punk\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eterritory, as can be heard on albums such as\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Too Tough to Die\" href=\"https:\/\/en.wikipedia.org\/wiki\/Too_Tough_to_Die\"\u003eToo Tough to Die\u003c\/a\u003e\u003c\/i\u003e.\u003csup class=\"reference\" id=\"cite_ref-TP_134-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-TP-134\"\u003e[133]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eOn stage, the band adopted a focused approach directly intended to increase the audience's concert experience.\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Johnny Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Johnny_Ramone\"\u003eJohnny\u003c\/a\u003e's instructions to\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"C. J. Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/C._J._Ramone\"\u003eC. J.\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewhen preparing for his first live performances with the group were to play facing the audience, to stand with the bass slung low between spread legs, and to walk forward to the front of stage at the same time as he did. Johnny was not a fan of guitarists who performed facing their drummer, amplifier, or other band members.\u003csup class=\"reference\" id=\"cite_ref-141\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-141\"\u003e[140]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan id=\"Visual_imagery\" class=\"mw-headline\"\u003eVisual imagery\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Visual imagery\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=11\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe Ramones' art and visual imagery complemented the themes of their music and performance. The members adopted a uniform look of long hair,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Leather jackets\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Leather_jackets\"\u003eleather jackets\u003c\/a\u003e, T-shirts, torn jeans, and\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Sneakers\" href=\"https:\/\/en.wikipedia.org\/wiki\/Sneakers\"\u003esneakers\u003c\/a\u003e. This fashion emphasized\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Minimalism\" href=\"https:\/\/en.wikipedia.org\/wiki\/Minimalism\"\u003eminimalism\u003c\/a\u003e—a powerful influence on the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Punk rock\" href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_rock\"\u003eNew York punk scene of the 1970s\u003c\/a\u003e—and reflected the band's short, simple songs.\u003csup class=\"reference\" id=\"cite_ref-CS67_142-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-CS67-142\"\u003e[141]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Tommy Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tommy_Ramone\"\u003eTommy Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003erecalled that, musically and visually, \"We were influenced by comic books, movies, the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Andy Warhol\" href=\"https:\/\/en.wikipedia.org\/wiki\/Andy_Warhol\"\u003eAndy Warhol\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003escene, and\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Avant-garde films\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Avant-garde_films\"\u003eavant-garde films\u003c\/a\u003e. I was a big\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Mad (magazine)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mad_(magazine)\"\u003eMad\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emagazine fan myself.\"\u003csup class=\"reference\" id=\"cite_ref-CS67_142-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-CS67-142\"\u003e[141]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cdiv class=\"thumb tright\"\u003e\n\u003cdiv class=\"thumbinner\"\u003e\n\u003ca class=\"image\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Ramones_logo.jpg\"\u003e\u003cimg data-file-height=\"326\" data-file-width=\"304\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/en\/5\/57\/Ramones_logo.jpg 1.5x\" class=\"thumbimage\" height=\"236\" width=\"220\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/en\/thumb\/5\/57\/Ramones_logo.jpg\/220px-Ramones_logo.jpg\" alt=\"\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\u003cdiv class=\"magnify\"\u003e\n\u003ca title=\"Enlarge\" class=\"internal\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Ramones_logo.jpg\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\nThe band's logo, based on the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Seal of the President of the United States\" href=\"https:\/\/en.wikipedia.org\/wiki\/Seal_of_the_President_of_the_United_States\"\u003eSeal of the President of the United States\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe band's logo was created by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"New York City\" href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_City\"\u003eNew York City\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eartist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Arturo Vega\" href=\"https:\/\/en.wikipedia.org\/wiki\/Arturo_Vega\"\u003eArturo Vega\u003c\/a\u003e, with guidance from the Ramones. Vega, a longtime friend, had allowed\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Joey Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Joey_Ramone\"\u003eJoey\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Dee Dee Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Dee_Dee_Ramone\"\u003eDee Dee\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eto move into his loft.\u003csup class=\"reference\" id=\"cite_ref-McCain_\u0026amp;_McNeil,_211_143-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-McCain_\u0026amp;_McNeil,_211-143\"\u003e[142]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHe produced the band's T-shirts—their main source of income—basing most of the images on a black-and-white self-portrait photograph he had taken of his American bald eagle belt buckle, which appeared on the back sleeve of the Ramones' first album.\u003csup class=\"reference\" id=\"cite_ref-B40_144-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-B40-144\"\u003e[143]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHe was inspired to create the band's logo after a trip to\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Washington, D.C.\" href=\"https:\/\/en.wikipedia.org\/wiki\/Washington,_D.C.\"\u003eWashington, D.C.\u003c\/a\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eI saw them as the ultimate all-American band. To me, they reflected the American character in general—an almost childish innocent aggression ... . I thought, 'The Great\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Seal of the President of the United States\" href=\"https:\/\/en.wikipedia.org\/wiki\/Seal_of_the_President_of_the_United_States\"\u003eSeal of the President of the United States\u003c\/a\u003e' would be perfect for the Ramones, with the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Eagle\" href=\"https:\/\/en.wikipedia.org\/wiki\/Eagle\"\u003eeagle\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eholding arrows—to symbolize strength and the aggression that would be used against whomever dares to attack us—and an olive branch, offered to those who want to be friendly. But we decided to change it a little bit. Instead of the olive branch, we had an apple tree branch, since the Ramones were American as\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Apple pie\" href=\"https:\/\/en.wikipedia.org\/wiki\/Apple_pie\"\u003eapple pie\u003c\/a\u003e. And since Johnny was such a\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Baseball\" href=\"https:\/\/en.wikipedia.org\/wiki\/Baseball\"\u003ebaseball\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efanatic, we had the eagle hold a\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Baseball bat\" href=\"https:\/\/en.wikipedia.org\/wiki\/Baseball_bat\"\u003ebaseball bat\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003einstead of the [Great Seal]'s arrows.\u003csup class=\"reference\" id=\"cite_ref-B40_144-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-B40-144\"\u003e[143]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eThe scroll in the eagle's beak originally read \"Look out below\", but this was soon changed to \"Hey ho let's go\" after the opening lyrics of the band's first single, \"\u003ca title=\"Blitzkrieg Bop\" href=\"https:\/\/en.wikipedia.org\/wiki\/Blitzkrieg_Bop\"\u003eBlitzkrieg Bop\u003c\/a\u003e\". The arrowheads on the shield came from a design on a polyester shirt Vega had bought. \"Ramones\" was spelled out in block capitals above the logo using plastic stick-on letters.\u003csup class=\"reference\" id=\"cite_ref-Bessman,_211_29-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-Bessman,_211-29\"\u003e[28]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eWhere the presidential emblem read \"Seal of the President of the United States\" clockwise in the border around the eagle, Vega placed the pseudonyms of the band members:\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Johnny Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Johnny_Ramone\"\u003eJohnny\u003c\/a\u003e, Joey, Dee Dee, and Tommy. Over the years the names in the border would change as the band's line-up fluctuated.\u003csup class=\"reference\" id=\"cite_ref-145\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-145\"\u003e[144]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\"It's the American presidential seal—anyone can use it,\" said\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Marky Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Marky_Ramone\"\u003eMarky Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof the logo's ubiquity. \"We share the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Royalty payment\" href=\"https:\/\/en.wikipedia.org\/wiki\/Royalty_payment\"\u003eroyalties\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eon the t-shirt and on the merchandise. A lot of the kids wearing that shirt might not even have heard of the Ramones' music. I guess if you have the shirt, your curiosity might bring you to buy the music. Whatever, it is a strange phenomenon.\"\u003csup class=\"reference\" id=\"cite_ref-146\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-146\"\u003e[145]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Legacy_and_influence\" class=\"mw-headline\"\u003eLegacy and influence\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Legacy and influence\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=12\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe Ramones had a broad and lasting influence on the development of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Popular music\" href=\"https:\/\/en.wikipedia.org\/wiki\/Popular_music\"\u003epopular music\u003c\/a\u003e. Music historian\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Jon Savage\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jon_Savage\"\u003eJon Savage\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewrites of their\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Ramones (album)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_(album)\"\u003edebut album\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ethat \"it remains one of the few records that changed pop forever.\"\u003csup class=\"reference\" id=\"cite_ref-147\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-147\"\u003e[146]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAs described by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"AllMusic\" href=\"https:\/\/en.wikipedia.org\/wiki\/AllMusic\"\u003eAllMusic\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecritic\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Stephen Thomas Erlewine\" href=\"https:\/\/en.wikipedia.org\/wiki\/Stephen_Thomas_Erlewine\"\u003eStephen Thomas Erlewine\u003c\/a\u003e, \"The band's first four albums set the blueprint for punk, especially American punk and hardcore, for the next two decades.\"\u003csup class=\"reference\" id=\"cite_ref-148\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-148\"\u003e[147]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTrouser Press\u003c\/i\u003e\u003cspan class=\"nowrap\"\u003e's\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eRobbins and Isler similarly wrote that the Ramones \"not only spearheaded the original new wave\/punk movement, but also drew the blueprint for subsequent hardcore punk bands\".\u003csup class=\"reference\" id=\"cite_ref-TP_134-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-TP-134\"\u003e[133]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ePunk journalist Phil Strongman writes, \"In purely\u003cspan\u003e \u003c\/span\u003e\u003ci\u003emusical\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eterms, the Ramones, in attempting to re-create the excitement of pre-Dolby rock, were to cast a huge shadow—they had fused a blueprint for much of the indie future.\"\u003csup class=\"reference\" id=\"cite_ref-St62_30-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-St62-30\"\u003e[29]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eWriting for\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Slate (magazine)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Slate_(magazine)\"\u003eSlate\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ein 2001,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Douglas Wolk\" href=\"https:\/\/en.wikipedia.org\/wiki\/Douglas_Wolk\"\u003eDouglas Wolk\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003edescribed the Ramones as \"easily the most influential group of the last 30 years.\"\u003csup class=\"reference\" id=\"cite_ref-149\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-149\"\u003e[148]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eLocally, several musicians who would play in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"New York hardcore\" href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_hardcore\"\u003eNew York hardcore\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ebands cite the Ramones as an influence. These include members of the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Beastie Boys\" href=\"https:\/\/en.wikipedia.org\/wiki\/Beastie_Boys\"\u003eBeastie Boys\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Gorilla Biscuits\" href=\"https:\/\/en.wikipedia.org\/wiki\/Gorilla_Biscuits\"\u003eGorilla Biscuits\u003c\/a\u003e, the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Misfits (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Misfits_(band)\"\u003eMisfits\u003c\/a\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Mob (American hardcore band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Mob_(American_hardcore_band)\"\u003eThe Mob\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-150\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-150\"\u003e[149]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003csup class=\"reference\" id=\"cite_ref-151\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-151\"\u003e[150]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003csup class=\"reference\" id=\"cite_ref-152\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-152\"\u003e[151]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-153\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-153\"\u003e[152]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-154\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-154\"\u003e[153]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Roger Miret\" href=\"https:\/\/en.wikipedia.org\/wiki\/Roger_Miret\"\u003eRoger Miret\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Agnostic Front\" href=\"https:\/\/en.wikipedia.org\/wiki\/Agnostic_Front\"\u003eAgnostic Front\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ehas stated that\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLeave Home\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas the first album he bought with his own money.\u003csup class=\"reference\" id=\"cite_ref-155\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-155\"\u003e[154]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Ramones (album)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_(album)\"\u003eThe Ramones' debut album\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ehad an outsized effect relative to its modest sales, particularly in the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"UK\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/UK\"\u003eUK\u003c\/a\u003e. According to\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Generation X (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Generation_X_(band)\"\u003eGeneration X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ebassist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Tony James (musician)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tony_James_(musician)\"\u003eTony James\u003c\/a\u003e, \"Everybody went up three gears the day they got that first Ramones album. Punk rock—that rama-lama super fast stuff—is totally down to the Ramones. Bands were just playing in an\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"MC5\" href=\"https:\/\/en.wikipedia.org\/wiki\/MC5\"\u003eMC5\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003egroove until then.\"\u003csup class=\"reference\" id=\"cite_ref-156\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-156\"\u003e[155]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe Ramones' two July 1976 shows, like their debut album, are seen as having a significant impact on the style of many of the newly formed British punk acts—as one observer put it, \"instantly nearly every band speeded up\".\u003csup class=\"reference\" id=\"cite_ref-157\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-157\"\u003e[156]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe Ramones' first British concert, at London's Roundhouse concert hall, was held on July 4, 1976, the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"United States Bicentennial\" href=\"https:\/\/en.wikipedia.org\/wiki\/United_States_Bicentennial\"\u003eUnited States Bicentennial\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-158\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-158\"\u003e[157]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Sex Pistols\" href=\"https:\/\/en.wikipedia.org\/wiki\/Sex_Pistols\"\u003eSex Pistols\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewere playing in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Sheffield\" href=\"https:\/\/en.wikipedia.org\/wiki\/Sheffield\"\u003eSheffield\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ethat evening, supported by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Clash\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Clash\"\u003ethe Clash\u003c\/a\u003e, making their public debut. The next night, members of both bands attended the Ramones' gig at the Dingwall's club. Ramones manager Danny Fields recalls a conversation between Johnny Ramone and Clash bassist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Paul Simonon\" href=\"https:\/\/en.wikipedia.org\/wiki\/Paul_Simonon\"\u003ePaul Simonon\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(which he mislocates at the Roundhouse): \"Johnny asked him, 'What do you do? Are you in a band?' Paul said, 'Well, we just rehearse. We call ourselves the Clash but we're not good enough.' Johnny said, 'Wait till you see us—we stink, we're lousy, we can't play. Just get out there and do it.'\"\u003csup class=\"reference\" id=\"cite_ref-159\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-159\"\u003e[158]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAnother band whose members saw the Ramones perform,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Damned (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Damned_(band)\"\u003ethe Damned\u003c\/a\u003e, played their first show two days later.\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Jimmy Pursey\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jimmy_Pursey\"\u003eJimmy Pursey\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Sham 69\" href=\"https:\/\/en.wikipedia.org\/wiki\/Sham_69\"\u003eSham 69\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ehas said that he considers the Ramones his band's \"only blueprint\".\u003csup class=\"reference\" id=\"cite_ref-160\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-160\"\u003e[159]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe central\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Fanzine\" href=\"https:\/\/en.wikipedia.org\/wiki\/Fanzine\"\u003efanzine\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof the early UK punk scene,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Sniffin' Glue\" href=\"https:\/\/en.wikipedia.org\/wiki\/Sniffin%27_Glue\"\u003eSniffin' Glue\u003c\/a\u003e\u003c\/i\u003e, was named after the song \"Now I Wanna Sniff Some Glue\", which appeared on the debut LP.\u003csup class=\"reference\" id=\"cite_ref-DG_161-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-DG-161\"\u003e[160]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eRamones concerts and recordings influenced many musicians central to the development of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Punk rock in California\" href=\"https:\/\/en.wikipedia.org\/wiki\/Punk_rock_in_California\"\u003eCalifornia punk\u003c\/a\u003e, including\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Greg Ginn\" href=\"https:\/\/en.wikipedia.org\/wiki\/Greg_Ginn\"\u003eGreg Ginn\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Black Flag (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Black_Flag_(band)\"\u003eBlack Flag\u003c\/a\u003e,\u003csup class=\"reference\" id=\"cite_ref-162\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-162\"\u003e[161]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Jello Biafra\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jello_Biafra\"\u003eJello Biafra\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Dead Kennedys\" href=\"https:\/\/en.wikipedia.org\/wiki\/Dead_Kennedys\"\u003eDead Kennedys\u003c\/a\u003e,\u003csup class=\"reference\" id=\"cite_ref-163\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-163\"\u003e[162]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Al Jourgensen\" href=\"https:\/\/en.wikipedia.org\/wiki\/Al_Jourgensen\"\u003eAl Jourgensen\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Ministry (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ministry_(band)\"\u003eMinistry\u003c\/a\u003e,\u003csup class=\"reference\" id=\"cite_ref-164\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-164\"\u003e[163]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Mike Ness\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mike_Ness\"\u003eMike Ness\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Social Distortion\" href=\"https:\/\/en.wikipedia.org\/wiki\/Social_Distortion\"\u003eSocial Distortion\u003c\/a\u003e,\u003csup class=\"reference\" id=\"cite_ref-165\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-165\"\u003e[164]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Brett Gurewitz\" href=\"https:\/\/en.wikipedia.org\/wiki\/Brett_Gurewitz\"\u003eBrett Gurewitz\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Bad Religion\" href=\"https:\/\/en.wikipedia.org\/wiki\/Bad_Religion\"\u003eBad Religion\u003c\/a\u003e,\u003csup class=\"reference\" id=\"cite_ref-166\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-166\"\u003e[165]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand members of the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Descendents\" href=\"https:\/\/en.wikipedia.org\/wiki\/Descendents\"\u003eDescendents\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-167\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-167\"\u003e[166]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eCanada's first major punk scenes—in Toronto and in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"British Columbia\" href=\"https:\/\/en.wikipedia.org\/wiki\/British_Columbia\"\u003eBritish Columbia\u003c\/a\u003e's\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Victoria, British Columbia\" href=\"https:\/\/en.wikipedia.org\/wiki\/Victoria,_British_Columbia\"\u003eVictoria\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand Vancouver—were also heavily influenced by the Ramones.\u003csup class=\"reference\" id=\"cite_ref-LW_50-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-LW-50\"\u003e[49]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-168\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-168\"\u003e[167]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn the late 1970s, many bands emerged with musical styles deeply indebted to the band's. There were\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Lurkers\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Lurkers\"\u003ethe Lurkers\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efrom England,\u003csup class=\"reference\" id=\"cite_ref-169\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-169\"\u003e[168]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Undertones\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Undertones\"\u003ethe Undertones\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efrom Ireland,\u003csup class=\"reference\" id=\"cite_ref-170\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-170\"\u003e[169]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Teenage Head (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Teenage_Head_(band)\"\u003eTeenage Head\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efrom Canada,\u003csup class=\"reference\" id=\"cite_ref-171\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-171\"\u003e[170]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Zeros (American band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Zeros_(American_band)\"\u003ethe Zeros\u003c\/a\u003e\u003csup class=\"reference\" id=\"cite_ref-172\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-172\"\u003e[171]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Dickies\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Dickies\"\u003ethe Dickies\u003c\/a\u003e\u003csup class=\"reference\" id=\"cite_ref-173\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-173\"\u003e[172]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003efrom southern California. The seminal hardcore band\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Bad Brains\" href=\"https:\/\/en.wikipedia.org\/wiki\/Bad_Brains\"\u003eBad Brains\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003etook its name from a Ramones song.\u003csup class=\"reference\" id=\"cite_ref-174\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-174\"\u003e[173]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Riverdales\" href=\"https:\/\/en.wikipedia.org\/wiki\/Riverdales\"\u003eRiverdales\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eemulated the sound of the Ramones throughout their career.\u003csup class=\"reference\" id=\"cite_ref-175\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-175\"\u003e[174]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Green Day\" href=\"https:\/\/en.wikipedia.org\/wiki\/Green_Day\"\u003eGreen Day\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efrontman\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Billie Joe Armstrong\" href=\"https:\/\/en.wikipedia.org\/wiki\/Billie_Joe_Armstrong\"\u003eBillie Joe Armstrong\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003enamed his son Joey in homage to Joey Ramone, and drummer\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Tré Cool\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tr%C3%A9_Cool\"\u003eTré Cool\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003enamed his daughter Ramona.\u003csup class=\"reference\" id=\"cite_ref-176\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-176\"\u003e[175]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe Ramones also influenced musicians associated with other genres, such as\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Heavy metal music\" href=\"https:\/\/en.wikipedia.org\/wiki\/Heavy_metal_music\"\u003eheavy metal\u003c\/a\u003e. Their influence on metal gave birth to the punk-metal \"fusion\" genre of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Thrash metal\" href=\"https:\/\/en.wikipedia.org\/wiki\/Thrash_metal\"\u003ethrash\u003c\/a\u003e.\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Metallica\" href=\"https:\/\/en.wikipedia.org\/wiki\/Metallica\"\u003eMetallica\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eguitarist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Kirk Hammett\" href=\"https:\/\/en.wikipedia.org\/wiki\/Kirk_Hammett\"\u003eKirk Hammett\u003c\/a\u003e, one of the originators of thrash guitar, has described the importance of Johnny's rapid-fire guitar playing style to his own musical development.\u003csup class=\"reference\" id=\"cite_ref-177\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-177\"\u003e[176]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Motörhead\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mot%C3%B6rhead\"\u003eMotörhead\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003elead singer\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Lemmy\" href=\"https:\/\/en.wikipedia.org\/wiki\/Lemmy\"\u003eLemmy\u003c\/a\u003e, a friend of the Ramones since the late 1970s, mixed the band's \"Go Home Ann\" in 1985. The members of Motörhead later composed the song \"\u003ca title=\"R.A.M.O.N.E.S.\" href=\"https:\/\/en.wikipedia.org\/wiki\/R.A.M.O.N.E.S.\"\u003eR.A.M.O.N.E.S.\u003c\/a\u003e\" as a tribute, and Lemmy performed at the final Ramones concert in 1996.\u003csup class=\"reference\" id=\"cite_ref-178\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-178\"\u003e[177]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Paul Dianno\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Paul_Dianno\"\u003ePaul Dianno\u003c\/a\u003e, who sang on\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Iron Maiden\" href=\"https:\/\/en.wikipedia.org\/wiki\/Iron_Maiden\"\u003eIron Maiden\u003c\/a\u003e's first two albums has called the Ramones his \"favorite band,\" and often performs Ramones material in his live shows.\u003csup class=\"reference\" id=\"cite_ref-179\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-179\"\u003e[178]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn the realm of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Alternative rock\" href=\"https:\/\/en.wikipedia.org\/wiki\/Alternative_rock\"\u003ealternative rock\u003c\/a\u003e, the song \"\u003ca title=\"53rd \u0026amp; 3rd\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/53rd_%26_3rd\"\u003e53rd \u0026amp; 3rd\u003c\/a\u003e\" lent its name to a British\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Indie pop\" href=\"https:\/\/en.wikipedia.org\/wiki\/Indie_pop\"\u003eindie pop\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003elabel cofounded by Stephen Pastel of the Scottish band\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Pastels\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Pastels\"\u003ethe Pastels\u003c\/a\u003e.\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Evan Dando\" href=\"https:\/\/en.wikipedia.org\/wiki\/Evan_Dando\"\u003eEvan Dando\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Lemonheads\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Lemonheads\"\u003ethe Lemonheads\u003c\/a\u003e,\u003csup class=\"reference\" id=\"cite_ref-180\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-180\"\u003e[179]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Dave Grohl\" href=\"https:\/\/en.wikipedia.org\/wiki\/Dave_Grohl\"\u003eDave Grohl\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Nirvana (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Nirvana_(band)\"\u003eNirvana\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Foo Fighters\" href=\"https:\/\/en.wikipedia.org\/wiki\/Foo_Fighters\"\u003eFoo Fighters\u003c\/a\u003e,\u003csup class=\"reference\" id=\"cite_ref-DG_161-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-DG-161\"\u003e[160]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Mike Portnoy\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mike_Portnoy\"\u003eMike Portnoy\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Dream Theater\" href=\"https:\/\/en.wikipedia.org\/wiki\/Dream_Theater\"\u003eDream Theater\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Eddie Vedder\" href=\"https:\/\/en.wikipedia.org\/wiki\/Eddie_Vedder\"\u003eEddie Vedder\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Pearl Jam\" href=\"https:\/\/en.wikipedia.org\/wiki\/Pearl_Jam\"\u003ePearl Jam\u003c\/a\u003e\u003csup class=\"reference\" id=\"cite_ref-181\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-181\"\u003e[180]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e(who introduced the band members at their Rock and Roll Hall of Fame induction) and\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Strokes\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Strokes\"\u003ethe Strokes\u003c\/a\u003e\u003csup class=\"reference\" id=\"cite_ref-182\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-182\"\u003e[181]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eare among the many alternative rock and metal musicians who have credited the Ramones with inspiring them.\u003csup class=\"reference\" id=\"cite_ref-gaba_183-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-gaba-183\"\u003e[182]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe band members were also individually influential.\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Johnny Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Johnny_Ramone\"\u003eJohnny Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewas named one of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Time (magazine)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Time_(magazine)\"\u003e\u003ci\u003eTime\u003c\/i\u003e\u003c\/a\u003e's \"10 Greatest Electric-Guitar Players\" in 2003.\u003csup class=\"reference\" id=\"cite_ref-184\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-184\"\u003e[183]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThat same year, he was number 16 on the \"100 Greatest Guitarists of All Time\" list in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Rolling Stone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rolling_Stone\"\u003eRolling Stone\u003c\/a\u003e\u003c\/i\u003e.\u003csup class=\"reference\" id=\"cite_ref-185\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-185\"\u003e[184]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\"We think of the Ramones as a classic, iconic band,\" observed\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Gene Simmons\" href=\"https:\/\/en.wikipedia.org\/wiki\/Gene_Simmons\"\u003eGene Simmons\u003c\/a\u003e. \"They have\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Ramones (album)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_(album)\"\u003eone gold record\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eto their name. They never played arenas; couldn't sell them out. It was a failed band. It doesn't mean they weren't great. It means the masses didn't care.\"\u003csup class=\"reference\" id=\"cite_ref-186\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-186\"\u003e[185]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan id=\"Tribute_albums\" class=\"mw-headline\"\u003eTribute albums\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Tribute albums\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=13\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eIn April 2009,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSpin\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewriter Mark Prindle observed that the Ramones had to date \"inspired a jaw-dropping 48 (at least!) full-length tribute records.\"\u003csup class=\"reference\" id=\"cite_ref-PrindleTributes_187-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-PrindleTributes-187\"\u003e[186]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe first Ramones tribute album featuring multiple performers was released in 1991:\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Gabba Gabba Hey: A Tribute to the Ramones\" href=\"https:\/\/en.wikipedia.org\/wiki\/Gabba_Gabba_Hey:_A_Tribute_to_the_Ramones\"\u003eGabba Gabba Hey: A Tribute to the Ramones\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eincludes tracks by such acts as\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Flesh Eaters\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Flesh_Eaters\"\u003ethe Flesh Eaters\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"L7 (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/L7_(band)\"\u003eL7\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Mojo Nixon\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mojo_Nixon\"\u003eMojo Nixon\u003c\/a\u003e, and Bad Religion.\u003csup class=\"reference\" id=\"cite_ref-gaba_183-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-gaba-183\"\u003e[182]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn 2001, Dee Dee made a guest appearance on one track of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Ramones Maniacs\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_Maniacs\"\u003eRamones Maniacs\u003c\/a\u003e\u003c\/i\u003e, a multi-artist cover of the entire\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Ramones Mania\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_Mania\"\u003eRamones Mania\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecompilation album.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"The Song Ramones the Same\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Song_Ramones_the_Same\"\u003eThe Song Ramones the Same\u003c\/a\u003e\u003c\/i\u003e, which came out the following year, includes performances by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Dictators\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Dictators\"\u003ethe Dictators\u003c\/a\u003e, who were part of the early New York punk scene, and\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Wayne Kramer (guitarist)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Wayne_Kramer_(guitarist)\"\u003eWayne Kramer\u003c\/a\u003e, guitarist for the influential protopunk band\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"MC5\" href=\"https:\/\/en.wikipedia.org\/wiki\/MC5\"\u003eMC5\u003c\/a\u003e.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"We're a Happy Family: A Tribute to Ramones\" href=\"https:\/\/en.wikipedia.org\/wiki\/We%27re_a_Happy_Family:_A_Tribute_to_Ramones\"\u003eWe're a Happy Family: A Tribute to Ramones\u003c\/a\u003e\u003c\/i\u003e, released in 2003, features performers such as\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Rancid (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rancid_(band)\"\u003eRancid\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Green Day\" href=\"https:\/\/en.wikipedia.org\/wiki\/Green_Day\"\u003eGreen Day\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Metallica\" href=\"https:\/\/en.wikipedia.org\/wiki\/Metallica\"\u003eMetallica\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Kiss (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Kiss_(band)\"\u003eKISS\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Offspring\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Offspring\"\u003ethe Offspring\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Red Hot Chili Peppers\" href=\"https:\/\/en.wikipedia.org\/wiki\/Red_Hot_Chili_Peppers\"\u003eRed Hot Chili Peppers\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"U2\" href=\"https:\/\/en.wikipedia.org\/wiki\/U2\"\u003eU2\u003c\/a\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Rob Zombie\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rob_Zombie\"\u003eRob Zombie\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(who also did the album cover artwork).\u003csup class=\"reference\" id=\"cite_ref-188\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-188\"\u003e[187]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAlso some other famous bands recorded tribute songs. Motörhead's Phil Campbell tells in Jari-Pekka Laitio-Ramone's book\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRamones: Soundtrack Of Our Lives\u003c\/i\u003e: \"We did a cover of Rockaway Beach with me on backing vocals, which was quite enjoyable. When Johnny Ramone heard it, he refused to put it on the tribute album. Lemmy and I thought we did a good version.\"\u003csup class=\"reference\" id=\"cite_ref-189\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-189\"\u003e[188]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003ePunk bands such as\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Screeching Weasel\" href=\"https:\/\/en.wikipedia.org\/wiki\/Screeching_Weasel\"\u003eScreeching Weasel\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Vindictives\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Vindictives\"\u003ethe Vindictives\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Queers\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Queers\"\u003ethe Queers\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Parasites (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Parasites_(band)\"\u003eParasites\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Mr. T Experience\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Mr._T_Experience\"\u003ethe Mr. T Experience\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Boris the Sprinkler\" href=\"https:\/\/en.wikipedia.org\/wiki\/Boris_the_Sprinkler\"\u003eBoris the Sprinkler\u003c\/a\u003e, Beatnik Termites, Tip Toppers,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Jon Cougar Concentration Camp\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jon_Cougar_Concentration_Camp\"\u003eJon Cougar Concentration Camp\u003c\/a\u003e, and McRackins have recorded cover versions of entire Ramones albums—\u003ci\u003eRamones\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLeave Home\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRocket to Russia\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eIt's Alive\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRoad to Ruin\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEnd of the Century\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePleasant Dreams\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSubterranean Jungle\u003c\/i\u003e, two versions of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eToo Tough to Die\u003c\/i\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHalfway To Sanity\u003c\/i\u003e, respectively.\u003csup class=\"reference\" id=\"cite_ref-PrindleTributes_187-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-PrindleTributes-187\"\u003e[186]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-190\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-190\"\u003e[189]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Huntingtons\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Huntingtons\"\u003eThe Huntingtons\u003c\/a\u003e'\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"File Under Ramones\" href=\"https:\/\/en.wikipedia.org\/wiki\/File_Under_Ramones\"\u003eFile Under Ramones\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003econsists of Ramones covers from across the band's history.\u003csup class=\"reference\" id=\"cite_ref-191\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-191\"\u003e[190]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Shonen Knife\" href=\"https:\/\/en.wikipedia.org\/wiki\/Shonen_Knife\"\u003eShonen Knife\u003c\/a\u003e, an all-female trio from Osaka, Japan, was formed in 1981 as a direct result of founder-lead singer-guitarist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Naoko Yamano\" href=\"https:\/\/en.wikipedia.org\/wiki\/Naoko_Yamano\"\u003eNaoko Yamano\u003c\/a\u003e's instant infatuation with the music of the Ramones. In 2012, to observe the band's 30th anniversary, Shonen Knife released\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Osaka Ramones\" href=\"https:\/\/en.wikipedia.org\/wiki\/Osaka_Ramones\"\u003eOsaka Ramones\u003c\/a\u003e\u003c\/i\u003e, which featured thirteen Ramones songs covered by the band.\u003csup class=\"reference\" id=\"cite_ref-192\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-192\"\u003e[191]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThere are also many other tribute albums listed on Jari-Pekka Laitio-Ramone's site.\u003csup class=\"reference\" id=\"cite_ref-193\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones#cite_note-193\"\u003e[192]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Band_members\" class=\"mw-headline\"\u003eBand members\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Band members\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Ramones\u0026amp;action=edit\u0026amp;section=14\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003eFormer members\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca title=\"Joey Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Joey_Ramone\"\u003eJoey Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(Jeffrey Hyman) – lead vocals (1974–1996), drums (1974);\u003cspan\u003e \u003c\/span\u003e\u003ci\u003edied 2001\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Johnny Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Johnny_Ramone\"\u003eJohnny Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(John Cummings) – guitars (1974–1996);\u003cspan\u003e \u003c\/span\u003e\u003ci\u003edied 2004\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Dee Dee Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Dee_Dee_Ramone\"\u003eDee Dee Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(Douglas Colvin) – bass, backing and co-lead vocals (1974–1989), guitar (1974);\u003cspan\u003e \u003c\/span\u003e\u003ci\u003edied 2002\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Tommy Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tommy_Ramone\"\u003eTommy Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(Thomas Erdelyi) – drums (1974–1978);\u003cspan\u003e \u003c\/span\u003e\u003ci\u003edied 2014\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Marky Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Marky_Ramone\"\u003eMarky Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(Marc Bell) – drums (1978–1983, 1987–1996)\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Richie Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/Richie_Ramone\"\u003eRichie Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(Richard Reinhardt) – drums, backing vocals (1983–1987)\u003c\/li\u003e\n\u003cli\u003eElvis Ramone (\u003ca title=\"Clem Burke\" href=\"https:\/\/en.wikipedia.org\/wiki\/Clem_Burke\"\u003eClem Burke\u003c\/a\u003e) – drums (1987)\u003c\/li\u003e\n\u003cli\u003eRichie Stern – bass (1974);\u003cspan\u003e \u003c\/span\u003e\u003ci\u003edied 2015\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"C. J. Ramone\" href=\"https:\/\/en.wikipedia.org\/wiki\/C._J._Ramone\"\u003eC. J. Ramone\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(Christopher Ward) – bass, backing and co-lead vocals (1989–1996)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eStudio albums\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca title=\"Ramones (album)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ramones_(album)\"\u003eRamones\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1976)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca title=\"Leave Home\" href=\"https:\/\/en.wikipedia.org\/wiki\/Leave_Home\"\u003eLeave Home\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1977)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca title=\"Rocket to Russia\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rocket_to_Russia\"\u003eRocket to Russia\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1977)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca title=\"Road to Ruin (Ramones album)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Road_to_Ruin_(Ramones_album)\"\u003eRoad to Ruin\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1978)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca title=\"End of the Century\" href=\"https:\/\/en.wikipedia.org\/wiki\/End_of_the_Century\"\u003eEnd of the Century\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1980)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca title=\"Pleasant Dreams\" href=\"https:\/\/en.wikipedia.org\/wiki\/Pleasant_Dreams\"\u003ePleasant Dreams\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1981)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca title=\"Subterranean Jungle\" href=\"https:\/\/en.wikipedia.org\/wiki\/Subterranean_Jungle\"\u003eSubterranean Jungle\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1983)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca title=\"Too Tough to Die\" href=\"https:\/\/en.wikipedia.org\/wiki\/Too_Tough_to_Die\"\u003eToo Tough to Die\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1984)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca title=\"Animal Boy\" href=\"https:\/\/en.wikipedia.org\/wiki\/Animal_Boy\"\u003eAnimal Boy\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1986)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca title=\"Halfway to Sanity\" href=\"https:\/\/en.wikipedia.org\/wiki\/Halfway_to_Sanity\"\u003eHalfway to Sanity\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1987)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca title=\"Brain Drain (album)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Brain_Drain_(album)\"\u003eBrain Drain\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1989)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca title=\"Mondo Bizarro\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mondo_Bizarro\"\u003eMondo Bizarro\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1992)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca title=\"Acid Eaters\" href=\"https:\/\/en.wikipedia.org\/wiki\/Acid_Eaters\"\u003eAcid Eaters\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1993)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003ca title=\"¡Adios Amigos!\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/%C2%A1Adios_Amigos!\"\u003e¡Adios Amigos!\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1995)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43696269721774,"sku":"","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/NzUtNDA5Ny5qcGVn.jpg?v=1673182898"},{"product_id":"kopio-volbeat-rock-the-rebel-metal-the-devil-lp-levy","title":"Volbeat – Rock The Rebel \/ Metal The Devil LP levy","description":"\u003cdiv class=\"head\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eLabel: Mascot Records (2) – M72151-2\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Special Edition, Stereo, Glow In The Dark\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: May 20, 2022\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Heavy Metal, Rockabilly\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eToimitusmaksu 7€ (1-20 levyä) \u003cbr data-mce-fragment=\"1\"\u003eToimitus: 1-2 viikkoa\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 The Human Instrument 4:29\u003cbr\u003eA2 Mr And Mrs Ness 3:47\u003cbr\u003eA3 The Garden's Tale 4:51\u003cbr\u003eA4 Devil Or The Cat's Song 3:15\u003cbr\u003eA5 Sad Mans Tongue 3:05\u003cbr\u003eA6 River Queen 3:41\u003cbr\u003eB1 Radio Girl 3:45\u003cbr\u003eB2 A Moment Forever 3:42\u003cbr\u003eB3 Soulweeper #2 4:02\u003cbr\u003eB4 You Or Them 4:11\u003cbr\u003eB5 Boa (JDM) 3:45\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_the_Rebel\/Metal_the_Devil\"\u003eRock the Rebel\/Metal the Devil - Wikipedia\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eock the Rebel\/Metal the Devil\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis the second studio album by Danish\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Rock music\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_music\"\u003erock\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eband\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Volbeat\" href=\"https:\/\/en.wikipedia.org\/wiki\/Volbeat\"\u003eVolbeat\u003c\/a\u003e, released in 2007. The album debuted at #1 on the Danish Albums chart in 2007, making it Volbeat's first album to do so.\u003csup class=\"reference\" id=\"cite_ref-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_the_Rebel\/Metal_the_Devil#cite_note-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe song \"Mr. \u0026amp; Mrs. Ness\" continues the story of Danny \u0026amp; Lucy, which began on the bands\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Strength\/The Sound\/The Songs\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Strength\/The_Sound\/The_Songs\"\u003edebut album\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewith the tracks \"Fire Song\" and \"Danny \u0026amp; Lucy (11 PM)\". This story is continued on Volbeat's next album,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Guitar Gangsters \u0026amp; Cadillac Blood\" href=\"https:\/\/en.wikipedia.org\/wiki\/Guitar_Gangsters_%26_Cadillac_Blood\"\u003eGuitar Gangsters \u0026amp; Cadillac Blood\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewith the song \"Mary Ann's Place\" and is concluded on the band's 2016 album,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Seal the Deal \u0026amp; Let's Boogie\" href=\"https:\/\/en.wikipedia.org\/wiki\/Seal_the_Deal_%26_Let%27s_Boogie\"\u003eSeal the Deal \u0026amp; Let's Boogie\u003c\/a\u003e, along with the song \"You Will Know.\"\u003csup class=\"reference\" id=\"cite_ref-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_the_Rebel\/Metal_the_Devil#cite_note-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe track \"The Garden's Tale\" was released as a single in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Denmark\" href=\"https:\/\/en.wikipedia.org\/wiki\/Denmark\"\u003eDenmark\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand proved to be a surprise hit for the band in their home country, staying on the Danish Charts for 18 straight weeks and peaking at #18.\u003csup class=\"reference\" id=\"cite_ref-3\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_the_Rebel\/Metal_the_Devil#cite_note-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe music video for the song was also put into heavy rotation on MTV Denmark. Music Videos were also produced for the songs \"Sad Man's Tongue\"\u003csup class=\"reference\" id=\"cite_ref-4\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_the_Rebel\/Metal_the_Devil#cite_note-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand \"Radio Girl\",\u003csup class=\"reference\" id=\"cite_ref-5\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_the_Rebel\/Metal_the_Devil#cite_note-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ebut whether or not they were ever released as radio singles is unclear.\u003c\/p\u003e\n\u003cp\u003eThe track “A Moment Forever” was licensed to the video game\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"EA Sports MMA\" href=\"https:\/\/en.wikipedia.org\/wiki\/EA_Sports_MMA\"\u003eEA Sports MMA\u003c\/a\u003e\u003c\/i\u003e.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Reception\" class=\"mw-headline\"\u003eeception\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Reception\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Rock_the_Rebel\/Metal_the_Devil\u0026amp;action=edit\u0026amp;section=1\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003ctable class=\"wikitable floatright\"\u003e\n\u003ccaption\u003eProfessional ratings\u003c\/caption\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\" scope=\"col\"\u003eReview scores\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003eSource\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eRating\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ca title=\"AllMusic\" href=\"https:\/\/en.wikipedia.org\/wiki\/AllMusic\"\u003eAllMusic\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd\u003e(positive)\u003csup class=\"reference\" id=\"cite_ref-AM_6-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_the_Rebel\/Metal_the_Devil#cite_note-AM-6\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ca title=\"Blabbermouth.net\" href=\"https:\/\/en.wikipedia.org\/wiki\/Blabbermouth.net\"\u003eBlabbermouth.net\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd\u003e7.5\/10\u003csup class=\"reference\" id=\"cite_ref-Blabber_7-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_the_Rebel\/Metal_the_Devil#cite_note-Blabber-7\"\u003e[7]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003emetalreviews.com\u003c\/td\u003e\n\u003ctd\u003e85\/100\u003csup class=\"reference\" id=\"cite_ref-MetalReviews_8-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_the_Rebel\/Metal_the_Devil#cite_note-MetalReviews-8\"\u003e[8]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eRock the Rebel\/Metal the Devil received mostly positive reviews. Eric Schneider of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"AllMusic\" href=\"https:\/\/en.wikipedia.org\/wiki\/AllMusic\"\u003eAllMusic\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003esaid \"Frontman Michael Paulson sounds like a fusion of late-era Elvis and early Misfits, particularly on the propulsive “Radio Girl,” making for one of the most enjoyable European metal releases of the year.\"\u003csup class=\"reference\" id=\"cite_ref-AM_6-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_the_Rebel\/Metal_the_Devil#cite_note-AM-6\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eScott Alisoglu of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Blabbermouth.net\" href=\"https:\/\/en.wikipedia.org\/wiki\/Blabbermouth.net\"\u003eBlabbermouth.net\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ealso gave a positive review, saying \"Comparatively speaking, \"Rock the Rebel\/Metal the Devil\" matches the quality songwriting and tough delivery of its predecessor, but does not necessarily better it. Considering that its predecessor was a grand album in its own right, this is not a bad thing.\" and gave the album a 7.5\/10.\u003csup class=\"reference\" id=\"cite_ref-Blabber_7-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_the_Rebel\/Metal_the_Devil#cite_note-Blabber-7\"\u003e[7]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eKyle of Metalreviews.com was also positive in his review, saying \"it (the album) brings out the best bits of groove metal, thrash metal, and hard rock, along with a dose of rockabilly and bright punk that gives the album a glow that is rarely ever heard in our pessimistic brand of music.\" Though the reviewer did criticize the songs \"River Queen\", \"You Or Them\" and \"Radio Girl\", saying that the latter was \" simply too poppy to fit in properly here, even though the song itself is fairly inoffensive.\"\u003csup class=\"reference\" id=\"cite_ref-MetalReviews_8-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_the_Rebel\/Metal_the_Devil#cite_note-MetalReviews-8\"\u003e[8]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ctable role=\"presentation\" class=\"multicol\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cdl\u003e\n\u003cdt\u003eVolbeat\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca title=\"Michael Poulsen\" href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Poulsen\"\u003eMichael Poulsen\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– vocals, guitar\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Franz Gottschalk\" href=\"https:\/\/en.wikipedia.org\/wiki\/Franz_Gottschalk\"\u003eFranz \"Hellboss\"\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– guitar\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Thomas Bredahl\" href=\"https:\/\/en.wikipedia.org\/wiki\/Thomas_Bredahl\"\u003eThomas Bredahl\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– guitar\u003cspan\u003e \u003c\/span\u003e\u003csmall\u003e(credited, but did not appear on this album)\u003c\/small\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Anders Kjølholm\" href=\"https:\/\/en.wikipedia.org\/wiki\/Anders_Kj%C3%B8lholm\"\u003eAnders Kjølholm\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– bass\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Jon Larsen (Danish musician)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jon_Larsen_(Danish_musician)\"\u003eJon Larsen\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– drums\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdl\u003e\n\u003cdt\u003eGuest musicians\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003eJohan Olsen\u003cspan\u003e \u003c\/span\u003e\u003csmall\u003e(\u003ca title=\"Magtens Korridorer\" href=\"https:\/\/en.wikipedia.org\/wiki\/Magtens_Korridorer\"\u003eMagtens Korridorer\u003c\/a\u003e)\u003c\/small\u003e\u003cspan\u003e \u003c\/span\u003e– Danish vocals on \"The Garden's Tale\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdl\u003e\n\u003cdt\u003eAdditional musicians\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003eAnders Pedersen\u003cspan\u003e \u003c\/span\u003e\u003csmall\u003e(\u003ca title=\"Giant Sand\" href=\"https:\/\/en.wikipedia.org\/wiki\/Giant_Sand\"\u003eGiant Sand\u003c\/a\u003e)\u003c\/small\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Lap steel guitar\" href=\"https:\/\/en.wikipedia.org\/wiki\/Lap_steel_guitar\"\u003elap steel guitar\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eon \"The Human Instrument\" and \"Sad Man's Tongue\"\u003c\/li\u003e\n\u003cli\u003eRod Sinclair –\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Banjo\" href=\"https:\/\/en.wikipedia.org\/wiki\/Banjo\"\u003ebanjo\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Guitar solo\" href=\"https:\/\/en.wikipedia.org\/wiki\/Guitar_solo\"\u003eguitar solo\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eon \"Sad Man's Tongue\"\u003c\/li\u003e\n\u003cli\u003eMartin Pagaard Wolff – acoustic guitar on \"Sad Man's Tongue\"\u003c\/li\u003e\n\u003cli\u003eJacob Hansen – backing vocals on \"River Queen\" and \"Soulweeper #2\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43696295772334,"sku":"","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/NTAtNzA0NS5qcGVn.webp?v=1673184036"},{"product_id":"it-bites-the-tall-ships-lp-levy","title":"It Bites – The Tall Ships LP levy","description":"\u003cdiv class=\"head\"\u003e\n\u003cdiv class=\"head\" data-mce-fragment=\"1\"\u003eLabel: Inside Out Music – IOMLP 584\u003cbr\u003eFormat: 2 x Vinyl, LP, 45 RPM, Album, Reissue, Remastered\u003cbr\u003eCD, Album, Remastered\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: May 7, 2021\u003cbr\u003eGenre: Rock\u003c\/div\u003e\n\u003cdiv class=\"head\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"head\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eToimitusmaksu 7€ (1-20 levyä) \u003cbr data-mce-fragment=\"1\"\u003eToimitus:  1-2 viikkoa \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Oh My God\u003cbr\u003eA2 Ghosts\u003cbr\u003eA3 Playground\u003cbr\u003eB1 Memory Of Water\u003cbr\u003eB2 The Tall Ships\u003cbr\u003eB3 The Wind That Shakes The Barley\u003cbr\u003eC1 Great Disasters\u003cbr\u003eC2 Fahrenheit\u003cbr\u003eC3 For Safekeeping\u003cbr\u003eD1 Lights\u003cbr\u003eD2 This Is England\u003cbr\u003eCD1 Oh My God\u003cbr\u003eCD2 Ghosts\u003cbr\u003eCD3 Playground\u003cbr\u003eCD4 Memory Of Water\u003cbr\u003eCD5 The Tall Ships\u003cbr\u003eCD6 The Wind That Shakes The Barley\u003cbr\u003eCD7 Great Disasters\u003cbr\u003eCD8 Fahrenheit\u003cbr\u003eCD9 For Safekeeping\u003cbr\u003eCD10 Lights\u003cbr\u003eCD11 This Is England\u003cbr\u003eCD12 These Words (Bonus Track)\u003cbr\u003eCD13 When I Fall (Bonus Track)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Tall_Ships\"\u003eThe Tall Ships - Wikipedia\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eThe Tall Ships\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis the fourth studio album by British\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Progressive rock\" href=\"https:\/\/en.wikipedia.org\/wiki\/Progressive_rock\"\u003eprogressive rock\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eband\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"It Bites\" href=\"https:\/\/en.wikipedia.org\/wiki\/It_Bites\"\u003eIt Bites\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eThe Tall Ships\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas recorded following the relaunch of It Bites featuring a new singer \u0026amp; guitarist,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"John Mitchell (musician)\" href=\"https:\/\/en.wikipedia.org\/wiki\/John_Mitchell_(musician)\"\u003eJohn Mitchell\u003c\/a\u003e. This lineup toured successfully in 2006 and released a live album called\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eWhen the Lights Go Down\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eon which they predominantly covered old material from the band's first lineup (bar one song, \"Playground\", written by the current band featuring Mitchell, which would be recorded again for\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Tall Ships\u003c\/i\u003e).\u003c\/p\u003e\n\u003cp\u003eIt Bites spent eight months writing and recording\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Tall Ships\u003c\/i\u003e, with writing duties predominantly handled by Mitchell and keyboardist John Beck. The band's bass guitarist, Dick Nolan, did not contribute to recording sessions, and consequently, all bass guitar parts were played by Beck and Mitchell in what they would describe as an\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"...And Then There Were Three\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/...And_Then_There_Were_Three\"\u003e...And Then There Were Three\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003esituation.\u003csup class=\"noprint Inline-Template Template-Fact\"\u003e[\u003ci\u003e\u003ca title=\"Wikipedia:Citation needed\" href=\"https:\/\/en.wikipedia.org\/wiki\/Wikipedia:Citation_needed\"\u003e\u003cspan title=\"This claim needs references to reliable sources. (November 2021)\"\u003ecitation needed\u003c\/span\u003e\u003c\/a\u003e\u003c\/i\u003e]\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eNolan would be asked to leave the band shortly before the release of the album and would be replaced by Lee Pomeroy.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eThe Tall Ships\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas released in 2008, nineteen years after the release of the band's previous studio album,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Eat Me in St. Louis\" href=\"https:\/\/en.wikipedia.org\/wiki\/Eat_Me_in_St._Louis\"\u003eEat Me in St. Louis\u003c\/a\u003e\u003c\/i\u003e. Initially released by the band themselves, it subsequently gained a full release on the Inside Out label. The album features different bonus tracks according to region of release; the European release bonus track is \"When I Fall\" and the Japanese release features \"These Words\".\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Personnel\" class=\"mw-headline\"\u003ePersonnel\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Personnel\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=The_Tall_Ships\u0026amp;action=edit\u0026amp;section=2\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cdl\u003e\n\u003cdt\u003eIt Bites\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca title=\"John Mitchell (musician)\" href=\"https:\/\/en.wikipedia.org\/wiki\/John_Mitchell_(musician)\"\u003eJohn Mitchell\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e- lead vocals, guitars, bass guitar\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"John Beck (It Bites)\" href=\"https:\/\/en.wikipedia.org\/wiki\/John_Beck_(It_Bites)\"\u003eJohn Beck\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e- keyboards, backing \u0026amp; harmony vocals, bass guitar\u003c\/li\u003e\n\u003cli\u003eBob Dalton - drums, backing vocals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdl\u003e\n\u003cdt\u003eAdditional personnel\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003eTim Turan - mastering\u003c\/li\u003e\n\u003cli\u003ePaul Tippett - design, art direction, band photography\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43696343974062,"sku":"","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/NTQtNDkyNS5qcGVn.jpg?v=1673186862"},{"product_id":"it-bites-map-of-the-past-lp-levy","title":"It Bites – Map Of The Past LP levy","description":"\u003cdiv class=\"head\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"head\"\u003eLabel: Inside Out Music – IOMLP 585, Sony Music – 19439854401\u003cbr\u003eFormat: 2 x Vinyl, LP, 45 RPM, Album, Remastered\u003cbr\u003eCD, Album, Remastered\u003cbr\u003eAll Media, Reissue\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: May 7, 2021\u003cbr\u003eGenre: Rock, Pop\u003cbr\u003eStyle: Prog Rock, Symphonic Rock\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"head\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"head\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"head\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eToimitusmaksu 8€ (1-20 levyä) \u003cbr data-mce-fragment=\"1\"\u003eToimitus:  1-2 viikkoa\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Man In The Photograph\u003cbr\u003eA2 Wallflower\u003cbr\u003eA3 Map Of The Past\u003cbr\u003eB1 Clocks\u003cbr\u003eB2 Flag\u003cbr\u003eB3 The Big Machine\u003cbr\u003eC1 Cartoon Graveyard\u003cbr\u003eC2 Send No Flowers\u003cbr\u003eD1 Meadow And The Stream\u003cbr\u003eD2 The Last Escape\u003cbr\u003eD3 Exit Song\u003cbr\u003eCD-1 Man In The Photograph\u003cbr\u003eCD-2 Wallflower\u003cbr\u003eCD-3 Map Of The Past\u003cbr\u003eCD-4 Clocks\u003cbr\u003eCD-5 Flag\u003cbr\u003eCD-6 The Big Machine\u003cbr\u003eCD-7 Cartoon Graveyard\u003cbr\u003eCD-8 Send No Flowers\u003cbr\u003eCD-9 Meadow And The Stream\u003cbr\u003eCD-10 The Last Escape\u003cbr\u003eCD-11 Exit Song\u003cbr\u003eCD-12 Lighthouse 3:27\u003cbr\u003eCD-13 Come On 5:10\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Map_of_the_Past\"\u003eMap of the Past - Wikipedia\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eMap of the Past\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e is the fifth studio album by \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Progressive_rock\" title=\"Progressive rock\"\u003eprogressive rock\u003c\/a\u003e\u003cspan\u003e band \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/It_Bites\" title=\"It Bites\"\u003eIt Bites\u003c\/a\u003e\u003cspan\u003e. It was released on March 26, 2012. This is the band's first concept album. It was written by singer\/guitarist John Mitchell and keyboardist John Beck throughout 2011. This concept deals with the theme of the past, as seen through old photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan class=\"mw-headline\" id=\"Personnel\"\u003ePersonnel\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Map_of_the_Past\u0026amp;action=edit\u0026amp;section=5\" title=\"Edit section: Personnel\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/John_Mitchell_(musician)\" title=\"John Mitchell (musician)\"\u003eJohn Mitchell\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e- lead vocals, guitars\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/John_Beck_(It_Bites)\" title=\"John Beck (It Bites)\"\u003eJohn Beck\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e- keyboards, backing \u0026amp; harmony vocals\u003c\/li\u003e\n\u003cli\u003eLee Pomeroy - bass guitar\u003c\/li\u003e\n\u003cli\u003eBob Dalton - drums, backing vocals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43696363012270,"sku":"","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/OTYtOTAxMy5qcGVn.jpg?v=1673187830"},{"product_id":"metallica-ride-the-lightning-lp-levy","title":"Metallica – Ride The Lightning LP levy","description":"\u003cp\u003eLabel: Blackened – BLCKND004R-1\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Remastered\u003cbr\u003eCountry: US\u003cbr\u003eReleased: Apr 15, 2016\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Thrash, Speed Metal\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: 1-2 viikkoa\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Fight Fire With Fire\u003cbr data-mce-fragment=\"1\"\u003eWritten-By – Burton*, Hetfield*, Ulrich*\u003cbr data-mce-fragment=\"1\"\u003e4:44\u003cbr data-mce-fragment=\"1\"\u003eA2 Ride The Lightning\u003cbr data-mce-fragment=\"1\"\u003eWritten-By – Burton*, Mustaine*, Hetfield*, Ulrich*\u003cbr data-mce-fragment=\"1\"\u003e6:36\u003cbr data-mce-fragment=\"1\"\u003eA3 For Whom The Bell Tolls\u003cbr data-mce-fragment=\"1\"\u003eWritten-By – Burton*, Hetfield*, Ulrich*\u003cbr data-mce-fragment=\"1\"\u003e5:10\u003cbr data-mce-fragment=\"1\"\u003eA4 Fade To Black\u003cbr data-mce-fragment=\"1\"\u003eWritten-By – Burton*, Hetfield*, Hammett*, Ulrich*\u003cbr data-mce-fragment=\"1\"\u003e6:56\u003cbr data-mce-fragment=\"1\"\u003eB1 Trapped Under Ice\u003cbr data-mce-fragment=\"1\"\u003eWritten-By – Hetfield*, Hammett*, Ulrich*\u003cbr data-mce-fragment=\"1\"\u003e4:03\u003cbr data-mce-fragment=\"1\"\u003eB2 Escape\u003cbr data-mce-fragment=\"1\"\u003eWritten-By – Hetfield*, Hammett*, Ulrich*\u003cbr data-mce-fragment=\"1\"\u003e4:23\u003cbr data-mce-fragment=\"1\"\u003eB3 Creeping Death\u003cbr data-mce-fragment=\"1\"\u003eWritten-By – Burton*, Hetfield*, Hammett*, Ulrich*\u003cbr data-mce-fragment=\"1\"\u003e6:36\u003cbr data-mce-fragment=\"1\"\u003eB4 The Call Of Ktulu\u003cbr data-mce-fragment=\"1\"\u003eBass [Lead] – Cliff Burton\u003cbr data-mce-fragment=\"1\"\u003eWritten-By – Burton*, Mustaine*, Hetfield*, Ulrich*\u003cbr data-mce-fragment=\"1\"\u003e8:52\u003c\/p\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43704207409326,"sku":"","price":42.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/OS0zNTM3LmpwZWc.jpg?v=1673534152"},{"product_id":"black-star-riders-wrong-side-of-paradise-lp-levy","title":"Black Star Riders - Wrong side of paradise LP \u0026 CD levy","description":"\u003cdiv class=\"head\"\u003e\u003c\/div\u003e\n\u003cblockquote\u003e\n\u003ch4\u003eLabel: \u003cspan data-mce-fragment=\"1\"\u003eMOSH664CD, MOSH664LP\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003ch4\u003eFormat:  black vinyl\u0026amp; CD\u003cbr\u003eCountry: Europe\u003cbr\u003eGenre: Hard Rock \u003c\/h4\u003e\n\u003c\/blockquote\u003e\n\u003cdiv\u003e\u003cu\u003eThe Rock'N Roll royalties are back!\u003c\/u\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe former \u003cb\u003eThin Lizzy\u003c\/b\u003e members and the reigning masters of anthemic rock'n roll \u003cb\u003eBlack Star Riders\u003c\/b\u003e return with their hugely anticipated fifth studio album, \"\u003cb\u003eWrong Side Of Paradise\u003c\/b\u003e\". \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThe album, featuring 11 tracks, was recorded in the Autumn of 2021 at \u003cb\u003eStudio 606\u003c\/b\u003e in \u003cb\u003eNorthridge (California)\u003c\/b\u003e and \u003cb\u003eToochtoon Sound\u003c\/b\u003e in \u003cb\u003eRedmond (Oregon)\u003c\/b\u003e with producer and longtime band associate, \u003cb\u003eJay Ruston \u003c\/b\u003e(\u003cb\u003eStone Sour, Uriah Heep, Anthrax, Steel Panther\u003c\/b\u003e).\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eToimitusmaksu 8€ (1-20 levyä) \u003cbr data-mce-fragment=\"1\"\u003eToimitus: 1-2 viikkoa\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Wrong Side Of Paradise\u003cbr\u003e02 - Hustle\u003cbr\u003e03 - Better Than Saturday Night (feat. Joe Elliott of Def Leppard)\u003cbr\u003e04 - Riding Out The Storm\u003cbr\u003e05 - Pay Dirt\u003cbr\u003e06 - Catch Yourself On\u003cbr\u003e07 - Crazy Horses\u003cbr\u003e08 - Burning Rome\u003cbr\u003e09 - Don't Let The World\u003cbr\u003e10 - Green And Troubled Land\u003cbr\u003e11 - This Life Will Be The Death Of Me\u003c\/p\u003e","brand":"Acceptus Records","offers":[{"title":"LP levy","offer_id":43705997000878,"sku":null,"price":36.9,"currency_code":"EUR","in_stock":true},{"title":"CD levy","offer_id":43706051657902,"sku":"","price":17.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/Nayttokuva2023-01-13132942.jpg?v=1673610731"},{"product_id":"judas-priest-angel-of-retribution-lp-levy","title":"Judas Priest ‎– Angel Of Retribution  LP levy","description":"\u003cp\u003eLabel: Columbia ‎– 88985390931, Legacy ‎– 88985390931, Sony Music ‎– 88985390931\u003cbr\u003eFormat: 2 × Vinyl, LP, Album, Reissue, 180g\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: 08 Dec 2017\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Hard Rock, Heavy Metal\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: heti\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003e \u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Judas Rising \u003cbr\u003eA2 Deal With The Devil \u003cbr\u003eA3 Revolution \u003cbr\u003eB1 Worth Fighting For \u003cbr\u003eB2 Demonizer \u003cbr\u003eB3 Wheels Of Fire \u003cbr\u003eC1 Angel \u003cbr\u003eC2 Hellrider \u003cbr\u003eD1 Eulogy \u003cbr\u003eD2 Lochness\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Angel_of_Retribution\"\u003eAngel of Retribution - Wikipedia\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eAngel of Retribution\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis the fifteenth studio album by English\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Heavy metal music\" href=\"https:\/\/en.wikipedia.org\/wiki\/Heavy_metal_music\"\u003eheavy metal\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eband\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Judas Priest\" href=\"https:\/\/en.wikipedia.org\/wiki\/Judas_Priest\"\u003eJudas Priest\u003c\/a\u003e, released in 2005. It is the band's first album since 1990's\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Painkiller (Judas Priest album)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Painkiller_(Judas_Priest_album)\"\u003ePainkiller\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eto feature\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Rob Halford\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rob_Halford\"\u003eRob Halford\u003c\/a\u003e. The album debuted at No. 13 on the US\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Billboard 200\" href=\"https:\/\/en.wikipedia.org\/wiki\/Billboard_200\"\u003eBillboard 200\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003echart,\u003csup class=\"reference\" id=\"cite_ref-Billboard_9-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Angel_of_Retribution#cite_note-Billboard-9\"\u003e[9]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ewhich makes it the fourth highest charting Judas Priest album in the US. The album was produced by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Roy Z\" href=\"https:\/\/en.wikipedia.org\/wiki\/Roy_Z\"\u003eRoy Z\u003c\/a\u003e,\u003csup class=\"reference\" id=\"cite_ref-Bm_3-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Angel_of_Retribution#cite_note-Bm-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ewho co-wrote the song \"Deal with the Devil\". It won a 2005\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Metal Hammer\" href=\"https:\/\/en.wikipedia.org\/wiki\/Metal_Hammer\"\u003eMetal Hammer\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eaward for Best Album.\u003csup class=\"reference\" id=\"cite_ref-10\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Angel_of_Retribution#cite_note-10\"\u003e[10]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIn the 2005\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Burrn!\" href=\"https:\/\/en.wikipedia.org\/wiki\/Burrn!\"\u003eBurrn!\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emagazine Readers' Pop Poll, it was voted Best Album of the Year and Best Album Cover.\u003csup class=\"reference\" id=\"cite_ref-11\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Angel_of_Retribution#cite_note-11\"\u003e[11]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Album_Information\" class=\"mw-headline\"\u003eAlbum Information\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Album Information\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Angel_of_Retribution\u0026amp;action=edit\u0026amp;section=1\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003ci\u003eAngel of Retribution\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas originally scheduled to be released in late 2004, but the label changed the release date to early 2005, hoping for better sales. Early pressings have the year 2004 printed on the covers. In a descriptive detail about the album,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Glenn Tipton\" href=\"https:\/\/en.wikipedia.org\/wiki\/Glenn_Tipton\"\u003eGlenn Tipton\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eexplains, \"We've got a lot of energy. We're firing on all cylinders and it's obvious on this album. I think it's the most natural JUDAS PRIEST album. A lot of people who have listened to it have said it's timeless. You couldn't really date it.\"\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Rob Halford\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rob_Halford\"\u003eRob Halford\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eadds, \"That decade that we were out of each other's company just seems to have vanished in smoke. When we got together to begin writing the new material for 'Angel of Retribution', it was really a continuation of where we would have been had we made the next record after 'Painkiller'. All the pieces were already in place.\"\u003csup class=\"reference\" id=\"cite_ref-12\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Angel_of_Retribution#cite_note-12\"\u003e[12]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eSix of the album's songs have been performed live, with \"Hellrider\", \"Deal With the Devil\", \"Worth Fighting For\" and \"Revolution\" only appearing on 2005 setlists. \"Judas Rising\" was also performed in 2005 and returned for the 2011–12 and 2019 tours, and \"Angel\" being added to the setlist in 2008-9 and then reappearing for a few shows in 2018.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Lyrical_references\" class=\"mw-headline\"\u003eLyrical references\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Lyrical references\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Angel_of_Retribution\u0026amp;action=edit\u0026amp;section=2\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eWithin the album, nods to the sound of past albums and songs are found,\u003csup class=\"reference\" id=\"cite_ref-Bm_3-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Angel_of_Retribution#cite_note-Bm-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eas well as lyrics that apparently reference earlier songs. The song \"Demonizer\" references both \"The Hellion\" from\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Screaming for Vengeance\" href=\"https:\/\/en.wikipedia.org\/wiki\/Screaming_for_Vengeance\"\u003eScreaming for Vengeance\u003c\/a\u003e\u003c\/i\u003e, as well as \"Painkiller\" from\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Painkiller (Judas Priest album)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Painkiller_(Judas_Priest_album)\"\u003ePainkiller\u003c\/a\u003e\u003c\/i\u003e. \"Hellrider\" mentions the title track of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Ram It Down\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ram_It_Down\"\u003eRam It Down\u003c\/a\u003e\u003c\/i\u003e, and \"Tyrant\" from\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Sad Wings of Destiny\" href=\"https:\/\/en.wikipedia.org\/wiki\/Sad_Wings_of_Destiny\"\u003eSad Wings of Destiny\u003c\/a\u003e\u003c\/i\u003e. \"Eulogy\" references \"Stained Class\" and \"The Sentinel\" from the albums\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Stained Class\" href=\"https:\/\/en.wikipedia.org\/wiki\/Stained_Class\"\u003eStained Class\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Defenders of the Faith\" href=\"https:\/\/en.wikipedia.org\/wiki\/Defenders_of_the_Faith\"\u003eDefenders of the Faith\u003c\/a\u003e\u003c\/i\u003e, respectively. Finally, \"Worth Fighting For\" acts as a sequel\/prequel to \"Desert Plains\" from\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Point of Entry\" href=\"https:\/\/en.wikipedia.org\/wiki\/Point_of_Entry\"\u003ePoint of Entry\u003c\/a\u003e\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eThe song \"Deal With the Devil\" can be viewed as an autobiography of Judas Priest, telling their origins from the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Black Country\" href=\"https:\/\/en.wikipedia.org\/wiki\/Black_Country\"\u003eBlack Country\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof England's West Midlands, mentioning their transitory days gigging around England and practising at the Church of Holy Joseph in Walsall, which is where Judas Priest was effectively born. \"Deal With the Devil\" also mentions the song \"Blood Red Skies\" from\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRam It Down\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand \"Take on the World\" from\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Killing Machine\" href=\"https:\/\/en.wikipedia.org\/wiki\/Killing_Machine\"\u003eKilling Machine\u003c\/a\u003e\u003c\/i\u003e.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Reception\" class=\"mw-headline\"\u003eReception\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Reception\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Angel_of_Retribution\u0026amp;action=edit\u0026amp;section=3\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe album generally received favourable reviews from critics and fans.\u003csup class=\"reference\" id=\"cite_ref-13\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Angel_of_Retribution#cite_note-13\"\u003e[13]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHowever,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Classic Rock Magazine\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Classic_Rock_Magazine\"\u003eClassic Rock Magazine\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ereviewer\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Geoff Barton\" href=\"https:\/\/en.wikipedia.org\/wiki\/Geoff_Barton\"\u003eGeoff Barton\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eawarded the album three out of five stars in March 2005, dropping the overall score solely due to his dislike of the track '\"Lochness\". Barton claimed that the track sends 'the entire record crashing down in flames... Lochness is so ill-conceived, so long-drawn out, droning and dismal, that is single-handedly destroys what would otherwise have been a triumphant Halford-led return.'\u003csup class=\"reference\" id=\"cite_ref-14\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Angel_of_Retribution#cite_note-14\"\u003e[14]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe song, however, has since been reappraised by many fans as underrated.\u003csup class=\"reference\" id=\"cite_ref-15\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Angel_of_Retribution#cite_note-15\"\u003e[15]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"DualDisc\" class=\"mw-headline\"\u003eDualDisc\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: DualDisc\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Angel_of_Retribution\u0026amp;action=edit\u0026amp;section=4\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe album was released on the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"DualDisc\" href=\"https:\/\/en.wikipedia.org\/wiki\/DualDisc\"\u003eDualDisc\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eformat which had traditional CD content on one side and DVD content on the other side. The DVD side of this album featured a documentary entitled \"Reunited\" as well as the entire album in an enhanced audio format. It was released as a 2-disc set containing Compact Disc audio and DVD video in Europe, Japan and USA\u003c\/p\u003e\n\u003cdl\u003e\n\u003cdt\u003eJudas Priest\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca title=\"Rob Halford\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rob_Halford\"\u003eRob Halford\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– vocals\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"K. K. Downing\" href=\"https:\/\/en.wikipedia.org\/wiki\/K._K._Downing\"\u003eK. K. Downing\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– guitars\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Glenn Tipton\" href=\"https:\/\/en.wikipedia.org\/wiki\/Glenn_Tipton\"\u003eGlenn Tipton\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– guitars\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Ian Hill\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ian_Hill\"\u003eIan Hill\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– bass\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Scott Travis\" href=\"https:\/\/en.wikipedia.org\/wiki\/Scott_Travis\"\u003eScott Travis\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– drums\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdl\u003e\n\u003cdt\u003eAdditional musician\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca title=\"Don Airey\" href=\"https:\/\/en.wikipedia.org\/wiki\/Don_Airey\"\u003eDon Airey\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– keyboards\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdl\u003e\n\u003cdt\u003eProduction\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca title=\"Record producer\" href=\"https:\/\/en.wikipedia.org\/wiki\/Record_producer\"\u003eProduced\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eby\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Roy Z\" href=\"https:\/\/en.wikipedia.org\/wiki\/Roy_Z\"\u003eRoy Z\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand Judas Priest\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Audio engineer\" href=\"https:\/\/en.wikipedia.org\/wiki\/Audio_engineer\"\u003eEngineered\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eby Roy Z, engineered in the US by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Joe Barresi\" href=\"https:\/\/en.wikipedia.org\/wiki\/Joe_Barresi\"\u003eJoe Barresi\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Audio mixing (recorded music)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Audio_mixing_(recorded_music)\"\u003eMixed\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eby Roy Z and Stan Katayama\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Audio mastering\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Audio_mastering\"\u003eMastered\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eby Tom Baker from Precision Mastering\u003c\/li\u003e\n\u003cli\u003eCover concept by Judas Priest\u003c\/li\u003e\n\u003cli\u003eDesign and illustrations by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Mark Wilkinson\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mark_Wilkinson\"\u003eMark Wilkinson\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdl\u003e\n\u003cdt\u003e\n\u003ci\u003eReunited\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emini documentary (DualDisc edition)\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003eProduced and directed by Aubrey Powell\u003c\/li\u003e\n\u003cli\u003eAudio produced and mixed by Tom Allom\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":43805595500718,"sku":"","price":36.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/NDItNzQ5OS5qcGVn.jpg?v=1677843857"},{"product_id":"metallica-kill-em-all-lp-levy","title":"Metallica ‎– Kill 'Em All   LP levy","description":"\u003cp\u003eLabel: Blackened ‎– 00602547885289, Blackened ‎– BLCKND003R-1\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Remastered\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: 2016\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Thrash, Speed Metal\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: 1-2 viikkoa\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003e \u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Hit The Lights 4:17\u003cbr\u003eA2 The Four Horsemen 7:08\u003cbr\u003eA3 Motorbreath 3:03\u003cbr\u003eA4 Jump In The Fire 4:50\u003cbr\u003eA5 (Anesthesia)-Pulling Teeth 3:27\u003cbr\u003eA6 Whiplash 4:06\u003cbr\u003eB1 Phantom Lord 4:52\u003cbr\u003eB2 No Remorse 6:24\u003cbr\u003eB3 Seek \u0026amp; Destroy 6:50\u003cbr\u003eB4 Metal Militia 6:06\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All\"\u003eKill 'Em All - Wikipedia\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eKill 'Em All\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis the debut studio album by American\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Heavy metal music\" href=\"https:\/\/en.wikipedia.org\/wiki\/Heavy_metal_music\"\u003eheavy metal\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eband\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Metallica\" href=\"https:\/\/en.wikipedia.org\/wiki\/Metallica\"\u003eMetallica\u003c\/a\u003e, released on July 25, 1983, through the independent label\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Megaforce Records\" href=\"https:\/\/en.wikipedia.org\/wiki\/Megaforce_Records\"\u003eMegaforce Records\u003c\/a\u003e. Metallica began by playing shows in local clubs in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Los Angeles\" href=\"https:\/\/en.wikipedia.org\/wiki\/Los_Angeles\"\u003eLos Angeles\u003c\/a\u003e. They recorded several\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Demo (music)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Demo_(music)\"\u003edemos\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eto gain attention from club owners and eventually relocated to\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"San Francisco\" href=\"https:\/\/en.wikipedia.org\/wiki\/San_Francisco\"\u003eSan Francisco\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eto secure the services of bassist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Cliff Burton\" href=\"https:\/\/en.wikipedia.org\/wiki\/Cliff_Burton\"\u003eCliff Burton\u003c\/a\u003e. The group's\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"No Life 'til Leather\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/No_Life_%27til_Leather\"\u003eNo Life 'til Leather\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003edemo tape (1982) was noticed by Megaforce label head\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Jon Zazula\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jon_Zazula\"\u003eJon Zazula\u003c\/a\u003e, who signed them and provided a budget of $15,000 for recording. The album was recorded in May with producer Paul Curcio at the Music America Studios in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Rochester, New York\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rochester,_New_York\"\u003eRochester, New York\u003c\/a\u003e. It was originally intended to be titled\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMetal Up Your Ass\u003c\/i\u003e, with cover art featuring a hand clutching a dagger emerging from a toilet bowl. Zazula convinced the band to change the name because distributors feared that releasing an album with such an offensive title and artwork would diminish its chances of commercial success.\u003c\/p\u003e\n\u003cp\u003eMetallica promoted the album on the two-month co-headlining\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Kill 'Em All for One\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All_for_One\"\u003eKill 'Em All for One\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003etour with English heavy metal band\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Raven (British band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Raven_(British_band)\"\u003eRaven\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein the US. The album also generated two singles: \"\u003ca title=\"Whiplash (Metallica song)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Whiplash_(Metallica_song)\"\u003eWhiplash\u003c\/a\u003e\" and \"\u003ca title=\"Jump in the Fire\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jump_in_the_Fire\"\u003eJump in the Fire\u003c\/a\u003e\". Although the initial shipment was 15,000 copies in the US, the album sold 60,000 copies worldwide by the end of Metallica's Seven Dates of Hell European tour in 1984. The album did not enter the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Billboard 200\" href=\"https:\/\/en.wikipedia.org\/wiki\/Billboard_200\"\u003e\u003ci\u003eBillboard\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e200\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003euntil 1986, when it peaked at number 155, following Metallica's commercial success with its third studio album,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Master of Puppets\" href=\"https:\/\/en.wikipedia.org\/wiki\/Master_of_Puppets\"\u003eMaster of Puppets\u003c\/a\u003e\u003c\/i\u003e; the 1988\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Elektra Records\" href=\"https:\/\/en.wikipedia.org\/wiki\/Elektra_Records\"\u003eElektra\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ereissue peaked at number 120.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKill 'Em All\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas critically praised at the time of its release and has since been regarded as a groundbreaking album for\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Thrash metal\" href=\"https:\/\/en.wikipedia.org\/wiki\/Thrash_metal\"\u003ethrash metal\u003c\/a\u003e, because of its \"precise musicianship, which fused\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"New wave of British heavy metal\" href=\"https:\/\/en.wikipedia.org\/wiki\/New_wave_of_British_heavy_metal\"\u003enew wave of British heavy metal\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eriffs with\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Hardcore punk\" href=\"https:\/\/en.wikipedia.org\/wiki\/Hardcore_punk\"\u003ehardcore punk\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Tempo\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tempo\"\u003etempos\u003c\/a\u003e\". It was also retrospectively placed on a few publications' best album lists. The album's musical approach and lyrics were markedly different from rock's mainstream of the early 1980s and inspired a number of bands who followed in a similar manner. It was certified\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"RIAA certification\" href=\"https:\/\/en.wikipedia.org\/wiki\/RIAA_certification\"\u003e3× Platinum\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eby the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Recording Industry Association of America\" href=\"https:\/\/en.wikipedia.org\/wiki\/Recording_Industry_Association_of_America\"\u003eRecording Industry Association of America\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(RIAA) in 1999 for shipping three million copies in the United States.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Background_and_recording\" class=\"mw-headline\"\u003eBackground and recording\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Background and recording\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Kill_%27Em_All\u0026amp;action=edit\u0026amp;section=1\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cdiv class=\"thumb tright\"\u003e\n\u003cdiv class=\"thumbinner\"\u003e\n\u003ca class=\"image\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Lars_Ulrich_live_in_London_2008-09-15.jpg\"\u003e\u003cimg data-file-height=\"1158\" data-file-width=\"1847\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/40\/Lars_Ulrich_live_in_London_2008-09-15.jpg\/390px-Lars_Ulrich_live_in_London_2008-09-15.jpg 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/40\/Lars_Ulrich_live_in_London_2008-09-15.jpg\/520px-Lars_Ulrich_live_in_London_2008-09-15.jpg 2x\" class=\"thumbimage\" height=\"163\" width=\"260\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/4\/40\/Lars_Ulrich_live_in_London_2008-09-15.jpg\/260px-Lars_Ulrich_live_in_London_2008-09-15.jpg\" alt=\"Short-haired man in a black shirt on a drum kit\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\u003cdiv class=\"magnify\"\u003e\n\u003ca title=\"Enlarge\" class=\"internal\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Lars_Ulrich_live_in_London_2008-09-15.jpg\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ca title=\"Lars Ulrich\" href=\"https:\/\/en.wikipedia.org\/wiki\/Lars_Ulrich\"\u003eLars Ulrich\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(\u003ci\u003epictured in 2008\u003c\/i\u003e) founded Metallica through an advertisement in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"The Recycler\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Recycler\"\u003eThe Recycler\u003c\/a\u003e\u003c\/i\u003e. He picked the band's name from his friend Ron Quintana's list of names for his upcoming magazine. Ulrich suggested\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMetal Mania\u003c\/i\u003e, secretly wanting to use Metallica as the band's name.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEPillsbury200617_2-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEPillsbury200617-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eMetallica was formed in 1981 in Los Angeles by drummer\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Lars Ulrich\" href=\"https:\/\/en.wikipedia.org\/wiki\/Lars_Ulrich\"\u003eLars Ulrich\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand by vocalist\/rhythm guitarist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"James Hetfield\" href=\"https:\/\/en.wikipedia.org\/wiki\/James_Hetfield\"\u003eJames Hetfield\u003c\/a\u003e. Before settling on a definitive lineup,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Metal Blade Records\" href=\"https:\/\/en.wikipedia.org\/wiki\/Metal_Blade_Records\"\u003eMetal Blade Records\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eowner\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Brian Slagel\" href=\"https:\/\/en.wikipedia.org\/wiki\/Brian_Slagel\"\u003eBrian Slagel\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003easked Metallica to record a song for the first edition of his\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Metal Massacre\" href=\"https:\/\/en.wikipedia.org\/wiki\/Metal_Massacre\"\u003eMetal Massacre\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecompilation. Hetfield and Ulrich chose \"Hit the Lights\" from Hetfield's and his childhood friend\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Ron McGovney\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ron_McGovney\"\u003eRon McGovney\u003c\/a\u003e's previous band\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Leather Charm\" href=\"https:\/\/en.wikipedia.org\/wiki\/Leather_Charm\"\u003eLeather Charm\u003c\/a\u003e, and recorded it with Hetfield on vocals, McGovney on bass, and temporary guitarist Lloyd Grant. The band's first lineup featured Hetfield, Ulrich, McGovney, and guitarist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Dave Mustaine\" href=\"https:\/\/en.wikipedia.org\/wiki\/Dave_Mustaine\"\u003eDave Mustaine\u003c\/a\u003e, who was acquired through a newspaper advertisement. The band practiced in McGovney's garage and looked for gigs at local clubs. Metallica's first show was on March 14, 1982, at the Radio City in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Anaheim, California\" href=\"https:\/\/en.wikipedia.org\/wiki\/Anaheim,_California\"\u003eAnaheim\u003c\/a\u003e. The nine-song setlist consisted of two originals (\"Hit the Lights\" and an unfinished version of \"\u003ca title=\"Jump in the Fire\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jump_in_the_Fire\"\u003eJump in the Fire\u003c\/a\u003e\" from Mustaine's earlier band Panic and covers of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"New wave of British heavy metal\" href=\"https:\/\/en.wikipedia.org\/wiki\/New_wave_of_British_heavy_metal\"\u003enew wave of British heavy metal\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(NWOBHM) bands such as\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Diamond Head (English band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Diamond_Head_(English_band)\"\u003eDiamond Head\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Blitzkrieg (metal band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Blitzkrieg_(metal_band)\"\u003eBlitzkrieg\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Savage (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Savage_(band)\"\u003eSavage\u003c\/a\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Sweet Savage\" href=\"https:\/\/en.wikipedia.org\/wiki\/Sweet_Savage\"\u003eSweet Savage\u003c\/a\u003e. The gig did not go as well as planned, because Mustaine had problems with the guitar\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Distortion (music)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Distortion_(music)\"\u003edistortion pedal\u003c\/a\u003e, and broke a string during a song. Metallica's second gig was on March 27, 1982, at\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Hollywood, Los Angeles\" href=\"https:\/\/en.wikipedia.org\/wiki\/Hollywood,_Los_Angeles\"\u003eHollywood\u003c\/a\u003e's\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Whisky a Go Go\" href=\"https:\/\/en.wikipedia.org\/wiki\/Whisky_a_Go_Go\"\u003eWhisky a Go Go\u003c\/a\u003e, opening for\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Saxon (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Saxon_(band)\"\u003eSaxon\u003c\/a\u003e. Although\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Mötley Crüe\" href=\"https:\/\/en.wikipedia.org\/wiki\/M%C3%B6tley_Cr%C3%BCe\"\u003eMötley Crüe\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewas originally scheduled to open the show, the group canceled because of its growing popularity. Metallica recorded a three-song demo to persuade the venue's management to allow the band to open for Saxon. Metallica's third concert was in April 1982, at which was premiered \"\u003ca title=\"Mechanix\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mechanix\"\u003eThe Mechanix\u003c\/a\u003e\",\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver2014Chapter_3:_1981–1982_3-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver2014Chapter_3:_1981%E2%80%931982-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ewritten by Mustaine during his tenure with Panic.\u003csup class=\"reference\" id=\"cite_ref-Guitar_World_4-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-Guitar_World-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eMustaine interacted with the fans at Metallica's earliest shows because Hetfield was shy.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEGulla2009101_5-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEGulla2009101-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eTo garner attention from club owners, Metallica recorded the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePower Metal\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003edemo in April 1982, which featured \"Motorbreath\" in addition to the already-performed originals. The logo, displaying the band's name with the first and last letter drawn larger with sharp\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Serif\" href=\"https:\/\/en.wikipedia.org\/wiki\/Serif\"\u003eserifs\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand italicized, was designed by Hetfield.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEWeinstein2013_6-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEWeinstein2013-6\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"No Life 'til Leather\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/No_Life_%27til_Leather\"\u003eNo Life 'til Leather\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003edemo was recorded in July 1982, and it created a buzz in the underground\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Tape trading\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tape_trading\"\u003etape trading\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecircles.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEPopoff201320_7-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEPopoff201320-7\"\u003e[7]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNo Life 'til Leather\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efeatured a re-recorded version of \"Hit the Lights\", which appeared on the second pressing of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMetal Massacre\u003c\/i\u003e, in addition to new songs such as \"Phantom Lord\", \"Seek \u0026amp; Destroy\", and \"Metal Militia\". The recording and\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Audio mastering\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Audio_mastering\"\u003emastering\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewas financed by Kenny Kane, owner of the punk label High Velocity, and distributed by Ulrich and his friend Pat Scott.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver2014Chapter_6:_1982_8-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver2014Chapter_6:_1982-8\"\u003e[8]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBecause of tensions with Mustaine, McGovney left the band in December. Ulrich was impressed by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Cliff Burton\" href=\"https:\/\/en.wikipedia.org\/wiki\/Cliff_Burton\"\u003eCliff Burton\u003c\/a\u003e's performance with\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Trauma (American band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Trauma_(American_band)\"\u003eTrauma\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eat\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"The Troubadour, West Hollywood\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Troubadour,_West_Hollywood\"\u003eThe Troubadour\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein West Hollywood, and offered to let him join the band.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEPopoff201322_9-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEPopoff201322-9\"\u003e[9]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBurton joined on the condition that Metallica would relocate to the San Francisco area.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEPopoff201321_10-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEPopoff201321-10\"\u003e[10]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eMoving to\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"El Cerrito, California\" href=\"https:\/\/en.wikipedia.org\/wiki\/El_Cerrito,_California\"\u003eEl Cerrito\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein February 1983, the band stayed and rehearsed at\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Exodus (American band)\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Exodus_(American_band)\"\u003eExodus\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003emanager\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Mark Whitaker (record producer)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mark_Whitaker_(record_producer)\"\u003eMark Whitaker\u003c\/a\u003e's house, which they called the \"Metallica Mansion\".\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEWinwoodBrannigan2013Chapter_2:_Hit_the_Lights_11-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEWinwoodBrannigan2013Chapter_2:_Hit_the_Lights-11\"\u003e[11]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eMetallica intended to record its debut in Los Angeles on Slagel's independent label on an $8,000 budget. Slagel could not afford the record, and Ulrich contacted\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Jon Zazula\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jon_Zazula\"\u003eJon Zazula\u003c\/a\u003e, a New Jersey record store owner and promoter of heavy metal bands on the East Coast who had already heard\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNo Life 'til Leather\u003c\/i\u003e. Metallica rented a\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"U-Haul\" href=\"https:\/\/en.wikipedia.org\/wiki\/U-Haul\"\u003eU-Haul\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003etruck and drove to New Jersey in late March,\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEWinwoodBrannigan2013Chapter_2:_Hit_the_Lights_11-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEWinwoodBrannigan2013Chapter_2:_Hit_the_Lights-11\"\u003e[11]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand upon arrival, allowed Zazula to sell copies of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNo Life 'til Leather\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eto help him found\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Megaforce Records\" href=\"https:\/\/en.wikipedia.org\/wiki\/Megaforce_Records\"\u003eMegaforce Records\u003c\/a\u003e, because no label wanted to finance the album's recording.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEDomeWall2011Chapter_1:_Kill_'Em_All_12-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEDomeWall2011Chapter_1:_Kill_'Em_All-12\"\u003e[12]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cdiv class=\"thumb tright\"\u003e\n\u003cdiv class=\"thumbinner\"\u003e\n\u003ca class=\"image\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Priest_feast_22_-_megadeth_05.jpg\"\u003e\u003cimg data-file-height=\"759\" data-file-width=\"1134\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/a\/a3\/Priest_feast_22_-_megadeth_05.jpg\/330px-Priest_feast_22_-_megadeth_05.jpg 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/a\/a3\/Priest_feast_22_-_megadeth_05.jpg\/440px-Priest_feast_22_-_megadeth_05.jpg 2x\" class=\"thumbimage\" height=\"147\" width=\"220\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/a\/a3\/Priest_feast_22_-_megadeth_05.jpg\/220px-Priest_feast_22_-_megadeth_05.jpg\" alt=\"Red-haired guitarist in a black shirt in front of a microphone\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"thumbcaption\"\u003e\n\u003cdiv class=\"magnify\"\u003e\n\u003ca title=\"Enlarge\" class=\"internal\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Priest_feast_22_-_megadeth_05.jpg\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ca title=\"Dave Mustaine\" href=\"https:\/\/en.wikipedia.org\/wiki\/Dave_Mustaine\"\u003eDave Mustaine\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(\u003ci\u003epictured in 2005\u003c\/i\u003e) was an early member of Metallica, and co-wrote several songs on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKill 'Em All\u003c\/i\u003e. His erratic and violent behavior led to his expulsion from the band prior to recording the album.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEWinwoodBrannigan2013Chapter_3:_Jump_in_the_Fire_13-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEWinwoodBrannigan2013Chapter_3:_Jump_in_the_Fire-13\"\u003e[13]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eHetfield and Ulrich fired Mustaine on the morning of April 11 after a gig in New York, because of his drug and alcohol problems, overly aggressive behavior, and clashes with bandmates.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver200973_14-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver200973-14\"\u003e[14]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eOn Whitaker's recommendation, Metallica recruited\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Kirk Hammett\" href=\"https:\/\/en.wikipedia.org\/wiki\/Kirk_Hammett\"\u003eKirk Hammett\u003c\/a\u003e, who played in Exodus and was a one-time student of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Joe Satriani\" href=\"https:\/\/en.wikipedia.org\/wiki\/Joe_Satriani\"\u003eJoe Satriani\u003c\/a\u003e. Hammett learned the songs on his flight to New York, and started recording the album with Metallica barely a month later. Metallica met producer Paul Curcio at Music America studios in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Rochester, New York\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rochester,_New_York\"\u003eRochester\u003c\/a\u003e, and recorded the album in two weeks.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver200988_15-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver200988-15\"\u003e[15]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eUnable to afford a hotel during the recording sessions, the band members stayed over in people's houses in Rochester and at the Music Factory in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Jamaica, Queens\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jamaica,_Queens\"\u003eJamaica, Queens\u003c\/a\u003e, where\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Anthrax (American band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Anthrax_(American_band)\"\u003eAnthrax\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eheld rehearsals.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEPopoff201330_16-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEPopoff201330-16\"\u003e[16]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eCurcio had set the studio equipment as if he were recording an ordinary rock band. He thought the initial tapes sounded very distorted, and tried to compensate by turning down the knobs.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEWinwoodBrannigan2013Chapter_3:_Jump_in_the_Fire_13-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEWinwoodBrannigan2013Chapter_3:_Jump_in_the_Fire-13\"\u003e[13]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eMetallica resented Curcio's involvement, because he seemed uninterested, and had little impact on the sound.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver200989_17-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver200989-17\"\u003e[17]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAlthough Zazula wanted Hammett to replicate Mustaine's solos, Hammett's guitar solos on the album were partially based on Mustaine's original solos, with the first four bars of most solos written by Mustaine before his departure.\u003csup class=\"reference\" id=\"cite_ref-18\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-18\"\u003e[18]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eDespite their differences, Mustaine's contributions to the early years of Metallica were still acknowledged, and he received four co-writing credits on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKill 'Em All\u003c\/i\u003e.\u003csup class=\"reference\" id=\"cite_ref-booklet_19-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-booklet-19\"\u003e[19]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eZazula was not pleased with the initial\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Audio mixing (recorded music)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Audio_mixing_(recorded_music)\"\u003emix\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ebecause he thought that the drums were too loud, and the guitars were too low in the mix. The remix was done by sound engineer Chris Bubacz, according to Zazula's instructions.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEWinwoodBrannigan2013Chapter_3:_Jump_in_the_Fire_13-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEWinwoodBrannigan2013Chapter_3:_Jump_in_the_Fire-13\"\u003e[13]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe final cost for the record rounded to an estimated $15,000, which nearly caused Zazula to go bankrupt. \"This was mortgage money I'm spending, not something I've got put by I'm going to invest,\" he said later.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEWall2010Chapter_5:_Long-Haired_Punks_20-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEWall2010Chapter_5:_Long-Haired_Punks-20\"\u003e[20]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eZazula had a hard time finding a distributor for the record, but he eventually convinced\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Relativity Records\" href=\"https:\/\/en.wikipedia.org\/wiki\/Relativity_Records\"\u003eRelativity Records\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eto distribute the album in the US and Canada, and\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Music for Nations\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Music_for_Nations\"\u003eMusic for Nations\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein Europe.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEDomeWall2011Chapter_1:_Kill_'Em_All_12-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEDomeWall2011Chapter_1:_Kill_'Em_All-12\"\u003e[12]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe band intended to title the album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMetal Up Your Ass\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewith a cover featuring a hand clutching a dagger emerging from a toilet bowl. However, Zazula convinced them to change the title, because he thought that distributors would not stock it as it was too explicit to display. The final cover featured the shadow of a hand letting go of a bloodied hammer.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEPopoff201334_21-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEPopoff201334-21\"\u003e[21]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBurton was credited with coming up with the name\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKill 'Em All\u003c\/i\u003e—referring to timid record distributors, saying, \"Those record company fuckers ... kill 'em all!\"—as a response to the situation.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver200989_17-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver200989-17\"\u003e[17]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eUlrich thought\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKill 'Em All\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas a good name, and Zazula agreed.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEWall2010Chapter_5:_Long-Haired_Punks_20-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEWall2010Chapter_5:_Long-Haired_Punks-20\"\u003e[20]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBurton suggested to Gary L. Heard, also responsible for the Metallica photograph on the back cover, to feature a bloodied hammer on the album art. According to Hammett, \"Cliff carried a hammer with him everywhere he went. He always had a hammer in his luggage, and he would take it out occasionally and start destroying things.\"\u003csup class=\"reference\" id=\"cite_ref-22\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-22\"\u003e[22]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eEven though the original title was unused, the band did later release a \"Metal Up Your Ass\" T-shirt with the proposed artwork.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEPopoff201334_21-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEPopoff201334-21\"\u003e[21]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eA live\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Bootleg recording\" href=\"https:\/\/en.wikipedia.org\/wiki\/Bootleg_recording\"\u003ebootleg recording\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eof a 1982 performance at the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Old Waldorf\" href=\"https:\/\/en.wikipedia.org\/wiki\/Old_Waldorf\"\u003eOld Waldorf\u003c\/a\u003e, titled\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMetal Up Your Ass (Live)\u003c\/i\u003e, featured the original cover artwork.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEWinwoodBrannigan2013Chapter_2:_Hit_the_Lights_11-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEWinwoodBrannigan2013Chapter_2:_Hit_the_Lights-11\"\u003e[11]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eOriginal pressings of the album came with an inner\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Record sleeve\" href=\"https:\/\/en.wikipedia.org\/wiki\/Record_sleeve\"\u003esleeve\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ethat included pictures and lyrics as well as a silver label on the vinyl. Subsequent pressings had a blank white sleeve and standard album label. The 1988 reissue re-introduced the lyrics and photos. The original release can be distinguished by the words \"Bang That Head That Doesn't Bang\" at the top of the back cover. This was dropped from the reissue.\u003csup class=\"reference\" id=\"cite_ref-booklet_19-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-booklet-19\"\u003e[19]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe phrase \"Bang That Head That Doesn't Bang\" was dedicated to San Francisco fan Ray Burch, known for his\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Headbanging\" href=\"https:\/\/en.wikipedia.org\/wiki\/Headbanging\"\u003eheadbanging\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eat the band's early shows.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEWall2010Chapter_5:_Long-Haired_Punks_20-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEWall2010Chapter_5:_Long-Haired_Punks-20\"\u003e[20]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Music_and_lyrics\" class=\"mw-headline\"\u003eMusic and lyrics\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Music and lyrics\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Kill_%27Em_All\u0026amp;action=edit\u0026amp;section=2\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cdiv class=\"quotebox pullquote floatright\"\u003e\n\u003cblockquote class=\"quotebox-quote left-aligned\"\u003e\n\u003cp\u003e\"\u003ci\u003eKill 'Em All\u003c\/i\u003e\u003cspan class=\"nowrap\"\u003e'\u003c\/span\u003es lyrics created as much excitement as the band's music. Taken together, the words of the songs on the album form a single theme. It is a\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Concept album\" href=\"https:\/\/en.wikipedia.org\/wiki\/Concept_album\"\u003econcept album\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ethat heralds the breakthrough of a new subgenre of metal, its fans, and its leader, Metallica. It is a celebration of metal. It is a call to arms to a new generation of metalheads, many of whom were already armed and ready.\"\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003ccite class=\"left-aligned\"\u003e—\u003ca title=\"Deena Weinstein\" href=\"https:\/\/en.wikipedia.org\/wiki\/Deena_Weinstein\"\u003eDeena Weinstein\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEssays on Debut Albums\u003c\/i\u003e\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEWeinstein2013_6-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEWeinstein2013-6\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/cite\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ci\u003eKill 'Em All\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efeatures intricate riffing reminiscent of the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"NWoBHM\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/NWoBHM\"\u003eNWOBHM\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ebands played at high velocity. The album is considered crucial in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Thrash metal\" href=\"https:\/\/en.wikipedia.org\/wiki\/Thrash_metal\"\u003ethrash metal\u003c\/a\u003e's genesis because it introduced fast percussion, low-register chords, and\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Shred guitar\" href=\"https:\/\/en.wikipedia.org\/wiki\/Shred_guitar\"\u003eshredding\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eleads to the genre.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEGulla2009102_23-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEGulla2009102-23\"\u003e[23]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHammett played some\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Pentatonic scale\" href=\"https:\/\/en.wikipedia.org\/wiki\/Pentatonic_scale\"\u003epentatonic\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003epatterns in addition to his breakneck solos.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEPopoff201335_24-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEPopoff201335-24\"\u003e[24]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eUlrich adopted a\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Double time\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Double_time\"\u003edouble time\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003esnare pattern that would become a mainstay on Metallica's subsequent albums. Hetfield's vocals evolved from the melodic wail on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNo Life 'til Leather\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eto a rough-edged bark, and the entire band played faster and more accurately on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKill 'Em All\u003c\/i\u003e.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver2014Chapter_8:_1982–1983_25-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver2014Chapter_8:_1982%E2%80%931983-25\"\u003e[25]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAuthor\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Joel McIver\" href=\"https:\/\/en.wikipedia.org\/wiki\/Joel_McIver\"\u003eJoel McIver\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003edescribed Burton's and Hetfield's performances as nearly virtuosic, highlighting Burton's smooth-sounding bass and Hetfield's precise picking skills.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver200996_26-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver200996-26\"\u003e[26]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eAccording to journalist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Chuck Eddy\" href=\"https:\/\/en.wikipedia.org\/wiki\/Chuck_Eddy\"\u003eChuck Eddy\u003c\/a\u003e, the juvenile lyrical approach to topics such as warfare, violence and life on the road gives the album a \"naive charm\".\u003csup class=\"reference\" id=\"cite_ref-Eddy_27-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-Eddy-27\"\u003e[27]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe musical approach on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKill 'Em All\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas in contrast to the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Glam metal\" href=\"https:\/\/en.wikipedia.org\/wiki\/Glam_metal\"\u003eglam metal\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ebands who dominated the charts in the early 1980s.\u003csup class=\"reference\" id=\"cite_ref-VH1_28-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-VH1-28\"\u003e[28]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBecause of its rebellious nature and Metallica's street appearance, it appealed to fans who were not into the mainstream of hard rock.\u003csup class=\"reference\" id=\"cite_ref-Billboard_29-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-Billboard-29\"\u003e[29]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\"Hit the Lights\" was based on an unfinished Leather Charm song written by Hetfield and Hugh Tanner. Hetfield had brought the majority of the song to Ulrich, and the two worked out different arrangements. Performed at 160\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Beats per minute\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Beats_per_minute\"\u003ebeats per minute\u003c\/a\u003e, \"Hit the Lights\" opens with fade-in distorted guitars and a short shriek by Hetfield. The song is driven by the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"16th note\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/16th_note\"\u003e16th note\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003erepeated main riff and the continuous\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Eighth note\" href=\"https:\/\/en.wikipedia.org\/wiki\/Eighth_note\"\u003eeighth note\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003esnare drum hits. The lyrics celebrate heavy metal itself and are sung with short and high pitched vocals.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEPillsbury20069_30-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEPillsbury20069-30\"\u003e[30]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe song ends with several lengthy guitar solos by Hammett, who performed cleaner and more melodic versions of Mustaine's leads.\u003c\/p\u003e\n\u003cdiv class=\"side-box side-box-right listen noprint\"\u003e\n\u003cdiv class=\"side-box-flex\"\u003e\n\u003cdiv class=\"side-box-image\"\u003e\n\u003cdiv class=\"center\"\u003e\n\u003cdiv class=\"floatnone\"\u003e\u003cimg data-file-height=\"160\" data-file-width=\"160\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/87\/Gnome-mime-sound-openclipart.svg\/75px-Gnome-mime-sound-openclipart.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/87\/Gnome-mime-sound-openclipart.svg\/100px-Gnome-mime-sound-openclipart.svg.png 2x\" height=\"50\" width=\"50\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/87\/Gnome-mime-sound-openclipart.svg\/50px-Gnome-mime-sound-openclipart.svg.png\" alt=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"side-box-text plainlist\"\u003e\n\u003cdiv class=\"haudio\"\u003e\n\u003cdiv class=\"listen-file-header\"\u003e\u003ca title=\"File:The Four Horsemen.ogg\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:The_Four_Horsemen.ogg\"\u003e\"The Four Horsemen\"\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"mw-tmh-player audio\"\u003e\u003ca role=\"button\" title=\"Play media\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:The_Four_Horsemen.ogg\" class=\"mw-tmh-play\"\u003e\u003cspan class=\"mw-tmh-play-icon\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan aria-label=\"28 seconds\" class=\"mw-tmh-duration mw-tmh-label\"\u003e0:28\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"description\"\u003e\"The Four Horsemen\" is based on a galloping\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Tremolo picking\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tremolo_picking\"\u003etremolo picked\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eriff and double bass drum triplets. Its multipart concept preceded the more complex song structures Metallica applied on subsequent albums.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver200990_31-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver200990-31\"\u003e[31]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"side-box-abovebelow\"\u003e\n\u003chr\u003e\n\u003ci class=\"selfreference\"\u003eProblems playing this file? See\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Help:Media\" href=\"https:\/\/en.wikipedia.org\/wiki\/Help:Media\"\u003emedia help\u003c\/a\u003e.\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\"\u003ca title=\"Mechanix\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mechanix\"\u003eThe Four Horsemen\u003c\/a\u003e\" is a revamp of the Mustaine-penned \"\u003ca title=\"Mechanix\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mechanix\"\u003eThe Mechanix\u003c\/a\u003e\", which originally had lyrics about having sex at a gas station.\u003csup class=\"reference\" id=\"cite_ref-Guitar_World_4-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-Guitar_World-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEPillsbury2006194_32-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEPillsbury2006194-32\"\u003e[32]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eA modified version of his composition with the original lyrics appeared on\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Megadeth\" href=\"https:\/\/en.wikipedia.org\/wiki\/Megadeth\"\u003eMegadeth\u003c\/a\u003e's debut\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Killing Is My Business... and Business Is Good!\" href=\"https:\/\/en.wikipedia.org\/wiki\/Killing_Is_My_Business..._and_Business_Is_Good!\"\u003eKilling Is My Business... and Business Is Good!\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1985), named \"Mechanix\". Although Mustaine told Metallica not to use any of his music, Hetfield wrote lyrics about the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Four Horsemen of the Apocalypse\" href=\"https:\/\/en.wikipedia.org\/wiki\/Four_Horsemen_of_the_Apocalypse\"\u003eFour Horsemen of the Apocalypse\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand added a\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Bridge (music)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Bridge_(music)\"\u003ebridge\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand cleanly picked guitar solo in the middle.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEPillsbury2006194_32-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEPillsbury2006194-32\"\u003e[32]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eMustaine said the bridge was inspired by the main riff in\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Lynyrd Skynyrd\" href=\"https:\/\/en.wikipedia.org\/wiki\/Lynyrd_Skynyrd\"\u003eLynyrd Skynyrd\u003c\/a\u003e's \"\u003ca title=\"Sweet Home Alabama\" href=\"https:\/\/en.wikipedia.org\/wiki\/Sweet_Home_Alabama\"\u003eSweet Home Alabama\u003c\/a\u003e\".\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver2014Chapter_6:_1982_8-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver2014Chapter_6:_1982-8\"\u003e[8]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\"Motorbreath\" was written by Hetfield during his time in Leather Charm and tells about life on the road. The song is based on a four-chord verse and a stop-and-start chorus.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver2014Chapter_6:_1982_8-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver2014Chapter_6:_1982-8\"\u003e[8]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe most recognizable parts are Ulrich's\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Drum roll\" href=\"https:\/\/en.wikipedia.org\/wiki\/Drum_roll\"\u003edrum rolls\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein each chorus and the riff that accompanies Hammett's solos. Because of its speed, the song requires fast picking by the bassist.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver200991_33-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver200991-33\"\u003e[33]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003ca title=\"Jump in the Fire\" href=\"https:\/\/en.wikipedia.org\/wiki\/Jump_in_the_Fire\"\u003eJump in the Fire\u003c\/a\u003e\" was the first song ever\u003csup class=\"reference\" id=\"cite_ref-34\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-34\"\u003e[34]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ewritten by Mustaine, with lyrics about teenage sexual experience.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver2014Chapter_3:_1981–1982_3-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver2014Chapter_3:_1981%E2%80%931982-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHetfield's revised lyrics for the album were written from\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Satan\" href=\"https:\/\/en.wikipedia.org\/wiki\/Satan\"\u003eSatan\u003c\/a\u003e's point of view, describing how the devil watches people killing each other, and is sure they will go to\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Hell\" href=\"https:\/\/en.wikipedia.org\/wiki\/Hell\"\u003ehell\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor their actions.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEIrwin200925_35-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEIrwin200925-35\"\u003e[35]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\"Jump in the Fire\" was released as a single in the UK in February 1984 to promote a UK tour with\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Venom (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Venom_(band)\"\u003eVenom\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-36\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-36\"\u003e[36]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe single featured \"Phantom Lord\" and \"\u003ca title=\"Seek \u0026amp; Destroy\" href=\"https:\/\/en.wikipedia.org\/wiki\/Seek_%26_Destroy\"\u003eSeek \u0026amp; Destroy\u003c\/a\u003e\" as live tracks, although they are actually studio recordings with fake crowd noise dubbed over them.\u003csup class=\"reference\" id=\"cite_ref-37\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-37\"\u003e[37]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe single's cover art features an oil painting titled\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Devils of D-Day\u003c\/i\u003e, created by artist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Les Edwards\" href=\"https:\/\/en.wikipedia.org\/wiki\/Les_Edwards\"\u003eLes Edwards\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein 1978.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEWagner2010121_38-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEWagner2010121-38\"\u003e[38]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\"(Anesthesia)-Pulling Teeth\" is a bass solo by Burton, accompanied on drums by Ulrich. A staple of Burton's live performances since his high school days in the band Agents of Misfortune,\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEWall2010Chapter_3:_Leather_On_Your_Lips_39-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEWall2010Chapter_3:_Leather_On_Your_Lips-39\"\u003e[39]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ethe instrumental track featured Burton's distinctive \"lead-bass\" style of playing, incorporating heavy distortion, use of\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Wah-wah pedal\" href=\"https:\/\/en.wikipedia.org\/wiki\/Wah-wah_pedal\"\u003ewah-wah pedal\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Tapping\" href=\"https:\/\/en.wikipedia.org\/wiki\/Tapping\"\u003etapping\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEPillsbury2006200_40-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEPillsbury2006200-40\"\u003e[40]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBubacz introduces the track as \"Bass solo, take one\",\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEWall2010Chapter_5:_Long-Haired_Punks_20-3\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEWall2010Chapter_5:_Long-Haired_Punks-20\"\u003e[20]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003einforming listeners that the song was recorded in one take.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver200992_41-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver200992-41\"\u003e[41]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e\"(Anesthesia)-Pulling Teeth\" was the bass solo that Burton was playing when Hetfield and Ulrich first saw him at a gig.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEPopoff201336_42-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEPopoff201336-42\"\u003e[42]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHetfield stated: \"We heard this wild solo going on and thought, 'I don't see any guitar player up there.' We were both counting the strings and I finally turned to Lars and said, 'Dude, that's a bass!' Cliff was up there on stage with his band Trauma with a wah-wah pedal and his huge mop of red hair. He didn't care whether people were there. He was looking down at his bass, playing.\"\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver200948_43-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver200948-43\"\u003e[43]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003ca title=\"Whiplash (Metallica song)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Whiplash_(Metallica_song)\"\u003eWhiplash\u003c\/a\u003e\" was the album's first single, issued on August 8, 1983.\u003csup class=\"reference\" id=\"cite_ref-44\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-44\"\u003e[44]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eIt features a swift rhythm line of straight 16th notes played at about 200 beats per minute. Hetfield and Burton performed with\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Palm mute\" href=\"https:\/\/en.wikipedia.org\/wiki\/Palm_mute\"\u003epalm muted\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003etechnique and precise metronomic control.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver200994_45-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver200994-45\"\u003e[45]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe lyrics celebrate crowd energy and headbanging.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEHarrison201159_46-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEHarrison201159-46\"\u003e[46]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eRock journalist\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Mick Wall\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mick_Wall\"\u003eMick Wall\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewrote that \"Whiplash\" signified the birth of thrash metal, stating: \"If one wishes to identify the very moment thrash metal arrived spitting and snarling into the world, 'Whiplash' is indisputably it.\"\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEWall2010Chapter_5:_Long-Haired_Punks_20-4\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEWall2010Chapter_5:_Long-Haired_Punks-20\"\u003e[20]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cdiv class=\"side-box side-box-right listen noprint\"\u003e\n\u003cdiv class=\"side-box-flex\"\u003e\n\u003cdiv class=\"side-box-image\"\u003e\n\u003cdiv class=\"center\"\u003e\n\u003cdiv class=\"floatnone\"\u003e\u003cimg data-file-height=\"160\" data-file-width=\"160\" srcset=\"\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/87\/Gnome-mime-sound-openclipart.svg\/75px-Gnome-mime-sound-openclipart.svg.png 1.5x, \/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/87\/Gnome-mime-sound-openclipart.svg\/100px-Gnome-mime-sound-openclipart.svg.png 2x\" height=\"50\" width=\"50\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/8\/87\/Gnome-mime-sound-openclipart.svg\/50px-Gnome-mime-sound-openclipart.svg.png\" alt=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"side-box-text plainlist\"\u003e\n\u003cdiv class=\"haudio\"\u003e\n\u003cdiv class=\"listen-file-header\"\u003e\u003ca title=\"File:Metallica - Seek and Destroy.ogg\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Metallica_-_Seek_and_Destroy.ogg\"\u003e\"Seek \u0026amp; Destroy\"\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"mw-tmh-player audio\"\u003e\u003ca role=\"button\" title=\"Play media\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Metallica_-_Seek_and_Destroy.ogg\" class=\"mw-tmh-play\"\u003e\u003cspan class=\"mw-tmh-play-icon\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan aria-label=\"30 seconds\" class=\"mw-tmh-duration mw-tmh-label\"\u003e0:30\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"description\"\u003eThe song opens with thin, mid-register guitars. The last two sections (5:50 onward) feature palm muted riff in low E. Since 2004, \"Seek \u0026amp; Destroy\" serves as the closer on Metallica's live set.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEPillsbury200618_47-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEPillsbury200618-47\"\u003e[47]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"side-box-abovebelow\"\u003e\n\u003chr\u003e\n\u003ci class=\"selfreference\"\u003eProblems playing this file? See\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Help:Media\" href=\"https:\/\/en.wikipedia.org\/wiki\/Help:Media\"\u003emedia help\u003c\/a\u003e.\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\"Phantom Lord\" is a lyrical nod to devilry. The song begins with synthesized bass drone and contains a middle section with clean, arpeggiated guitar chords. Written by Mustaine, its central riff is in NWOBHM fashion.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver200994_45-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver200994-45\"\u003e[45]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\"No Remorse\" is a mid-tempo song which suddenly accelerates its tempo in the fifth-minute .\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEMcIver200995_48-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEMcIver200995-48\"\u003e[48]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eThe song is about not feeling any remorse or sense of repentance during battle.\u003c\/p\u003e\n\u003cp\u003e\"\u003ca title=\"Seek \u0026amp; Destroy\" href=\"https:\/\/en.wikipedia.org\/wiki\/Seek_%26_Destroy\"\u003eSeek \u0026amp; Destroy\u003c\/a\u003e\" was inspired by Diamond Head's \"Dead Reckoning\"\u003csup class=\"reference\" id=\"cite_ref-Guitar_World_4-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-Guitar_World-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand is the first song Metallica recorded during the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKill 'Em All\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003esessions.\u003csup class=\"reference\" id=\"cite_ref-Billboard_29-1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-Billboard-29\"\u003e[29]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eHetfield wrote the main riff in his truck outside a Los Angeles sticker factory where he was working.\u003csup class=\"reference\" id=\"cite_ref-Guitar_World_4-3\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-Guitar_World-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eBecause of its simple, one-line chorus, the song became a permanent setlist fixture and a crowd singalong.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTEDomeWall2011Chapter_1:_Kill_'Em_All_12-2\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTEDomeWall2011Chapter_1:_Kill_'Em_All-12\"\u003e[12]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\"Metal Militia\", one of the fastest songs on the album, is about heavy metal's way of life and\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Nonconformity (quality)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Nonconformity_(quality)\"\u003enonconformity\u003c\/a\u003e. Mustaine composed the main riff, which emulates a marching army. The song ends with tramping feet and bullet ricochet in a fade-out.\u003csup class=\"reference\" id=\"cite_ref-FOOTNOTENys200943_49-0\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kill_%27Em_All#cite_note-FOOTNOTENys200943-49\"\u003e[49\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e","brand":"Acceptus Records","offers":[{"title":"Default Title","offer_id":43812234363054,"sku":"","price":42.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/OTEtNDA5Ny5qcGVn.jpg?v=1678118112"},{"product_id":"accept-russian-roulette-lp-levy","title":"Accept – Russian Roulette LP levy","description":"\u003cdiv class=\"head\"\u003e\n\u003cp\u003eLabel: Music On Vinyl – MOVLP2449, BMG – MOVLP2449, RCA – MOVLP2449\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Stereo\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: Jan 7, 2022\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Heavy Metal\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 T.V. War 3:27\u003cbr\u003eA2 Monsterman 3:00\u003cbr\u003eA3 Russian Roulette 5:13\u003cbr\u003eA4 It's Hard To Find A Way 4:19\u003cbr\u003eA5 Aiming High 4:03\u003cbr\u003eB1 Heaven Is Hell 7:12\u003cbr\u003eB2 Another Second To Be 3:15\u003cbr\u003eB3 Walking In The Shadow 4:24\u003cbr\u003eB4 Man Enough To Cry 3:20\u003cbr\u003eB5 Stand Tight 4:00\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eToimitusmaksu 8€ (1-20 levyä) \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong\u003eT\u003c\/strong\u003e\u003cstrong\u003eoimitus: 1-2 viikkoa\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Russian_Roulette_(Accept_album)\"\u003eRussian Roulette (Accept album) - Wikipedia\u003c\/a\u003e\u003c\/h4\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eRussian Roulette\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis the seventh studio album by German\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Heavy_metal_music\" title=\"Heavy metal music\"\u003eheavy metal\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eband\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Accept_(band)\" title=\"Accept (band)\"\u003eAccept\u003c\/a\u003e, released in 1986. It was again recorded at Dierks-Studios, but the band chose to self-produce rather than bring back\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Dieter_Dierks\" title=\"Dieter Dierks\"\u003eDieter Dierks\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eas\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Record_producer\" title=\"Record producer\"\u003eproducer\u003c\/a\u003e. It would be the last Accept album to feature\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Udo_Dirkschneider\" title=\"Udo Dirkschneider\"\u003eUdo Dirkschneider\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eas lead vocalist until the 1993 reunion album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Objection_Overruled_(album)\" class=\"mw-redirect\" title=\"Objection Overruled (album)\"\u003eObjection Overruled\u003c\/a\u003e\u003c\/i\u003e.\u003csup id=\"cite_ref-AllMusic_1-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Russian_Roulette_(Accept_album)#cite_note-AllMusic-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe album returns Accept to the darker, heavier sound of releases prior to the more commercial-sounding predecessor\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Metal_Heart\" title=\"Metal Heart\"\u003eMetal Heart\u003c\/a\u003e\u003c\/i\u003e.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Wolf_Hoffmann\" title=\"Wolf Hoffmann\"\u003eWolf Hoffmann\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eexplained the band's decision: \"Maybe we were trying sort of go back to our natural and not polished Accept sound with that record. We weren't really all that happy with the polished and clean-sounding\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMetal Heart\u003c\/i\u003e. I was sort of very happy with my guitar playing on that record and very happy with my parts, but I remember the whole vibe of the band was at the time that we don't want to go through this again with Dieter Dierks who had produced\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMetal Heart\u003c\/i\u003e.\"\u003csup id=\"cite_ref-Wolf_4-0\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Russian_Roulette_(Accept_album)#cite_note-Wolf-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Peter_Baltes\" title=\"Peter Baltes\"\u003ePeter Baltes\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eexplained the album's title and front cover as an expression of the strong anti-war themes throughout the record, showing war as a game of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Russian_roulette\" title=\"Russian roulette\"\u003eRussian roulette\u003c\/a\u003e: \"It means - go and play the game y'know, what a silly game it is. One will die definitely.\"\u003csup id=\"cite_ref-5\" class=\"reference\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Russian_Roulette_(Accept_album)#cite_note-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe digitally remastered CD edition includes live versions of \"Metal Heart\" and \"Screaming for a Love-Bite\" as bonus tracks, taken from the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kaizoku-Ban\" title=\"Kaizoku-Ban\"\u003eKaizoku-Ban\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eEP. The 2014 release from UK based record label Hear No Evil Recordings features live versions of \"Neon Nights\", \"\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Burning_(Accept_song)\" title=\"Burning (Accept song)\"\u003eBurning\u003c\/a\u003e\" and \"Head Over Heels\", taken from the 1990 live album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Staying_a_Life\" title=\"Staying a Life\"\u003eStaying a Life\u003c\/a\u003e\u003c\/i\u003e.\u003c\/p\u003e\n\u003cdl\u003e\n\u003cdt\u003eBand members\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Udo_Dirkschneider\" title=\"Udo Dirkschneider\"\u003eUdo Dirkschneider\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– vocals\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Wolf_Hoffmann\" title=\"Wolf Hoffmann\"\u003eWolf Hoffmann\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– guitars\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/J%C3%B6rg_Fischer\" title=\"Jörg Fischer\"\u003eJörg Fischer\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– guitars\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Peter_Baltes\" title=\"Peter Baltes\"\u003ePeter Baltes\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– bass guitar\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Stefan_Kaufmann_(musician)\" title=\"Stefan Kaufmann (musician)\"\u003eStefan Kaufmann\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– drums\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdl\u003e\n\u003cdt\u003eProduction\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Wagener\" title=\"Michael Wagener\"\u003eMichael Wagener\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– engineer\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Mark_Dodson\" title=\"Mark Dodson\"\u003eMark Dodson\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– mixing\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Bob_Ludwig\" title=\"Bob Ludwig\"\u003eBob Ludwig\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– mastering at\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Masterdisk\" title=\"Masterdisk\"\u003eMasterdisk\u003c\/a\u003e, New York\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Gaby_Hoffmann_(manager)\" class=\"mw-redirect\" title=\"Gaby Hoffmann (manager)\"\u003eGaby \"Deaffy\" Hauke\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e– management, cover concept\u003c\/li\u003e\n\u003cli\u003eDidi Zill Bravo – cover photo\u003c\/li\u003e\n\u003cli\u003eProduced and arranged by Accept for Breeze Music Gmbh\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":46406888128855,"sku":"","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/NTItNjMwNC5qcGVn.jpg?v=1679223596"},{"product_id":"backyard-babies-sliver-gold-lp-levy","title":"Backyard Babies – Sliver \u0026 Gold LP levy","description":"\u003cdiv class=\"head\"\u003e\n\u003cp\u003eLabel: Century Media – 19075937301\u003cbr data-mce-fragment=\"1\"\u003eFormat: Vinyl, LP, Album\u003cbr data-mce-fragment=\"1\"\u003eCountry: Europe\u003cbr data-mce-fragment=\"1\"\u003eReleased: May 3, 2019\u003cbr data-mce-fragment=\"1\"\u003eGenre: Rock\u003cbr data-mce-fragment=\"1\"\u003eStyle: Rock \u0026amp; Roll, Hard Rockk\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Good Morning Midnight 2:59\u003cbr\u003eA2 Simple Being Sold 2:49\u003cbr\u003eA3 Shovin' Rocks 3:19\u003cbr\u003eA4 Ragged Flag 3:19\u003cbr\u003eA5 Yes To All No 3:08\u003cbr\u003eB1 Bad Seeds 3:48\u003cbr\u003eB2 44 Undead 3:23\u003cbr\u003eB3 Sliver \u0026amp; Gold 3:14\u003cbr\u003eB4 Day Late In My Dollar Shorts 2:47\u003cbr\u003eB5 Laugh Now Cry Later 6:15\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eToimitusmaksu 8€ (1-20 levyä) \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong\u003eT\u003c\/strong\u003e\u003cstrong\u003eoimitus: 1-2 viikkoa\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":46477693190487,"sku":"","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/NjAtNzc3Ni5qcGVn.jpg?v=1681144904"},{"product_id":"zz-top-eliminator-lp-levy","title":"ZZ Top – Eliminator LP levy","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSaatavuus : 1-2 viikkoa\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eToimitusmaksu: 8€ (1-20 levyä samaan pakettiin)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLevyn kunto: Mint uusi, avaamaton  \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel: Warner Records – R1 23774, Warner Records – 08122796555\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, 180 gram\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: 2019\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Pop Rock, Hard Rock\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Gimme All Your Lovin' 3:59\u003cbr\u003eA2 Got Me Under Pressure 3:59\u003cbr\u003eA3 Sharp Dressed Man 4:13\u003cbr\u003eA4 I Need You Tonight 6:14\u003cbr\u003eA5 I Got The Six 2:52\u003cbr\u003eB1 Legs 4:35\u003cbr\u003eB2 Thug 4:17\u003cbr\u003eB3 TV Dinners 3:50\u003cbr\u003eB4 Dirty Dog 4:05\u003cbr\u003eB5 If I Could Only Flag Her Down 3:40\u003cbr\u003eB6 Bad Girl 3:16\u003c\/p\u003e\n\u003cdiv class=\"main_2FbVC\"\u003e\n\u003csection class=\"section_9nUx6 open_BZ6Zt\" id=\"release-companies\"\u003e\n\u003cdiv class=\"content_1TFzi\"\u003e\n\u003cul class=\"list_3ky-r\"\u003e\n\u003cli\u003e\n\u003cspan class=\"entity_1XpR8\"\u003eMarketed By\u003c\/span\u003e – \u003ca class=\"link_1ctor\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/label\/32866-Warner-Strategic-Marketing\"\u003eWarner Strategic Marketing\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"entity_1XpR8\"\u003ePhonographic Copyright ℗\u003c\/span\u003e – \u003ca class=\"link_1ctor\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/label\/134882-Warner-Records\"\u003eWarner Records\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"entity_1XpR8\"\u003eCopyright ©\u003c\/span\u003e – \u003ca class=\"link_1ctor\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/label\/134882-Warner-Records\"\u003eWarner Records\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"entity_1XpR8\"\u003ePublished By\u003c\/span\u003e – \u003ca class=\"link_1ctor\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/label\/282842-Hamstein-Music-Co\"\u003eHamstein Music Co.\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"entity_1XpR8\"\u003eLacquer Cut At\u003c\/span\u003e – \u003ca class=\"link_1ctor\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/label\/313190-Optimal-Media-GmbH\"\u003eOptimal Media GmbH\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"main_2FbVC\"\u003e\n\u003csection class=\"section_9nUx6 open_BZ6Zt\" id=\"release-credits\"\u003e\u003c\/section\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"content_1TFzi\"\u003e\n\u003cul class=\"list_1HutQ\"\u003e\n\u003cli\u003e\n\u003cspan class=\"role_2ga14\"\u003eArtwork [Artwork Coordination]\u003c\/span\u003e – \u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/1856066-Bob-Alford\"\u003eBob Alford\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role_2ga14\"\u003eBass\u003c\/span\u003e – \u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/450417-Dusty-Hill\"\u003eDusty Hill\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role_2ga14\"\u003eDrums\u003c\/span\u003e – \u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/450418-Frank-Beard\"\u003eFrank Beard\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role_2ga14\"\u003eEngineer\u003c\/span\u003e – \u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/271098-Bob-Ludwig\"\u003eBob Ludwig\u003c\/a\u003e\u003c\/span\u003e, \u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/278968-Terry-Manning\"\u003eTerry Manning\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role_2ga14\"\u003eGuitar\u003c\/span\u003e – \u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/383191-Billy-Gibbons\"\u003eBilly Gibbons\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role_2ga14\"\u003eIllustration [Cover Illustration]\u003c\/span\u003e – \u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/2364691-Tom-Hunnicutt\"\u003eTom Hunnicutt\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role_2ga14\"\u003eProducer\u003c\/span\u003e – \u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/261067-Bill-Ham\"\u003eBill Ham\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role_2ga14\"\u003eVocals\u003c\/span\u003e – \u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/383191-Billy-Gibbons\"\u003eBilly Gibbons\u003c\/a\u003e\u003c\/span\u003e, \u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/450417-Dusty-Hill\"\u003eDusty Hill\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role_2ga14\"\u003eWritten-By\u003c\/span\u003e – \u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/383191-Billy-Gibbons\"\u003eGibbons\u003c\/a\u003e*\u003c\/span\u003e, \u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/450417-Dusty-Hill\"\u003eHill\u003c\/a\u003e*\u003c\/span\u003e, \u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/450418-Frank-Beard\"\u003eBeard\u003c\/a\u003e*\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Warner","offers":[{"title":"Default Title","offer_id":46479769076055,"sku":"","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/NzktNjk5My5qcGVn.jpg?v=1681219999"},{"product_id":"muddy-moonshine-are-we-there-yet-lp-levy","title":"Muddy Moonshine - Are We There Yet?  LP tai CD levy","description":"\u003cp\u003eLabel: Secret Entertainment\u003cbr\u003eFormat: Vinyl \u0026amp; CD\u003cbr\u003eCountry: Finland\u003cbr\u003eReleased: 2022\u003cbr\u003eGenre: Rock, Southern Rock, Blues \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMUDDY MOONSHINE - \"Heavy driven blues with a touch of the American south.\"\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eYhtye on perustettu vuonna 2014 Vantaalla. Bändi yhdistelee musiikissaan blues-, southern- ja hard rock -elementtejä. Bändin jäsenillä on taustaa aina hard rockista death- ja black metaliin, mikä on ei-niin-luontaisesti johtanut soittamaan blues-pohjaista rockia. Tämä erityislaatuinen mix kuuluu bändin uniikissa soundissa. Bändin jäsenten muista yhteyksistä voidaan mainita mm. nimet Ajattara, Zombie Rodeo, Iconofear ja Amputory.\u003cbr\u003e\u003cbr\u003eMusiikit ja mediat:\u003cbr\u003ehttps:\/\/linktr.ee\/muddymoonshine\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu LP 8€ tai  CD 4,2€ \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: heti \u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Under the Moon\u003cbr\u003e2. Crystal Riders\u003cbr\u003e3. Sold Out\u003cbr\u003e4. Corn Whiskey a Go\u003cbr\u003e5. Charm of Drinking Hard\u003cbr\u003e6. Distilled in Bayou\u003cbr\u003e7. In a Dream, In a Song, On a Movie\u003cbr\u003e8. Keep on Riding\u003cbr\u003e9. Into the Night\u003cbr\u003e10. One More Time\u003cbr\u003e11. Me \u0026amp; You\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/DWHpAwlUbcc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Recstore","offers":[{"title":"CD levy","offer_id":46490767655255,"sku":"","price":12.9,"currency_code":"EUR","in_stock":true},{"title":"LP Levy","offer_id":46490767688023,"sku":"","price":24.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/muddy1.jpg?v=1681655700"},{"product_id":"muddy-moonshine-muddy-wild-lp-levy","title":"Muddy Moonshine - Muddy \u0026 Wild  CD levy","description":"\u003cp\u003eLabel: Secret Entertainment, 6430015104570\u003cbr\u003eFormat: CD\u003cbr\u003eCountry: Finland\u003cbr\u003eReleased: 2016\u003cbr\u003eGenre: Rock, Southern Rock, Blues \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMUDDY MOONSHINE - \"Heavy driven blues with a touch of the American south.\"\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eYhtye on perustettu vuonna 2014 Vantaalla. Bändi yhdistelee musiikissaan blues-, southern- ja hard rock -elementtejä. Bändin jäsenillä on taustaa aina hard rockista death- ja black metaliin, mikä on ei-niin-luontaisesti johtanut soittamaan blues-pohjaista rockia. Tämä erityislaatuinen mix kuuluu bändin uniikissa soundissa. Bändin jäsenten muista yhteyksistä voidaan mainita mm. nimet Ajattara, Zombie Rodeo, Iconofear ja Amputory.\u003cbr\u003e\u003cbr\u003eMusiikit ja mediat:\u003cbr\u003ehttps:\/\/linktr.ee\/muddymoonshine\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 4,2€ \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: heti\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01. Back In Jail\u003cbr\u003e02. Drunk As Fuck\u003cbr\u003e03. This Town Of Mine\u003cbr\u003e04. Moonshineman\u003cbr\u003e05. Bottle Of Love\u003cbr\u003e06. Funkytown\u003cbr\u003e07. River\u003cbr\u003e08. Blued Steel Blues\u003cbr\u003e09. Russian Pussycat Blues\u003cbr\u003e10. Stomp\u003cbr\u003e11. Succubus\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/DWHpAwlUbcc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":46490779156823,"sku":"","price":12.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/494680.jpg?v=1681665251"},{"product_id":"jazz-sabbath-jazz-sabbath-lp-levy","title":"Jazz Sabbath – Jazz Sabbath LP levy","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSaatavuus : 1-2 viikkoa\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eToimitusmaksu: 8€ (1-20 levyä samaan pakettiin)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLevyn kunto: Mint uusi, avaamaton  \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel: Blacklake – BL411348\u003cbr\u003eFormat: Vinyl, LP, Album\u003cbr\u003eCountry: Netherlands\u003cbr\u003eReleased: Apr 10, 2020\u003cbr\u003eGenre: Jazz\u003cbr\u003eStyle: Contemporary Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet\u003c\/strong\u003e\u003cbr\u003eA1 Fairies Wear Boots\u003cbr\u003eGuitar, Soloist – Steven Stringer (2)\u003cbr\u003eA2 Evil Woman\u003cbr\u003eWritten-By – Waggoner*, Wiegand*, Wiegand*\u003cbr\u003eA3 Rat Salad\u003cbr\u003eA4 Iron Man\u003cbr\u003eB1 Hand Of Doom\u003cbr\u003eGuitar, Soloist – Wes Tostrayer\u003cbr\u003eB2 Changes\u003cbr\u003eB3 Children Of The Grave\u003cbr\u003eGuitar, Soloist – Chester Drawes\u003cbr\u003eOrgan [Hammond] – Leighton B'Zard\u003cbr\u003eSaxophone – Fenton Breezley\u003cbr\u003e\u003cbr\u003e Copyright © – Westminster Music Ltd.\u003cbr\u003e Copyright © – Wixen Music UK Ltd.\u003cbr\u003e Copyright © – Onward Music Ltd.\u003cbr\u003e Phonographic Copyright ℗ – Jazz Sabbath\u003cbr\u003e Overdubbed At – The Wendy Ranch\u003cbr\u003e Overdubbed At – The Windmill Studios\u003cbr\u003e Overdubbed At – Cedar Studios, Buckingham\u003cbr\u003e Pressed By – GZ Media – 201333E\u003cbr\u003e\u003cbr\u003e Bass [Overdubs] – Jerry Meehan\u003cbr\u003e Design – Blacklake (2)\u003cbr\u003e Drums – Juan Take\u003cbr\u003e Drums [Overdubs] – Ash Soan\u003cbr\u003e Electric Upright Bass – Jacque T'Fono\u003cbr\u003e Mastered By – Brett Caldas-Lima\u003cbr\u003e Mixed By – Gary Stevenson\u003cbr\u003e Photography By – Richard Forster (3)\u003cbr\u003e Piano, Piano [Overdubs] – Milton Keanes\u003cbr\u003e Producer – Milton Keanes\u003cbr\u003e Written-By – Ward* (tracks: A1, A3 to B3), Osbourne* (tracks: A1, A3 to B3), Butler* (tracks: A1, A3 to B3), Iommi* (tracks: A1, A3 to B3)\u003c\/p\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":46666765336919,"sku":"","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/files\/NzMtNzE3Mi5qcGVn.jpg?v=1682488210"},{"product_id":"jazz-sabbath-vol-2-lp-levy","title":"Jazz Sabbath – Vol. 2 LP levy","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSaatavuus : 1-2 viikkoa\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eToimitusmaksu: 8€ (1-20 levyä samaan pakettiin)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLevyn kunto: Mint uusi, avaamaton  \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel: Blacklake – BL411373\u003cbr\u003eFormat: Vinyl, LP, Album, Stereo\u003cbr\u003eCountry: UK \u0026amp; Europe\u003cbr\u003eReleased: Apr 23, 2022\u003cbr\u003eGenre: Jazz\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Kappaleet\u003c\/strong\u003e\u003cbr\u003eA1 Paranoid 7:57\u003cbr\u003eA2 Snowblind 6:10\u003cbr\u003eA3 Behind The Wall Of Sleep 6:27\u003cbr\u003eB1 Sabbra Cadabra 4:51\u003cbr\u003eB2 Symptom Of The Universe 4:38\u003cbr\u003eB3 N.I.B. 5:47\u003cbr\u003eB4 Black Sabbath 5:56\u003cbr\u003e\u003cbr\u003e Phonographic Copyright ℗ – Jazz Sabbath\u003cbr\u003e Copyright © – Westminster Music Ltd.\u003cbr\u003e Copyright © – Onward Music Ltd.\u003cbr\u003e Pressed By – GZ Media – 238858E\u003cbr\u003e\u003cbr\u003e Bass [Upright] – Jacque T'Fono\u003cbr\u003e Cover, Design – Blacklake (2)\u003cbr\u003e Drums – Juan Take\u003cbr\u003e Guitar [Solo] – Angus Guitaropoulus (tracks: A1), Arthur Itis (tracks: B1), Newton Abbot (tracks: B3), Wes Tostrayer (tracks: A2)\u003cbr\u003e Horns, Arranged By – Loquacious Fellaish\u003cbr\u003e Mastered By – Brett Caldas-Lima\u003cbr\u003e Mixed By – Adam Wakeman\u003cbr\u003e Organ [Hammond] – Leighton B'Zard\u003cbr\u003e Percussion – Francis Mellie\u003cbr\u003e Piano – Milton Keanes\u003cbr\u003e Piano [Fender Rhodes] – Allen Kees\u003cbr\u003e Producer – Milton Keanes\u003cbr\u003e Saxophone, Clarinet – Fenton Breezley\u003cbr\u003e Trombone, Euphonium – Lester Trumpton\u003cbr\u003e Trumpet – Elton Spanks-William\u003cbr\u003e\u003cbr\u003eSome copies come with a limited edition 12\" art print, other copies come with a merchandise flyer.\u003c\/p\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":46666767958359,"sku":"","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/files\/MjQtNDY0OC5qcGVn.jpg?v=1682488474"},{"product_id":"bomfunk-mcs-in-stereo-lp-levy","title":"Bomfunk MC's  - In Stereo LP levy","description":"\u003cb\u003eARTIST: \u003c\/b\u003eBomfunk MC's\u003cbr\u003e\u003cb\u003eTITLE: \u003c\/b\u003eIn Stereo\u003cbr\u003e\u003cb\u003eTYPE: \u003c\/b\u003eVinyl\u003cbr\u003e\u003cb\u003eFORMAT: \u003c\/b\u003e2 x Vinyl, LP, Album\u003cbr\u003e\u003cb\u003eCOUNTRY: \u003c\/b\u003eEurope\u003cbr\u003e\u003cbr\u003e\u003cb\u003eGENRE: \u003c\/b\u003eElectronic, Hip Hop\u003cbr\u003e\u003cb\u003eSTYLES: \u003c\/b\u003eHouse, Electro, Jungle, Acid House\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMEDIA: \u003c\/b\u003eMint (M)\u003cbr\u003e\u003cb\u003eSLEEVE: \u003c\/b\u003eMint (M)\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTRACKLIST: \u003c\/b\u003e\u003cbr\u003eA1 Uprocking Beats\u003cbr\u003eA2 Other Emcee's\u003cbr\u003eA3 B-Boys \u0026amp; 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The actual product may vary due to the condition of the current copy in stock.\u003c\/p\u003e","brand":"Acceptus Records","offers":[{"title":"Default Title","offer_id":46706137629015,"sku":"","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/products\/NS5qcGVn_4fd4ad62-991c-492c-a435-80a0c8e548a7.jpg?v=1683723471"},{"product_id":"motley-crue-dr-feelgood-lp-levy","title":"Mötley Crüe – Dr. Feelgood LP levy","description":"\u003cdiv class=\"head\"\u003e\n\u003cp\u003eLabel: BMG – 538782551\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Remastered, 40th Anniversary Remaster\u003cbr\u003eCountry: US\u003cbr\u003eReleased: 2022\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Hard Rock, Glam\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet\u003c\/strong\u003e\u003cbr\u003eA1 T.N.T (Terror 'N' Tinseltown) 0:43\u003cbr\u003eA2 Dr. Feelgood 4:50\u003cbr\u003eA3 Slice Of Your Pie 4:31\u003cbr\u003eA4 Rattlesnake Shake 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data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong\u003eT\u003c\/strong\u003e\u003cstrong\u003eoimitus: 1-2 viikkoa\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":46712491245911,"sku":"","price":33.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/files\/Motley_Crue_Dr._Feelgood.jpg?v=1686642712"},{"product_id":"metallica-master-of-puppets-lp-levy","title":"Metallica – Master Of Puppets LP levy","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: 1-2 viikkoa\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eLabel: Blackened – BLCKND005R-1, Blackened – 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Weinberg\u003cbr\u003eMixed By – Michael Wagener\u003cbr\u003ePhotography By [Back Cover, Cliff] – Rich Likong\u003cbr\u003ePhotography By [Back Cover, James] – Ross Halfin\u003cbr\u003ePhotography By [Back Cover, Kirk] – Ross Halfin\u003cbr\u003ePhotography By [Back Cover, Lars] – Rob Ellis*\u003cbr\u003ePhotography By [Inner Sleeve Pix] – Ross Halfin\u003cbr\u003eProducer – Flemming Rasmussen, Metallica\u003cbr\u003eRhythm Guitar, Vocals – James Hetfield\u003cbr\u003e\u003cbr\u003ePrinted insert with lyrics, credits and photographs.\u003cbr\u003eDownload card with digital version of the album.\u003cbr\u003eMerchandise card for \"Master Of Puppets book\".\u003cbr\u003e\u003cbr\u003eRecorded Sept.-Dec. 1985 at Sweet Silence Studios, Copenhagen, Denmark.\u003cbr\u003eMixed at Amigo Studios, North Hollywood, CA.\u003cbr\u003eMastered at Howie Weinberg Mastering, Los Angeles, CA.\u003cbr\u003eVinyl masters by Chris Bellman at Bernie Grundman Mastering, Los Angeles, CA.\u003cbr\u003e\u003cbr\u003eMade in EU.\u003cbr\u003e\u003cbr\u003eCopyright © 1986 Creeping Death Music (Global Music Rights)\u003cbr\u003e© ℗ 1986 Blackened Recordings, under exclusive license to Universal International Music B.V.\u003c\/p\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":46718145331543,"sku":"","price":42.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/files\/MzYtMTIxNi5qcGVn.jpg?v=1684055575"},{"product_id":"metallica-metallica-lp-levy","title":"Metallica – Metallica LP levy","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: 1-2 viikkoa \u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003eLabel: Blackened – BLCKND008R-1\u003cbr\u003eFormat: 2 x Vinyl, LP, Album, Limited Edition, Reissue, Remastered\u003cbr\u003eCountry: US\u003cbr\u003eReleased: Sep 10, 2021\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Heavy Metal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eKappaleet\u003c\/strong\u003e\u003cbr\u003eA1 Enter Sandman\u003cbr\u003eWritten-By – Hetfield*, Hammett*, Ulrich*\u003cbr\u003e5:29\u003cbr\u003eA2 Sad But True\u003cbr\u003eWritten-By – Hetfield*, Ulrich*\u003cbr\u003e5:24\u003cbr\u003eA3 Holier Than Thou\u003cbr\u003eWritten-By – Hetfield*, Ulrich*\u003cbr\u003e3:47\u003cbr\u003eB1 The Unforgiven\u003cbr\u003eWritten-By – Hetfield*, Hammett*, Ulrich*\u003cbr\u003e6:26\u003cbr\u003eB2 Wherever I May Roam\u003cbr\u003eWritten-By – Hetfield*, Ulrich*\u003cbr\u003e6:42\u003cbr\u003eB3 Don't Tread On Me\u003cbr\u003eWritten-By – Hetfield*, Ulrich*\u003cbr\u003e3:59\u003cbr\u003eC1 Through The Never\u003cbr\u003eWritten-By – Hetfield*, Hammett*, Ulrich*\u003cbr\u003e4:01\u003cbr\u003eC2 Nothing Else Matters\u003cbr\u003eArranged By [Orchestration] – Michael Kamen\u003cbr\u003eWritten-By – Hetfield*, Ulrich*\u003cbr\u003e6:29\u003cbr\u003eC3 Of Wolf And Man\u003cbr\u003eWritten-By – Hetfield*, Hammett*, Ulrich*\u003cbr\u003e4:16\u003cbr\u003eD1 The God That Failed\u003cbr\u003eWritten-By – Hetfield*, Ulrich*\u003cbr\u003e5:05\u003cbr\u003eD2 My Friend Of Misery\u003cbr\u003eWritten-By – Hetfield*, Newsted*, Ulrich*\u003cbr\u003e6:47\u003cbr\u003eD3 The Struggle Within\u003cbr\u003eWritten-By – Hetfield*, Ulrich*\u003cbr\u003e3:51\u003cbr\u003e\u003cbr\u003e Bass – Jason Newsted\u003cbr\u003e Drums – Lars Ulrich\u003cbr\u003e Guitar, Vocals – James Hetfield\u003cbr\u003e Lacquer Cut By – CB*\u003cbr\u003e Lead Guitar – Kirk Hammett\u003cbr\u003e Producer – Bob Rock, Hetfield*, Ulrich*\u003cbr\u003e Recorded By – Randy Staub\u003cbr\u003e Recorded By [Assisted] – Mike Tacci\u003cbr\u003e Remastered By [Vinyl Remaster] – Reuben Cohen \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":46718158307671,"sku":"","price":42.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/files\/NTQtOTk4MC5qcGVn.jpg?v=1684055890"},{"product_id":"unisonic-unisonic-lp-cd-levy","title":"Unisonic – Unisonic  LP + CD levy","description":"\u003cp\u003eLabel: Ear Music – 0207571ERE\u003cbr\u003eFormat: Vinyl, LP, Album CD, Album\u003cbr\u003eCountry: Germany\u003cbr\u003eReleased: 2012\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Heavy Metal\u003c\/p\u003e\n\u003ch4\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003eKunto : mint, uusi\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: heti \u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003e \u003cstrong\u003eKappaleet \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Unisonic 3:27\u003cbr\u003eA2 Souls Alive 5:15\u003cbr\u003eA3 Never Too Late 4:29\u003cbr\u003eA4 I've Tried 4:55\u003cbr\u003eA5 Star Rider 4:19\u003cbr\u003eA6 Never Change Me 3:44\u003cbr\u003eB1 Renegade 4:38\u003cbr\u003eB2 My Sanctuary 4:17\u003cbr\u003eB3 King For A Day 4:10\u003cbr\u003eB4 We Rise 4:40\u003cbr\u003eB5 No One Ever Sees Me 6:16\u003cbr\u003eCD-1 Unisonic 3:27\u003cbr\u003eCD-2 Souls Alive 5:15\u003cbr\u003eCD-3 Never Too Late 4:29\u003cbr\u003eCD-4 I've Tried 4:55\u003cbr\u003eCD-5 Star Rider 4:19\u003cbr\u003eCD-6 Never Change Me 3:44\u003cbr\u003eCD-7 Renegade 4:38\u003cbr\u003eCD-8 My Sanctuary 4:17\u003cbr\u003eCD-9 King For A Day 4:10\u003cbr\u003eCD-10 We Rise 4:40\u003cbr\u003eCD-11 No One Ever Sees Me 6:16\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Unisonic_(album)\"\u003eUnisonic (album) - Wikipedia\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eUnisonic\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis the debut album by the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Hard rock\" href=\"https:\/\/en.wikipedia.org\/wiki\/Hard_rock\"\u003ehard rock\u003c\/a\u003e\/\u003ca title=\"Power metal\" href=\"https:\/\/en.wikipedia.org\/wiki\/Power_metal\"\u003epower metal\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eband\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Unisonic (band)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Unisonic_(band)\"\u003eUnisonic\u003c\/a\u003e. It was released in 2012 on earMUSIC. The album is the group's first full-length studio release and since\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Keeper of the Seven Keys, Pt. 2\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Keeper_of_the_Seven_Keys,_Pt._2\"\u003eKeeper of the Seven Keys, Pt. 2\u003c\/a\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1988) by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Helloween\" href=\"https:\/\/en.wikipedia.org\/wiki\/Helloween\"\u003eHelloween\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ethe first album to feature both\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Kai Hansen\" href=\"https:\/\/en.wikipedia.org\/wiki\/Kai_Hansen\"\u003eKai Hansen\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Michael Kiske\" href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Kiske\"\u003eMichael Kiske\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eperforming on all songs.\u003csup class=\"reference\" id=\"cite_ref-4\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Unisonic_(album)#cite_note-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Production\" class=\"mw-headline\"\u003eProduction\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Production\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Unisonic_(album)\u0026amp;action=edit\u0026amp;section=1\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe majority of the songs were written by\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Dennis Ward (musician)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Dennis_Ward_(musician)\"\u003eDennis Ward\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand Kai Hansen, with further input from\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Mandy Meyer\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mandy_Meyer\"\u003eMandy Meyer\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand Michael Kiske.\u003csup class=\"reference\" id=\"cite_ref-5\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Unisonic_(album)#cite_note-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eA\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Music video\" href=\"https:\/\/en.wikipedia.org\/wiki\/Music_video\"\u003emusic video\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewas filmed for the song\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=2XR65ATnBWI\" class=\"external text\" rel=\"nofollow\"\u003e\u003cspan class=\"plainlinks\"\u003e\u003ci\u003eUnisonic\u003c\/i\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eon\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"YouTube\" href=\"https:\/\/en.wikipedia.org\/wiki\/YouTube\"\u003eYouTube\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-6\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Unisonic_(album)#cite_note-6\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe album was released on 21 March 2012 in Japan, on 30 March 2012 in Europe and on 22 May 2012 in the US, with cover art credited to\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Martin Häusler\" href=\"https:\/\/en.wikipedia.org\/wiki\/Martin_H%C3%A4usler\"\u003eMartin Häusler\u003c\/a\u003e. The album became available in several special editions, such as the European (Mediabook),\u003csup class=\"reference\" id=\"cite_ref-7\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Unisonic_(album)#cite_note-7\"\u003e[7]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ethe Japanese\u003csup class=\"reference\" id=\"cite_ref-8\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Unisonic_(album)#cite_note-8\"\u003e[8]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand the US,\u003csup class=\"reference\" id=\"cite_ref-9\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Unisonic_(album)#cite_note-9\"\u003e[9]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eeach containing a different bonus track.\u003c\/p\u003e\n\u003cp\u003eUnisonic's debut album entered several international music charts, scoring the highest points on the\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Finland's Official List\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Finland%27s_Official_List\"\u003eFinnish albums chart\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Japanese Albums Chart\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Japanese_Albums_Chart\"\u003eJapanese albums chart\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"German Albums Chart\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/German_Albums_Chart\"\u003eGerman albums chart\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Swedish Recording Industry Association\" href=\"https:\/\/en.wikipedia.org\/wiki\/Swedish_Recording_Industry_Association\"\u003eSwedish albums chart\u003c\/a\u003e.\u003csup class=\"reference\" id=\"cite_ref-10\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Unisonic_(album)#cite_note-10\"\u003e[10]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Accolades\" class=\"mw-headline\"\u003eAccolades\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Accolades\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Unisonic_(album)\u0026amp;action=edit\u0026amp;section=2\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Burrn!\" href=\"https:\/\/en.wikipedia.org\/wiki\/Burrn!\"\u003eBurrn!\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003emagazine's 2012 Readers Poll,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eUnisonic\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eranked at #2 (behind Accept's\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003ca title=\"Stalingrad (Accept album)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Stalingrad_(Accept_album)\"\u003eStalingrad\u003c\/a\u003e\u003c\/i\u003e) for Best Album and the title track won Best Song.\u003csup class=\"reference\" id=\"cite_ref-11\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Unisonic_(album)#cite_note-11\"\u003e[11]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan id=\"Personnel\" class=\"mw-headline\"\u003ePersonnel\u003c\/span\u003e\u003cspan class=\"mw-editsection\"\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e[\u003c\/span\u003e\u003ca title=\"Edit section: Personnel\" href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Unisonic_(album)\u0026amp;action=edit\u0026amp;section=4\"\u003eedit\u003c\/a\u003e\u003cspan class=\"mw-editsection-bracket\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca title=\"Michael Kiske\" href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Kiske\"\u003eMichael Kiske\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Lead vocals\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Lead_vocals\"\u003elead vocals\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Kai Hansen\" href=\"https:\/\/en.wikipedia.org\/wiki\/Kai_Hansen\"\u003eKai Hansen\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Lead guitar\" href=\"https:\/\/en.wikipedia.org\/wiki\/Lead_guitar\"\u003elead\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u0026amp;\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Rhythm guitar\" href=\"https:\/\/en.wikipedia.org\/wiki\/Rhythm_guitar\"\u003erhythm guitars\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Backing vocals\" class=\"mw-redirect\" href=\"https:\/\/en.wikipedia.org\/wiki\/Backing_vocals\"\u003ebacking vocals\u003c\/a\u003e, co-producer\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Mandy Meyer\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mandy_Meyer\"\u003eMandy Meyer\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e- lead \u0026amp; rhythm guitars\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Dennis Ward (musician)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Dennis_Ward_(musician)\"\u003eDennis Ward\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Bass guitar\" href=\"https:\/\/en.wikipedia.org\/wiki\/Bass_guitar\"\u003ebass\u003c\/a\u003e, backing vocals, producer, engineer, mixing\u003c\/li\u003e\n\u003cli\u003e\n\u003ca title=\"Kosta Zafiriou\" href=\"https:\/\/en.wikipedia.org\/wiki\/Kosta_Zafiriou\"\u003eKosta Zafiriou\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Drum kit\" href=\"https:\/\/en.wikipedia.org\/wiki\/Drum_kit\"\u003edrums\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Percussion instrument\" href=\"https:\/\/en.wikipedia.org\/wiki\/Percussion_instrument\"\u003epercussion\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdl\u003e\n\u003cdt\u003eGuest session musician\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cul\u003e\n\u003cli\u003eGünter Werno -\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Keyboard instrument\" href=\"https:\/\/en.wikipedia.org\/wiki\/Keyboard_instrument\"\u003ekeyboards\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eon tracks 2, 4 \u0026amp; 12\u003csup class=\"reference\" id=\"cite_ref-13\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Unisonic_(album)#cite_note-13\"\u003e[13]\u003c\/a\u003e\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":46725110759767,"sku":"","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/files\/345713958_191832117092133_3093607923943973968_n.jpg?v=1684229393"},{"product_id":"judas-priest-screaming-for-vengeance-lp-levy","title":"Judas Priest – Screaming For Vengeance  LP levy","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eKunto: Uusi (Mint)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä) \u003c\/span\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: 1-2 viikkoa \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLabel: Columbia – 88985390861, Legacy – 88985390861, Sony Music – 88985390861\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, 180 gram\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: Dec 1, 2017\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Heavy Metal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet\u003c\/strong\u003e\u003cbr\u003eA1 The Hellion\u003cbr\u003eA2 Electric Eye\u003cbr\u003eA3 Riding On The Wind\u003cbr\u003eA4 Bloodstone\u003cbr\u003eA5 (Take These) Chains\u003cbr\u003eA6 Pain And Pleasure\u003cbr\u003eB1 Screaming For Vengeance\u003cbr\u003eB2 You've Got Another Thing Comin'\u003cbr\u003eB3 Fever\u003cbr\u003eB4 Devil's Child\u003cbr\u003e\u003cbr\u003e Record Company – We Are Vinyl\u003cbr\u003e Distributed By – Sony Music Entertainment\u003cbr\u003e Phonographic Copyright ℗ – Sony Music Entertainment UK Limited\u003cbr\u003e Copyright © – Sony Music Entertainment UK Limited\u003cbr\u003e Published By – Sony ATV Publishing\u003cbr\u003e Published By – EMI United Partnership Ltd.\u003cbr\u003e Pressed By – MPO\u003cbr\u003e Recorded At – Ibiza Sound Studios\u003cbr\u003e Mixed At – Beejay Recording Studios\u003cbr\u003e Mixed At – Bayshore Recording Studios\u003cbr\u003e\u003cbr\u003e Artwork – Doug Johnson (7)\u003cbr\u003e Artwork [The Hellion Conceived By] – Judas Priest\u003cbr\u003e Bass Guitar – Ian Hill (2)\u003cbr\u003e Design [Original] – John Berg\u003cbr\u003e Drums – Dave Holland (2)\u003cbr\u003e Engineer – Louis Austin\u003cbr\u003e Lead Guitar – Glenn Tipton, K. K. Downing\u003cbr\u003e Lead Vocals – Rob Halford\u003cbr\u003e Management – Bill Curbishley, Jayne Andrews\u003cbr\u003e Producer – Tom Allom\u003cbr\u003e\u003cbr\u003e180g vinyl. Issued in a single sleeve with printed inner sleeve with lyrics and a mp3 download voucher.\u003cbr\u003e\u003cbr\u003e℗ 1982 Sony Music Entertainment UK Limited © 2017 Sony Music Entertainment UK Limited\u003cbr\u003eMade in the EU\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":46795149640023,"sku":"","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/files\/screamingforvengeance-437x435.jpg?v=1686832507"},{"product_id":"kopio-judas-priest-screaming-for-vengeance-lp-levy","title":"Kopio: Judas Priest - British Steel  LP levy","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eKunto: Uusi (Mint)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä) \u003c\/span\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: 1-2 viikkoa\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLabel: Columbia – 88985390951, Legacy – 88985390951, Sony Music – 88985390951\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, 180 gram\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: Nov 17, 2017\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Heavy Metal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet\u003c\/strong\u003e\u003cbr\u003eA1 Breaking The Law\u003cbr\u003eA2 Rapid Fire\u003cbr\u003eA3 Metal Gods\u003cbr\u003eA4 Grinder\u003cbr\u003eA5 United\u003cbr\u003eB6 Living After Midnight\u003cbr\u003eB7 You Don't Have To Be Old To Be Wise\u003cbr\u003eB8 The Rage\u003cbr\u003eB9 Steeler\u003cbr\u003e\u003cbr\u003e Record Company – We Are Vinyl\u003cbr\u003e Record Company – Sony Music Entertainment International Services GmbH\u003cbr\u003e Distributed By – Sony Music Entertainment\u003cbr\u003e Phonographic Copyright ℗ – Sony Music Entertainment UK Limited\u003cbr\u003e Copyright © – Sony Music Entertainment UK Limited\u003cbr\u003e Pressed By – MPO\u003cbr\u003e Published By – Sony ATV\u003cbr\u003e\u003cbr\u003e Bass Guitar – Ian Hill (2)\u003cbr\u003e Design [Original] – Roslav Szaybo\u003cbr\u003e Drums – Dave Holland (2)\u003cbr\u003e Engineer – Lou Austin*\u003cbr\u003e Lead Guitar, Written-By – Glenn Tipton, K. K. Downing\u003cbr\u003e Lead Vocals, Written-By – Rob Halford\u003cbr\u003e Management – Bill Curbishley, Jayne Andrews\u003cbr\u003e Photography By [Back cover] – R. Ellis*\u003cbr\u003e Photography By [Front cover] – R. Elsdale*\u003cbr\u003e Producer – Tom Allom\u003cbr\u003e\u003cbr\u003e180g vinyl. 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Barker\u003cbr\u003e Musician – Jeff Pilson, Ronnie James Dio, Scott Warren, Tracy G, Vinny Appice\u003cbr\u003e Producer – Barry Ehrmann\u003cbr\u003e Producer [Supervising Producer] – Mike Carden (2)\u003cbr\u003e Production Manager – Rosie Holley\u003cbr\u003e\u003cbr\u003eDio appears by arrangement with Rhino Entertainment Company, a Warner Music Group Company.\u003cbr\u003e\u003cbr\u003eBack text:\u003cbr\u003eMastered For Vinyl\u003cbr\u003eA deluxe vinyl series by earMusic in cooperation with Eagle. 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color: #ff2a00;\"\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong style=\"font-size: 0.875rem; color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä) \u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eT\u003c\/strong\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eoimitus: 1-2 viikkoa\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"head\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"head\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"head\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"head\"\u003eLabel: BMG – 538671681\u003cbr\u003eFormat: 3 x Vinyl, LP, Album, Limited Edition, 180g\u003cbr\u003eCountry: US\u003cbr\u003eReleased: 2021\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Heavy Metal\u003c\/div\u003e\n\u003cdiv class=\"head\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"head\"\u003e\n\u003cstrong\u003eKappaleet:\u003c\/strong\u003e\u003cbr\u003eA1 Senjutsu 8:20\u003cbr\u003eA2 Stratego 4:59\u003cbr\u003eA3 The Writing On The Wall 6:13\u003cbr\u003eB1 Lost In A Lost World 9:31\u003cbr\u003eB2 Days Of Future Past 4:03\u003cbr\u003eC1 The Time Machine 7:09\u003cbr\u003eC2 Darkest Hour 7:20\u003cbr\u003eD Death Of The Celts 10:20\u003cbr\u003eE The Parchment 12:39\u003cbr\u003eF Hell On Earth 11:19\u003c\/div\u003e\n\u003cdiv class=\"head\"\u003e\n\u003cbr\u003eMastered At – Table Of Tone Mastering Ltd.\u003cbr\u003eRecorded At – Studio Guillaume Tell\u003cbr\u003eBass, Keyboards, Co-producer – Steve Harris\u003cbr\u003eDrums – Nicko McBrain\u003cbr\u003eEngineer – Denis Caribaux\u003cbr\u003eGuitar – Adrian Smith (2), Dave Murray (2), Janick Gers\u003cbr\u003eLacquer Cut By – CB*\u003cbr\u003eMastered By – Ade Emsley (2)\u003cbr\u003eProducer, Mixed By – Kevin 'Caveman' Shirley*\u003cbr\u003eVocals – Bruce Dickinson\u003c\/div\u003e","brand":"Recstore","offers":[{"title":"Default Title","offer_id":47247641510231,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/files\/NzMtNTM2MC5qcGVn.jpg?v=1698077717"},{"product_id":"mick-mars-the-other-side-of-mars-cd-tai-lp-levy","title":"Mick Mars - The Other Side Of Mars  CD tai LP levy","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eLabel: \u003c\/span\u003e\u003ca style=\"font-size: 0.875rem;\" class=\"search-link textlink\" href=\"https:\/\/www.musik-medien-vertrieb.de\/s\/1313+LLC?searchtype=label\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.musik-medien-vertrieb.de\/s\/1313+LLC?searchtype=label\"\u003e1313 LLC\u003c\/a\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e 0020286246893 (CD 0020286246886) \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eFormat: Vinyl, CD\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eCountry: Holland\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eReleased: 23.2. 2024\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eGenre: Rock\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eStyle: Hard Rock\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"font-size: 0.875rem; color: #2b00ff;\"\u003e\u003cstrong\u003eJulkaisupäivä: 23.2.2024\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cstrong style=\"color: #ff2a00; font-size: 0.875rem;\"\u003eKunto: Uusi (Mint)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä) CD 4,9€ (1-2 levyä) \u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000; font-size: 0.875rem;\"\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eKappaleet:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e1 Loyal to the lie\u003cbr\u003e2 Broken on the insude\u003cbr\u003e3 Alone\u003cbr\u003e4 Killing breed\u003cbr\u003e5 Memories\u003cbr\u003e6 Right side of wrong\u003cbr\u003e7 Ready to roll\u003cbr\u003e8  Undone\u003cbr\u003e9 Ain't going back\u003cbr\u003e10 L.a. noir\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/y1wgVPaLoZ4?si=DmCK39g2oh1djSCL\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e","brand":"Acceptus Records","offers":[{"title":"Vinyyli LP","offer_id":47362287010135,"sku":null,"price":38.9,"currency_code":"EUR","in_stock":true},{"title":"CD levy","offer_id":47362287042903,"sku":"","price":21.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/1966\/0206\/files\/mickmars.jpg?v=1700563431"},{"product_id":"ac-dc-flick-of-the-switch-lp-levy","title":"AC\/DC – Flick Of The Switch  LP levy","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eKunto: Uusi (Mint)\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitusmaksu 8€ (1-20 levyä) \u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eToimitus: 1-2 viikkoa\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLabel: Columbia – 5107671, Albert Productions – 5107671, Sony Music – 5107671\u003cbr\u003eFormat: Vinyl, LP, Album, Reissue, Remastered\u003cbr\u003eCountry: Europe\u003cbr\u003eReleased: May 2009\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Hard Rock\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKappaleet:\u003c\/strong\u003e\u003cbr\u003eA1 Rising Power 3:42\u003cbr\u003eA2 This House Is On Fire 3:22\u003cbr\u003eA3 Flick Of The Switch 3:13\u003cbr\u003eA4 Nervous Shakedown 4:26\u003cbr\u003eA5 Landslide 3:56\u003cbr\u003eB1 Guns For Hire 3:24\u003cbr\u003eB2 Deep In The Hole 3:19\u003cbr\u003eB3 Bedlam In Belgium 3:51\u003cbr\u003eB4 Badlands 3:37\u003cbr\u003eB5 Brain Shake 3:58\u003cbr\u003e\u003cbr\u003e Record Company – Sony Music Entertainment\u003cbr\u003e Copyright © – Leidseplein Presse B.V.\u003cbr\u003e Phonographic Copyright ℗ – Leidseplein Presse B.V.\u003cbr\u003e Distributed By – Sony Music Entertainment\u003cbr\u003e Published By – J. Albert \u0026amp; Son (USA) Inc.\u003cbr\u003e Recorded At – Compass Point Studios\u003cbr\u003e Remastered At – Sterling Sound\u003cbr\u003e Pressed By – Optimal Media Production – B 958467\u003cbr\u003e\u003cbr\u003e Bass Guitar – Cliff Williams\u003cbr\u003e Design [Cover] – AC\/DC\u003cbr\u003e Design [Inner Sleeve] – Smay Vision\u003cbr\u003e Drums – Phil Rudd\u003cbr\u003e Engineer [Assistant] – Barry Harris (3), Benji*, Gary Helman*\u003cbr\u003e Engineer [Engineering Assistance] – Barry Wolifson, Chris Muth\u003cbr\u003e Engineer, Mixed By – Tony Platt\u003cbr\u003e Illustration [Cover Drawn By] – Brent Richardson\u003cbr\u003e Lead Guitar – Angus Young\u003cbr\u003e Liner Notes – Brad Tolinski\u003cbr\u003e Mastered By [Mastering Supervision] – Al Quaglieri, Mike Fraser\u003cbr\u003e Photography By – Anastasia Pantsios, Claude Gassian, Jeffrey Mayer, Lawrence Kirsch, Mark Weiss (3), Paul Natkin, Farrington*, William Hames\u003cbr\u003e Producer – AC\/DC\u003cbr\u003e Remastered By – George Marino\u003cbr\u003e Research [Additional Artifacts] – Albert Productions, Arnaud Durieux\u003cbr\u003e Rhythm Guitar – Malcolm Young\u003cbr\u003e Songwriter – Young*, Johnson*, Young*\u003cbr\u003e Vocals – Brian Johnson\u003cbr\u003e\u003cbr\u003ePackaging: embossed sleeve with printed inner sleeve.\u003cbr\u003e\u003cbr\u003eOriginally released as Atlantic 80100 on August 19, 1983.\u003cbr\u003e\u003cbr\u003eAll titles published by J. 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Woodland Hills\u003cbr\u003e Mastered At – Capitol Mastering\u003cbr\u003e Pressed By – MPO\u003cbr\u003e Published By – Bill Monroe Music\u003cbr\u003e Published By – APRS\u003cbr\u003e Published By – Shapiro, Bernstein \u0026amp; Co., Inc.\u003cbr\u003e Published By – Sony\/ATV Songs LLC\u003cbr\u003e Published By – Three Wise Boys Music LLC\u003cbr\u003e Published By – Setzersongs\u003cbr\u003e Published By – Nathaniel Shilkret Music Co., Inc.\u003cbr\u003e Published By – Sony\/ATV Harmony\u003cbr\u003e\u003cbr\u003e Art Direction – Kevin Tetreault\u003cbr\u003e Artwork – Dan Picasso\u003cbr\u003e Booking – William Morris Endeavor*\u003cbr\u003e Booking [For William Morris Endeavor] – Ben Schiffer, Brian Ahern (2), Rob Markus\u003cbr\u003e Design [Vinyl re-design] – Roy Koch\u003cbr\u003e Double Bass [Upright Bass] – Johnny Hatton*\u003cbr\u003e Drums – Noah Levy\u003cbr\u003e Engineer [at IPR Studios (MN)] – Eric Olsen (2), Scott LeGere\u003cbr\u003e Engineer [at Winterland Studios 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